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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F39451 it is the complementary color #0C6BAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F39451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F39451 shade: #F8944C, #FFA65F, #FFB872, #FFCA85 and #FFDC98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F39451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F39451 shade: #F39451, #E2823E, #D1702B, #C05E18 and #AF4C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F39451 shade: #F39553, #F36A53 and #F35353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F39451 shade: #F39553, #F3C053, #F3EB53, #CFF353 and #A4F353

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F39451 shade matches the following richer shades: #F39553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F39451 shade: #F39553, #E49762, #D59A71, #C69D7F and #B79F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F39451 shade: #F35368, #F36853, #F39353, #F3BD53 and #F3E853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F39451 shade: #E4670F, #F07D2C, #F39553, #F5AD79 and #F8C4A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F39451 shade: #F39451, #93F353 and #5353F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F39451 shade: #F39451, #53F393 and #9353F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F39451 shade: #F39451, #93F353, #53B3F3 and #B353F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F39451 shade: #F39451, #63F353, #53B3F3 and #E353F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 67 / 5

HEX #F39451

RGB 243 148 81

HSL 24.81, 0.87%, 0.64%

LAB 70.06, 30.09, 49.69

 

Complementary color

CMYK 93 / 39 / 0 / 32

HEX #0C6BAE

RGB 12 107 174

HSL 204.81, 0.87%, 0.36%

LAB 43.73, 0.5, -42.6

 

CMYK 0 / 40 / 69 / 3

HEX #F8944C

RGB 248 148 76

HSL 25.12, 0.92%, 0.64%

LAB 70.63, 31.83, 52.92

 

CMYK 0 / 35 / 63 / 0

HEX #FFA65F

RGB 255 166 95

HSL 26.63, 1%, 0.69%

LAB 75.67, 26.36, 49.62

 

CMYK 0 / 28 / 55 / 0

HEX #FFB872

RGB 255 184 114

HSL 29.79, 1%, 0.72%

LAB 80.04, 18.3, 45.39

 

CMYK 0 / 21 / 48 / 0

HEX #FFCA85

RGB 255 202 133

HSL 33.93, 1%, 0.76%

LAB 84.58, 10.54, 41.48

 

CMYK 0 / 14 / 40 / 0

HEX #FFDC98

RGB 255 220 152

HSL 39.61, 1%, 0.8%

LAB 89.26, 3.15, 37.88

 

CMYK 0 / 39 / 67 / 5

HEX #F39451

RGB 243 148 81

HSL 24.81, 0.87%, 0.64%

LAB 70.06, 30.09, 49.69

 

CMYK 0 / 42 / 73 / 11

HEX #E2823E

RGB 226 130 62

HSL 24.88, 0.74%, 0.56%

LAB 63.74, 31.67, 51.31

 

CMYK 0 / 46 / 79 / 18

HEX #D1702B

RGB 209 112 43

HSL 24.94, 0.66%, 0.49%

LAB 57.38, 33.42, 52.78

 

CMYK 0 / 51 / 88 / 25

HEX #C05E18

RGB 192 94 24

HSL 25, 0.78%, 0.42%

LAB 51.01, 35.34, 53.69

 

CMYK 0 / 57 / 97 / 31

HEX #AF4C05

RGB 175 76 5

HSL 25.06, 0.94%, 0.35%

LAB 44.65, 37.4, 53.31

 

CMYK 0 / 39 / 66 / 5

HEX #F39553

RGB 243 149 83

HSL 24.75, 0.87%, 0.64%

LAB 70.3, 29.68, 48.98

 

CMYK 0 / 56 / 66 / 5

HEX #F36A53

RGB 243 106 83

HSL 8.63, 0.87%, 0.64%

LAB 61.64, 51.17, 38.87

 

CMYK 0 / 66 / 66 / 5

HEX #F35353

RGB 243 83 83

HSL 0, 0.87%, 0.64%

LAB 57.91, 61.1, 34.33

 

CMYK 0 / 39 / 66 / 5

HEX #F39553

RGB 243 149 83

HSL 24.75, 0.87%, 0.64%

LAB 70.3, 29.68, 48.98

 

CMYK 0 / 21 / 66 / 5

HEX #F3C053

RGB 243 192 83

HSL 40.88, 0.87%, 0.64%

LAB 80.39, 7.08, 60.14

 

CMYK 0 / 3 / 66 / 5

HEX #F3EB53

RGB 243 235 83

HSL 57, 0.87%, 0.64%

LAB 91.28, -14.7, 71.55

 

CMYK 15 / 0 / 66 / 5

HEX #CFF353

RGB 207 243 83

HSL 73.5, 0.87%, 0.64%

LAB 90.78, -32.89, 70.2

 

CMYK 33 / 0 / 66 / 5

HEX #A4F353

RGB 164 243 83

HSL 89.63, 0.87%, 0.64%

LAB 88.27, -48.71, 66.8

 

CMYK 0 / 39 / 66 / 5

HEX #F39553

RGB 243 149 83

HSL 24.75, 0.87%, 0.64%

LAB 70.3, 29.68, 48.98

 

CMYK 0 / 39 / 66 / 5

HEX #F39553

RGB 243 149 83

HSL 24.75, 0.87%, 0.64%

LAB 70.3, 29.68, 48.98

 

