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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F400D0 it is the complementary color #0BFF2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F400D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F400D0 shade: #F900CB, #FF12DE, #FF24F1, #FF36FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F400D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F400D0 shade: #F400D0, #E300BD, #D200AA, #C10097 and #B00084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F400D0 shade: #F400D0, #F4008E, #F4004C, #F4000A and #F40000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F400D0 shade: #F400D0, #D600F4, #9400F4, #5200F4 and #1000F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F400D0 shade matches the following richer shades: #F400D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F400D0 shade: #F400D0, #E013C2, #CD27B4, #B93BA6 and #A54F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F400D0 shade: #9200F4, #D400F4, #F400D4, #F40092 and #F40051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F400D0 shade: #A2008A, #CB00AD, #F400D0, #FF1FDD and #FF48E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F400D0 shade: #F400D0, #F45100 and #00F4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F400D0 shade: #F400D0, #D4F400 and #00D4F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F400D0 shade: #F400D0, #F45100, #00F420 and #00A3F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F400D0 shade: #F400D0, #F49B00, #00F420 and #0059F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

Complementary color

CMYK 96 / 0 / 82 / 0

HEX #0BFF2F

RGB 11 255 47

HSL 128.85, 1%, 0.52%

LAB 87.87, -84.58, 76.65

 

CMYK 0 / 100 / 18 / 2

HEX #F900CB

RGB 249 0 203

HSL 311.08, 1%, 0.49%

LAB 56.54, 90.55, -37.61

 

CMYK 0 / 93 / 13 / 0

HEX #FF12DE

RGB 255 18 222

HSL 308.35, 1%, 0.54%

LAB 58.94, 92.72, -44.57

 

CMYK 0 / 86 / 5 / 0

HEX #FF24F1

RGB 255 36 241

HSL 303.84, 1%, 0.57%

LAB 60.67, 93.01, -52.51

 

CMYK 0 / 79 / 0 / 0

HEX #FF36FF

RGB 255 54 255

HSL 300, 1%, 0.61%

LAB 62.61, 91.54, -57.19

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 100 / 17 / 11

HEX #E300BD

RGB 227 0 189

HSL 310.04, 1%, 0.45%

LAB 51.84, 84.95, -37.18

 

CMYK 0 / 100 / 19 / 18

HEX #D200AA

RGB 210 0 170

HSL 311.43, 1%, 0.41%

LAB 47.76, 79.54, -32.66

 

CMYK 0 / 100 / 22 / 24

HEX #C10097

RGB 193 0 151

HSL 313.06, 1%, 0.38%

LAB 43.61, 74.06, -28

 

CMYK 0 / 100 / 25 / 31

HEX #B00084

RGB 176 0 132

HSL 315, 1%, 0.35%

LAB 39.4, 68.5, -23.19

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 100 / 42 / 4

HEX #F4008E

RGB 244 0 142

HSL 325.08, 1%, 0.48%

LAB 53.15, 83.34, -7.13

 

CMYK 0 / 100 / 69 / 4

HEX #F4004C

RGB 244 0 76

HSL 341.31, 1%, 0.48%

LAB 51.56, 79.11, 30.62

 

CMYK 0 / 100 / 96 / 4

HEX #F4000A

RGB 244 0 10

HSL 357.54, 1%, 0.48%

LAB 50.98, 77.55, 62.42

 

CMYK 0 / 100 / 100 / 4

HEX #F40000

RGB 244 0 0

HSL 0, 1%, 0.48%

LAB 50.96, 77.48, 65.01

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 12 / 100 / 0 / 4

HEX #D600F4

RGB 214 0 244

HSL 292.62, 1%, 0.48%

LAB 52.76, 90.59, -67.24

 

CMYK 39 / 100 / 0 / 4

HEX #9400F4

RGB 148 0 244

HSL 276.39, 1%, 0.48%

LAB 42.5, 82.66, -84.41

 

CMYK 66 / 100 / 0 / 4

HEX #5200F4

RGB 82 0 244

HSL 260.16, 1%, 0.48%

LAB 34.65, 78.12, -97.65

 

CMYK 93 / 100 / 0 / 4

HEX #1000F4

RGB 16 0 244

HSL 243.93, 1%, 0.48%

LAB 30.98, 76.68, -103.88

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 92 / 13 / 12

HEX #E013C2

RGB 224 19 194

HSL 308.78, 0.84%, 0.48%

LAB 52.07, 83.49, -39.76

 

