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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F39D14 it is the complementary color #0C62EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F39D14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F39D14 shade: #F89D0F, #FFAF22, #FFC135, #FFD348 and #FFE55B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F39D14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F39D14 shade: #F39D14, #E28B01, #D17900, #C06700 and #AF5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F39D14 shade: #F29D16, #F26216, #F22616 and #F21616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F39D14 shade: #F29D16, #F2D916, #D0F216, #95F216 and #5AF216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F39D14 shade matches the following richer shades: #F29D16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F39D14 shade: #F29D16, #DE992A, #CB943E, #B79051 and #A38B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F39D14 shade: #F22516, #F25F16, #F29A16, #F2D516 and #D5F216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F39D14 shade: #AD6E09, #D4870B, #F29D16, #F4AE3D and #F6BE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F39D14 shade: #F39D14, #42F216 and #4216F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F39D14 shade: #F39D14, #16F29A and #9A16F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F39D14 shade: #F39D14, #42F216, #166EF2 and #C616F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F39D14 shade: #F39D14, #16F22C, #166EF2 and #F216DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 92 / 5

HEX #F39D14

RGB 243 157 20

HSL 36.86, 0.9%, 0.52%

LAB 71.7, 23.28, 73.39

 

Complementary color

CMYK 95 / 58 / 0 / 8

HEX #0C62EB

RGB 12 98 235

HSL 216.86, 0.9%, 0.48%

LAB 45.38, 30.42, -74.97

 

CMYK 0 / 37 / 94 / 3

HEX #F89D0F

RGB 248 157 15

HSL 36.57, 0.94%, 0.52%

LAB 72.3, 25.32, 74.95

 

CMYK 0 / 31 / 87 / 0

HEX #FFAF22

RGB 255 175 34

HSL 38.28, 1%, 0.57%

LAB 77.3, 19.13, 75.19

 

CMYK 0 / 24 / 79 / 0

HEX #FFC135

RGB 255 193 53

HSL 41.58, 1%, 0.6%

LAB 81.65, 10.26, 73.36

 

CMYK 0 / 17 / 72 / 0

HEX #FFD348

RGB 255 211 72

HSL 45.57, 1%, 0.64%

LAB 86.16, 1.74, 70.93

 

CMYK 0 / 10 / 64 / 0

HEX #FFE55B

RGB 255 229 91

HSL 50.49, 1%, 0.68%

LAB 90.8, -6.38, 68.2

 

CMYK 0 / 35 / 92 / 5

HEX #F39D14

RGB 243 157 20

HSL 36.86, 0.9%, 0.52%

LAB 71.7, 23.28, 73.39

 

CMYK 0 / 38 / 100 / 11

HEX #E28B01

RGB 226 139 1

HSL 36.8, 0.99%, 0.45%

LAB 65.46, 25.43, 70.93

 

CMYK 0 / 42 / 100 / 18

HEX #D17900

RGB 209 121 0

HSL 34.74, 1%, 0.41%

LAB 59.19, 27.81, 65.98

 

CMYK 0 / 46 / 100 / 25

HEX #C06700

RGB 192 103 0

HSL 32.19, 1%, 0.38%

LAB 52.85, 30.25, 60.86

 

CMYK 0 / 51 / 100 / 31

HEX #AF5500

RGB 175 85 0

HSL 29.14, 1%, 0.34%

LAB 46.46, 32.7, 55.72

 

CMYK 0 / 35 / 91 / 5

HEX #F29D16

RGB 242 157 22

HSL 36.82, 0.89%, 0.52%

LAB 71.59, 22.89, 72.87

 

CMYK 0 / 60 / 91 / 5

HEX #F26216

RGB 242 98 22

HSL 20.73, 0.89%, 0.52%

LAB 59.59, 52.37, 64.22

 

CMYK 0 / 84 / 91 / 5

HEX #F22616

RGB 242 38 22

HSL 4.36, 0.89%, 0.52%

LAB 52.2, 72.62, 59.21

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 35 / 91 / 5

HEX #F29D16

RGB 242 157 22

HSL 36.82, 0.89%, 0.52%

LAB 71.59, 22.89, 72.87

 

CMYK 0 / 10 / 91 / 5

HEX #F2D916

RGB 242 217 22

HSL 53.18, 0.89%, 0.52%

LAB 86.29, -8.25, 83.93

 

CMYK 14 / 0 / 91 / 5

HEX #D0F216

RGB 208 242 22

HSL 69.27, 0.89%, 0.52%

LAB 90.31, -34.35, 85.92

 

CMYK 38 / 0 / 91 / 5

HEX #95F216

RGB 149 242 22

HSL 85.36, 0.89%, 0.52%

LAB 86.97, -56.21, 81.85

 

CMYK 63 / 0 / 91 / 5

HEX #5AF216

RGB 90 242 22

HSL 101.45, 0.89%, 0.52%

LAB 84.86, -72.6, 79.24

 

CMYK 0 / 35 / 91 / 5

HEX #F29D16

RGB 242 157 22

HSL 36.82, 0.89%, 0.52%

LAB 71.59, 22.89, 72.87

 

CMYK 0 / 35 / 91 / 5

HEX #F29D16

RGB 242 157 22

HSL 36.82, 0.89%, 0.52%

LAB 71.59, 22.89, 72.87

 

CMYK 0 / 31 / 81 / 13

HEX #DE992A

RGB 222 153 42

HSL 37, 0.73%, 0.52%

LAB 68.37, 16.96, 63.82

 

