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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F362EA it is the complementary color #0C9D15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F362EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F362EA shade: #F862E5, #FF74F8, #FF86FF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F362EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F362EA shade: #F362EA, #E250D7, #D13EC4, #C02CB1 and #AF1A9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F362EA shade: #F362EA, #F362C3, #F3629C, #F36275 and #F36262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F362EA shade: #F362EA, #D562F3, #AE62F3, #8762F3 and #6262F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F362EA shade matches the following richer shades: #F362EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F362EA shade: #F362EA, #E570DE, #D77DD2, #CA8BC6 and #BC98BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F362EA shade: #AD62F3, #D362F3, #F362EB, #F362C5 and #F3629E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F362EA shade: #ED15E0, #F03CE5, #F362EA, #F688EF and #F8AFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F362EA shade: #F362EA, #F38662 and #62F3C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F362EA shade: #F362EA, #EBF362 and #62EBF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F362EA shade: #F362EA, #F38662, #62F369 and #62CFF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F362EA shade: #F362EA, #F3B262, #62F369 and #62A3F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

Complementary color

CMYK 92 / 0 / 87 / 38

HEX #0C9D15

RGB 12 157 21

HSL 123.72, 0.86%, 0.33%

LAB 56.33, -58.58, 54.36

 

CMYK 0 / 60 / 8 / 3

HEX #F862E5

RGB 248 98 229

HSL 307.6, 0.91%, 0.68%

LAB 65.24, 72.03, -38.69

 

CMYK 0 / 55 / 3 / 0

HEX #FF74F8

RGB 255 116 248

HSL 303.02, 1%, 0.73%

LAB 69.84, 69.2, -41.91

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 65 / 5 / 11

HEX #E250D7

RGB 226 80 215

HSL 304.52, 0.72%, 0.6%

LAB 58.8, 71.56, -41.16

 

CMYK 0 / 70 / 6 / 18

HEX #D13EC4

RGB 209 62 196

HSL 305.31, 0.62%, 0.53%

LAB 52.93, 71.15, -39.72

 

CMYK 0 / 77 / 8 / 25

HEX #C02CB1

RGB 192 44 177

HSL 306.08, 0.63%, 0.46%

LAB 47.21, 70.12, -37.87

 

CMYK 0 / 85 / 10 / 31

HEX #AF1A9E

RGB 175 26 158

HSL 306.85, 0.74%, 0.39%

LAB 41.72, 68.19, -35.43

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 60 / 20 / 5

HEX #F362C3

RGB 243 98 195

HSL 319.86, 0.86%, 0.67%

LAB 63.12, 65.75, -22.92

 

CMYK 0 / 60 / 36 / 5

HEX #F3629C

RGB 243 98 156

HSL 336, 0.86%, 0.67%

LAB 61.82, 60.89, -2.55

 

CMYK 0 / 60 / 52 / 5

HEX #F36275

RGB 243 98 117

HSL 352.14, 0.86%, 0.67%

LAB 60.85, 57.13, 18.63

 

CMYK 0 / 60 / 60 / 5

HEX #F36262

RGB 243 98 98

HSL 0, 0.86%, 0.67%

LAB 60.49, 55.72, 29.06

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 12 / 60 / 0 / 5

HEX #D562F3

RGB 213 98 243

HSL 287.59, 0.86%, 0.67%

LAB 61.09, 65.84, -53.33

 

CMYK 28 / 60 / 0 / 5

HEX #AE62F3

RGB 174 98 243

HSL 271.45, 0.86%, 0.67%

LAB 56.29, 56.74, -61.27

 

CMYK 44 / 60 / 0 / 5

HEX #8762F3

RGB 135 98 243

HSL 255.31, 0.86%, 0.67%

LAB 52.24, 48.32, -68.02

 

CMYK 60 / 60 / 0 / 5

HEX #6262F3

RGB 98 98 243

HSL 240, 0.86%, 0.67%

LAB 49.26, 41.55, -72.99

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 51 / 3 / 10

HEX #E570DE

RGB 229 112 222

HSL 303.59, 0.69%, 0.67%

LAB 64.58, 59.75, -36.01

 

CMYK 0 / 42 / 2 / 16

HEX #D77DD2

RGB 215 125 210

HSL 303.33, 0.53%, 0.67%

LAB 64.78, 47.18, -29.14

 

