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Color name
HEX #F7F06D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7F06D it is the complementary color #080F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7F06D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7F06D shade: #FCF068, #FFFF7B, #FFFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7F06D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7F06D shade: #F7F06D, #E6DE5A, #D5CC47, #C4BA34 and #B3A821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7F06D shade: #F7F06D, #F7CB6D, #F7A66D, #F7806D and #F76D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7F06D shade: #F7F06D, #D9F76D, #B4F76D, #8EF76D and #6DF771

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7F06D shade matches the following richer shades: #F7F06D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7F06D shade: #F7F06D, #EAE57A, #DEDA86, #D2CF92 and #C5C39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7F06D shade: #F7A46D, #F7C96D, #F7EE6D, #DBF76D and #B7F76D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7F06D shade: #F3E81F, #F5EC46, #F7F06D, #F9F494 and #FBF8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7F06D shade: #F7F06D, #6DF780 and #B76DF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7F06D shade: #F7F06D, #6DF7EE and #EE6DF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7F06D shade: #F7F06D, #6DF780, #6D76F7 and #F76DE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7F06D shade: #F7F06D, #6DF7A9, #6D76F7 and #F76DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

Complementary color

CMYK 95 / 90 / 0 / 43

HEX #080F92

RGB 8 15 146

HSL 236.96, 0.9%, 0.3%

LAB 17.78, 47.33, -68.01

 

CMYK 0 / 5 / 59 / 1

HEX #FCF068

RGB 252 240 104

HSL 55.14, 0.96%, 0.7%

LAB 93.46, -12.23, 65.56

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 0 / 3 / 61 / 10

HEX #E6DE5A

RGB 230 222 90

HSL 56.57, 0.74%, 0.63%

LAB 86.9, -13.19, 63.82

 

CMYK 0 / 4 / 67 / 16

HEX #D5CC47

RGB 213 204 71

HSL 56.2, 0.63%, 0.56%

LAB 80.62, -12.38, 64.52

 

CMYK 0 / 5 / 73 / 23

HEX #C4BA34

RGB 196 186 52

HSL 55.83, 0.58%, 0.49%

LAB 74.25, -11.41, 64.83

 

CMYK 0 / 6 / 82 / 30

HEX #B3A821

RGB 179 168 33

HSL 55.48, 0.69%, 0.42%

LAB 67.8, -10.25, 64.42

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 0 / 18 / 56 / 3

HEX #F7CB6D

RGB 247 203 109

HSL 40.87, 0.9%, 0.7%

LAB 83.75, 4.77, 52.1

 

CMYK 0 / 33 / 56 / 3

HEX #F7A66D

RGB 247 166 109

HSL 24.78, 0.9%, 0.7%

LAB 74.92, 24.14, 41.43

 

CMYK 0 / 48 / 56 / 3

HEX #F7806D

RGB 247 128 109

HSL 8.26, 0.9%, 0.7%

LAB 66.76, 43.74, 31.12

 

CMYK 0 / 56 / 56 / 3

HEX #F76D6D

RGB 247 109 109

HSL 0, 0.9%, 0.7%

LAB 63.19, 52.89, 26.46

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 12 / 0 / 56 / 3

HEX #D9F76D

RGB 217 247 109

HSL 73.04, 0.9%, 0.7%

LAB 92.74, -29.02, 61.89

 

CMYK 27 / 0 / 56 / 3

HEX #B4F76D

RGB 180 247 109

HSL 89.13, 0.9%, 0.7%

LAB 90.47, -42.67, 58.7

 

CMYK 43 / 0 / 56 / 3

HEX #8EF76D

RGB 142 247 109

HSL 105.65, 0.9%, 0.7%

LAB 88.63, -55.1, 56.08

 

CMYK 56 / 0 / 54 / 3

HEX #6DF771

RGB 109 247 113

HSL 121.74, 0.9%, 0.7%

LAB 87.47, -63.5, 52.62

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 0 / 2 / 48 / 8

HEX #EAE57A

RGB 234 229 122

HSL 57.32, 0.73%, 0.7%

LAB 89.36, -12.59, 52.35

 

CMYK 0 / 2 / 40 / 13

HEX #DEDA86

RGB 222 218 134

HSL 57.27, 0.57%, 0.7%

LAB 85.7, -10.65, 41.79

 

CMYK 0 / 1 / 30 / 18

HEX #D2CF92

RGB 210 207 146

HSL 57.19, 0.42%, 0.7%

LAB 82.06, -8.34, 30.76

 

