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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F42D7A it is the complementary color #0BD285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F42D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F42D7A shade: #F92D75, #FF3F88, #FF519B, #FF63AE and #FF75C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F42D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F42D7A shade: #F42D7A, #E31B67, #D20954, #C10041 and #B0002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F42D7A shade: #F42E7B, #F42E45 and #F42E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F42D7A shade: #F42E7B, #F42EB0, #F42EE5, #CD2EF4 and #982EF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F42D7A shade matches the following richer shades: #F42E7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F42D7A shade: #F42E7B, #E2407F, #D05283, #BE6387 and #AD758B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F42D7A shade: #F42EE6, #F42EB2, #F42E7D, #F42E48 and #F4482E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F42D7A shade: #C50A52, #EC0C63, #F42E7B, #F65593 and #F87DAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F42D7A shade: #F42D7A, #F4CC2E and #2ECCF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F42D7A shade: #F42D7A, #7DF42E and #2E7DF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F42D7A shade: #F42D7A, #F4CC2E, #2EF4A5 and #2E56F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F42D7A shade: #F42D7A, #E0F42E, #2EF4A5 and #422EF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 50 / 4

HEX #F42D7A

RGB 244 45 122

HSL 336.78, 0.9%, 0.57%

LAB 54.57, 75.93, 6.94

 

Complementary color

CMYK 95 / 0 / 37 / 18

HEX #0BD285

RGB 11 210 133

HSL 156.78, 0.9%, 0.43%

LAB 74.74, -60.73, 26.32

 

CMYK 0 / 82 / 53 / 2

HEX #F92D75

RGB 249 45 117

HSL 338.82, 0.94%, 0.58%

LAB 55.38, 76.8, 11.21

 

CMYK 0 / 75 / 47 / 0

HEX #FF3F88

RGB 255 63 136

HSL 337.19, 1%, 0.62%

LAB 58.6, 75.15, 4.65

 

CMYK 0 / 68 / 39 / 0

HEX #FF519B

RGB 255 81 155

HSL 334.48, 1%, 0.66%

LAB 61.23, 71, -2.62

 

CMYK 0 / 61 / 32 / 0

HEX #FF63AE

RGB 255 99 174

HSL 331.15, 1%, 0.69%

LAB 64.35, 66.07, -8.93

 

CMYK 0 / 54 / 24 / 0

HEX #FF75C1

RGB 255 117 193

HSL 326.96, 1%, 0.73%

LAB 67.9, 60.58, -14.38

 

CMYK 0 / 82 / 50 / 4

HEX #F42D7A

RGB 244 45 122

HSL 336.78, 0.9%, 0.57%

LAB 54.57, 75.93, 6.94

 

CMYK 0 / 88 / 55 / 11

HEX #E31B67

RGB 227 27 103

HSL 337.2, 0.79%, 0.5%

LAB 49.61, 73.93, 10.98

 

CMYK 0 / 96 / 60 / 18

HEX #D20954

RGB 210 9 84

HSL 337.61, 0.92%, 0.43%

LAB 44.99, 70.88, 15.83

 

CMYK 0 / 100 / 66 / 24

HEX #C10041

RGB 193 0 65

HSL 339.79, 1%, 0.38%

LAB 40.77, 66.65, 21.54

 

CMYK 0 / 100 / 74 / 31

HEX #B0002E

RGB 176 0 46

HSL 344.32, 1%, 0.35%

LAB 36.79, 61.67, 27.83

 

CMYK 0 / 81 / 50 / 4

HEX #F42E7B

RGB 244 46 123

HSL 336.67, 0.9%, 0.57%

LAB 54.68, 75.78, 6.49

 

CMYK 0 / 81 / 72 / 4

HEX #F42E45

RGB 244 46 69

HSL 353.03, 0.9%, 0.57%

LAB 53.62, 72.61, 37.22

 

CMYK 0 / 81 / 81 / 4

HEX #F42E2E

RGB 244 46 46

HSL 0, 0.9%, 0.57%

LAB 53.37, 71.84, 49.6

 

CMYK 0 / 81 / 50 / 4

HEX #F42E7B

RGB 244 46 123

HSL 336.67, 0.9%, 0.57%

LAB 54.68, 75.78, 6.49

 

CMYK 0 / 81 / 28 / 4

HEX #F42EB0

RGB 244 46 176

HSL 320.61, 0.9%, 0.57%

LAB 56.41, 80.8, -22.28

 

CMYK 0 / 81 / 6 / 4

HEX #F42EE5

RGB 244 46 229

HSL 304.55, 0.9%, 0.57%

LAB 58.83, 87.52, -48.82

 

CMYK 16 / 81 / 0 / 4

HEX #CD2EF4

RGB 205 46 244

HSL 288.18, 0.9%, 0.57%

LAB 53.45, 82.92, -66.19

 

CMYK 38 / 81 / 0 / 4

HEX #982EF4

RGB 152 46 244

HSL 272.12, 0.9%, 0.57%

LAB 45.85, 74.78, -78.89

 

CMYK 0 / 81 / 50 / 4

HEX #F42E7B

RGB 244 46 123

HSL 336.67, 0.9%, 0.57%

LAB 54.68, 75.78, 6.49

 

CMYK 0 / 81 / 50 / 4

HEX #F42E7B

RGB 244 46 123

HSL 336.67, 0.9%, 0.57%

LAB 54.68, 75.78, 6.49

 

