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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4914E it is the complementary color #0B6EB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4914E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4914E shade: #F99149, #FFA35C, #FFB56F, #FFC782 and #FFD995

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4914E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4914E shade: #F4914E, #E37F3B, #D26D28, #C15B15 and #B04902

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4914E shade: #F3904D, #F3634D and #F34D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4914E shade: #F3904D, #F3BD4D, #F3EA4D, #D0F34D and #A3F34D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4914E shade matches the following richer shades: #F3904D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4914E shade: #F3904D, #E4935C, #D5966C, #C5997B and #B69C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4914E shade: #F34D63, #F3634D, #F3904D, #F3BC4D and #F3E84D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4914E shade: #E0630E, #F17826, #F3904D, #F6A874 and #F8C09B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4914E shade: #F4914E, #90F34D and #4D4DF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4914E shade: #F4914E, #4DF390 and #904DF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4914E shade: #F4914E, #90F34D, #4DB1F3 and #B14DF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4914E shade: #F4914E, #5EF34D, #4DB1F3 and #E34DF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 68 / 4

HEX #F4914E

RGB 244 145 78

HSL 24.22, 0.88%, 0.63%

LAB 69.49, 31.89, 50.56

 

Complementary color

CMYK 94 / 38 / 0 / 31

HEX #0B6EB1

RGB 11 110 177

HSL 204.22, 0.88%, 0.37%

LAB 44.8, -0.22, -42.65

 

CMYK 0 / 42 / 71 / 2

HEX #F99149

RGB 249 145 73

HSL 24.55, 0.94%, 0.63%

LAB 70.09, 33.63, 53.79

 

CMYK 0 / 36 / 64 / 0

HEX #FFA35C

RGB 255 163 92

HSL 26.13, 1%, 0.68%

LAB 74.97, 27.73, 50.28

 

CMYK 0 / 29 / 56 / 0

HEX #FFB56F

RGB 255 181 111

HSL 29.17, 1%, 0.72%

LAB 79.3, 19.63, 45.99

 

CMYK 0 / 22 / 49 / 0

HEX #FFC782

RGB 255 199 130

HSL 33.12, 1%, 0.75%

LAB 83.82, 11.82, 42.02

 

CMYK 0 / 15 / 42 / 0

HEX #FFD995

RGB 255 217 149

HSL 38.49, 1%, 0.79%

LAB 88.47, 4.37, 38.37

 

CMYK 0 / 41 / 68 / 4

HEX #F4914E

RGB 244 145 78

HSL 24.22, 0.88%, 0.63%

LAB 69.49, 31.89, 50.56

 

CMYK 0 / 44 / 74 / 11

HEX #E37F3B

RGB 227 127 59

HSL 24.29, 0.75%, 0.56%

LAB 63.2, 33.5, 52.19

 

CMYK 0 / 48 / 81 / 18

HEX #D26D28

RGB 210 109 40

HSL 24.35, 0.68%, 0.49%

LAB 56.87, 35.28, 53.63

 

CMYK 0 / 53 / 89 / 24

HEX #C15B15

RGB 193 91 21

HSL 24.42, 0.8%, 0.42%

LAB 50.54, 37.22, 54.39

 

CMYK 0 / 59 / 99 / 31

HEX #B04902

RGB 176 73 2

HSL 24.48, 0.98%, 0.35%

LAB 44.23, 39.24, 53.96

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 0 / 59 / 68 / 5

HEX #F3634D

RGB 243 99 77

HSL 7.95, 0.87%, 0.63%

LAB 60.35, 54.04, 40.6

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4D

RGB 243 77 77

HSL 0, 0.87%, 0.63%

LAB 56.98, 63.1, 36.59

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 0 / 22 / 68 / 5

HEX #F3BD4D

RGB 243 189 77

HSL 40.48, 0.87%, 0.63%

LAB 79.61, 8.32, 61.89

 

CMYK 0 / 4 / 68 / 5

HEX #F3EA4D

RGB 243 234 77

HSL 56.75, 0.87%, 0.63%

LAB 90.98, -14.53, 73.49

 

CMYK 14 / 0 / 68 / 5

HEX #D0F34D

RGB 208 243 77

HSL 72.65, 0.87%, 0.63%

LAB 90.8, -32.86, 72.47

 

CMYK 33 / 0 / 68 / 5

HEX #A3F34D

RGB 163 243 77

HSL 88.92, 0.87%, 0.63%

LAB 88.17, -49.48, 68.95

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 0 / 36 / 60 / 11

HEX #E4935C

RGB 228 147 92

HSL 24.26, 0.72%, 0.63%

LAB 68.12, 25.26, 41.4

 

CMYK 0 / 30 / 49 / 16

HEX #D5966C

RGB 213 150 108

HSL 24, 0.56%, 0.63%

LAB 67.31, 18.87, 31.53

 

