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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F43323 it is the complementary color #0BCCDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F43323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F43323 shade: #F9331E, #FF4531, #FF5744, #FF6957 and #FF7B6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F43323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F43323 shade: #F43323, #E32110, #D20F00, #C10000 and #B00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F43323 shade: #F33424 and #F32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F43323 shade: #F33424, #F36C24, #F3A424, #F3DB24 and #D3F324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F43323 shade matches the following richer shades: #F33424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F43323 shade: #F33424, #E04437, #CE544A, #BB635C and #A9736F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F43323 shade: #F32485, #F3244E, #F33224, #F36924 and #F3A024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F43323 shade: #BC1709, #E31C0B, #F33424, #F5594C and #F77D73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F43323 shade: #F43323, #BCF324 and #2469F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F43323 shade: #F43323, #24F332 and #3224F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F43323 shade: #F43323, #BCF324, #24E5F3 and #5C24F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F43323 shade: #F43323, #7EF324, #24E5F3 and #9A24F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 86 / 4

HEX #F43323

RGB 244 51 35

HSL 4.59, 0.9%, 0.55%

LAB 53.73, 70.33, 55.22

 

Complementary color

CMYK 95 / 7 / 0 / 14

HEX #0BCCDC

RGB 11 204 220

HSL 184.59, 0.9%, 0.45%

LAB 75.09, -35.46, -19.76

 

CMYK 0 / 80 / 88 / 2

HEX #F9331E

RGB 249 51 30

HSL 5.75, 0.95%, 0.55%

LAB 54.66, 71.64, 58.5

 

CMYK 0 / 73 / 81 / 0

HEX #FF4531

RGB 255 69 49

HSL 5.83, 1%, 0.6%

LAB 57.79, 68.51, 53.03

 

CMYK 0 / 66 / 73 / 0

HEX #FF5744

RGB 255 87 68

HSL 6.1, 1%, 0.63%

LAB 60.33, 62.67, 45.93

 

CMYK 0 / 59 / 66 / 0

HEX #FF6957

RGB 255 105 87

HSL 6.43, 1%, 0.67%

LAB 63.39, 56.03, 39.22

 

CMYK 0 / 52 / 58 / 0

HEX #FF7B6A

RGB 255 123 106

HSL 6.85, 1%, 0.71%

LAB 66.87, 48.88, 33.14

 

CMYK 0 / 79 / 86 / 4

HEX #F43323

RGB 244 51 35

HSL 4.59, 0.9%, 0.55%

LAB 53.73, 70.33, 55.22

 

CMYK 0 / 85 / 93 / 11

HEX #E32110

RGB 227 33 16

HSL 4.83, 0.87%, 0.48%

LAB 48.83, 69.54, 57.66

 

CMYK 0 / 93 / 100 / 18

HEX #D20F00

RGB 210 15 0

HSL 4.29, 1%, 0.41%

LAB 44.29, 67.77, 58.24

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 79 / 85 / 5

HEX #F33424

RGB 243 52 36

HSL 4.64, 0.9%, 0.55%

LAB 53.64, 69.8, 54.62

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 79 / 85 / 5

HEX #F33424

RGB 243 52 36

HSL 4.64, 0.9%, 0.55%

LAB 53.64, 69.8, 54.62

 

CMYK 0 / 56 / 85 / 5

HEX #F36C24

RGB 243 108 36

HSL 20.87, 0.9%, 0.55%

LAB 61.57, 48.4, 61.21

 

CMYK 0 / 33 / 85 / 5

HEX #F3A424

RGB 243 164 36

HSL 37.1, 0.9%, 0.55%

LAB 73.37, 19.89, 70.91

 

CMYK 0 / 10 / 85 / 5

HEX #F3DB24

RGB 243 219 36

HSL 53.04, 0.9%, 0.55%

LAB 86.92, -8.57, 81.96

 

CMYK 13 / 0 / 85 / 5

HEX #D3F324

RGB 211 243 36

HSL 69.28, 0.9%, 0.55%

LAB 90.82, -33.33, 84.15

 

CMYK 0 / 79 / 85 / 5

HEX #F33424

RGB 243 52 36

HSL 4.64, 0.9%, 0.55%

LAB 53.64, 69.8, 54.62

 

CMYK 0 / 79 / 85 / 5

HEX #F33424

RGB 243 52 36

HSL 4.64, 0.9%, 0.55%

LAB 53.64, 69.8, 54.62

 

CMYK 0 / 70 / 75 / 12

HEX #E04437

RGB 224 68 55

HSL 4.62, 0.73%, 0.55%

LAB 52.13, 59.53, 42.39

 

CMYK 0 / 59 / 64 / 19

HEX #CE544A

RGB 206 84 74

HSL 4.55, 0.57%, 0.55%

LAB 51.79, 47.71, 30.55

 

CMYK 0 / 47 / 51 / 27

HEX #BB635C

RGB 187 99 92

HSL 4.42, 0.41%, 0.55%

LAB 52.13, 34.56, 19.96

 