CMYK 0 / 31 / 2 / 21

HEX #CA8BC6

RGB 202 139 198

HSL 303.81, 0.37%, 0.67%

LAB 65.83, 33.46, -20.95

 

CMYK 0 / 19 / 1 / 26

HEX #BC98BA

RGB 188 152 186

HSL 303.33, 0.21%, 0.67%

LAB 67.05, 19.31, -12.53

 

CMYK 29 / 60 / 0 / 5

HEX #AD62F3

RGB 173 98 243

HSL 271.03, 0.86%, 0.67%

LAB 56.18, 56.51, -61.46

 

CMYK 13 / 60 / 0 / 5

HEX #D362F3

RGB 211 98 243

HSL 286.76, 0.86%, 0.67%

LAB 60.83, 65.37, -53.76

 

CMYK 0 / 60 / 3 / 5

HEX #F362EB

RGB 243 98 235

HSL 303.31, 0.86%, 0.67%

LAB 64.79, 71.73, -42.77

 

CMYK 0 / 60 / 19 / 5

HEX #F362C5

RGB 243 98 197

HSL 319.03, 0.86%, 0.67%

LAB 63.19, 66.02, -23.94

 

CMYK 0 / 60 / 35 / 5

HEX #F3629E

RGB 243 98 158

HSL 335.17, 0.86%, 0.67%

LAB 61.88, 61.11, -3.62

 

CMYK 0 / 91 / 5 / 7

HEX #ED15E0

RGB 237 21 224

HSL 303.61, 0.86%, 0.51%

LAB 56.01, 89.57, -50.55

 

CMYK 0 / 75 / 5 / 6

HEX #F03CE5

RGB 240 60 229

HSL 303.67, 0.86%, 0.59%

LAB 59.36, 83.33, -48.03

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 45 / 3 / 4

HEX #F688EF

RGB 246 136 239

HSL 303.82, 0.86%, 0.75%

LAB 71.85, 55.88, -33.95

 

CMYK 0 / 29 / 2 / 3

HEX #F8AFF4

RGB 248 175 244

HSL 303.29, 0.84%, 0.83%

LAB 80.26, 37.4, -23.73

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 45 / 60 / 5

HEX #F38662

RGB 243 134 98

HSL 14.9, 0.86%, 0.67%

LAB 67.27, 38.41, 37.63

 

CMYK 60 / 0 / 21 / 5

HEX #62F3C0

RGB 98 243 192

HSL 158.9, 0.86%, 0.67%

LAB 87.24, -50.75, 13.11

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 60 / 3 / 0 / 5

HEX #62EBF3

RGB 98 235 243

HSL 183.31, 0.86%, 0.67%

LAB 86.25, -34.63, -15.04

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 45 / 60 / 5

HEX #F38662

RGB 243 134 98

HSL 14.9, 0.86%, 0.67%

LAB 67.27, 38.41, 37.63

 

CMYK 60 / 0 / 57 / 5

HEX #62F369

RGB 98 243 105

HSL 122.9, 0.86%, 0.67%

LAB 85.87, -65.52, 54.24

 

CMYK 60 / 15 / 0 / 5

HEX #62CFF3

RGB 98 207 243

HSL 194.9, 0.86%, 0.67%

LAB 78.28, -20.99, -27.11

 

CMYK 0 / 60 / 4 / 5

HEX #F362EA

RGB 243 98 234

HSL 303.72, 0.86%, 0.67%

LAB 64.75, 71.57, -42.29

 

CMYK 0 / 27 / 60 / 5

HEX #F3B262

RGB 243 178 98

HSL 33.1, 0.86%, 0.67%

LAB 77.15, 15.38, 49.54

 

CMYK 60 / 0 / 57 / 5

HEX #62F369

RGB 98 243 105

HSL 122.9, 0.86%, 0.67%

LAB 85.87, -65.52, 54.24

 

CMYK 60 / 33 / 0 / 5

HEX #62A3F3

RGB 98 163 243

HSL 213.1, 0.86%, 0.67%

LAB 65.95, 2.78, -46.26

 

Description

Color code: HEX #F362EA | qconv.com Color code: HEX #F362EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 98 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 98 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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