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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F38120 it is the complementary color #0C7EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F38120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F38120 shade: #F8811B, #FF932E, #FFA541, #FFB754 and #FFC967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F38120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F38120 shade: #F38120, #E26F0D, #D15D00, #C04B00 and #AF3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F38120 shade: #F38120, #F34820 and #F32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F38120 shade: #F38120, #F3BA20, #F3F320, #BAF320 and #81F320

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F38120 shade matches the following richer shades: #F38120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F38120 shade: #F38120, #E08233, #CD8446, #BA8559 and #A7876C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F38120 shade: #F32031, #F34620, #F37F20, #F3B720 and #F3EF20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F38120 shade: #B75909, #DE6C0B, #F38120, #F59747 and #F7AD6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F38120 shade: #F38120, #6AF320 and #2A20F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F38120 shade: #F38120, #20F37F and #7F20F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F38120 shade: #F38120, #6AF320, #2094F3 and #A920F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F38120 shade: #F38120, #2AF320, #2094F3 and #E820F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

Complementary color

CMYK 95 / 43 / 0 / 13

HEX #0C7EDF

RGB 12 126 223

HSL 207.58, 0.9%, 0.46%

LAB 52.21, 7.95, -57.16

 

CMYK 0 / 48 / 89 / 3

HEX #F8811B

RGB 248 129 27

HSL 27.69, 0.94%, 0.54%

LAB 66.32, 39.89, 68.13

 

CMYK 0 / 42 / 82 / 0

HEX #FF932E

RGB 255 147 46

HSL 29, 1%, 0.59%

LAB 71.09, 33.97, 66.38

 

CMYK 0 / 35 / 75 / 0

HEX #FFA541

RGB 255 165 65

HSL 31.58, 1%, 0.63%

LAB 75.17, 25.31, 62.82

 

CMYK 0 / 28 / 67 / 0

HEX #FFB754

RGB 255 183 84

HSL 34.74, 1%, 0.66%

LAB 79.48, 16.82, 59.08

 

CMYK 0 / 21 / 60 / 0

HEX #FFC967

RGB 255 201 103

HSL 38.68, 1%, 0.7%

LAB 83.97, 8.64, 55.39

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 0 / 51 / 94 / 11

HEX #E26F0D

RGB 226 111 13

HSL 27.61, 0.89%, 0.47%

LAB 59.5, 40.07, 65.12

 

CMYK 0 / 56 / 100 / 18

HEX #D15D00

RGB 209 93 0

HSL 26.7, 1%, 0.41%

LAB 53.37, 42.22, 62.49

 

CMYK 0 / 61 / 100 / 25

HEX #C04B00

RGB 192 75 0

HSL 23.44, 1%, 0.38%

LAB 47.29, 44.36, 57.64

 

CMYK 0 / 67 / 100 / 31

HEX #AF3900

RGB 175 57 0

HSL 19.54, 1%, 0.34%

LAB 41.28, 46.19, 52.87

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 0 / 70 / 87 / 5

HEX #F34820

RGB 243 72 32

HSL 11.37, 0.9%, 0.54%

LAB 55.88, 63.42, 58.15

 

CMYK 0 / 87 / 87 / 5

HEX #F32020

RGB 243 32 32

HSL 0, 0.9%, 0.54%

LAB 52.05, 74.16, 55.14

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 0 / 23 / 87 / 5

HEX #F3BA20

RGB 243 186 32

HSL 43.79, 0.9%, 0.54%

LAB 78.62, 8.25, 76.16

 

CMYK 0 / 0 / 87 / 5

HEX #F3F320

RGB 243 243 32

HSL 60, 0.9%, 0.54%

LAB 93.13, -20.41, 87.72

 

CMYK 23 / 0 / 87 / 5

HEX #BAF320

RGB 186 243 32

HSL 76.21, 0.9%, 0.54%

LAB 89.23, -43.16, 82.93

 

CMYK 47 / 0 / 87 / 5

HEX #81F320

RGB 129 243 32

HSL 92.42, 0.9%, 0.54%

LAB 86.44, -62.65, 79.47

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 0 / 42 / 77 / 12

HEX #E08233

RGB 224 130 51

HSL 27.4, 0.74%, 0.54%

LAB 63.39, 30.38, 55.82

 

CMYK 0 / 36 / 66 / 20

HEX #CD8446

RGB 205 132 70

HSL 27.56, 0.57%, 0.54%

LAB 61.59, 22.35, 44.3

 

