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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F46115 it is the complementary color #0B9EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F46115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F46115 shade: #F96110, #FF7323, #FF8536, #FF9749 and #FFA95C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F46115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F46115 shade: #F46115, #E34F02, #D23D00, #C12B00 and #B01900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F46115 shade: #F36115, #F32515 and #F31515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F46115 shade: #F36115, #F39D15, #F3D915, #D2F315 and #96F315

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F46115 shade matches the following richer shades: #F36115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F46115 shade: #F36115, #E06729, #CC6D3C, #B87450 and #A47A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F46115 shade: #F31541, #F32415, #F35F15, #F39A15 and #F3D615

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F46115 shade: #AE4008, #D54F0A, #F36115, #F57B3C and #F79664

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F46115 shade: #F46115, #7DF315 and #1524F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F46115 shade: #F46115, #15F35F and #5F15F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F46115 shade: #F46115, #7DF315, #15A9F3 and #8C15F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F46115 shade: #F46115, #3AF315, #15A9F3 and #CE15F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 91 / 4

HEX #F46115

RGB 244 97 21

HSL 20.45, 0.91%, 0.52%

LAB 59.74, 53.52, 64.75

 

Complementary color

CMYK 95 / 32 / 0 / 8

HEX #0B9EEA

RGB 11 158 234

HSL 200.45, 0.91%, 0.48%

LAB 62.05, -6.88, -47.6

 

CMYK 0 / 61 / 94 / 2

HEX #F96110

RGB 249 97 16

HSL 20.86, 0.95%, 0.52%

LAB 60.54, 55.22, 66.92

 

CMYK 0 / 55 / 86 / 0

HEX #FF7323

RGB 255 115 35

HSL 21.82, 1%, 0.57%

LAB 64.68, 49.52, 64.85

 

CMYK 0 / 48 / 79 / 0

HEX #FF8536

RGB 255 133 54

HSL 23.58, 1%, 0.61%

LAB 68.24, 41.3, 60.68

 

CMYK 0 / 41 / 71 / 0

HEX #FF9749

RGB 255 151 73

HSL 25.71, 1%, 0.64%

LAB 72.14, 32.92, 56.21

 

CMYK 0 / 34 / 64 / 0

HEX #FFA95C

RGB 255 169 92

HSL 28.34, 1%, 0.68%

LAB 76.32, 24.6, 51.83

 

CMYK 0 / 60 / 91 / 4

HEX #F46115

RGB 244 97 21

HSL 20.45, 0.91%, 0.52%

LAB 59.74, 53.52, 64.75

 

CMYK 0 / 65 / 99 / 11

HEX #E34F02

RGB 227 79 2

HSL 20.53, 0.98%, 0.45%

LAB 53.95, 55.11, 63.97

 

CMYK 0 / 71 / 100 / 18

HEX #D23D00

RGB 210 61 0

HSL 17.43, 1%, 0.41%

LAB 48.31, 56.47, 59.93

 

CMYK 0 / 78 / 100 / 24

HEX #C12B00

RGB 193 43 0

HSL 13.37, 1%, 0.38%

LAB 42.86, 57.21, 55.57

 

CMYK 0 / 86 / 100 / 31

HEX #B01900

RGB 176 25 0

HSL 8.52, 1%, 0.35%

LAB 37.71, 56.97, 51.37

 

CMYK 0 / 60 / 91 / 5

HEX #F36115

RGB 243 97 21

HSL 20.54, 0.9%, 0.52%

LAB 59.58, 53.16, 64.56

 

CMYK 0 / 85 / 91 / 5

HEX #F32515

RGB 243 37 21

HSL 4.32, 0.9%, 0.52%

LAB 52.32, 73.07, 59.74

 

CMYK 0 / 91 / 91 / 5

HEX #F31515

RGB 243 21 21

HSL 0, 0.9%, 0.52%

LAB 51.43, 75.62, 59.18

 

CMYK 0 / 60 / 91 / 5

HEX #F36115

RGB 243 97 21

HSL 20.54, 0.9%, 0.52%

LAB 59.58, 53.16, 64.56

 

CMYK 0 / 35 / 91 / 5

HEX #F39D15

RGB 243 157 21

HSL 36.76, 0.9%, 0.52%

LAB 71.71, 23.3, 73.21

 

CMYK 0 / 11 / 91 / 5

HEX #F3D915

RGB 243 217 21

HSL 52.97, 0.9%, 0.52%

LAB 86.37, -7.84, 84.17

 

CMYK 14 / 0 / 91 / 5

HEX #D2F315

RGB 210 243 21

HSL 68.92, 0.9%, 0.52%

LAB 90.71, -34.02, 86.43

 

CMYK 38 / 0 / 91 / 5

HEX #96F315

RGB 150 243 21

HSL 85.14, 0.9%, 0.52%

LAB 87.31, -56.29, 82.27

 

CMYK 0 / 60 / 91 / 5

HEX #F36115

RGB 243 97 21

HSL 20.54, 0.9%, 0.52%

LAB 59.58, 53.16, 64.56

 

CMYK 0 / 60 / 91 / 5

HEX #F36115

RGB 243 97 21

HSL 20.54, 0.9%, 0.52%

LAB 59.58, 53.16, 64.56

 

