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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7EA48 it is the complementary color #0815B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7EA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7EA48 shade: #FCEA43, #FFFC56, #FFFF69, #FFFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7EA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7EA48 shade: #F7EA48, #E6D835, #D5C622, #C4B40F and #B3A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7EA48 shade: #F7EA49, #F7BB49, #F78C49, #F75E49 and #F74949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7EA48 shade: #F7EA49, #D5F749, #A6F749, #77F749 and #49F74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7EA48 shade matches the following richer shades: #F7EA49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7EA48 shade: #F7EA49, #E8DD59, #D8D068, #C9C377 and #BAB686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7EA48 shade: #F78C49, #F7BA49, #F7E849, #D7F749 and #A9F749

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7EA48 shade: #E5D409, #F5E622, #F7EA49, #F9EF71 and #FAF399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7EA48 shade: #F7EA48, #49F75E and #A349F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7EA48 shade: #F7EA48, #49F7E8 and #E849F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7EA48 shade: #F7EA48, #49F75E, #4958F7 and #F749E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7EA48 shade: #F7EA48, #49F792, #4958F7 and #F749AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

Complementary color

CMYK 96 / 89 / 0 / 28

HEX #0815B7

RGB 8 21 183

HSL 235.54, 0.92%, 0.37%

LAB 23.69, 56.09, -80.65

 

CMYK 0 / 7 / 73 / 1

HEX #FCEA43

RGB 252 234 67

HSL 54.16, 0.97%, 0.63%

LAB 91.66, -11.28, 77.88

 

CMYK 0 / 1 / 66 / 0

HEX #FFFC56

RGB 255 252 86

HSL 58.93, 1%, 0.67%

LAB 96.64, -17.93, 76.17

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

HEX #F7EA48

CMYK 0 / 6 / 77 / 10

HEX #E6D835

RGB 230 216 53

HSL 55.25, 0.78%, 0.55%

LAB 85.09, -12.06, 75.58

HEX #E6D835

CMYK 0 / 7 / 84 / 16

HEX #D5C622

RGB 213 198 34

HSL 54.97, 0.72%, 0.48%

LAB 78.84, -10.83, 74.7

HEX #D5C622

CMYK 0 / 8 / 92 / 23

HEX #C4B40F

RGB 196 180 15

HSL 54.7, 0.86%, 0.41%

LAB 72.5, -9.39, 72.63

HEX #C4B40F

CMYK 0 / 9 / 100 / 30

HEX #B3A200

RGB 179 162 0

HSL 54.3, 1%, 0.35%

LAB 66.08, -7.73, 69.06

HEX #B3A200

CMYK 0 / 5 / 70 / 3

HEX #F7EA49

RGB 247 234 73

HSL 55.52, 0.92%, 0.63%

LAB 91.28, -13.08, 75.33

 

CMYK 0 / 24 / 70 / 3

HEX #F7BB49

RGB 247 187 73

HSL 39.31, 0.92%, 0.63%

LAB 79.5, 10.83, 63.58

 

CMYK 0 / 43 / 70 / 3

HEX #F78C49

RGB 247 140 73

HSL 23.1, 0.92%, 0.63%

LAB 68.76, 35.41, 52.28

 

CMYK 0 / 62 / 70 / 3

HEX #F75E49

RGB 247 94 73

HSL 7.24, 0.92%, 0.63%

LAB 60.12, 57.39, 42.66

 

CMYK 0 / 70 / 70 / 3

HEX #F74949

RGB 247 73 73

HSL 0, 0.92%, 0.63%

LAB 57.1, 65.6, 39.16

 

CMYK 0 / 5 / 70 / 3

HEX #F7EA49

RGB 247 234 73

HSL 55.52, 0.92%, 0.63%

LAB 91.28, -13.08, 75.33

 

CMYK 14 / 0 / 70 / 3

HEX #D5F749

RGB 213 247 73

HSL 71.72, 0.92%, 0.63%

LAB 92.2, -32.96, 75.37

 

CMYK 33 / 0 / 70 / 3

HEX #A6F749

RGB 166 247 73

HSL 87.93, 0.92%, 0.63%

LAB 89.44, -50.37, 71.72

 

CMYK 52 / 0 / 70 / 3

HEX #77F749

RGB 119 247 73

HSL 104.14, 0.92%, 0.63%

LAB 87.45, -64.85, 69.05

 

CMYK 70 / 0 / 70 / 3

HEX #49F74A

RGB 73 247 74

HSL 120.34, 0.92%, 0.63%

LAB 86.22, -74.73, 67.04

 

CMYK 0 / 5 / 70 / 3

HEX #F7EA49

RGB 247 234 73

HSL 55.52, 0.92%, 0.63%

LAB 91.28, -13.08, 75.33

 

CMYK 0 / 5 / 70 / 3

HEX #F7EA49

RGB 247 234 73

HSL 55.52, 0.92%, 0.63%

LAB 91.28, -13.08, 75.33

 

