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Color name
HEX #F7B469

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7B469 it is the complementary color #084B96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7B469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7B469 shade: #FCB464, #FFC677, #FFD88A, #FFEA9D and #FFFCB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7B469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7B469 shade: #F7B469, #E6A256, #D59043, #C47E30 and #B36C1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7B469 shade: #F7B368, #F78D68 and #F76868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7B469 shade: #F7B368, #F7DA68, #EDF768, #C7F768 and #A0F768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7B469 shade matches the following richer shades: #F7B368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7B469 shade: #F7B368, #EAB375, #DDB282, #D0B18F and #C3B19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7B469 shade: #F7686B, #F78C68, #F7B268, #F7D868 and #EFF768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7B469 shade: #F28C1A, #F5A041, #F7B368, #F9C790 and #FBDBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7B469 shade: #F7B469, #91F768 and #7968F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7B469 shade: #F7B469, #68F7B2 and #B268F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7B469 shade: #F7B469, #91F768, #68ADF7 and #CE68F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7B469 shade: #F7B469, #68F76B, #68ADF7 and #F768F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 57 / 3

HEX #F7B469

RGB 247 180 105

HSL 31.69, 0.9%, 0.69%

LAB 78.13, 16.47, 47.37

 

Complementary color

CMYK 95 / 50 / 0 / 41

HEX #084B96

RGB 8 75 150

HSL 211.69, 0.9%, 0.31%

LAB 32.45, 11.39, -46.37

 

CMYK 0 / 29 / 60 / 1

HEX #FCB464

RGB 252 180 100

HSL 31.58, 0.96%, 0.69%

LAB 78.61, 18.15, 50.52

 

CMYK 0 / 22 / 53 / 0

HEX #FFC677

RGB 255 198 119

HSL 34.85, 1%, 0.73%

LAB 83.43, 11.4, 47.04

 

CMYK 0 / 15 / 46 / 0

HEX #FFD88A

RGB 255 216 138

HSL 40, 1%, 0.77%

LAB 88.07, 3.79, 43.38

 

CMYK 0 / 8 / 38 / 0

HEX #FFEA9D

RGB 255 234 157

HSL 47.14, 1%, 0.81%

LAB 92.81, -3.42, 39.99

 

CMYK 0 / 1 / 31 / 0

HEX #FFFCB0

RGB 255 252 176

HSL 57.72, 1%, 0.85%

LAB 97.64, -10.21, 36.84

 

CMYK 0 / 27 / 57 / 3

HEX #F7B469

RGB 247 180 105

HSL 31.69, 0.9%, 0.69%

LAB 78.13, 16.47, 47.37

 

CMYK 0 / 30 / 63 / 10

HEX #E6A256

RGB 230 162 86

HSL 31.67, 0.74%, 0.62%

LAB 71.78, 17.67, 48.8

 

CMYK 0 / 32 / 69 / 16

HEX #D59043

RGB 213 144 67

HSL 31.64, 0.63%, 0.55%

LAB 65.36, 19.04, 50.2

 

CMYK 0 / 36 / 76 / 23

HEX #C47E30

RGB 196 126 48

HSL 31.62, 0.61%, 0.48%

LAB 58.85, 20.63, 51.45

 

CMYK 0 / 40 / 84 / 30

HEX #B36C1D

RGB 179 108 29

HSL 31.6, 0.72%, 0.41%

LAB 52.28, 22.47, 52.23

 

CMYK 0 / 28 / 58 / 3

HEX #F7B368

RGB 247 179 104

HSL 31.47, 0.9%, 0.69%

LAB 77.88, 16.92, 47.56

 

CMYK 0 / 43 / 58 / 3

HEX #F78D68

RGB 247 141 104

HSL 15.52, 0.9%, 0.69%

LAB 69.34, 36.79, 37.12

 

CMYK 0 / 58 / 58 / 3

HEX #F76868

RGB 247 104 104

HSL 0, 0.9%, 0.69%

LAB 62.23, 54.81, 28.03

 

CMYK 0 / 28 / 58 / 3

HEX #F7B368

RGB 247 179 104

HSL 31.47, 0.9%, 0.69%

LAB 77.88, 16.92, 47.56

 

CMYK 0 / 12 / 58 / 3

HEX #F7DA68

RGB 247 218 104

HSL 47.83, 0.9%, 0.69%

LAB 87.44, -3.28, 58.71

 

CMYK 4 / 0 / 58 / 3

HEX #EDF768

RGB 237 247 104

HSL 64.2, 0.9%, 0.69%

LAB 94.11, -21.61, 65.96

 

CMYK 19 / 0 / 58 / 3

HEX #C7F768

RGB 199 247 104

HSL 80.14, 0.9%, 0.69%

LAB 91.53, -36.23, 62.37

 

CMYK 35 / 0 / 58 / 3

HEX #A0F768

RGB 160 247 104

HSL 96.5, 0.9%, 0.69%

LAB 89.39, -49.95, 59.36

 

CMYK 0 / 28 / 58 / 3

HEX #F7B368

RGB 247 179 104

HSL 31.47, 0.9%, 0.69%

LAB 77.88, 16.92, 47.56

 

CMYK 0 / 28 / 58 / 3

HEX #F7B368

RGB 247 179 104

HSL 31.47, 0.9%, 0.69%

LAB 77.88, 16.92, 47.56

 

CMYK 0 / 24 / 50 / 8

HEX #EAB375

RGB 234 179 117

HSL 31.79, 0.74%, 0.69%

LAB 76.69, 12.7, 39.22

 

