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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F377CF it is the complementary color #0C8830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F377CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F377CF shade: #F877CA, #FF89DD, #FF9BF0, #FFADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F377CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F377CF shade: #F377CF, #E265BC, #D153A9, #C04196 and #AF2F83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F377CF shade: #F376CF, #F376AD, #F3768C and #F37676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F377CF shade: #F376CF, #F376F0, #D476F3, #B276F3 and #9176F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F377CF shade matches the following richer shades: #F376CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F377CF shade: #F376CF, #E782CA, #DB8EC5, #CF9AC0 and #C3A6BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F377CF shade: #D476F3, #F376F1, #F376CF, #F376AE and #F3768D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F377CF shade: #EC2BB4, #EF50C1, #F376CF, #F69CDC and #F9C2E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F377CF shade: #F377CF, #F3B276 and #76F3E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F377CF shade: #F377CF, #CFF376 and #76CFF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F377CF shade: #F377CF, #F3B276, #76F39A and #76B7F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F377CF shade: #F377CF, #F3D876, #76F39A and #7691F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 15 / 5

HEX #F377CF

RGB 243 119 207

HSL 317.42, 0.84%, 0.71%

LAB 67.09, 58.05, -23.6

 

Complementary color

CMYK 91 / 0 / 65 / 47

HEX #0C8830

RGB 12 136 48

HSL 137.42, 0.84%, 0.29%

LAB 49.37, -49.83, 37.67

 

CMYK 0 / 52 / 19 / 3

HEX #F877CA

RGB 248 119 202

HSL 321.4, 0.9%, 0.72%

LAB 67.59, 58.8, -19.99

 

CMYK 0 / 46 / 13 / 0

HEX #FF89DD

RGB 255 137 221

HSL 317.29, 1%, 0.77%

LAB 72.48, 55.13, -23.01

 

CMYK 0 / 39 / 6 / 0

HEX #FF9BF0

RGB 255 155 240

HSL 309, 1%, 0.8%

LAB 76.68, 49.24, -26.98

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 51 / 15 / 5

HEX #F377CF

RGB 243 119 207

HSL 317.42, 0.84%, 0.71%

LAB 67.09, 58.05, -23.6

 

CMYK 0 / 55 / 17 / 11

HEX #E265BC

RGB 226 101 188

HSL 318.24, 0.68%, 0.64%

LAB 60.88, 58.61, -22.59

 

CMYK 0 / 60 / 19 / 18

HEX #D153A9

RGB 209 83 169

HSL 319.05, 0.58%, 0.57%

LAB 54.66, 59.01, -21.37

 

CMYK 0 / 66 / 22 / 25

HEX #C04196

RGB 192 65 150

HSL 319.84, 0.5%, 0.5%

LAB 48.5, 59.12, -19.85

 

CMYK 0 / 73 / 25 / 31

HEX #AF2F83

RGB 175 47 131

HSL 320.63, 0.58%, 0.44%

LAB 42.44, 58.75, -17.9

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 51 / 29 / 5

HEX #F376AD

RGB 243 118 173

HSL 333.6, 0.84%, 0.71%

LAB 65.77, 53.8, -6.44

 

CMYK 0 / 51 / 42 / 5

HEX #F3768C

RGB 243 118 140

HSL 349.44, 0.84%, 0.71%

LAB 64.89, 50, 11.05

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 51 / 1 / 5

HEX #F376F0

RGB 243 118 240

HSL 301.44, 0.84%, 0.71%

LAB 68.24, 63.81, -40.14

 

CMYK 13 / 51 / 0 / 5

HEX #D476F3

RGB 212 118 243

HSL 285.12, 0.84%, 0.71%

LAB 64.5, 56.11, -47.93

 

CMYK 27 / 51 / 0 / 5

HEX #B276F3

RGB 178 118 243

HSL 268.8, 0.84%, 0.71%

LAB 60.69, 47.29, -54.22

 

CMYK 40 / 51 / 0 / 5

HEX #9176F3

RGB 145 118 243

HSL 252.96, 0.84%, 0.71%

LAB 57.51, 39.24, -59.48

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 44 / 13 / 9

HEX #E782CA

RGB 231 130 202

HSL 317.23, 0.68%, 0.71%

LAB 67.44, 48.23, -20.42

 

CMYK 0 / 35 / 10 / 14

HEX #DB8EC5

RGB 219 142 197

HSL 317.14, 0.52%, 0.71%

LAB 68.34, 37.28, -16.39

 

CMYK 0 / 26 / 7 / 19

HEX #CF9AC0

RGB 207 154 192

HSL 316.98, 0.36%, 0.71%

LAB 69.6, 25.87, -11.85

 

