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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3778C it is the complementary color #0C8873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3778C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3778C shade: #F87787, #FF899A, #FF9BAD, #FFADC0 and #FFBFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3778C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3778C shade: #F3778C, #E26579, #D15366, #C04153 and #AF2F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3778C shade: #F3768B and #F37676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3778C shade: #F3768B, #F376AD, #F376CE, #F376F0 and #D476F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3778C shade matches the following richer shades: #F3768B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3778C shade: #F3768B, #E78293, #DB8E9B, #CF9AA3 and #C3A6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3778C shade: #F376CF, #F376AE, #F3768D, #F38176 and #F3A276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3778C shade: #EC2B4B, #EF506B, #F3768B, #F69CAC and #F9C2CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3778C shade: #F3778C, #F1F376 and #76BFF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3778C shade: #F3778C, #8DF376 and #768DF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3778C shade: #F3778C, #F1F376, #76F3DC and #7976F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3778C shade: #F3778C, #CBF376, #76F3DC and #9E76F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 42 / 5

HEX #F3778C

RGB 243 119 140

HSL 349.84, 0.84%, 0.71%

LAB 65.07, 49.52, 11.32

 

Complementary color

CMYK 91 / 0 / 15 / 47

HEX #0C8873

RGB 12 136 115

HSL 169.84, 0.84%, 0.29%

LAB 50.6, -35.88, 2.6

 

CMYK 0 / 52 / 46 / 3

HEX #F87787

RGB 248 119 135

HSL 352.56, 0.9%, 0.72%

LAB 65.67, 50.74, 15.1

 

CMYK 0 / 46 / 40 / 0

HEX #FF899A

RGB 255 137 154

HSL 351.36, 1%, 0.77%

LAB 70.51, 46.31, 11.35

 

CMYK 0 / 39 / 32 / 0

HEX #FF9BAD

RGB 255 155 173

HSL 349.2, 1%, 0.8%

LAB 74.65, 39.39, 6.7

 

CMYK 0 / 32 / 25 / 0

HEX #FFADC0

RGB 255 173 192

HSL 346.1, 1%, 0.84%

LAB 79.01, 32.54, 2.62

 

CMYK 0 / 25 / 17 / 0

HEX #FFBFD3

RGB 255 191 211

HSL 341.25, 1%, 0.87%

LAB 83.56, 25.87, -1

 

CMYK 0 / 51 / 42 / 5

HEX #F3778C

RGB 243 119 140

HSL 349.84, 0.84%, 0.71%

LAB 65.07, 49.52, 11.32

 

CMYK 0 / 55 / 46 / 11

HEX #E26579

RGB 226 101 121

HSL 350.4, 0.68%, 0.64%

LAB 58.84, 50.44, 13.13

 

CMYK 0 / 60 / 51 / 18

HEX #D15366

RGB 209 83 102

HSL 350.95, 0.58%, 0.57%

LAB 52.62, 51.28, 15.27

 

CMYK 0 / 66 / 57 / 25

HEX #C04153

RGB 192 65 83

HSL 351.5, 0.5%, 0.5%

LAB 46.46, 51.94, 17.85

 

CMYK 0 / 73 / 63 / 31

HEX #AF2F40

RGB 175 47 64

HSL 352.03, 0.58%, 0.44%

LAB 40.44, 52.24, 21.03

 

CMYK 0 / 51 / 43 / 5

HEX #F3768B

RGB 243 118 139

HSL 349.92, 0.84%, 0.71%

LAB 64.86, 49.9, 11.59

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 0 / 51 / 43 / 5

HEX #F3768B

RGB 243 118 139

HSL 349.92, 0.84%, 0.71%

LAB 64.86, 49.9, 11.59

 

CMYK 0 / 51 / 29 / 5

HEX #F376AD

RGB 243 118 173

HSL 333.6, 0.84%, 0.71%

LAB 65.77, 53.8, -6.44

 

CMYK 0 / 51 / 15 / 5

HEX #F376CE

RGB 243 118 206

HSL 317.76, 0.84%, 0.71%

LAB 66.88, 58.37, -23.37

 

CMYK 0 / 51 / 1 / 5

HEX #F376F0

RGB 243 118 240

HSL 301.44, 0.84%, 0.71%

LAB 68.24, 63.81, -40.14

 

CMYK 13 / 51 / 0 / 5

HEX #D476F3

RGB 212 118 243

HSL 285.12, 0.84%, 0.71%

LAB 64.5, 56.11, -47.93

 

CMYK 0 / 51 / 43 / 5

HEX #F3768B

RGB 243 118 139

HSL 349.92, 0.84%, 0.71%

LAB 64.86, 49.9, 11.59

 

CMYK 0 / 51 / 43 / 5

HEX #F3768B

RGB 243 118 139

HSL 349.92, 0.84%, 0.71%

LAB 64.86, 49.9, 11.59

 

CMYK 0 / 44 / 36 / 9

HEX #E78293

RGB 231 130 147

HSL 349.9, 0.68%, 0.71%

LAB 65.8, 40.57, 8.14

 

CMYK 0 / 35 / 29 / 14

HEX #DB8E9B

RGB 219 142 155

HSL 349.87, 0.52%, 0.71%

LAB 67.11, 30.91, 5.31

 

