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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37BA7 it is the complementary color #0C8458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37BA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37BA7 shade: #F87BA2, #FF8DB5, #FF9FC8, #FFB1DB and #FFC3EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37BA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37BA7 shade: #F37BA7, #E26994, #D15781, #C0456E and #AF335B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37BA7 shade: #F27CA7, #F27C87 and #F27C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37BA7 shade: #F27CA7, #F27CC7, #F27CE7, #DE7CF2 and #BE7CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37BA7 shade matches the following richer shades: #F27CA7 and #FE70A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37BA7 shade: #F27CA7, #E787AA, #DB93AD, #D09EB1 and #C4AAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37BA7 shade: #F27CE7, #F27CC7, #F27CA7, #F27C88 and #F2907C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37BA7 shade: #EB3075, #EF568E, #F27CA7, #F6A2C0 and #F9C7DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37BA7 shade: #F37BA7, #F2DF7C and #7CD7F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37BA7 shade: #F37BA7, #A7F27C and #7CA7F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37BA7 shade: #F37BA7, #F2DF7C, #7CF2C7 and #7C90F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37BA7 shade: #F37BA7, #E3F27C, #7CF2C7 and #8C7CF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 31 / 5

HEX #F37BA7

RGB 243 123 167

HSL 338, 0.83%, 0.72%

LAB 66.53, 50.63, -1.92

 

Complementary color

CMYK 91 / 0 / 33 / 48

HEX #0C8458

RGB 12 132 88

HSL 158, 0.83%, 0.28%

LAB 48.62, -41.19, 15.43

 

CMYK 0 / 50 / 35 / 3

HEX #F87BA2

RGB 248 123 162

HSL 341.28, 0.9%, 0.73%

LAB 67.07, 51.68, 1.79

 

CMYK 0 / 45 / 29 / 0

HEX #FF8DB5

RGB 255 141 181

HSL 338.95, 1%, 0.78%

LAB 71.99, 47.5, -1.58

 

CMYK 0 / 38 / 22 / 0

HEX #FF9FC8

RGB 255 159 200

HSL 334.38, 1%, 0.81%

LAB 76.21, 40.94, -5.86

 

CMYK 0 / 31 / 14 / 0

HEX #FFB1DB

RGB 255 177 219

HSL 327.69, 1%, 0.85%

LAB 80.64, 34.45, -9.62

 

CMYK 0 / 24 / 7 / 0

HEX #FFC3EE

RGB 255 195 238

HSL 317, 1%, 0.88%

LAB 85.23, 28.12, -12.95

 

CMYK 0 / 49 / 31 / 5

HEX #F37BA7

RGB 243 123 167

HSL 338, 0.83%, 0.72%

LAB 66.53, 50.63, -1.92

 

CMYK 0 / 54 / 35 / 11

HEX #E26994

RGB 226 105 148

HSL 338.68, 0.68%, 0.65%

LAB 60.26, 51.42, -0.52

 

CMYK 0 / 58 / 38 / 18

HEX #D15781

RGB 209 87 129

HSL 339.34, 0.57%, 0.58%

LAB 53.98, 52.12, 1.15

 

CMYK 0 / 64 / 43 / 25

HEX #C0456E

RGB 192 69 110

HSL 340, 0.49%, 0.51%

LAB 47.74, 52.65, 3.16

 

CMYK 0 / 71 / 48 / 31

HEX #AF335B

RGB 175 51 91

HSL 340.65, 0.55%, 0.44%

LAB 41.59, 52.84, 5.68

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 49 / 44 / 5

HEX #F27C87

RGB 242 124 135

HSL 354.41, 0.82%, 0.72%

LAB 65.78, 46.22, 15.13

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC7

RGB 242 124 199

HSL 321.86, 0.82%, 0.72%

LAB 67.59, 54.17, -18.38

 

CMYK 0 / 49 / 5 / 5

HEX #F27CE7

RGB 242 124 231

HSL 305.59, 0.82%, 0.72%

LAB 68.8, 59.2, -34.32

 

CMYK 8 / 49 / 0 / 5

HEX #DE7CF2

RGB 222 124 242

HSL 289.83, 0.82%, 0.72%

LAB 66.79, 55.61, -43.7

 

CMYK 21 / 49 / 0 / 5

HEX #BE7CF2

RGB 190 124 242

HSL 273.56, 0.82%, 0.72%

LAB 63.16, 46.98, -49.68

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 56 / 35 / 0

HEX #FE70A4

RGB 254 112 164

HSL 338.03, 0.99%, 0.72%

LAB 66.01, 58.99, -0.79

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 42 / 26 / 9

HEX #E787AA

RGB 231 135 170

HSL 338.13, 0.67%, 0.72%

LAB 67.44, 40.92, -2.46

 