CMYK 0 / 22 / 38 / 23

HEX #C5997B

RGB 197 153 123

HSL 24.32, 0.39%, 0.63%

LAB 66.58, 12.36, 22.08

 

CMYK 0 / 14 / 24 / 29

HEX #B69C8A

RGB 182 156 138

HSL 24.55, 0.23%, 0.63%

LAB 66.18, 6.76, 12.98

 

CMYK 0 / 68 / 59 / 5

HEX #F34D63

RGB 243 77 99

HSL 352.05, 0.87%, 0.63%

LAB 57.33, 64.36, 24.36

 

CMYK 0 / 59 / 68 / 5

HEX #F3634D

RGB 243 99 77

HSL 7.95, 0.87%, 0.63%

LAB 60.35, 54.04, 40.6

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 0 / 23 / 68 / 5

HEX #F3BC4D

RGB 243 188 77

HSL 40.12, 0.87%, 0.63%

LAB 79.36, 8.84, 61.63

 

CMYK 0 / 5 / 68 / 5

HEX #F3E84D

RGB 243 232 77

HSL 56.02, 0.87%, 0.63%

LAB 90.46, -13.55, 72.98

 

CMYK 0 / 56 / 94 / 12

HEX #E0630E

RGB 224 99 14

HSL 24.29, 0.88%, 0.47%

LAB 56.88, 45.19, 63.03

 

CMYK 0 / 50 / 84 / 5

HEX #F17826

RGB 241 120 38

HSL 24.24, 0.88%, 0.55%

LAB 63.57, 41.88, 62.03

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 0 / 32 / 53 / 4

HEX #F6A874

RGB 246 168 116

HSL 24, 0.88%, 0.71%

LAB 75.36, 23.25, 38.33

 

CMYK 0 / 23 / 38 / 3

HEX #F8C09B

RGB 248 192 155

HSL 23.87, 0.87%, 0.79%

LAB 81.85, 15.28, 26.37

 

CMYK 0 / 41 / 68 / 4

HEX #F4914E

RGB 244 145 78

HSL 24.22, 0.88%, 0.63%

LAB 69.49, 31.89, 50.56

 

CMYK 41 / 0 / 68 / 5

HEX #90F34D

RGB 144 243 77

HSL 95.78, 0.87%, 0.63%

LAB 87.27, -55.76, 67.73

 

CMYK 68 / 68 / 0 / 5

HEX #4D4DF3

RGB 77 77 243

HSL 240, 0.87%, 0.63%

LAB 43.3, 50.91, -82.8

 

CMYK 0 / 41 / 68 / 4

HEX #F4914E

RGB 244 145 78

HSL 24.22, 0.88%, 0.63%

LAB 69.49, 31.89, 50.56

 

CMYK 68 / 0 / 41 / 5

HEX #4DF390

RGB 77 243 144

HSL 144.22, 0.87%, 0.63%

LAB 85.85, -63.87, 35.62

 

CMYK 41 / 68 / 0 / 5

HEX #904DF3

RGB 144 77 243

HSL 264.22, 0.87%, 0.63%

LAB 49.14, 60.91, -73

 

CMYK 0 / 41 / 68 / 4

HEX #F4914E

RGB 244 145 78

HSL 24.22, 0.88%, 0.63%

LAB 69.49, 31.89, 50.56

 

CMYK 41 / 0 / 68 / 5

HEX #90F34D

RGB 144 243 77

HSL 95.78, 0.87%, 0.63%

LAB 87.27, -55.76, 67.73

 

CMYK 68 / 27 / 0 / 5

HEX #4DB1F3

RGB 77 177 243

HSL 203.86, 0.87%, 0.63%

LAB 69.11, -8.59, -41.36

 

CMYK 27 / 68 / 0 / 5

HEX #B14DF3

RGB 177 77 243

HSL 276.14, 0.87%, 0.63%

LAB 53.09, 67.17, -66.42

 

CMYK 0 / 41 / 68 / 4

HEX #F4914E

RGB 244 145 78

HSL 24.22, 0.88%, 0.63%

LAB 69.49, 31.89, 50.56

 

CMYK 61 / 0 / 68 / 5

HEX #5EF34D

RGB 94 243 77

HSL 113.86, 0.87%, 0.63%

LAB 85.51, -69.19, 65.35

 

CMYK 68 / 27 / 0 / 5

HEX #4DB1F3

RGB 77 177 243

HSL 203.86, 0.87%, 0.63%

LAB 69.11, -8.59, -41.36

 

CMYK 7 / 68 / 0 / 5

HEX #E34DF3

RGB 227 77 243

HSL 294.22, 0.87%, 0.63%

LAB 59.99, 77.46, -54.97

 

Description

Color code: HEX #F4914E | qconv.com Color code: HEX #F4914E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 145 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 145 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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