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Color name
HEX #F37AC6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37AC6 it is the complementary color #0C8539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37AC6 shade: #F87AC1, #FF8CD4, #FF9EE7, #FFB0FA and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37AC6 shade: #F37AC6, #E268B3, #D156A0, #C0448D and #AF327A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37AC6 shade: #F27CC6, #F27CA6, #F27C86 and #F27C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37AC6 shade: #F27CC6, #F27CE6, #DF7CF2, #BF7CF2 and #9F7CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37AC6 shade matches the following richer shades: #F27CC6 and #FE70C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37AC6 shade: #F27CC6, #E787C3, #DB93C0, #D09EBD and #C4AABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37AC6 shade: #DF7CF2, #F27CE7, #F27CC7, #F27CA7 and #F27C88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37AC6 shade: #EB30A6, #EF56B6, #F27CC6, #F6A2D7 and #F9C7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37AC6 shade: #F37AC6, #F2BF7C and #7CF2EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37AC6 shade: #F37AC6, #C7F27C and #7CC7F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37AC6 shade: #F37AC6, #F2BF7C, #7CF2A7 and #7CAFF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37AC6 shade: #F37AC6, #F2E37C, #7CF2A7 and #7C8CF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 19 / 5

HEX #F37AC6

RGB 243 122 198

HSL 322.31, 0.83%, 0.72%

LAB 67.32, 55.29, -18.22

 

Complementary color

CMYK 91 / 0 / 57 / 48

HEX #0C8539

RGB 12 133 57

HSL 142.31, 0.83%, 0.28%

LAB 48.45, -47.57, 32.19

 

CMYK 0 / 51 / 22 / 3

HEX #F87AC1

RGB 248 122 193

HSL 326.19, 0.9%, 0.73%

LAB 67.82, 56.12, -14.59

 

CMYK 0 / 45 / 17 / 0

HEX #FF8CD4

RGB 255 140 212

HSL 322.43, 1%, 0.77%

LAB 72.74, 52.3, -17.65

 

CMYK 0 / 38 / 9 / 0

HEX #FF9EE7

RGB 255 158 231

HSL 314.85, 1%, 0.81%

LAB 76.97, 46.22, -21.64

 

CMYK 0 / 31 / 2 / 0

HEX #FFB0FA

RGB 255 176 250

HSL 303.8, 1%, 0.85%

LAB 81.41, 40.15, -25.14

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 50 / 19 / 5

HEX #F37AC6

RGB 243 122 198

HSL 322.31, 0.83%, 0.72%

LAB 67.32, 55.29, -18.22

 

CMYK 0 / 54 / 21 / 11

HEX #E268B3

RGB 226 104 179

HSL 323.11, 0.68%, 0.65%

LAB 61.07, 55.92, -17.16

 

CMYK 0 / 59 / 23 / 18

HEX #D156A0

RGB 209 86 160

HSL 323.9, 0.57%, 0.58%

LAB 54.81, 56.43, -15.89

 

CMYK 0 / 65 / 27 / 25

HEX #C0448D

RGB 192 68 141

HSL 324.68, 0.5%, 0.51%

LAB 48.59, 56.7, -14.32

 

CMYK 0 / 71 / 30 / 31

HEX #AF327A

RGB 175 50 122

HSL 325.44, 0.56%, 0.44%

LAB 42.46, 56.55, -12.34

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC6

RGB 242 124 198

HSL 322.37, 0.82%, 0.72%

LAB 67.55, 54.02, -17.87

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA6

RGB 242 124 166

HSL 338.64, 0.82%, 0.72%

LAB 66.55, 49.69, -1.33

 

CMYK 0 / 49 / 45 / 5

HEX #F27C86

RGB 242 124 134

HSL 354.92, 0.82%, 0.72%

LAB 65.76, 46.12, 15.66

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC6

RGB 242 124 198

HSL 322.37, 0.82%, 0.72%

LAB 67.55, 54.02, -17.87

 

CMYK 0 / 49 / 5 / 5

HEX #F27CE6

RGB 242 124 230

HSL 306.1, 0.82%, 0.72%

LAB 68.76, 59.04, -33.83

 

CMYK 8 / 49 / 0 / 5

HEX #DF7CF2

RGB 223 124 242

HSL 290.34, 0.82%, 0.72%

LAB 66.91, 55.89, -43.5

 

CMYK 21 / 49 / 0 / 5

HEX #BF7CF2

RGB 191 124 242

HSL 274.07, 0.82%, 0.72%

LAB 63.26, 47.24, -49.5

 

CMYK 34 / 49 / 0 / 5

HEX #9F7CF2

RGB 159 124 242

HSL 257.8, 0.82%, 0.72%

LAB 60.07, 38.95, -54.77

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC6

RGB 242 124 198

HSL 322.37, 0.82%, 0.72%

LAB 67.55, 54.02, -17.87

 

CMYK 0 / 56 / 21 / 0

HEX #FE70C9

RGB 254 112 201

HSL 322.39, 0.99%, 0.72%

LAB 67.18, 63.61, -19.96

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC6

RGB 242 124 198

HSL 322.37, 0.82%, 0.72%

LAB 67.55, 54.02, -17.87

 

