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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7B58C it is the complementary color #084A73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7B58C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7B58C shade: #FCB587, #FFC79A, #FFD9AD, #FFEBC0 and #FFFDD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7B58C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7B58C shade: #F7B58C, #E6A379, #D59166, #C47F53 and #B36D40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7B58C shade: #F7B58C, #F7988C and #F78C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7B58C shade: #F7B58C, #F7D28C, #F7EE8C, #E2F78C and #C5F78C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7B58C shade matches the following richer shades: #F7B58C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7B58C shade: #F7B58C, #EDB796, #E3B9A0, #D9BCAA and #CFBEB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7B58C shade: #F78C9E, #F7978C, #F7B38C, #F7CF8C and #F7EC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7B58C shade: #F1833F, #F49C65, #F7B58C, #F9CEB3 and #FCE7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7B58C shade: #F7B58C, #BAF78C and #8C90F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7B58C shade: #F7B58C, #8CF7B3 and #B38CF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7B58C shade: #F7B58C, #BAF78C, #8CCFF7 and #C88CF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7B58C shade: #F7B58C, #9AF78C, #8CCFF7 and #E88CF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

Complementary color

CMYK 93 / 36 / 0 / 55

HEX #084A73

RGB 8 74 115

HSL 202.99, 0.87%, 0.24%

LAB 29.88, -2.69, -28.84

 

CMYK 0 / 28 / 46 / 1

HEX #FCB587

RGB 252 181 135

HSL 23.59, 0.95%, 0.76%

LAB 79.32, 20.51, 33.61

 

CMYK 0 / 22 / 40 / 0

HEX #FFC79A

RGB 255 199 154

HSL 26.73, 1%, 0.8%

LAB 84.19, 14.21, 30.17

 

CMYK 0 / 15 / 32 / 0

HEX #FFD9AD

RGB 255 217 173

HSL 32.2, 1%, 0.84%

LAB 88.88, 7.08, 26.6

 

CMYK 0 / 8 / 25 / 0

HEX #FFEBC0

RGB 255 235 192

HSL 40.95, 1%, 0.88%

LAB 93.66, 0.32, 23.36

 

CMYK 0 / 1 / 17 / 0

HEX #FFFDD3

RGB 255 253 211

HSL 57.27, 1%, 0.91%

LAB 98.52, -6.06, 20.38

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 0 / 29 / 47 / 10

HEX #E6A379

RGB 230 163 121

HSL 23.12, 0.69%, 0.69%

LAB 72.49, 19.97, 31.65

 

CMYK 0 / 32 / 52 / 16

HEX #D59166

RGB 213 145 102

HSL 23.24, 0.57%, 0.62%

LAB 66.03, 21.03, 33.12

 

CMYK 0 / 35 / 58 / 23

HEX #C47F53

RGB 196 127 83

HSL 23.36, 0.49%, 0.55%

LAB 59.47, 22.23, 34.72

 

CMYK 0 / 39 / 64 / 30

HEX #B36D40

RGB 179 109 64

HSL 23.48, 0.47%, 0.48%

LAB 52.83, 23.61, 36.45

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 0 / 38 / 43 / 3

HEX #F7988C

RGB 247 152 140

HSL 6.73, 0.87%, 0.76%

LAB 72.31, 34.28, 21.45

 

CMYK 0 / 43 / 43 / 3

HEX #F78C8C

RGB 247 140 140

HSL 0, 0.87%, 0.76%

LAB 69.77, 40.47, 17.96

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 0 / 15 / 43 / 3

HEX #F7D28C

RGB 247 210 140

HSL 39.25, 0.87%, 0.76%

LAB 85.89, 3.91, 39.44

 

CMYK 0 / 4 / 43 / 3

HEX #F7EE8C

RGB 247 238 140

HSL 54.95, 0.87%, 0.76%

LAB 92.93, -10.26, 48.36

 

CMYK 9 / 0 / 43 / 3

HEX #E2F78C

RGB 226 247 140

HSL 71.78, 0.87%, 0.76%

LAB 93.7, -22.71, 48.98

 

CMYK 20 / 0 / 43 / 3

HEX #C5F78C

RGB 197 247 140

HSL 88.04, 0.87%, 0.76%

LAB 91.81, -33.37, 46.2

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 0 / 23 / 37 / 7

HEX #EDB796

RGB 237 183 150

HSL 22.76, 0.71%, 0.76%

LAB 78.5, 15.19, 24.3

 

CMYK 0 / 19 / 30 / 11

HEX #E3B9A0

RGB 227 185 160

HSL 22.39, 0.54%, 0.76%

LAB 78.21, 11.52, 18.38

 