CMYK 0 / 19 / 41 / 13

HEX #DDB282

RGB 221 178 130

HSL 31.65, 0.57%, 0.69%

LAB 75.34, 9.29, 30.42

 

CMYK 0 / 15 / 31 / 18

HEX #D0B18F

RGB 208 177 143

HSL 31.38, 0.41%, 0.69%

LAB 74.09, 6.22, 21.57

 

CMYK 0 / 9 / 21 / 24

HEX #C3B19B

RGB 195 177 155

HSL 33, 0.25%, 0.69%

LAB 73.16, 2.89, 13.6

 

CMYK 0 / 58 / 57 / 3

HEX #F7686B

RGB 247 104 107

HSL 358.74, 0.9%, 0.69%

LAB 62.28, 55.02, 26.4

 

CMYK 0 / 43 / 58 / 3

HEX #F78C68

RGB 247 140 104

HSL 15.1, 0.9%, 0.69%

LAB 69.13, 37.3, 36.86

 

CMYK 0 / 28 / 58 / 3

HEX #F7B268

RGB 247 178 104

HSL 31.05, 0.9%, 0.69%

LAB 77.65, 17.45, 47.28

 

CMYK 0 / 13 / 58 / 3

HEX #F7D868

RGB 247 216 104

HSL 46.99, 0.9%, 0.69%

LAB 86.94, -2.26, 58.13

 

CMYK 3 / 0 / 58 / 3

HEX #EFF768

RGB 239 247 104

HSL 63.36, 0.9%, 0.69%

LAB 94.26, -20.82, 66.16

 

CMYK 0 / 42 / 89 / 5

HEX #F28C1A

RGB 242 140 26

HSL 31.67, 0.89%, 0.53%

LAB 67.8, 31.85, 69.15

 

CMYK 0 / 35 / 73 / 4

HEX #F5A041

RGB 245 160 65

HSL 31.67, 0.9%, 0.61%

LAB 72.85, 23.81, 60.11

 

CMYK 0 / 28 / 58 / 3

HEX #F7B368

RGB 247 179 104

HSL 31.47, 0.9%, 0.69%

LAB 77.88, 16.92, 47.56

 

CMYK 0 / 20 / 42 / 2

HEX #F9C790

RGB 249 199 144

HSL 31.43, 0.9%, 0.77%

LAB 83.44, 10.81, 34.26

 

CMYK 0 / 13 / 27 / 2

HEX #FBDBB7

RGB 251 219 183

HSL 31.76, 0.89%, 0.85%

LAB 89.2, 5.82, 21.8

 

CMYK 0 / 27 / 57 / 3

HEX #F7B469

RGB 247 180 105

HSL 31.69, 0.9%, 0.69%

LAB 78.13, 16.47, 47.37

 

CMYK 41 / 0 / 58 / 3

HEX #91F768

RGB 145 247 104

HSL 102.8, 0.9%, 0.69%

LAB 88.7, -54.71, 58.4

 

CMYK 51 / 58 / 0 / 3

HEX #7968F7

RGB 121 104 247

HSL 247.13, 0.9%, 0.69%

LAB 52.6, 43.32, -69.72

 

CMYK 0 / 27 / 57 / 3

HEX #F7B469

RGB 247 180 105

HSL 31.69, 0.9%, 0.69%

LAB 78.13, 16.47, 47.37

 

CMYK 58 / 0 / 28 / 3

HEX #68F7B2

RGB 104 247 178

HSL 151.05, 0.9%, 0.69%

LAB 88.29, -54.14, 21.83

 

CMYK 28 / 58 / 0 / 3

HEX #B268F7

RGB 178 104 247

HSL 271.05, 0.9%, 0.69%

LAB 58.11, 55.55, -60.55

 

CMYK 0 / 27 / 57 / 3

HEX #F7B469

RGB 247 180 105

HSL 31.69, 0.9%, 0.69%

LAB 78.13, 16.47, 47.37

 

CMYK 41 / 0 / 58 / 3

HEX #91F768

RGB 145 247 104

HSL 102.8, 0.9%, 0.69%

LAB 88.7, -54.71, 58.4

 

CMYK 58 / 30 / 0 / 3

HEX #68ADF7

RGB 104 173 247

HSL 211.05, 0.9%, 0.69%

LAB 69.14, -0.48, -43.4

 

CMYK 17 / 58 / 0 / 3

HEX #CE68F7

RGB 206 104 247

HSL 282.8, 0.9%, 0.69%

LAB 61.43, 62.19, -55.07

 

CMYK 0 / 27 / 57 / 3

HEX #F7B469

RGB 247 180 105

HSL 31.69, 0.9%, 0.69%

LAB 78.13, 16.47, 47.37

 

CMYK 58 / 0 / 57 / 3

HEX #68F76B

RGB 104 247 107

HSL 121.26, 0.9%, 0.69%

LAB 87.25, -65.36, 55.02

 

CMYK 58 / 30 / 0 / 3

HEX #68ADF7

RGB 104 173 247

HSL 211.05, 0.9%, 0.69%

LAB 69.14, -0.48, -43.4

 

CMYK 0 / 58 / 1 / 3

HEX #F768F4

RGB 247 104 244

HSL 301.26, 0.9%, 0.69%

LAB 66.68, 71.68, -44.76

 

Description

Color code: HEX #F7B469 | qconv.com Color code: HEX #F7B469 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 180 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 180 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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