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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F44BD1 it is the complementary color #0BB42E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F44BD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F44BD1 shade: #F94BCC, #FF5DDF, #FF6FF2, #FF81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F44BD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F44BD1 shade: #F44BD1, #E339BE, #D227AB, #C11598 and #B00385

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F44BD1 shade: #F34DD1, #F34DA4, #F34D77 and #F34D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F44BD1 shade: #F34DD1, #E94DF3, #BC4DF3, #8F4DF3 and #624DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F44BD1 shade matches the following richer shades: #F34DD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F44BD1 shade: #F34DD1, #E45CC8, #D56CBF, #C57BB6 and #B68AAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F44BD1 shade: #BC4DF3, #E84DF3, #F34DD2, #F34DA6 and #F34D79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F44BD1 shade: #E00EB4, #F126C7, #F34DD1, #F674DB and #F89BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F44BD1 shade: #F44BD1, #F3904D and #4DF3D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F44BD1 shade: #F44BD1, #D2F34D and #4DD2F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F44BD1 shade: #F44BD1, #F3904D, #4DF36E and #4DB1F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F44BD1 shade: #F44BD1, #F3C14D, #4DF36E and #4D7FF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 14 / 4

HEX #F44BD1

RGB 244 75 209

HSL 312.43, 0.88%, 0.63%

LAB 60.67, 76.73, -34.64

 

Complementary color

CMYK 94 / 0 / 74 / 29

HEX #0BB42E

RGB 11 180 46

HSL 132.43, 0.88%, 0.37%

LAB 64.09, -63.76, 54.16

 

CMYK 0 / 70 / 18 / 2

HEX #F94BCC

RGB 249 75 204

HSL 315.52, 0.94%, 0.64%

LAB 61.25, 77.23, -30.84

 

CMYK 0 / 64 / 13 / 0

HEX #FF5DDF

RGB 255 93 223

HSL 311.85, 1%, 0.68%

LAB 65.29, 74.85, -35.19

 

CMYK 0 / 56 / 5 / 0

HEX #FF6FF2

RGB 255 111 242

HSL 305.42, 1%, 0.72%

LAB 68.78, 70.41, -40.28

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 69 / 14 / 4

HEX #F44BD1

RGB 244 75 209

HSL 312.43, 0.88%, 0.63%

LAB 60.67, 76.73, -34.64

 

CMYK 0 / 75 / 16 / 11

HEX #E339BE

RGB 227 57 190

HSL 313.06, 0.75%, 0.56%

LAB 55.05, 75.92, -32.74

 

CMYK 0 / 81 / 19 / 18

HEX #D227AB

RGB 210 39 171

HSL 313.68, 0.69%, 0.49%

LAB 49.61, 74.4, -30.35

 

CMYK 0 / 89 / 21 / 24

HEX #C11598

RGB 193 21 152

HSL 314.3, 0.8%, 0.42%

LAB 44.43, 71.92, -27.32

 

CMYK 0 / 98 / 24 / 31

HEX #B00385

RGB 176 3 133

HSL 314.91, 0.97%, 0.35%

LAB 39.56, 68.3, -23.56

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD1

RGB 243 77 209

HSL 312.29, 0.87%, 0.63%

LAB 60.75, 75.81, -34.52

 

CMYK 0 / 68 / 33 / 5

HEX #F34DA4

RGB 243 77 164

HSL 328.55, 0.87%, 0.63%

LAB 59.01, 70.13, -11.35

 

CMYK 0 / 68 / 51 / 5

HEX #F34D77

RGB 243 77 119

HSL 344.82, 0.87%, 0.63%

LAB 57.75, 65.81, 13.18

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4D

RGB 243 77 77

HSL 0, 0.87%, 0.63%

LAB 56.98, 63.1, 36.59

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD1

RGB 243 77 209

HSL 312.29, 0.87%, 0.63%

LAB 60.75, 75.81, -34.52

 

CMYK 4 / 68 / 0 / 5

HEX #E94DF3

RGB 233 77 243

HSL 296.39, 0.87%, 0.63%

LAB 60.87, 78.73, -53.51

 

CMYK 23 / 68 / 0 / 5

HEX #BC4DF3

RGB 188 77 243

HSL 280.12, 0.87%, 0.63%

LAB 54.52, 69.37, -64.03

 

CMYK 41 / 68 / 0 / 5

HEX #8F4DF3

RGB 143 77 243

HSL 263.86, 0.87%, 0.63%

LAB 49.03, 60.73, -73.19

 

CMYK 60 / 68 / 0 / 5

HEX #624DF3

RGB 98 77 243

HSL 247.59, 0.87%, 0.63%

LAB 44.77, 53.53, -80.33

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD1

RGB 243 77 209

HSL 312.29, 0.87%, 0.63%

LAB 60.75, 75.81, -34.52

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD1

RGB 243 77 209

HSL 312.29, 0.87%, 0.63%

LAB 60.75, 75.81, -34.52

 

CMYK 0 / 60 / 12 / 11

HEX #E45CC8

RGB 228 92 200

HSL 312.35, 0.72%, 0.63%

LAB 60.18, 64.92, -30.48

 