CMYK 0 / 28 / 52 / 27

HEX #BA8559

RGB 186 133 89

HSL 27.22, 0.41%, 0.54%

LAB 59.83, 15.24, 31.66

 

CMYK 0 / 19 / 35 / 35

HEX #A7876C

RGB 167 135 108

HSL 27.46, 0.25%, 0.54%

LAB 58.63, 8.26, 19.13

 

CMYK 0 / 87 / 80 / 5

HEX #F32031

RGB 243 32 49

HSL 355.17, 0.9%, 0.54%

LAB 52.19, 74.55, 46.8

 

CMYK 0 / 71 / 87 / 5

HEX #F34620

RGB 243 70 32

HSL 10.81, 0.9%, 0.54%

LAB 55.62, 64.13, 57.94

 

CMYK 0 / 48 / 87 / 5

HEX #F37F20

RGB 243 127 32

HSL 27.01, 0.9%, 0.54%

LAB 65.23, 39.03, 65.53

 

CMYK 0 / 25 / 87 / 5

HEX #F3B720

RGB 243 183 32

HSL 42.94, 0.9%, 0.54%

LAB 77.89, 9.82, 75.58

 

CMYK 0 / 2 / 87 / 5

HEX #F3EF20

RGB 243 239 32

HSL 58.86, 0.9%, 0.54%

LAB 92.08, -18.49, 86.89

 

CMYK 0 / 51 / 95 / 28

HEX #B75909

RGB 183 89 9

HSL 27.59, 0.91%, 0.38%

LAB 48.55, 34.02, 55.5

 

CMYK 0 / 51 / 95 / 13

HEX #DE6C0B

RGB 222 108 11

HSL 27.58, 0.91%, 0.46%

LAB 58.3, 39.98, 64.42

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 0 / 38 / 71 / 4

HEX #F59747

RGB 245 151 71

HSL 27.59, 0.9%, 0.62%

LAB 70.87, 28.81, 55.4

 

CMYK 0 / 30 / 55 / 3

HEX #F7AD6E

RGB 247 173 110

HSL 27.59, 0.9%, 0.7%

LAB 76.55, 20.53, 42.93

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 56 / 0 / 87 / 5

HEX #6AF320

RGB 106 243 32

HSL 98.96, 0.9%, 0.54%

LAB 85.64, -68.94, 78.47

 

CMYK 83 / 87 / 0 / 5

HEX #2A20F3

RGB 42 32 243

HSL 242.84, 0.9%, 0.54%

LAB 33.98, 69.84, -98.28

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 87 / 0 / 48 / 5

HEX #20F37F

RGB 32 243 127

HSL 147.01, 0.9%, 0.54%

LAB 84.97, -71.84, 42.67

 

CMYK 48 / 87 / 0 / 5

HEX #7F20F3

RGB 127 32 243

HSL 267.01, 0.9%, 0.54%

LAB 41.24, 75.52, -86.02

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 56 / 0 / 87 / 5

HEX #6AF320

RGB 106 243 32

HSL 98.96, 0.9%, 0.54%

LAB 85.64, -68.94, 78.47

 

CMYK 87 / 39 / 0 / 5

HEX #2094F3

RGB 32 148 243

HSL 207.01, 0.9%, 0.54%

LAB 59.85, 3.21, -56.05

 

CMYK 30 / 87 / 0 / 5

HEX #A920F3

RGB 169 32 243

HSL 278.96, 0.9%, 0.54%

LAB 46.89, 80.52, -76.53

 

CMYK 0 / 47 / 87 / 5

HEX #F38120

RGB 243 129 32

HSL 27.58, 0.9%, 0.54%

LAB 65.64, 38.02, 65.85

 

CMYK 83 / 0 / 87 / 5

HEX #2AF320

RGB 42 243 32

HSL 117.16, 0.9%, 0.54%

LAB 84.33, -80.08, 76.82

 

CMYK 87 / 39 / 0 / 5

HEX #2094F3

RGB 32 148 243

HSL 207.01, 0.9%, 0.54%

LAB 59.85, 3.21, -56.05

 

CMYK 5 / 87 / 0 / 5

HEX #E820F3

RGB 232 32 243

HSL 296.87, 0.9%, 0.54%

LAB 56.74, 90.01, -60.11

 

Description

Color code: HEX #F38120 | qconv.com Color code: HEX #F38120 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 129 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 129 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 87% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Notícias sobre carro...
Link: http://motordiario.ne10.uol.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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