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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F49A60 it is the complementary color #0B659F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F49A60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F49A60 shade: #F99A5B, #FFAC6E, #FFBE81, #FFD094 and #FFE2A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F49A60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F49A60 shade: #F49A60, #E3884D, #D2763A, #C16427 and #B05214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F49A60 shade: #F49B61, #F47361 and #F46161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F49A60 shade: #F49B61, #F4C261, #F4E961, #D6F461 and #AFF461

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F49A60 shade matches the following richer shades: #F49B61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F49A60 shade: #F49B61, #E69D6F, #D8A07C, #CBA38A and #BDA698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F49A60 shade: #F46177, #F47261, #F49961, #F4C061 and #F4E761

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F49A60 shade: #EE6914, #F1823B, #F49B61, #F6B388 and #F9CCAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F49A60 shade: #F49A60, #9EF461 and #6164F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F49A60 shade: #F49A60, #61F499 and #9961F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F49A60 shade: #F49A60, #9EF461, #61BBF4 and #B761F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F49A60 shade: #F49A60, #72F461, #61BBF4 and #E261F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 61 / 4

HEX #F49A60

RGB 244 154 96

HSL 23.51, 0.87%, 0.67%

LAB 71.68, 28.29, 44.09

 

Complementary color

CMYK 93 / 36 / 0 / 38

HEX #0B659F

RGB 11 101 159

HSL 203.51, 0.87%, 0.33%

LAB 41.03, -1.78, -38.04

 

CMYK 0 / 38 / 63 / 2

HEX #F99A5B

RGB 249 154 91

HSL 23.92, 0.93%, 0.67%

LAB 72.23, 29.96, 47.42

 

CMYK 0 / 33 / 57 / 0

HEX #FFAC6E

RGB 255 172 110

HSL 25.66, 1%, 0.72%

LAB 77.22, 24.27, 43.95

 

CMYK 0 / 25 / 49 / 0

HEX #FFBE81

RGB 255 190 129

HSL 29.05, 1%, 0.75%

LAB 81.66, 16.42, 39.8

 

CMYK 0 / 18 / 42 / 0

HEX #FFD094

RGB 255 208 148

HSL 33.64, 1%, 0.79%

LAB 86.26, 8.9, 36

 

CMYK 0 / 11 / 35 / 0

HEX #FFE2A7

RGB 255 226 167

HSL 40.23, 1%, 0.83%

LAB 90.98, 1.75, 32.53

 

CMYK 0 / 37 / 61 / 4

HEX #F49A60

RGB 244 154 96

HSL 23.51, 0.87%, 0.67%

LAB 71.68, 28.29, 44.09

 

CMYK 0 / 40 / 66 / 11

HEX #E3884D

RGB 227 136 77

HSL 23.6, 0.73%, 0.6%

LAB 65.34, 29.71, 45.78

 

CMYK 0 / 44 / 72 / 18

HEX #D2763A

RGB 210 118 58

HSL 23.68, 0.63%, 0.53%

LAB 58.94, 31.29, 47.5

 

CMYK 0 / 48 / 80 / 24

HEX #C16427

RGB 193 100 39

HSL 23.77, 0.66%, 0.45%

LAB 52.51, 33.05, 49.09

 

CMYK 0 / 53 / 89 / 31

HEX #B05214

RGB 176 82 20

HSL 23.85, 0.8%, 0.38%

LAB 46.06, 34.99, 50.1

 

CMYK 0 / 36 / 60 / 4

HEX #F49B61

RGB 244 155 97

HSL 23.67, 0.87%, 0.67%

LAB 71.92, 27.84, 43.86

 

CMYK 0 / 53 / 60 / 4

HEX #F47361

RGB 244 115 97

HSL 7.35, 0.87%, 0.67%

LAB 63.64, 48.15, 33.67

 

CMYK 0 / 60 / 60 / 4

HEX #F46161

RGB 244 97 97

HSL 0, 0.87%, 0.67%

LAB 60.47, 56.43, 29.63

 

CMYK 0 / 36 / 60 / 4

HEX #F49B61

RGB 244 155 97

HSL 23.67, 0.87%, 0.67%

LAB 71.92, 27.84, 43.86

 

CMYK 0 / 20 / 60 / 4

HEX #F4C261

RGB 244 194 97

HSL 39.59, 0.87%, 0.67%

LAB 81.12, 7.34, 54.63

 

CMYK 0 / 5 / 60 / 4

HEX #F4E961

RGB 244 233 97

HSL 55.51, 0.87%, 0.67%

LAB 90.95, -12.48, 65.6

 

CMYK 12 / 0 / 60 / 4

HEX #D6F461

RGB 214 244 97

HSL 72.24, 0.87%, 0.67%

LAB 91.62, -29.7, 65.68

 

CMYK 28 / 0 / 60 / 4

HEX #AFF461

RGB 175 244 97

HSL 88.16, 0.87%, 0.67%

LAB 89.24, -44.2, 62.39

 

CMYK 0 / 36 / 60 / 4

HEX #F49B61

RGB 244 155 97

HSL 23.67, 0.87%, 0.67%

LAB 71.92, 27.84, 43.86

 

CMYK 0 / 36 / 60 / 4

HEX #F49B61

RGB 244 155 97

HSL 23.67, 0.87%, 0.67%

LAB 71.92, 27.84, 43.86

 

CMYK 0 / 32 / 52 / 10

HEX #E69D6F

RGB 230 157 111

HSL 23.19, 0.7%, 0.67%

LAB 70.93, 22.26, 34.96

 