CMYK 0 / 1 / 19 / 23

HEX #C5C39F

RGB 197 195 159

HSL 56.84, 0.25%, 0.7%

LAB 78.11, -5.29, 18.39

 

CMYK 0 / 34 / 56 / 3

HEX #F7A46D

RGB 247 164 109

HSL 23.91, 0.9%, 0.7%

LAB 74.46, 25.19, 40.87

 

CMYK 0 / 19 / 56 / 3

HEX #F7C96D

RGB 247 201 109

HSL 40, 0.9%, 0.7%

LAB 83.26, 5.8, 51.52

 

CMYK 0 / 4 / 56 / 3

HEX #F7EE6D

RGB 247 238 109

HSL 56.09, 0.9%, 0.7%

LAB 92.59, -12.9, 62.31

 

CMYK 11 / 0 / 56 / 3

HEX #DBF76D

RGB 219 247 109

HSL 72.17, 0.9%, 0.7%

LAB 92.88, -28.25, 62.08

 

CMYK 26 / 0 / 56 / 3

HEX #B7F76D

RGB 183 247 109

HSL 87.83, 0.9%, 0.7%

LAB 90.64, -41.61, 58.93

 

CMYK 0 / 5 / 87 / 5

HEX #F3E81F

RGB 243 232 31

HSL 56.89, 0.9%, 0.54%

LAB 90.26, -15.11, 85.61

 

CMYK 0 / 4 / 71 / 4

HEX #F5EC46

RGB 245 236 70

HSL 56.91, 0.9%, 0.62%

LAB 91.62, -15.01, 76.63

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 0 / 2 / 41 / 2

HEX #F9F494

RGB 249 244 148

HSL 57.03, 0.89%, 0.78%

LAB 94.73, -11.65, 46.77

 

CMYK 0 / 1 / 25 / 2

HEX #FBF8BC

RGB 251 248 188

HSL 57.14, 0.89%, 0.86%

LAB 96.52, -8.2, 29.27

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 56 / 0 / 48 / 3

HEX #6DF780

RGB 109 247 128

HSL 128.26, 0.9%, 0.7%

LAB 87.65, -61.54, 45.87

 

CMYK 26 / 56 / 0 / 3

HEX #B76DF7

RGB 183 109 247

HSL 272.17, 0.9%, 0.7%

LAB 59.63, 54.18, -58.08

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 56 / 0 / 4 / 3

HEX #6DF7EE

RGB 109 247 238

HSL 176.09, 0.9%, 0.7%

LAB 89.83, -39.53, -7.05

 

CMYK 4 / 56 / 0 / 3

HEX #EE6DF7

RGB 238 109 247

HSL 296.09, 0.9%, 0.7%

LAB 66.39, 67.79, -46.94

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 56 / 0 / 48 / 3

HEX #6DF780

RGB 109 247 128

HSL 128.26, 0.9%, 0.7%

LAB 87.65, -61.54, 45.87

 

CMYK 56 / 52 / 0 / 3

HEX #6D76F7

RGB 109 118 247

HSL 236.09, 0.9%, 0.7%

LAB 54.99, 32.81, -65.89

 

CMYK 0 / 56 / 8 / 3

HEX #F76DE4

RGB 247 109 228

HSL 308.26, 0.9%, 0.7%

LAB 66.76, 66.97, -35.78

 

CMYK 0 / 3 / 56 / 3

HEX #F7F06D

RGB 247 240 109

HSL 56.96, 0.9%, 0.7%

LAB 93.1, -13.88, 62.89

 

CMYK 56 / 0 / 32 / 3

HEX #6DF7A9

RGB 109 247 169

HSL 146.09, 0.9%, 0.7%

LAB 88.27, -54.83, 26.42

 

CMYK 56 / 52 / 0 / 3

HEX #6D76F7

RGB 109 118 247

HSL 236.09, 0.9%, 0.7%

LAB 54.99, 32.81, -65.89

 

CMYK 0 / 56 / 24 / 3

HEX #F76DBB

RGB 247 109 187

HSL 326.09, 0.9%, 0.7%

LAB 65.2, 61.02, -15.17

 

Description

Color code: HEX #F7F06D | qconv.com Color code: HEX #F7F06D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 240 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 240 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 56 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 56% 3% C M Y K

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Provide designers and agencies with accurate color values.

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