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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F443B7 it is the complementary color #0BBC48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F443B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F443B7 shade: #F943B2, #FF55C5, #FF67D8, #FF79EB and #FF8BFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F443B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F443B7 shade: #F443B7, #E331A4, #D21F91, #C10D7E and #B0006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F443B7 shade: #F443B7, #F44387, #F44357 and #F44343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F443B7 shade: #F443B7, #F443E6, #D143F4, #A143F4 and #7243F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F443B7 shade matches the following richer shades: #F443B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F443B7 shade: #F443B7, #E353B2, #D363AD, #C373A8 and #B383A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F443B7 shade: #D043F4, #F443E8, #F443B9, #F44389 and #F4435A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F443B7 shade: #D80C91, #F11CA8, #F443B7, #F66AC5 and #F891D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F443B7 shade: #F443B7, #F4A143 and #43F4E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F443B7 shade: #F443B7, #B9F443 and #43B9F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F443B7 shade: #F443B7, #F4A143, #43F47E and #4395F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F443B7 shade: #F443B7, #F4D643, #43F47E and #4360F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

Complementary color

CMYK 94 / 0 / 62 / 26

HEX #0BBC48

RGB 11 188 72

HSL 140.68, 0.89%, 0.39%

LAB 66.9, -63.51, 46.62

 

CMYK 0 / 73 / 29 / 2

HEX #F943B2

RGB 249 67 178

HSL 323.41, 0.94%, 0.62%

LAB 59.31, 76.59, -18.92

 

CMYK 0 / 67 / 23 / 0

HEX #FF55C5

RGB 255 85 197

HSL 320.47, 1%, 0.67%

LAB 63.17, 74.32, -23.82

 

CMYK 0 / 60 / 15 / 0

HEX #FF67D8

RGB 255 103 216

HSL 315.39, 1%, 0.7%

LAB 66.46, 69.86, -29.47

 

CMYK 0 / 53 / 8 / 0

HEX #FF79EB

RGB 255 121 235

HSL 308.96, 1%, 0.74%

LAB 70.13, 64.87, -34.33

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFE

RGB 255 139 254

HSL 300.52, 1%, 0.77%

LAB 74.11, 59.56, -38.53

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 78 / 28 / 11

HEX #E331A4

RGB 227 49 164

HSL 321.24, 0.76%, 0.54%

LAB 53.18, 74.88, -20.47

 

CMYK 0 / 85 / 31 / 18

HEX #D21F91

RGB 210 31 145

HSL 321.79, 0.74%, 0.47%

LAB 47.91, 73, -17.47

 

CMYK 0 / 93 / 35 / 24

HEX #C10D7E

RGB 193 13 126

HSL 322.33, 0.87%, 0.4%

LAB 42.96, 70.03, -13.73

 

CMYK 0 / 100 / 39 / 31

HEX #B0006B

RGB 176 0 107

HSL 323.52, 1%, 0.35%

LAB 38.36, 65.82, -9.14

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 73 / 45 / 4

HEX #F44387

RGB 244 67 135

HSL 336.95, 0.89%, 0.61%

LAB 57.07, 70.91, 2.8

 

CMYK 0 / 73 / 64 / 4

HEX #F44357

RGB 244 67 87

HSL 353.22, 0.89%, 0.61%

LAB 56.02, 67.46, 29.71

 

CMYK 0 / 73 / 73 / 4

HEX #F44343

RGB 244 67 67

HSL 0, 0.89%, 0.61%

LAB 55.74, 66.5, 40.8

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 73 / 6 / 4

HEX #F443E6

RGB 244 67 230

HSL 304.75, 0.89%, 0.61%

LAB 60.75, 82.28, -46.35

 

CMYK 14 / 73 / 0 / 4

HEX #D143F4

RGB 209 67 244

HSL 288.14, 0.89%, 0.61%

LAB 56.19, 77.47, -61.75

 

CMYK 34 / 73 / 0 / 4

HEX #A143F4

RGB 161 67 244

HSL 271.86, 0.89%, 0.61%

LAB 49.64, 68.59, -72.65

 

CMYK 53 / 73 / 0 / 4

HEX #7243F4

RGB 114 67 244

HSL 255.93, 0.89%, 0.61%

LAB 44.41, 61.15, -81.42

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 63 / 22 / 11

HEX #E353B2

RGB 227 83 178

HSL 320.42, 0.72%, 0.61%

LAB 57.78, 65.24, -21.58

 