CMYK 0 / 32 / 34 / 34

HEX #A9736F

RGB 169 115 111

HSL 4.14, 0.25%, 0.55%

LAB 53.86, 20.77, 10.85

 

CMYK 0 / 85 / 45 / 5

HEX #F32485

RGB 243 36 133

HSL 331.88, 0.9%, 0.55%

LAB 54.04, 78.43, -0.45

 

CMYK 0 / 85 / 68 / 5

HEX #F3244E

RGB 243 36 78

HSL 347.83, 0.9%, 0.55%

LAB 52.8, 74.88, 30.92

 

CMYK 0 / 79 / 85 / 5

HEX #F33224

RGB 243 50 36

HSL 4.06, 0.9%, 0.55%

LAB 53.45, 70.33, 54.46

 

CMYK 0 / 57 / 85 / 5

HEX #F36924

RGB 243 105 36

HSL 20, 0.9%, 0.55%

LAB 61.03, 49.8, 60.77

 

CMYK 0 / 34 / 85 / 5

HEX #F3A024

RGB 243 160 36

HSL 35.94, 0.9%, 0.55%

LAB 72.44, 22, 70.15

 

CMYK 0 / 88 / 95 / 26

HEX #BC1709

RGB 188 23 9

HSL 4.69, 0.91%, 0.39%

LAB 40.12, 60.83, 50.67

 

CMYK 0 / 88 / 95 / 11

HEX #E31C0B

RGB 227 28 11

HSL 4.72, 0.91%, 0.47%

LAB 48.49, 70.41, 58.97

 

CMYK 0 / 79 / 85 / 5

HEX #F33424

RGB 243 52 36

HSL 4.64, 0.9%, 0.55%

LAB 53.64, 69.8, 54.62

 

CMYK 0 / 64 / 69 / 4

HEX #F5594C

RGB 245 89 76

HSL 4.62, 0.89%, 0.63%

LAB 59.05, 58.96, 39.69

 

CMYK 0 / 49 / 53 / 3

HEX #F77D73

RGB 247 125 115

HSL 4.55, 0.89%, 0.71%

LAB 66.27, 45.7, 27.16

 

CMYK 0 / 79 / 86 / 4

HEX #F43323

RGB 244 51 35

HSL 4.59, 0.9%, 0.55%

LAB 53.73, 70.33, 55.22

 

CMYK 23 / 0 / 85 / 5

HEX #BCF324

RGB 188 243 36

HSL 75.94, 0.9%, 0.55%

LAB 89.36, -42.3, 82.34

 

CMYK 85 / 57 / 0 / 5

HEX #2469F3

RGB 36 105 243

HSL 220, 0.9%, 0.55%

LAB 48.2, 30.09, -74.84

 

CMYK 0 / 79 / 86 / 4

HEX #F43323

RGB 244 51 35

HSL 4.59, 0.9%, 0.55%

LAB 53.73, 70.33, 55.22

 

CMYK 85 / 0 / 79 / 5

HEX #24F332

RGB 36 243 50

HSL 124.06, 0.9%, 0.55%

LAB 84.33, -79.79, 72.65

 

CMYK 79 / 85 / 0 / 5

HEX #3224F3

RGB 50 36 243

HSL 244.06, 0.9%, 0.55%

LAB 34.82, 68.72, -96.86

 

CMYK 0 / 79 / 86 / 4

HEX #F43323

RGB 244 51 35

HSL 4.59, 0.9%, 0.55%

LAB 53.73, 70.33, 55.22

 

CMYK 23 / 0 / 85 / 5

HEX #BCF324

RGB 188 243 36

HSL 75.94, 0.9%, 0.55%

LAB 89.36, -42.3, 82.34

 

CMYK 85 / 6 / 0 / 5

HEX #24E5F3

RGB 36 229 243

HSL 184.06, 0.9%, 0.55%

LAB 83.38, -38.89, -19.47

 

CMYK 62 / 85 / 0 / 5

HEX #5C24F3

RGB 92 36 243

HSL 256.23, 0.9%, 0.55%

LAB 37.86, 71.19, -91.74

 

CMYK 0 / 79 / 86 / 4

HEX #F43323

RGB 244 51 35

HSL 4.59, 0.9%, 0.55%

LAB 53.73, 70.33, 55.22

 

CMYK 48 / 0 / 85 / 5

HEX #7EF324

RGB 126 243 36

HSL 93.91, 0.9%, 0.55%

LAB 86.34, -63.4, 78.56

 

CMYK 85 / 6 / 0 / 5

HEX #24E5F3

RGB 36 229 243

HSL 184.06, 0.9%, 0.55%

LAB 83.38, -38.89, -19.47

 

CMYK 37 / 85 / 0 / 5

HEX #9A24F3

RGB 154 36 243

HSL 274.2, 0.9%, 0.55%

LAB 45.09, 77.64, -79.57

 

Description

Color code: HEX #F43323 | qconv.com Color code: HEX #F43323 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 51 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 51 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 86% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Nico Live
Link: http://live.nicovideo.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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