CMYK 0 / 54 / 82 / 12

HEX #E06729

RGB 224 103 41

HSL 20.33, 0.75%, 0.52%

LAB 57.76, 43.81, 54.78

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 37 / 57 / 28

HEX #B87450

RGB 184 116 80

HSL 20.77, 0.42%, 0.52%

LAB 55.34, 23.04, 30.9

 

CMYK 0 / 26 / 39 / 36

HEX #A47A64

RGB 164 122 100

HSL 20.63, 0.26%, 0.52%

LAB 54.79, 13.36, 18.42

 

CMYK 0 / 91 / 73 / 5

HEX #F31541

RGB 243 21 65

HSL 348.11, 0.9%, 0.52%

LAB 51.81, 76.67, 37.39

 

CMYK 0 / 85 / 91 / 5

HEX #F32415

RGB 243 36 21

HSL 4.05, 0.9%, 0.52%

LAB 52.25, 73.27, 59.7

 

CMYK 0 / 61 / 91 / 5

HEX #F35F15

RGB 243 95 21

HSL 20, 0.9%, 0.52%

LAB 59.24, 54.04, 64.34

 

CMYK 0 / 37 / 91 / 5

HEX #F39A15

RGB 243 154 21

HSL 35.95, 0.9%, 0.52%

LAB 71.02, 24.87, 72.71

 

CMYK 0 / 12 / 91 / 5

HEX #F3D615

RGB 243 214 21

HSL 52.16, 0.9%, 0.52%

LAB 85.61, -6.33, 83.59

 

CMYK 0 / 63 / 95 / 32

HEX #AE4008

RGB 174 64 8

HSL 20.24, 0.91%, 0.36%

LAB 42.28, 42.84, 50.91

 

CMYK 0 / 63 / 95 / 16

HEX #D54F0A

RGB 213 79 10

HSL 20.39, 0.91%, 0.44%

LAB 51.56, 50.3, 59.61

 

CMYK 0 / 60 / 91 / 5

HEX #F36115

RGB 243 97 21

HSL 20.54, 0.9%, 0.52%

LAB 59.58, 53.16, 64.56

 

CMYK 0 / 50 / 76 / 4

HEX #F57B3C

RGB 245 123 60

HSL 20.43, 0.9%, 0.6%

LAB 64.89, 42.64, 54.26

 

CMYK 0 / 39 / 60 / 3

HEX #F79664

RGB 247 150 100

HSL 20.41, 0.9%, 0.68%

LAB 71.22, 31.85, 41.55

 

CMYK 0 / 60 / 91 / 4

HEX #F46115

RGB 244 97 21

HSL 20.45, 0.91%, 0.52%

LAB 59.74, 53.52, 64.75

 

CMYK 49 / 0 / 91 / 5

HEX #7DF315

RGB 125 243 21

HSL 91.89, 0.9%, 0.52%

LAB 86.26, -64.1, 80.98

 

CMYK 91 / 85 / 0 / 5

HEX #1524F3

RGB 21 36 243

HSL 235.95, 0.9%, 0.52%

LAB 33.76, 67.89, -98.67

 

CMYK 0 / 60 / 91 / 4

HEX #F46115

RGB 244 97 21

HSL 20.45, 0.91%, 0.52%

LAB 59.74, 53.52, 64.75

 

CMYK 91 / 0 / 61 / 5

HEX #15F35F

RGB 21 243 95

HSL 140, 0.9%, 0.52%

LAB 84.53, -76.9, 56.73

 

CMYK 61 / 91 / 0 / 5

HEX #5F15F3

RGB 95 21 243

HSL 260, 0.9%, 0.52%

LAB 36.82, 75.4, -93.45

 

CMYK 0 / 60 / 91 / 4

HEX #F46115

RGB 244 97 21

HSL 20.45, 0.91%, 0.52%

LAB 59.74, 53.52, 64.75

 

CMYK 49 / 0 / 91 / 5

HEX #7DF315

RGB 125 243 21

HSL 91.89, 0.9%, 0.52%

LAB 86.26, -64.1, 80.98

 

CMYK 91 / 30 / 0 / 5

HEX #15A9F3

RGB 21 169 243

HSL 200, 0.9%, 0.52%

LAB 65.75, -9.42, -46.7

 

CMYK 42 / 91 / 0 / 5

HEX #8C15F3

RGB 140 21 243

HSL 272.16, 0.9%, 0.52%

LAB 42.13, 79.19, -84.5

 

CMYK 0 / 60 / 91 / 4

HEX #F46115

RGB 244 97 21

HSL 20.45, 0.91%, 0.52%

LAB 59.74, 53.52, 64.75

 

CMYK 76 / 0 / 91 / 5

HEX #3AF315

RGB 58 243 21

HSL 110, 0.9%, 0.52%

LAB 84.51, -78.55, 78.82

 

CMYK 91 / 30 / 0 / 5

HEX #15A9F3

RGB 21 169 243

HSL 200, 0.9%, 0.52%

LAB 65.75, -9.42, -46.7

 

CMYK 15 / 91 / 0 / 5

HEX #CE15F3

RGB 206 21 243

HSL 290, 0.9%, 0.52%

LAB 51.98, 87.5, -68

 

Description

Color code: HEX #F46115 | qconv.com Color code: HEX #F46115 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 97 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 97 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 91 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 91% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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