CMYK 0 / 15 / 4 / 24

HEX #C3A6BB

RGB 195 166 187

HSL 316.55, 0.19%, 0.71%

LAB 71.19, 14.21, -6.84

 

CMYK 13 / 51 / 0 / 5

HEX #D476F3

RGB 212 118 243

HSL 285.12, 0.84%, 0.71%

LAB 64.5, 56.11, -47.93

 

CMYK 0 / 51 / 1 / 5

HEX #F376F1

RGB 243 118 241

HSL 300.96, 0.84%, 0.71%

LAB 68.29, 63.98, -40.62

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 51 / 28 / 5

HEX #F376AE

RGB 243 118 174

HSL 333.12, 0.84%, 0.71%

LAB 65.8, 53.92, -6.96

 

CMYK 0 / 51 / 42 / 5

HEX #F3768D

RGB 243 118 141

HSL 348.96, 0.84%, 0.71%

LAB 64.91, 50.1, 10.52

 

CMYK 0 / 82 / 24 / 7

HEX #EC2BB4

RGB 236 43 180

HSL 317.41, 0.84%, 0.55%

LAB 54.92, 80.19, -27.01

 

CMYK 0 / 67 / 19 / 6

HEX #EF50C1

RGB 239 80 193

HSL 317.36, 0.83%, 0.63%

LAB 59.83, 71.56, -26.89

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 37 / 11 / 4

HEX #F69CDC

RGB 246 156 220

HSL 317.33, 0.83%, 0.79%

LAB 75.16, 42.58, -18.48

 

CMYK 0 / 22 / 6 / 2

HEX #F9C2E9

RGB 249 194 233

HSL 317.45, 0.82%, 0.87%

LAB 84.28, 25.79, -11.77

 

CMYK 0 / 51 / 15 / 5

HEX #F377CF

RGB 243 119 207

HSL 317.42, 0.84%, 0.71%

LAB 67.09, 58.05, -23.6

 

CMYK 0 / 27 / 51 / 5

HEX #F3B276

RGB 243 178 118

HSL 28.8, 0.84%, 0.71%

LAB 77.4, 16.95, 39.8

 

CMYK 51 / 0 / 6 / 5

HEX #76F3E4

RGB 118 243 228

HSL 172.8, 0.84%, 0.71%

LAB 88.71, -38.44, -3.46

 

CMYK 0 / 51 / 15 / 5

HEX #F377CF

RGB 243 119 207

HSL 317.42, 0.84%, 0.71%

LAB 67.09, 58.05, -23.6

 

CMYK 15 / 0 / 51 / 5

HEX #CFF376

RGB 207 243 118

HSL 77.28, 0.84%, 0.71%

LAB 91.09, -30.17, 55.79

 

CMYK 51 / 15 / 0 / 5

HEX #76CFF3

RGB 118 207 243

HSL 197.28, 0.84%, 0.71%

LAB 79.01, -17.08, -25.93

 

CMYK 0 / 51 / 15 / 5

HEX #F377CF

RGB 243 119 207

HSL 317.42, 0.84%, 0.71%

LAB 67.09, 58.05, -23.6

 

CMYK 0 / 27 / 51 / 5

HEX #F3B276

RGB 243 178 118

HSL 28.8, 0.84%, 0.71%

LAB 77.4, 16.95, 39.8

 

CMYK 51 / 0 / 37 / 5

HEX #76F39A

RGB 118 243 154

HSL 137.28, 0.84%, 0.71%

LAB 87.14, -53.84, 32.53

 

CMYK 51 / 25 / 0 / 5

HEX #76B7F3

RGB 118 183 243

HSL 208.8, 0.84%, 0.71%

LAB 72.36, -4.34, -36.18

 

CMYK 0 / 51 / 15 / 5

HEX #F377CF

RGB 243 119 207

HSL 317.42, 0.84%, 0.71%

LAB 67.09, 58.05, -23.6

 

CMYK 0 / 11 / 51 / 5

HEX #F3D876

RGB 243 216 118

HSL 47.04, 0.84%, 0.71%

LAB 86.74, -2.8, 51.28

 

CMYK 51 / 0 / 37 / 5

HEX #76F39A

RGB 118 243 154

HSL 137.28, 0.84%, 0.71%

LAB 87.14, -53.84, 32.53

 

CMYK 51 / 40 / 0 / 5

HEX #7691F3

RGB 118 145 243

HSL 227.04, 0.84%, 0.71%

LAB 62.15, 17.31, -52.21

 

Description

Color code: HEX #F377CF | qconv.com Color code: HEX #F377CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 119 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 119 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 15 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 15% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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