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Color name
HEX #F7C269

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7C269 it is the complementary color #083D96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7C269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7C269 shade: #FCC264, #FFD477, #FFE68A, #FFF89D and #FFFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7C269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7C269 shade: #F7C269, #E6B056, #D59E43, #C48C30 and #B37A1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7C269 shade: #F7C168, #F79B68, #F77568 and #F76868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7C269 shade: #F7C168, #F7E868, #DFF768, #B9F768 and #92F768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7C269 shade matches the following richer shades: #F7C168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7C269 shade: #F7C168, #EABE75, #DDBB82, #D0B88F and #C3B59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7C269 shade: #F77468, #F79A68, #F7C068, #F7E668 and #E1F768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7C269 shade: #F2A21A, #F5B241, #F7C168, #F9D190 and #FBE1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7C269 shade: #F7C269, #82F768 and #8768F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7C269 shade: #F7C269, #68F7C0 and #C068F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7C269 shade: #F7C269, #82F768, #689FF7 and #DD68F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7C269 shade: #F7C269, #68F779, #689FF7 and #F768E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 57 / 3

HEX #F7C269

RGB 247 194 105

HSL 37.61, 0.9%, 0.69%

LAB 81.5, 9.14, 51.36

 

Complementary color

CMYK 95 / 59 / 0 / 41

HEX #083D96

RGB 8 61 150

HSL 217.61, 0.9%, 0.31%

LAB 28.36, 21.09, -53.01

 

CMYK 0 / 23 / 60 / 1

HEX #FCC264

RGB 252 194 100

HSL 37.11, 0.96%, 0.69%

LAB 81.95, 10.84, 54.39

 

CMYK 0 / 17 / 53 / 0

HEX #FFD477

RGB 255 212 119

HSL 41.03, 1%, 0.73%

LAB 86.84, 4.17, 51.18

 

CMYK 0 / 10 / 46 / 0

HEX #FFE68A

RGB 255 230 138

HSL 47.18, 1%, 0.77%

LAB 91.54, -3.32, 47.74

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89D

RGB 255 248 157

HSL 55.71, 1%, 0.81%

LAB 96.34, -10.39, 44.53

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 21 / 57 / 3

HEX #F7C269

RGB 247 194 105

HSL 37.61, 0.9%, 0.69%

LAB 81.5, 9.14, 51.36

 

CMYK 0 / 23 / 63 / 10

HEX #E6B056

RGB 230 176 86

HSL 37.5, 0.74%, 0.62%

LAB 75.17, 10.23, 52.65

 

CMYK 0 / 26 / 69 / 16

HEX #D59E43

RGB 213 158 67

HSL 37.4, 0.63%, 0.55%

LAB 68.75, 11.48, 53.85

 

CMYK 0 / 29 / 76 / 23

HEX #C48C30

RGB 196 140 48

HSL 37.3, 0.61%, 0.48%

LAB 62.26, 12.95, 54.8

 

CMYK 0 / 32 / 84 / 30

HEX #B37A1D

RGB 179 122 29

HSL 37.2, 0.72%, 0.41%

LAB 55.68, 14.67, 55.17

 

CMYK 0 / 22 / 58 / 3

HEX #F7C168

RGB 247 193 104

HSL 37.34, 0.9%, 0.69%

LAB 81.24, 9.59, 51.54

 

CMYK 0 / 37 / 58 / 3

HEX #F79B68

RGB 247 155 104

HSL 21.4, 0.9%, 0.69%

LAB 72.37, 29.53, 40.88

 

CMYK 0 / 53 / 58 / 3

HEX #F77568

RGB 247 117 104

HSL 5.45, 0.9%, 0.69%

LAB 64.56, 48.75, 31.05

 

CMYK 0 / 58 / 58 / 3

HEX #F76868

RGB 247 104 104

HSL 0, 0.9%, 0.69%

LAB 62.23, 54.81, 28.03

 

CMYK 0 / 22 / 58 / 3

HEX #F7C168

RGB 247 193 104

HSL 37.34, 0.9%, 0.69%

LAB 81.24, 9.59, 51.54

 

CMYK 0 / 6 / 58 / 3

HEX #F7E868

RGB 247 232 104

HSL 53.71, 0.9%, 0.69%

LAB 91, -10.3, 62.72

 

CMYK 10 / 0 / 58 / 3

HEX #DFF768

RGB 223 247 104

HSL 70.07, 0.9%, 0.69%

LAB 93.11, -27.09, 64.56

 

CMYK 25 / 0 / 58 / 3

HEX #B9F768

RGB 185 247 104

HSL 86.01, 0.9%, 0.69%

LAB 90.7, -41.35, 61.21

 

CMYK 41 / 0 / 58 / 3

HEX #92F768

RGB 146 247 104

HSL 102.38, 0.9%, 0.69%

LAB 88.75, -54.4, 58.46

 

CMYK 0 / 22 / 58 / 3

HEX #F7C168

RGB 247 193 104

HSL 37.34, 0.9%, 0.69%

LAB 81.24, 9.59, 51.54

 

CMYK 0 / 22 / 58 / 3

HEX #F7C168

RGB 247 193 104

HSL 37.34, 0.9%, 0.69%

LAB 81.24, 9.59, 51.54

 

CMYK 0 / 19 / 50 / 8

HEX #EABE75

RGB 234 190 117

HSL 37.44, 0.74%, 0.69%

LAB 79.39, 6.9, 42.59

 