CMYK 0 / 53 / 18 / 17

HEX #D363AD

RGB 211 99 173

HSL 320.36, 0.56%, 0.61%

LAB 57.84, 52.87, -18.82

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 27 / 9 / 30

HEX #B383A3

RGB 179 131 163

HSL 320, 0.24%, 0.61%

LAB 60.3, 23.65, -9.73

 

CMYK 15 / 73 / 0 / 4

HEX #D043F4

RGB 208 67 244

HSL 287.8, 0.89%, 0.61%

LAB 56.04, 77.28, -61.99

 

CMYK 0 / 73 / 5 / 4

HEX #F443E8

RGB 244 67 232

HSL 304.07, 0.89%, 0.61%

LAB 60.85, 82.58, -47.31

 

CMYK 0 / 73 / 24 / 4

HEX #F443B9

RGB 244 67 185

HSL 320, 0.89%, 0.61%

LAB 58.74, 76.21, -23.91

 

CMYK 0 / 73 / 44 / 4

HEX #F44389

RGB 244 67 137

HSL 336.27, 0.89%, 0.61%

LAB 57.13, 71.09, 1.7

 

CMYK 0 / 73 / 63 / 4

HEX #F4435A

RGB 244 67 90

HSL 352.2, 0.89%, 0.61%

LAB 56.07, 67.62, 28.02

 

CMYK 0 / 94 / 33 / 15

HEX #D80C91

RGB 216 12 145

HSL 320.88, 0.89%, 0.45%

LAB 48.14, 76.93, -17.02

 

CMYK 0 / 88 / 30 / 5

HEX #F11CA8

RGB 241 28 168

HSL 320.56, 0.88%, 0.53%

LAB 54.41, 82.61, -20.71

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 57 / 20 / 4

HEX #F66AC5

RGB 246 106 197

HSL 321, 0.89%, 0.69%

LAB 64.91, 63.41, -21.28

 

CMYK 0 / 42 / 15 / 3

HEX #F891D4

RGB 248 145 212

HSL 320.97, 0.88%, 0.77%

LAB 72.87, 47.58, -17.54

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 34 / 73 / 4

HEX #F4A143

RGB 244 161 67

HSL 31.86, 0.89%, 0.61%

LAB 72.98, 22.96, 59.34

 

CMYK 73 / 0 / 5 / 4

HEX #43F4E8

RGB 67 244 232

HSL 175.93, 0.89%, 0.61%

LAB 87.83, -46.01, -6.98

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 24 / 0 / 73 / 4

HEX #B9F443

RGB 185 244 67

HSL 80, 0.89%, 0.61%

LAB 89.59, -42.63, 74.24

 

CMYK 73 / 24 / 0 / 4

HEX #43B9F4

RGB 67 185 244

HSL 200, 0.89%, 0.61%

LAB 71.16, -13.96, -38.72

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 34 / 73 / 4

HEX #F4A143

RGB 244 161 67

HSL 31.86, 0.89%, 0.61%

LAB 72.98, 22.96, 59.34

 

CMYK 73 / 0 / 48 / 4

HEX #43F47E

RGB 67 244 126

HSL 140, 0.89%, 0.61%

LAB 85.71, -68.66, 44.18

 

CMYK 73 / 39 / 0 / 4

HEX #4395F4

RGB 67 149 244

HSL 212.2, 0.89%, 0.61%

LAB 60.98, 6.32, -54.76

 

CMYK 0 / 73 / 25 / 4

HEX #F443B7

RGB 244 67 183

HSL 320.68, 0.89%, 0.61%

LAB 58.66, 75.96, -22.87

 

CMYK 0 / 12 / 73 / 4

HEX #F4D643

RGB 244 214 67

HSL 49.83, 0.89%, 0.61%

LAB 85.87, -4.62, 72.13

 

CMYK 73 / 0 / 48 / 4

HEX #43F47E

RGB 67 244 126

HSL 140, 0.89%, 0.61%

LAB 85.71, -68.66, 44.18

 

CMYK 73 / 61 / 0 / 4

HEX #4360F4

RGB 67 96 244

HSL 230.17, 0.89%, 0.61%

LAB 47.09, 38.84, -77.15

 

Description

Color code: HEX #F443B7 | qconv.com Color code: HEX #F443B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 67 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 67 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 25 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 25% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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