CMYK 0 / 34 / 57 / 11

HEX #E49762

RGB 228 151 98

HSL 24.46, 0.71%, 0.64%

LAB 69.12, 23.57, 39.5

 

CMYK 0 / 28 / 47 / 16

HEX #D59A71

RGB 213 154 113

HSL 24.6, 0.54%, 0.64%

LAB 68.35, 17.19, 30.19

 

CMYK 0 / 21 / 36 / 22

HEX #C69D7F

RGB 198 157 127

HSL 25.35, 0.38%, 0.64%

LAB 67.76, 11.06, 21.49

 

CMYK 0 / 13 / 22 / 28

HEX #B79F8E

RGB 183 159 142

HSL 24.88, 0.22%, 0.64%

LAB 67.14, 6.1, 12.12

 

CMYK 0 / 66 / 57 / 5

HEX #F35368

RGB 243 83 104

HSL 352.13, 0.87%, 0.64%

LAB 58.26, 62.4, 22.68

 

CMYK 0 / 57 / 66 / 5

HEX #F36853

RGB 243 104 83

HSL 7.88, 0.87%, 0.64%

LAB 61.29, 52.09, 38.44

 

CMYK 0 / 40 / 66 / 5

HEX #F39353

RGB 243 147 83

HSL 24, 0.87%, 0.64%

LAB 69.86, 30.73, 48.47

 

CMYK 0 / 22 / 66 / 5

HEX #F3BD53

RGB 243 189 83

HSL 39.75, 0.87%, 0.64%

LAB 79.66, 8.65, 59.35

 

CMYK 0 / 5 / 66 / 5

HEX #F3E853

RGB 243 232 83

HSL 55.88, 0.87%, 0.64%

LAB 90.5, -13.23, 70.75

 

CMYK 0 / 55 / 93 / 11

HEX #E4670F

RGB 228 103 15

HSL 24.79, 0.88%, 0.48%

LAB 58.25, 44.8, 64.02

 

CMYK 0 / 48 / 82 / 6

HEX #F07D2C

RGB 240 125 44

HSL 24.8, 0.87%, 0.56%

LAB 64.46, 39.15, 60.48

 

CMYK 0 / 39 / 66 / 5

HEX #F39553

RGB 243 149 83

HSL 24.75, 0.87%, 0.64%

LAB 70.3, 29.68, 48.98

 

CMYK 0 / 29 / 51 / 4

HEX #F5AD79

RGB 245 173 121

HSL 25.16, 0.86%, 0.72%

LAB 76.48, 20.65, 37.12

 

CMYK 0 / 21 / 35 / 3

HEX #F8C4A0

RGB 248 196 160

HSL 24.55, 0.86%, 0.8%

LAB 82.9, 13.76, 25.15

 

CMYK 0 / 39 / 67 / 5

HEX #F39451

RGB 243 148 81

HSL 24.81, 0.87%, 0.64%

LAB 70.06, 30.09, 49.69

 

CMYK 40 / 0 / 66 / 5

HEX #93F353

RGB 147 243 83

HSL 96, 0.87%, 0.64%

LAB 87.45, -54.36, 65.69

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 0 / 39 / 67 / 5

HEX #F39451

RGB 243 148 81

HSL 24.81, 0.87%, 0.64%

LAB 70.06, 30.09, 49.69

 

CMYK 66 / 0 / 40 / 5

HEX #53F393

RGB 83 243 147

HSL 144, 0.87%, 0.64%

LAB 86.03, -62.35, 34.39

 

CMYK 40 / 66 / 0 / 5

HEX #9353F3

RGB 147 83 243

HSL 264, 0.87%, 0.64%

LAB 50.52, 58.55, -70.74

 

CMYK 0 / 39 / 67 / 5

HEX #F39451

RGB 243 148 81

HSL 24.81, 0.87%, 0.64%

LAB 70.06, 30.09, 49.69

 

CMYK 40 / 0 / 66 / 5

HEX #93F353

RGB 147 243 83

HSL 96, 0.87%, 0.64%

LAB 87.45, -54.36, 65.69

 

CMYK 66 / 26 / 0 / 5

HEX #53B3F3

RGB 83 179 243

HSL 204, 0.87%, 0.64%

LAB 69.86, -8.77, -40.17

 

CMYK 26 / 66 / 0 / 5

HEX #B353F3

RGB 179 83 243

HSL 276, 0.87%, 0.64%

LAB 54.28, 64.95, -64.48

 

CMYK 0 / 39 / 67 / 5

HEX #F39451

RGB 243 148 81

HSL 24.81, 0.87%, 0.64%

LAB 70.06, 30.09, 49.69

 

CMYK 59 / 0 / 66 / 5

HEX #63F353

RGB 99 243 83

HSL 114, 0.87%, 0.64%

LAB 85.69, -67.57, 63.29

 

CMYK 66 / 26 / 0 / 5

HEX #53B3F3

RGB 83 179 243

HSL 204, 0.87%, 0.64%

LAB 69.86, -8.77, -40.17

 

CMYK 7 / 66 / 0 / 5

HEX #E353F3

RGB 227 83 243

HSL 294, 0.87%, 0.64%

LAB 60.77, 75.25, -53.72

 

Description

Color code: HEX #F39451 | qconv.com Color code: HEX #F39451 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 148 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 148 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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