CMYK 0 / 49 / 10 / 16

HEX #D56CBF

RGB 213 108 191

HSL 312.57, 0.56%, 0.63%

LAB 60.46, 51.91, -25.1

 

CMYK 0 / 38 / 8 / 23

HEX #C57BB6

RGB 197 123 182

HSL 312.16, 0.39%, 0.63%

LAB 61.14, 37.6, -19.1

 

CMYK 0 / 24 / 5 / 29

HEX #B68AAD

RGB 182 138 173

HSL 312.27, 0.23%, 0.63%

LAB 62.62, 22.6, -11.91

 

CMYK 23 / 68 / 0 / 5

HEX #BC4DF3

RGB 188 77 243

HSL 280.12, 0.87%, 0.63%

LAB 54.52, 69.37, -64.03

 

CMYK 5 / 68 / 0 / 5

HEX #E84DF3

RGB 232 77 243

HSL 296.02, 0.87%, 0.63%

LAB 60.72, 78.52, -53.75

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD2

RGB 243 77 210

HSL 311.93, 0.87%, 0.63%

LAB 60.8, 75.95, -35.02

 

CMYK 0 / 68 / 32 / 5

HEX #F34DA6

RGB 243 77 166

HSL 327.83, 0.87%, 0.63%

LAB 59.08, 70.35, -12.41

 

CMYK 0 / 68 / 50 / 5

HEX #F34D79

RGB 243 77 121

HSL 344.1, 0.87%, 0.63%

LAB 57.79, 65.97, 12.06

 

CMYK 0 / 94 / 20 / 12

HEX #E00EB4

RGB 224 14 180

HSL 312.57, 0.88%, 0.47%

LAB 51.22, 82.25, -32.94

 

CMYK 0 / 84 / 17 / 5

HEX #F126C7

RGB 241 38 199

HSL 312.41, 0.88%, 0.55%

LAB 56.3, 84.54, -35.79

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD1

RGB 243 77 209

HSL 312.29, 0.87%, 0.63%

LAB 60.75, 75.81, -34.52

 

CMYK 0 / 53 / 11 / 4

HEX #F674DB

RGB 246 116 219

HSL 312.46, 0.88%, 0.71%

LAB 67.43, 62.15, -29.75

 

CMYK 0 / 38 / 8 / 3

HEX #F89BE5

RGB 248 155 229

HSL 312.26, 0.87%, 0.79%

LAB 75.49, 45.22, -22.88

 

CMYK 0 / 69 / 14 / 4

HEX #F44BD1

RGB 244 75 209

HSL 312.43, 0.88%, 0.63%

LAB 60.67, 76.73, -34.64

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 68 / 0 / 14 / 5

HEX #4DF3D2

RGB 77 243 210

HSL 168.07, 0.87%, 0.63%

LAB 87.16, -49.98, 3.55

 

CMYK 0 / 69 / 14 / 4

HEX #F44BD1

RGB 244 75 209

HSL 312.43, 0.88%, 0.63%

LAB 60.67, 76.73, -34.64

 

CMYK 14 / 0 / 68 / 5

HEX #D2F34D

RGB 210 243 77

HSL 71.93, 0.87%, 0.63%

LAB 90.93, -32.08, 72.64

 

CMYK 68 / 14 / 0 / 5

HEX #4DD2F3

RGB 77 210 243

HSL 191.93, 0.87%, 0.63%

LAB 78.54, -25.82, -26.76

 

CMYK 0 / 69 / 14 / 4

HEX #F44BD1

RGB 244 75 209

HSL 312.43, 0.88%, 0.63%

LAB 60.67, 76.73, -34.64

 

CMYK 0 / 41 / 68 / 5

HEX #F3904D

RGB 243 144 77

HSL 24.22, 0.87%, 0.63%

LAB 69.14, 31.95, 50.61

 

CMYK 68 / 0 / 55 / 5

HEX #4DF36E

RGB 77 243 110

HSL 131.93, 0.87%, 0.63%

LAB 85.41, -68.99, 51.32

 

CMYK 68 / 27 / 0 / 5

HEX #4DB1F3

RGB 77 177 243

HSL 203.86, 0.87%, 0.63%

LAB 69.11, -8.59, -41.36

 

CMYK 0 / 69 / 14 / 4

HEX #F44BD1

RGB 244 75 209

HSL 312.43, 0.88%, 0.63%

LAB 60.67, 76.73, -34.64

 

CMYK 0 / 21 / 68 / 5

HEX #F3C14D

RGB 243 193 77

HSL 41.93, 0.87%, 0.63%

LAB 80.59, 6.23, 62.92

 

CMYK 68 / 0 / 55 / 5

HEX #4DF36E

RGB 77 243 110

HSL 131.93, 0.87%, 0.63%

LAB 85.41, -68.99, 51.32

 

CMYK 68 / 48 / 0 / 5

HEX #4D7FF3

RGB 77 127 243

HSL 221.93, 0.87%, 0.63%

LAB 55.31, 20.63, -63.26

 

Description

Color code: HEX #F44BD1 | qconv.com Color code: HEX #F44BD1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 75 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 75 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 14 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 14% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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