CMYK 0 / 27 / 69 / 20

HEX #CB943E

RGB 203 148 62

HSL 36.6, 0.58%, 0.52%

LAB 65.14, 12.32, 51.94

 

CMYK 0 / 21 / 56 / 28

HEX #B79051

RGB 183 144 81

HSL 37.06, 0.41%, 0.52%

LAB 62.18, 7.16, 38.74

 

CMYK 0 / 15 / 38 / 36

HEX #A38B65

RGB 163 139 101

HSL 36.77, 0.25%, 0.52%

LAB 59.15, 3.48, 23.69

 

CMYK 0 / 85 / 91 / 5

HEX #F22516

RGB 242 37 22

HSL 4.09, 0.89%, 0.52%

LAB 52.13, 72.82, 59.16

 

CMYK 0 / 61 / 91 / 5

HEX #F25F16

RGB 242 95 22

HSL 19.91, 0.89%, 0.52%

LAB 59.08, 53.7, 63.87

 

CMYK 0 / 36 / 91 / 5

HEX #F29A16

RGB 242 154 22

HSL 36, 0.89%, 0.52%

LAB 70.9, 24.47, 72.36

 

CMYK 0 / 12 / 91 / 5

HEX #F2D516

RGB 242 213 22

HSL 52.09, 0.89%, 0.52%

LAB 85.26, -6.24, 83.15

 

CMYK 12 / 0 / 91 / 5

HEX #D5F216

RGB 213 242 22

HSL 67.91, 0.89%, 0.52%

LAB 90.65, -32.35, 86.33

 

CMYK 0 / 36 / 95 / 32

HEX #AD6E09

RGB 173 110 9

HSL 36.95, 0.9%, 0.36%

LAB 51.9, 18.27, 57.17

 

CMYK 0 / 36 / 95 / 17

HEX #D4870B

RGB 212 135 11

HSL 37.01, 0.9%, 0.44%

LAB 62.8, 21.69, 66.84

 

CMYK 0 / 35 / 91 / 5

HEX #F29D16

RGB 242 157 22

HSL 36.82, 0.89%, 0.52%

LAB 71.59, 22.89, 72.87

 

CMYK 0 / 29 / 75 / 4

HEX #F4AE3D

RGB 244 174 61

HSL 37.05, 0.89%, 0.6%

LAB 75.97, 15.85, 64.79

 

CMYK 0 / 23 / 59 / 4

HEX #F6BE64

RGB 246 190 100

HSL 36.99, 0.89%, 0.68%

LAB 80.37, 10.46, 52.41

 

CMYK 0 / 35 / 92 / 5

HEX #F39D14

RGB 243 157 20

HSL 36.86, 0.9%, 0.52%

LAB 71.7, 23.28, 73.39

 

CMYK 73 / 0 / 91 / 5

HEX #42F216

RGB 66 242 22

HSL 108, 0.89%, 0.52%

LAB 84.34, -77.06, 78.59

 

CMYK 73 / 91 / 0 / 5

HEX #4216F2

RGB 66 22 242

HSL 252, 0.89%, 0.52%

LAB 34.28, 73.36, -97.18

 

CMYK 0 / 35 / 92 / 5

HEX #F39D14

RGB 243 157 20

HSL 36.86, 0.9%, 0.52%

LAB 71.7, 23.28, 73.39

 

CMYK 91 / 0 / 36 / 5

HEX #16F29A

RGB 22 242 154

HSL 156, 0.89%, 0.52%

LAB 85, -67.28, 29.35

 

CMYK 36 / 91 / 0 / 5

HEX #9A16F2

RGB 154 22 242

HSL 276, 0.89%, 0.52%

LAB 44.02, 80.34, -80.75

 

CMYK 0 / 35 / 92 / 5

HEX #F39D14

RGB 243 157 20

HSL 36.86, 0.9%, 0.52%

LAB 71.7, 23.28, 73.39

 

CMYK 73 / 0 / 91 / 5

HEX #42F216

RGB 66 242 22

HSL 108, 0.89%, 0.52%

LAB 84.34, -77.06, 78.59

 

CMYK 91 / 55 / 0 / 5

HEX #166EF2

RGB 22 110 242

HSL 216, 0.89%, 0.52%

LAB 49.17, 25.78, -72.7

 

CMYK 18 / 91 / 0 / 5

HEX #C616F2

RGB 198 22 242

HSL 288, 0.89%, 0.52%

LAB 50.68, 86.05, -69.62

 

CMYK 0 / 35 / 92 / 5

HEX #F39D14

RGB 243 157 20

HSL 36.86, 0.9%, 0.52%

LAB 71.7, 23.28, 73.39

 

CMYK 91 / 0 / 82 / 5

HEX #16F22C

RGB 22 242 44

HSL 126, 0.89%, 0.52%

LAB 83.89, -80.79, 73.76

 

CMYK 91 / 55 / 0 / 5

HEX #166EF2

RGB 22 110 242

HSL 216, 0.89%, 0.52%

LAB 49.17, 25.78, -72.7

 

CMYK 0 / 91 / 9 / 5

HEX #F216DC

RGB 242 22 220

HSL 306, 0.89%, 0.52%

LAB 56.7, 89.78, -47.13

 

Description

Color code: HEX #F39D14 | qconv.com Color code: HEX #F39D14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 157 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 157 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 92% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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