CMYK 0 / 5 / 62 / 9

HEX #E8DD59

RGB 232 221 89

HSL 55.38, 0.76%, 0.63%

LAB 86.8, -11.94, 64.17

 

CMYK 0 / 4 / 52 / 15

HEX #D8D068

RGB 216 208 104

HSL 55.71, 0.59%, 0.63%

LAB 82.22, -10.87, 51.99

 

CMYK 0 / 3 / 41 / 21

HEX #C9C377

RGB 201 195 119

HSL 55.61, 0.43%, 0.63%

LAB 77.74, -8.87, 38.89

 

CMYK 0 / 2 / 28 / 27

HEX #BAB686

RGB 186 182 134

HSL 55.38, 0.27%, 0.63%

LAB 73.3, -6.24, 25.01

 

CMYK 0 / 43 / 70 / 3

HEX #F78C49

RGB 247 140 73

HSL 23.1, 0.92%, 0.63%

LAB 68.76, 35.41, 52.28

 

CMYK 0 / 25 / 70 / 3

HEX #F7BA49

RGB 247 186 73

HSL 38.97, 0.92%, 0.63%

LAB 79.26, 11.36, 63.33

 

CMYK 0 / 6 / 70 / 3

HEX #F7E849

RGB 247 232 73

HSL 54.83, 0.92%, 0.63%

LAB 90.77, -12.09, 74.83

 

CMYK 13 / 0 / 70 / 3

HEX #D7F749

RGB 215 247 73

HSL 71.03, 0.92%, 0.63%

LAB 92.33, -32.18, 75.55

 

CMYK 32 / 0 / 70 / 3

HEX #A9F749

RGB 169 247 73

HSL 86.9, 0.92%, 0.63%

LAB 89.6, -49.33, 71.92

 

CMYK 0 / 7 / 96 / 10

HEX #E5D409

RGB 229 212 9

HSL 55.36, 0.92%, 0.47%

LAB 83.84, -11.43, 83.07

 

CMYK 0 / 6 / 86 / 4

HEX #F5E622

RGB 245 230 34

HSL 55.73, 0.91%, 0.55%

LAB 89.92, -13.23, 84.86

 

CMYK 0 / 5 / 70 / 3

HEX #F7EA49

RGB 247 234 73

HSL 55.52, 0.92%, 0.63%

LAB 91.28, -13.08, 75.33

 

CMYK 0 / 4 / 55 / 2

HEX #F9EF71

RGB 249 239 113

HSL 55.59, 0.92%, 0.71%

LAB 93.04, -12.3, 61.11

 

CMYK 0 / 3 / 39 / 2

HEX #FAF399

RGB 250 243 153

HSL 55.67, 0.91%, 0.79%

LAB 94.62, -10.25, 44.21

 

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

HEX #F7EA48

CMYK 70 / 0 / 62 / 3

HEX #49F75E

RGB 73 247 94

HSL 127.24, 0.92%, 0.63%

LAB 86.38, -72.85, 59.41

HEX #49F75E

CMYK 34 / 70 / 0 / 3

HEX #A349F7

RGB 163 73 247

HSL 271.03, 0.92%, 0.63%

LAB 51, 67.11, -72.12

HEX #A349F7

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

HEX #F7EA48

CMYK 70 / 0 / 6 / 3

HEX #49F7E8

RGB 73 247 232

HSL 174.83, 0.92%, 0.63%

LAB 88.81, -46.61, -5.53

HEX #49F7E8

CMYK 6 / 70 / 0 / 3

HEX #E849F7

RGB 232 73 247

HSL 294.83, 0.92%, 0.63%

LAB 60.46, 80.55, -56.4

HEX #E849F7

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

HEX #F7EA48

CMYK 70 / 0 / 62 / 3

HEX #49F75E

RGB 73 247 94

HSL 127.24, 0.92%, 0.63%

LAB 86.38, -72.85, 59.41

HEX #49F75E

CMYK 70 / 64 / 0 / 3

HEX #4958F7

RGB 73 88 247

HSL 234.83, 0.92%, 0.63%

LAB 45.79, 45.37, -80.96

HEX #4958F7

CMYK 0 / 70 / 8 / 3

HEX #F749E3

RGB 247 73 227

HSL 306.9, 0.92%, 0.63%

LAB 61.73, 80.62, -43.09

HEX #F749E3

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

HEX #F7EA48

CMYK 70 / 0 / 41 / 3

HEX #49F792

RGB 73 247 146

HSL 145.17, 0.92%, 0.63%

LAB 87, -65.59, 36.12

HEX #49F792

CMYK 70 / 64 / 0 / 3

HEX #4958F7

RGB 73 88 247

HSL 234.83, 0.92%, 0.63%

LAB 45.79, 45.37, -80.96

HEX #4958F7

CMYK 0 / 70 / 29 / 3

HEX #F749AF

RGB 247 73 175

HSL 324.83, 0.92%, 0.63%

LAB 59.56, 73.81, -16.85

HEX #F749AF

Description

Color code: HEX #F7EA48 | qconv.com Color code: HEX #F7EA48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 234 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 234 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 71 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 71% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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