CMYK 0 / 26 / 43 / 15

HEX #D8A07C

RGB 216 160 124

HSL 23.48, 0.54%, 0.67%

LAB 70.31, 16.29, 26.88

 

CMYK 0 / 20 / 32 / 20

HEX #CBA38A

RGB 203 163 138

HSL 23.08, 0.38%, 0.67%

LAB 69.98, 11.16, 18.58

 

CMYK 0 / 12 / 20 / 26

HEX #BDA698

RGB 189 166 152

HSL 22.7, 0.22%, 0.67%

LAB 69.72, 6.1, 10.31

 

CMYK 0 / 60 / 51 / 4

HEX #F46177

RGB 244 97 119

HSL 351.02, 0.87%, 0.67%

LAB 60.88, 58.06, 17.55

 

CMYK 0 / 53 / 60 / 4

HEX #F47261

RGB 244 114 97

HSL 6.94, 0.87%, 0.67%

LAB 63.45, 48.63, 33.43

 

CMYK 0 / 37 / 60 / 4

HEX #F49961

RGB 244 153 97

HSL 22.86, 0.87%, 0.67%

LAB 71.47, 28.88, 43.32

 

CMYK 0 / 21 / 60 / 4

HEX #F4C061

RGB 244 192 97

HSL 38.78, 0.87%, 0.67%

LAB 80.62, 8.38, 54.07

 

CMYK 0 / 5 / 60 / 4

HEX #F4E761

RGB 244 231 97

HSL 54.69, 0.87%, 0.67%

LAB 90.44, -11.49, 65.03

 

CMYK 0 / 56 / 92 / 7

HEX #EE6914

RGB 238 105 20

HSL 23.39, 0.87%, 0.51%

LAB 60.19, 47.67, 64.88

 

CMYK 0 / 46 / 76 / 5

HEX #F1823B

RGB 241 130 59

HSL 23.41, 0.87%, 0.59%

LAB 65.73, 37.53, 55.39

 

CMYK 0 / 36 / 60 / 4

HEX #F49B61

RGB 244 155 97

HSL 23.67, 0.87%, 0.67%

LAB 71.92, 27.84, 43.86

 

CMYK 0 / 27 / 45 / 4

HEX #F6B388

RGB 246 179 136

HSL 23.45, 0.86%, 0.75%

LAB 78.23, 19.3, 31.54

 

CMYK 0 / 18 / 30 / 2

HEX #F9CCAE

RGB 249 204 174

HSL 24, 0.86%, 0.83%

LAB 85.19, 11.68, 20.93

 

CMYK 0 / 37 / 61 / 4

HEX #F49A60

RGB 244 154 96

HSL 23.51, 0.87%, 0.67%

LAB 71.68, 28.29, 44.09

 

CMYK 35 / 0 / 60 / 4

HEX #9EF461

RGB 158 244 97

HSL 95.1, 0.87%, 0.67%

LAB 88.37, -50.01, 61.17

 

CMYK 60 / 59 / 0 / 4

HEX #6164F4

RGB 97 100 244

HSL 238.78, 0.87%, 0.67%

LAB 49.72, 40.52, -72.8

 

CMYK 0 / 37 / 61 / 4

HEX #F49A60

RGB 244 154 96

HSL 23.51, 0.87%, 0.67%

LAB 71.68, 28.29, 44.09

 

CMYK 60 / 0 / 37 / 4

HEX #61F499

RGB 97 244 153

HSL 142.86, 0.87%, 0.67%

LAB 86.77, -59.06, 32.43

 

CMYK 37 / 60 / 0 / 4

HEX #9961F4

RGB 153 97 244

HSL 262.86, 0.87%, 0.67%

LAB 53.87, 52.86, -65.85

 

CMYK 0 / 37 / 61 / 4

HEX #F49A60

RGB 244 154 96

HSL 23.51, 0.87%, 0.67%

LAB 71.68, 28.29, 44.09

 

CMYK 35 / 0 / 60 / 4

HEX #9EF461

RGB 158 244 97

HSL 95.1, 0.87%, 0.67%

LAB 88.37, -50.01, 61.17

 

CMYK 60 / 23 / 0 / 4

HEX #61BBF4

RGB 97 187 244

HSL 203.27, 0.87%, 0.67%

LAB 72.64, -10.42, -36.35

 

CMYK 25 / 60 / 0 / 4

HEX #B761F4

RGB 183 97 244

HSL 275.1, 0.87%, 0.67%

LAB 57.22, 59.5, -60.29

 

CMYK 0 / 37 / 61 / 4

HEX #F49A60

RGB 244 154 96

HSL 23.51, 0.87%, 0.67%

LAB 71.68, 28.29, 44.09

 

CMYK 53 / 0 / 60 / 4

HEX #72F461

RGB 114 244 97

HSL 113.06, 0.87%, 0.67%

LAB 86.57, -62.97, 58.66

 

CMYK 60 / 23 / 0 / 4

HEX #61BBF4

RGB 97 187 244

HSL 203.27, 0.87%, 0.67%

LAB 72.64, -10.42, -36.35

 

CMYK 7 / 60 / 0 / 4

HEX #E261F4

RGB 226 97 244

HSL 292.65, 0.87%, 0.67%

LAB 62.72, 69.55, -51.2

 

Description

Color code: HEX #F49A60 | qconv.com Color code: HEX #F49A60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 154 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 154 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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