CMYK 0 / 33 / 21 / 14

HEX #DB93AD

RGB 219 147 173

HSL 338.33, 0.5%, 0.72%

LAB 68.71, 30.79, -2.44

 

CMYK 0 / 24 / 15 / 18

HEX #D09EB1

RGB 208 158 177

HSL 337.2, 0.35%, 0.72%

LAB 70.2, 21.5, -2.61

 

CMYK 0 / 13 / 8 / 23

HEX #C4AAB4

RGB 196 170 180

HSL 336.92, 0.18%, 0.72%

LAB 72.08, 11.12, -1.65

 

CMYK 0 / 49 / 5 / 5

HEX #F27CE7

RGB 242 124 231

HSL 305.59, 0.82%, 0.72%

LAB 68.8, 59.2, -34.32

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC7

RGB 242 124 199

HSL 321.86, 0.82%, 0.72%

LAB 67.59, 54.17, -18.38

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 49 / 44 / 5

HEX #F27C88

RGB 242 124 136

HSL 353.9, 0.82%, 0.72%

LAB 65.8, 46.32, 14.59

 

CMYK 0 / 40 / 49 / 5

HEX #F2907C

RGB 242 144 124

HSL 10.17, 0.82%, 0.72%

LAB 69.67, 34.99, 26.56

 

CMYK 0 / 80 / 50 / 8

HEX #EB3075

RGB 235 48 117

HSL 337.86, 0.82%, 0.55%

LAB 53.02, 72.56, 7.5

 

CMYK 0 / 64 / 41 / 6

HEX #EF568E

RGB 239 86 142

HSL 338.04, 0.83%, 0.64%

LAB 58.94, 63.22, 1.29

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 34 / 22 / 4

HEX #F6A2C0

RGB 246 162 192

HSL 338.57, 0.82%, 0.8%

LAB 75.6, 35.14, -2.49

 

CMYK 0 / 20 / 12 / 2

HEX #F9C7DA

RGB 249 199 218

HSL 337.2, 0.81%, 0.88%

LAB 85.02, 20.66, -2.67

 

CMYK 0 / 49 / 31 / 5

HEX #F37BA7

RGB 243 123 167

HSL 338, 0.83%, 0.72%

LAB 66.53, 50.63, -1.92

 

CMYK 0 / 8 / 49 / 5

HEX #F2DF7C

RGB 242 223 124

HSL 50.34, 0.82%, 0.72%

LAB 88.5, -6.23, 50.51

 

CMYK 49 / 11 / 0 / 5

HEX #7CD7F2

RGB 124 215 242

HSL 193.73, 0.82%, 0.72%

LAB 81.45, -20.13, -21.66

 

CMYK 0 / 49 / 31 / 5

HEX #F37BA7

RGB 243 123 167

HSL 338, 0.83%, 0.72%

LAB 66.53, 50.63, -1.92

 

CMYK 31 / 0 / 49 / 5

HEX #A7F27C

RGB 167 242 124

HSL 98.14, 0.82%, 0.72%

LAB 88.53, -43.4, 49.38

 

CMYK 49 / 31 / 0 / 5

HEX #7CA7F2

RGB 124 167 242

HSL 218.14, 0.82%, 0.72%

LAB 68.27, 5.64, -41.99

 

CMYK 0 / 49 / 31 / 5

HEX #F37BA7

RGB 243 123 167

HSL 338, 0.83%, 0.72%

LAB 66.53, 50.63, -1.92

 

CMYK 0 / 8 / 49 / 5

HEX #F2DF7C

RGB 242 223 124

HSL 50.34, 0.82%, 0.72%

LAB 88.5, -6.23, 50.51

 

CMYK 49 / 0 / 18 / 5

HEX #7CF2C7

RGB 124 242 199

HSL 158.14, 0.82%, 0.72%

LAB 87.93, -43.33, 10.56

 

CMYK 49 / 40 / 0 / 5

HEX #7C90F2

RGB 124 144 242

HSL 229.83, 0.82%, 0.72%

LAB 62.2, 18.93, -51.54

 

CMYK 0 / 49 / 31 / 5

HEX #F37BA7

RGB 243 123 167

HSL 338, 0.83%, 0.72%

LAB 66.53, 50.63, -1.92

 

CMYK 6 / 0 / 49 / 5

HEX #E3F27C

RGB 227 242 124

HSL 67.63, 0.82%, 0.72%

LAB 92.26, -21.5, 54.77

 

CMYK 49 / 0 / 18 / 5

HEX #7CF2C7

RGB 124 242 199

HSL 158.14, 0.82%, 0.72%

LAB 87.93, -43.33, 10.56

 

CMYK 42 / 49 / 0 / 5

HEX #8C7CF2

RGB 140 124 242

HSL 248.14, 0.82%, 0.72%

LAB 58.42, 34.35, -57.5

 

Description

Color code: HEX #F37BA7 | qconv.com Color code: HEX #F37BA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 123 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 123 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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