CMYK 0 / 72 / 44 / 11

HEX #E2407F

RGB 226 64 127

HSL 336.67, 0.74%, 0.57%

LAB 53.35, 66.25, 1.76

 

CMYK 0 / 61 / 37 / 18

HEX #D05283

RGB 208 82 131

HSL 336.67, 0.57%, 0.57%

LAB 53.04, 54.28, -1.43

 

CMYK 0 / 48 / 29 / 25

HEX #BE6387

RGB 190 99 135

HSL 336.26, 0.41%, 0.57%

LAB 53.62, 40.6, -3.26

 

CMYK 0 / 32 / 20 / 32

HEX #AD758B

RGB 173 117 139

HSL 336.43, 0.25%, 0.57%

LAB 55.55, 25.28, -3

 

CMYK 0 / 81 / 6 / 4

HEX #F42EE6

RGB 244 46 230

HSL 304.24, 0.9%, 0.57%

LAB 58.88, 87.66, -49.3

 

CMYK 0 / 81 / 27 / 4

HEX #F42EB2

RGB 244 46 178

HSL 320, 0.9%, 0.57%

LAB 56.49, 81.03, -23.32

 

CMYK 0 / 81 / 49 / 4

HEX #F42E7D

RGB 244 46 125

HSL 336.06, 0.9%, 0.57%

LAB 54.73, 75.93, 5.37

 

CMYK 0 / 81 / 70 / 4

HEX #F42E48

RGB 244 46 72

HSL 352.12, 0.9%, 0.57%

LAB 53.66, 72.73, 35.54

 

CMYK 0 / 70 / 81 / 4

HEX #F4482E

RGB 244 72 46

HSL 7.88, 0.9%, 0.57%

LAB 56.15, 64.06, 52.24

 

CMYK 0 / 95 / 58 / 23

HEX #C50A52

RGB 197 10 82

HSL 336.9, 0.9%, 0.41%

LAB 42.3, 67.59, 12.97

 

CMYK 0 / 95 / 58 / 7

HEX #EC0C63

RGB 236 12 99

HSL 336.7, 0.9%, 0.49%

LAB 50.68, 77.57, 15.19

 

CMYK 0 / 81 / 50 / 4

HEX #F42E7B

RGB 244 46 123

HSL 336.67, 0.9%, 0.57%

LAB 54.68, 75.78, 6.49

 

CMYK 0 / 65 / 40 / 4

HEX #F65593

RGB 246 85 147

HSL 336.89, 0.9%, 0.65%

LAB 60.07, 66.17, 0.15

 

CMYK 0 / 50 / 31 / 3

HEX #F87DAC

RGB 248 125 172

HSL 337.07, 0.9%, 0.73%

LAB 67.73, 51.92, -2.91

 

CMYK 0 / 82 / 50 / 4

HEX #F42D7A

RGB 244 45 122

HSL 336.78, 0.9%, 0.57%

LAB 54.57, 75.93, 6.94

 

CMYK 0 / 16 / 81 / 4

HEX #F4CC2E

RGB 244 204 46

HSL 47.88, 0.9%, 0.57%

LAB 83.24, -0.29, 76.45

 

CMYK 81 / 16 / 0 / 4

HEX #2ECCF4

RGB 46 204 244

HSL 192.12, 0.9%, 0.57%

LAB 76.25, -25.94, -30.87

 

CMYK 0 / 82 / 50 / 4

HEX #F42D7A

RGB 244 45 122

HSL 336.78, 0.9%, 0.57%

LAB 54.57, 75.93, 6.94

 

CMYK 49 / 0 / 81 / 4

HEX #7DF42E

RGB 125 244 46

HSL 96.06, 0.9%, 0.57%

LAB 86.63, -63.66, 76.55

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 0 / 82 / 50 / 4

HEX #F42D7A

RGB 244 45 122

HSL 336.78, 0.9%, 0.57%

LAB 54.57, 75.93, 6.94

 

CMYK 0 / 16 / 81 / 4

HEX #F4CC2E

RGB 244 204 46

HSL 47.88, 0.9%, 0.57%

LAB 83.24, -0.29, 76.45

 

CMYK 81 / 0 / 32 / 4

HEX #2EF4A5

RGB 46 244 165

HSL 156.06, 0.9%, 0.57%

LAB 86.01, -64.15, 25.15

 

CMYK 81 / 65 / 0 / 4

HEX #2E56F4

RGB 46 86 244

HSL 227.88, 0.9%, 0.57%

LAB 43.9, 43.05, -82.42

 

CMYK 0 / 82 / 50 / 4

HEX #F42D7A

RGB 244 45 122

HSL 336.78, 0.9%, 0.57%

LAB 54.57, 75.93, 6.94

 

CMYK 8 / 0 / 81 / 4

HEX #E0F42E

RGB 224 244 46

HSL 66.06, 0.9%, 0.57%

LAB 92.02, -28.3, 83.36

 

CMYK 81 / 0 / 32 / 4

HEX #2EF4A5

RGB 46 244 165

HSL 156.06, 0.9%, 0.57%

LAB 86.01, -64.15, 25.15

 

CMYK 73 / 81 / 0 / 4

HEX #422EF4

RGB 66 46 244

HSL 246.06, 0.9%, 0.57%

LAB 37.2, 65.87, -93.46

 

Description

Color code: HEX #F42D7A | qconv.com Color code: HEX #F42D7A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 45 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 45 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 50% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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