CMYK 0 / 81 / 12 / 20

HEX #CD27B4

RGB 205 39 180

HSL 309.04, 0.68%, 0.48%

LAB 49.16, 74.56, -36.41

 

CMYK 0 / 68 / 10 / 27

HEX #B93BA6

RGB 185 59 166

HSL 309.05, 0.52%, 0.48%

LAB 47.23, 61.94, -31.43

 

CMYK 0 / 52 / 8 / 35

HEX #A54F98

RGB 165 79 152

HSL 309.07, 0.35%, 0.48%

LAB 46.79, 45.31, -24.02

 

CMYK 40 / 100 / 0 / 4

HEX #9200F4

RGB 146 0 244

HSL 275.9, 1%, 0.48%

LAB 42.22, 82.47, -84.88

 

CMYK 13 / 100 / 0 / 4

HEX #D400F4

RGB 212 0 244

HSL 292.13, 1%, 0.48%

LAB 52.43, 90.31, -67.79

 

CMYK 0 / 100 / 13 / 4

HEX #F400D4

RGB 244 0 212

HSL 307.87, 1%, 0.48%

LAB 56.07, 90.78, -43.55

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 100 / 67 / 4

HEX #F40051

RGB 244 0 81

HSL 340.08, 1%, 0.48%

LAB 51.64, 79.33, 27.71

 

CMYK 0 / 100 / 15 / 36

HEX #A2008A

RGB 162 0 138

HSL 308.89, 1%, 0.32%

LAB 36.96, 66.56, -30.92

 

CMYK 0 / 100 / 15 / 20

HEX #CB00AD

RGB 203 0 173

HSL 308.87, 1%, 0.4%

LAB 46.6, 78.64, -36.35

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 88 / 13 / 0

HEX #FF1FDD

RGB 255 31 221

HSL 309.11, 1%, 0.56%

LAB 59.4, 91.11, -43.29

 

CMYK 0 / 72 / 11 / 0

HEX #FF48E4

RGB 255 72 228

HSL 308.85, 1%, 0.64%

LAB 62.92, 82.83, -41.68

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 67 / 100 / 4

HEX #F45100

RGB 244 81 0

HSL 19.92, 1%, 0.48%

LAB 57.19, 60, 67.68

 

CMYK 100 / 0 / 27 / 4

HEX #00F4B3

RGB 0 244 179

HSL 164.02, 1%, 0.48%

LAB 85.98, -63.38, 17.89

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 13 / 0 / 100 / 4

HEX #D4F400

RGB 212 244 0

HSL 67.87, 1%, 0.48%

LAB 91.1, -33.9, 88.62

 

CMYK 100 / 13 / 0 / 4

HEX #00D4F4

RGB 0 212 244

HSL 187.87, 1%, 0.48%

LAB 78.24, -31.91, -27.85

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 67 / 100 / 4

HEX #F45100

RGB 244 81 0

HSL 19.92, 1%, 0.48%

LAB 57.19, 60, 67.68

 

CMYK 100 / 0 / 87 / 4

HEX #00F420

RGB 0 244 32

HSL 127.87, 1%, 0.48%

LAB 84.38, -82.65, 76.77

 

CMYK 100 / 33 / 0 / 4

HEX #00A3F4

RGB 0 163 244

HSL 199.92, 1%, 0.48%

LAB 63.94, -6.31, -50.12

 

CMYK 0 / 100 / 15 / 4

HEX #F400D0

RGB 244 0 208

HSL 308.85, 1%, 0.48%

LAB 55.87, 90.28, -41.58

 

CMYK 0 / 36 / 100 / 4

HEX #F49B00

RGB 244 155 0

HSL 38.11, 1%, 0.48%

LAB 71.33, 24.56, 75.96

 

CMYK 100 / 0 / 87 / 4

HEX #00F420

RGB 0 244 32

HSL 127.87, 1%, 0.48%

LAB 84.38, -82.65, 76.77

 

CMYK 100 / 64 / 0 / 4

HEX #0059F4

RGB 0 89 244

HSL 218.11, 1%, 0.48%

LAB 43.77, 39.3, -82.67

 

Description

Color code: HEX #F400D0 | qconv.com Color code: HEX #F400D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, none green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 0 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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