CMYK 0 / 15 / 41 / 13

HEX #DDBB82

RGB 221 187 130

HSL 37.58, 0.57%, 0.69%

LAB 77.59, 4.52, 33.38

 

CMYK 0 / 12 / 31 / 18

HEX #D0B88F

RGB 208 184 143

HSL 37.85, 0.41%, 0.69%

LAB 75.87, 2.49, 24

 

CMYK 0 / 7 / 21 / 24

HEX #C3B59B

RGB 195 181 155

HSL 39, 0.25%, 0.69%

LAB 74.2, 0.75, 15.06

 

CMYK 0 / 53 / 58 / 3

HEX #F77468

RGB 247 116 104

HSL 5.03, 0.9%, 0.69%

LAB 64.37, 49.23, 30.81

 

CMYK 0 / 38 / 58 / 3

HEX #F79A68

RGB 247 154 104

HSL 20.98, 0.9%, 0.69%

LAB 72.15, 30.05, 40.61

 

CMYK 0 / 22 / 58 / 3

HEX #F7C068

RGB 247 192 104

HSL 36.92, 0.9%, 0.69%

LAB 81, 10.11, 51.26

 

CMYK 0 / 7 / 58 / 3

HEX #F7E668

RGB 247 230 104

HSL 52.87, 0.9%, 0.69%

LAB 90.49, -9.3, 62.15

 

CMYK 9 / 0 / 58 / 3

HEX #E1F768

RGB 225 247 104

HSL 69.23, 0.9%, 0.69%

LAB 93.25, -26.32, 64.76

 

CMYK 0 / 33 / 89 / 5

HEX #F2A21A

RGB 242 162 26

HSL 37.78, 0.89%, 0.53%

LAB 72.76, 20.32, 72.9

 

CMYK 0 / 27 / 73 / 4

HEX #F5B241

RGB 245 178 65

HSL 37.67, 0.9%, 0.61%

LAB 77.06, 14.34, 64.31

 

CMYK 0 / 22 / 58 / 3

HEX #F7C168

RGB 247 193 104

HSL 37.34, 0.9%, 0.69%

LAB 81.24, 9.59, 51.54

 

CMYK 0 / 16 / 42 / 2

HEX #F9D190

RGB 249 209 144

HSL 37.14, 0.9%, 0.77%

LAB 85.88, 5.62, 37.44

 

CMYK 0 / 10 / 27 / 2

HEX #FBE1B7

RGB 251 225 183

HSL 37.06, 0.89%, 0.85%

LAB 90.68, 2.74, 23.84

 

CMYK 0 / 21 / 57 / 3

HEX #F7C269

RGB 247 194 105

HSL 37.61, 0.9%, 0.69%

LAB 81.5, 9.14, 51.36

 

CMYK 47 / 0 / 58 / 3

HEX #82F768

RGB 130 247 104

HSL 109.09, 0.9%, 0.69%

LAB 88.1, -59.1, 57.54

 

CMYK 45 / 58 / 0 / 3

HEX #8768F7

RGB 135 104 247

HSL 253.01, 0.9%, 0.69%

LAB 53.78, 46.09, -67.75

 

CMYK 0 / 21 / 57 / 3

HEX #F7C269

RGB 247 194 105

HSL 37.61, 0.9%, 0.69%

LAB 81.5, 9.14, 51.36

 

CMYK 58 / 0 / 22 / 3

HEX #68F7C0

RGB 104 247 192

HSL 156.92, 0.9%, 0.69%

LAB 88.58, -51.25, 15.02

 

CMYK 22 / 58 / 0 / 3

HEX #C068F7

RGB 192 104 247

HSL 276.92, 0.9%, 0.69%

LAB 59.73, 58.84, -57.88

 

CMYK 0 / 21 / 57 / 3

HEX #F7C269

RGB 247 194 105

HSL 37.61, 0.9%, 0.69%

LAB 81.5, 9.14, 51.36

 

CMYK 47 / 0 / 58 / 3

HEX #82F768

RGB 130 247 104

HSL 109.09, 0.9%, 0.69%

LAB 88.1, -59.1, 57.54

 

CMYK 58 / 36 / 0 / 3

HEX #689FF7

RGB 104 159 247

HSL 216.92, 0.9%, 0.69%

LAB 65.32, 7.5, -49.42

 

CMYK 11 / 58 / 0 / 3

HEX #DD68F7

RGB 221 104 247

HSL 289.09, 0.9%, 0.69%

LAB 63.33, 65.82, -51.92

 

CMYK 0 / 21 / 57 / 3

HEX #F7C269

RGB 247 194 105

HSL 37.61, 0.9%, 0.69%

LAB 81.5, 9.14, 51.36

 

CMYK 58 / 0 / 51 / 3

HEX #68F779

RGB 104 247 121

HSL 127.13, 0.9%, 0.69%

LAB 87.41, -63.63, 48.84

 

CMYK 58 / 36 / 0 / 3

HEX #689FF7

RGB 104 159 247

HSL 216.92, 0.9%, 0.69%

LAB 65.32, 7.5, -49.42

 

CMYK 0 / 58 / 7 / 3

HEX #F768E6

RGB 247 104 230

HSL 307.13, 0.9%, 0.69%

LAB 66.05, 69.44, -37.99

 

Description

Color code: HEX #F7C269 | qconv.com Color code: HEX #F7C269 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 194 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 194 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 57% 3% C M Y K

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Provide designers and agencies with accurate color values.

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