CMYK 0 / 26 / 21 / 19

HEX #CF9AA3

RGB 207 154 163

HSL 349.81, 0.36%, 0.71%

LAB 68.77, 21.12, 3.07

 

CMYK 0 / 15 / 12 / 24

HEX #C3A6AB

RGB 195 166 171

HSL 349.66, 0.19%, 0.71%

LAB 70.74, 11.4, 1.35

 

CMYK 0 / 51 / 15 / 5

HEX #F376CF

RGB 243 118 207

HSL 317.28, 0.84%, 0.71%

LAB 66.91, 58.52, -23.88

 

CMYK 0 / 51 / 28 / 5

HEX #F376AE

RGB 243 118 174

HSL 333.12, 0.84%, 0.71%

LAB 65.8, 53.92, -6.96

 

CMYK 0 / 51 / 42 / 5

HEX #F3768D

RGB 243 118 141

HSL 348.96, 0.84%, 0.71%

LAB 64.91, 50.1, 10.52

 

CMYK 0 / 47 / 51 / 5

HEX #F38176

RGB 243 129 118

HSL 5.28, 0.84%, 0.71%

LAB 66.57, 42.5, 25.78

 

CMYK 0 / 33 / 51 / 5

HEX #F3A276

RGB 243 162 118

HSL 21.12, 0.84%, 0.71%

LAB 73.68, 25.4, 35.06

 

CMYK 0 / 82 / 68 / 7

HEX #EC2B4B

RGB 236 43 75

HSL 350.05, 0.84%, 0.55%

LAB 51.91, 71.44, 31.3

 

CMYK 0 / 67 / 55 / 6

HEX #EF506B

RGB 239 80 107

HSL 349.81, 0.83%, 0.63%

LAB 57.22, 62.55, 19.41

 

CMYK 0 / 51 / 43 / 5

HEX #F3768B

RGB 243 118 139

HSL 349.92, 0.84%, 0.71%

LAB 64.86, 49.9, 11.59

 

CMYK 0 / 37 / 30 / 4

HEX #F69CAC

RGB 246 156 172

HSL 349.33, 0.83%, 0.79%

LAB 73.77, 35.54, 5.85

 

CMYK 0 / 22 / 18 / 2

HEX #F9C2CC

RGB 249 194 204

HSL 349.09, 0.82%, 0.87%

LAB 83.49, 21.11, 2.56

 

CMYK 0 / 51 / 42 / 5

HEX #F3778C

RGB 243 119 140

HSL 349.84, 0.84%, 0.71%

LAB 65.07, 49.52, 11.32

 

CMYK 1 / 0 / 51 / 5

HEX #F1F376

RGB 241 243 118

HSL 60.96, 0.84%, 0.71%

LAB 93.5, -17.04, 59.23

 

CMYK 51 / 21 / 0 / 5

HEX #76BFF3

RGB 118 191 243

HSL 204.96, 0.84%, 0.71%

LAB 74.56, -8.67, -32.76

 

CMYK 0 / 51 / 42 / 5

HEX #F3778C

RGB 243 119 140

HSL 349.84, 0.84%, 0.71%

LAB 65.07, 49.52, 11.32

 

CMYK 42 / 0 / 51 / 5

HEX #8DF376

RGB 141 243 118

HSL 108.96, 0.84%, 0.71%

LAB 87.52, -52.78, 50.67

 

CMYK 51 / 42 / 0 / 5

HEX #768DF3

RGB 118 141 243

HSL 228.96, 0.84%, 0.71%

LAB 61.11, 19.67, -53.85

 

CMYK 0 / 51 / 42 / 5

HEX #F3778C

RGB 243 119 140

HSL 349.84, 0.84%, 0.71%

LAB 65.07, 49.52, 11.32

 

CMYK 1 / 0 / 51 / 5

HEX #F1F376

RGB 241 243 118

HSL 60.96, 0.84%, 0.71%

LAB 93.5, -17.04, 59.23

 

CMYK 51 / 0 / 9 / 5

HEX #76F3DC

RGB 118 243 220

HSL 168.96, 0.84%, 0.71%

LAB 88.5, -40.36, 0.42

 

CMYK 50 / 51 / 0 / 5

HEX #7976F3

RGB 121 118 243

HSL 241.44, 0.84%, 0.71%

LAB 55.58, 33.95, -62.69

 

CMYK 0 / 51 / 42 / 5

HEX #F3778C

RGB 243 119 140

HSL 349.84, 0.84%, 0.71%

LAB 65.07, 49.52, 11.32

 

CMYK 16 / 0 / 51 / 5

HEX #CBF376

RGB 203 243 118

HSL 79.2, 0.84%, 0.71%

LAB 90.83, -31.67, 55.42

 

CMYK 51 / 0 / 9 / 5

HEX #76F3DC

RGB 118 243 220

HSL 168.96, 0.84%, 0.71%

LAB 88.5, -40.36, 0.42

 

CMYK 35 / 51 / 0 / 5

HEX #9E76F3

RGB 158 118 243

HSL 259.2, 0.84%, 0.71%

LAB 58.69, 42.33, -57.52

 

Description

Color code: HEX #F3778C | qconv.com Color code: HEX #F3778C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 119 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 119 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 42 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 42% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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