CMYK 0 / 42 / 16 / 9

HEX #E787C3

RGB 231 135 195

HSL 322.5, 0.67%, 0.72%

LAB 68.21, 44.57, -15.34

 

CMYK 0 / 33 / 12 / 14

HEX #DB93C0

RGB 219 147 192

HSL 322.5, 0.5%, 0.72%

LAB 69.28, 33.78, -12.2

 

CMYK 0 / 24 / 9 / 18

HEX #D09EBD

RGB 208 158 189

HSL 322.8, 0.35%, 0.72%

LAB 70.55, 23.51, -8.75

 

CMYK 0 / 13 / 5 / 23

HEX #C4AABA

RGB 196 170 186

HSL 323.08, 0.18%, 0.72%

LAB 72.25, 12.19, -4.71

 

CMYK 8 / 49 / 0 / 5

HEX #DF7CF2

RGB 223 124 242

HSL 290.34, 0.82%, 0.72%

LAB 66.91, 55.89, -43.5

 

CMYK 0 / 49 / 5 / 5

HEX #F27CE7

RGB 242 124 231

HSL 305.59, 0.82%, 0.72%

LAB 68.8, 59.2, -34.32

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC7

RGB 242 124 199

HSL 321.86, 0.82%, 0.72%

LAB 67.59, 54.17, -18.38

 

CMYK 0 / 49 / 31 / 5

HEX #F27CA7

RGB 242 124 167

HSL 338.14, 0.82%, 0.72%

LAB 66.58, 49.81, -1.86

 

CMYK 0 / 49 / 44 / 5

HEX #F27C88

RGB 242 124 136

HSL 353.9, 0.82%, 0.72%

LAB 65.8, 46.32, 14.59

 

CMYK 0 / 80 / 29 / 8

HEX #EB30A6

RGB 235 48 166

HSL 322.14, 0.82%, 0.55%

LAB 54.58, 77.2, -19.36

 

CMYK 0 / 64 / 24 / 6

HEX #EF56B6

RGB 239 86 182

HSL 322.35, 0.83%, 0.64%

LAB 60.23, 67.82, -19.97

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC6

RGB 242 124 198

HSL 322.37, 0.82%, 0.72%

LAB 67.55, 54.02, -17.87

 

CMYK 0 / 34 / 13 / 4

HEX #F6A2D7

RGB 246 162 215

HSL 322.14, 0.82%, 0.8%

LAB 76.28, 38.65, -14.07

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 50 / 19 / 5

HEX #F37AC6

RGB 243 122 198

HSL 322.31, 0.83%, 0.72%

LAB 67.32, 55.29, -18.22

 

CMYK 0 / 21 / 49 / 5

HEX #F2BF7C

RGB 242 191 124

HSL 34.07, 0.82%, 0.72%

LAB 80.51, 10.25, 40.62

 

CMYK 49 / 0 / 2 / 5

HEX #7CF2EE

RGB 124 242 238

HSL 177.97, 0.82%, 0.72%

LAB 88.9, -34.27, -8.37

 

CMYK 0 / 50 / 19 / 5

HEX #F37AC6

RGB 243 122 198

HSL 322.31, 0.83%, 0.72%

LAB 67.32, 55.29, -18.22

 

CMYK 18 / 0 / 49 / 5

HEX #C7F27C

RGB 199 242 124

HSL 81.86, 0.82%, 0.72%

LAB 90.37, -32.1, 52.04

 

CMYK 49 / 18 / 0 / 5

HEX #7CC7F2

RGB 124 199 242

HSL 201.86, 0.82%, 0.72%

LAB 77.01, -11.88, -28.44

 

CMYK 0 / 50 / 19 / 5

HEX #F37AC6

RGB 243 122 198

HSL 322.31, 0.83%, 0.72%

LAB 67.32, 55.29, -18.22

 

CMYK 0 / 21 / 49 / 5

HEX #F2BF7C

RGB 242 191 124

HSL 34.07, 0.82%, 0.72%

LAB 80.51, 10.25, 40.62

 

CMYK 49 / 0 / 31 / 5

HEX #7CF2A7

RGB 124 242 167

HSL 141.86, 0.82%, 0.72%

LAB 87.28, -49.68, 26.17

 

CMYK 49 / 28 / 0 / 5

HEX #7CAFF2

RGB 124 175 242

HSL 214.07, 0.82%, 0.72%

LAB 70.42, 1.14, -38.62

 

CMYK 0 / 50 / 19 / 5

HEX #F37AC6

RGB 243 122 198

HSL 322.31, 0.83%, 0.72%

LAB 67.32, 55.29, -18.22

 

CMYK 0 / 6 / 49 / 5

HEX #F2E37C

RGB 242 227 124

HSL 52.37, 0.82%, 0.72%

LAB 89.52, -8.24, 51.75

 

CMYK 49 / 0 / 31 / 5

HEX #7CF2A7

RGB 124 242 167

HSL 141.86, 0.82%, 0.72%

LAB 87.28, -49.68, 26.17

 

CMYK 49 / 42 / 0 / 5

HEX #7C8CF2

RGB 124 140 242

HSL 231.86, 0.82%, 0.72%

LAB 61.18, 21.28, -53.17

 

Description

Color code: HEX #F37AC6 | qconv.com Color code: HEX #F37AC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 122 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 122 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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