CMYK 0 / 13 / 22 / 15

HEX #D9BCAA

RGB 217 188 170

HSL 22.98, 0.38%, 0.76%

LAB 78.24, 7.54, 12.91

 

CMYK 0 / 8 / 13 / 19

HEX #CFBEB4

RGB 207 190 180

HSL 22.22, 0.22%, 0.76%

LAB 78.1, 4.32, 7.21

 

CMYK 0 / 43 / 36 / 3

HEX #F78C9E

RGB 247 140 158

HSL 349.91, 0.87%, 0.76%

LAB 70.18, 42.43, 8.49

 

CMYK 0 / 39 / 43 / 3

HEX #F7978C

RGB 247 151 140

HSL 6.17, 0.87%, 0.76%

LAB 72.1, 34.8, 21.15

 

CMYK 0 / 28 / 43 / 3

HEX #F7B38C

RGB 247 179 140

HSL 21.87, 0.87%, 0.76%

LAB 78.41, 20.1, 29.67

 

CMYK 0 / 16 / 43 / 3

HEX #F7CF8C

RGB 247 207 140

HSL 37.57, 0.87%, 0.76%

LAB 85.15, 5.45, 38.49

 

CMYK 0 / 4 / 43 / 3

HEX #F7EC8C

RGB 247 236 140

HSL 53.83, 0.87%, 0.76%

LAB 92.42, -9.27, 47.72

 

CMYK 0 / 46 / 74 / 5

HEX #F1833F

RGB 241 131 63

HSL 22.92, 0.86%, 0.6%

LAB 65.98, 37.19, 53.81

 

CMYK 0 / 36 / 59 / 4

HEX #F49C65

RGB 244 156 101

HSL 23.08, 0.87%, 0.68%

LAB 72.19, 27.59, 42.14

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 0 / 17 / 28 / 2

HEX #F9CEB3

RGB 249 206 179

HSL 23.14, 0.85%, 0.84%

LAB 85.77, 11.29, 19.11

 

CMYK 0 / 8 / 14 / 1

HEX #FCE7D9

RGB 252 231 217

HSL 24, 0.85%, 0.92%

LAB 92.95, 4.9, 9.39

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 25 / 0 / 43 / 3

HEX #BAF78C

RGB 186 247 140

HSL 94.21, 0.87%, 0.76%

LAB 91.17, -37.24, 45.26

 

CMYK 43 / 42 / 0 / 3

HEX #8C90F7

RGB 140 144 247

HSL 237.76, 0.87%, 0.76%

LAB 63.54, 24.13, -52.1

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 43 / 0 / 28 / 3

HEX #8CF7B3

RGB 140 247 179

HSL 141.87, 0.87%, 0.76%

LAB 89.56, -45.49, 23.26

 

CMYK 28 / 43 / 0 / 3

HEX #B38CF7

RGB 179 140 247

HSL 261.87, 0.87%, 0.76%

LAB 65.79, 36.44, -48.33

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 25 / 0 / 43 / 3

HEX #BAF78C

RGB 186 247 140

HSL 94.21, 0.87%, 0.76%

LAB 91.17, -37.24, 45.26

 

CMYK 43 / 16 / 0 / 3

HEX #8CCFF7

RGB 140 207 247

HSL 202.43, 0.87%, 0.76%

LAB 80.13, -10.96, -26.27

 

CMYK 19 / 43 / 0 / 3

HEX #C88CF7

RGB 200 140 247

HSL 273.64, 0.87%, 0.76%

LAB 67.84, 42.22, -44.97

 

CMYK 0 / 27 / 43 / 3

HEX #F7B58C

RGB 247 181 140

HSL 22.99, 0.87%, 0.76%

LAB 78.88, 19.05, 30.29

 

CMYK 38 / 0 / 43 / 3

HEX #9AF78C

RGB 154 247 140

HSL 112.15, 0.87%, 0.76%

LAB 89.53, -47.7, 42.83

 

CMYK 43 / 16 / 0 / 3

HEX #8CCFF7

RGB 140 207 247

HSL 202.43, 0.87%, 0.76%

LAB 80.13, -10.96, -26.27

 

CMYK 6 / 43 / 0 / 3

HEX #E88CF7

RGB 232 140 247

HSL 291.59, 0.87%, 0.76%

LAB 71.3, 51.29, -39.3

 

Description

Color code: HEX #F7B58C | qconv.com Color code: HEX #F7B58C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 181 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 181 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 43 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 43% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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