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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F339EA it is the complementary color #0CC615. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F339EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F339EA shade: #F839E5, #FF4BF8, #FF5DFF, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F339EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F339EA shade: #F339EA, #E227D7, #D115C4, #C003B1 and #AF009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F339EA shade: #F339EA, #F339B8, #F33986, #F33953 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F339EA shade: #F339EA, #CA39F3, #9839F3, #6539F3 and #3939F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F339EA shade matches the following richer shades: #F339EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F339EA shade: #F339EA, #E24ADB, #D15BCB, #C06CBC and #AF7DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F339EA shade: #9639F3, #C839F3, #F339ED, #F339BB and #F3398A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F339EA shade: #CE0CC4, #F112E6, #F339EA, #F560EE and #F887F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F339EA shade: #F339EA, #F36439 and #39F3AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F339EA shade: #F339EA, #EDF339 and #39EDF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F339EA shade: #F339EA, #F36439, #39F33F and #39C8F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F339EA shade: #F339EA, #F39C39, #39F33F and #3990F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

Complementary color

CMYK 94 / 0 / 89 / 22

HEX #0CC615

RGB 12 198 21

HSL 122.9, 0.89%, 0.41%

LAB 69.84, -70.23, 66.19

 

CMYK 0 / 77 / 8 / 3

HEX #F839E5

RGB 248 57 229

HSL 305.97, 0.93%, 0.6%

LAB 60.37, 85.73, -46.33

 

CMYK 0 / 71 / 3 / 0

HEX #FF4BF8

RGB 255 75 248

HSL 302.33, 1%, 0.65%

LAB 64.22, 84.81, -50.77

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 83 / 5 / 11

HEX #E227D7

RGB 226 39 215

HSL 303.53, 0.76%, 0.52%

LAB 54.58, 83.6, -47.83

 

CMYK 0 / 90 / 6 / 18

HEX #D115C4

RGB 209 21 196

HSL 304.15, 0.82%, 0.45%

LAB 49.59, 80.8, -45.02

 

CMYK 0 / 98 / 8 / 25

HEX #C003B1

RGB 192 3 177

HSL 304.76, 0.97%, 0.38%

LAB 44.87, 76.97, -41.59

 

CMYK 0 / 100 / 10 / 31

HEX #AF009E

RGB 175 0 158

HSL 305.83, 1%, 0.34%

LAB 40.54, 71.65, -37.29

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 77 / 24 / 5

HEX #F339B8

RGB 243 57 184

HSL 319.03, 0.89%, 0.59%

LAB 57.5, 78.78, -25.25

 

CMYK 0 / 77 / 45 / 5

HEX #F33986

RGB 243 57 134

HSL 335.16, 0.89%, 0.59%

LAB 55.79, 73.59, 1.51

 

CMYK 0 / 77 / 66 / 5

HEX #F33953

RGB 243 57 83

HSL 351.61, 0.89%, 0.59%

LAB 54.66, 70.07, 30.3

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 17 / 77 / 0 / 5

HEX #CA39F3

RGB 202 57 243

HSL 286.77, 0.89%, 0.59%

LAB 53.98, 79.2, -64.81

 

CMYK 37 / 77 / 0 / 5

HEX #9839F3

RGB 152 57 243

HSL 270.65, 0.89%, 0.59%

LAB 47.07, 70.8, -76.34

 

CMYK 58 / 77 / 0 / 5

HEX #6539F3

RGB 101 57 243

HSL 254.19, 0.89%, 0.59%

LAB 41.48, 63.87, -85.73

 

CMYK 77 / 77 / 0 / 5

HEX #3939F3

RGB 57 57 243

HSL 240, 0.89%, 0.59%

LAB 38.32, 59.9, -91.05

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 67 / 3 / 11

HEX #E24ADB

RGB 226 74 219

HSL 302.76, 0.72%, 0.59%

LAB 58.21, 74.4, -44.35

 

CMYK 0 / 56 / 3 / 18

HEX #D15BCB

RGB 209 91 203

HSL 303.05, 0.56%, 0.59%

LAB 57.41, 60.78, -36.7

 

CMYK 0 / 44 / 2 / 25

HEX #C06CBC

RGB 192 108 188

HSL 302.86, 0.4%, 0.59%

LAB 57.62, 45.03, -27.99

 

CMYK 0 / 29 / 1 / 31

HEX #AF7DAD

RGB 175 125 173

HSL 302.4, 0.24%, 0.59%

LAB 58.79, 27.48, -17.78

 

CMYK 38 / 77 / 0 / 5

HEX #9639F3

RGB 150 57 243

HSL 270, 0.89%, 0.59%

LAB 46.82, 70.49, -76.76

 

CMYK 18 / 77 / 0 / 5

HEX #C839F3

RGB 200 57 243

HSL 286.13, 0.89%, 0.59%

LAB 53.68, 78.84, -65.3

 

CMYK 0 / 77 / 2 / 5

HEX #F339ED

RGB 243 57 237

HSL 301.94, 0.89%, 0.59%

LAB 59.97, 85.9, -51.5

 

CMYK 0 / 77 / 23 / 5

HEX #F339BB

RGB 243 57 187

HSL 318.06, 0.89%, 0.59%

LAB 57.63, 79.14, -26.79

 

CMYK 0 / 77 / 43 / 5

HEX #F3398A

RGB 243 57 138

HSL 333.87, 0.89%, 0.59%

LAB 55.9, 73.95, -0.7

 

CMYK 0 / 94 / 5 / 19

HEX #CE0CC4

RGB 206 12 196

HSL 303.09, 0.89%, 0.43%

LAB 48.72, 81.27, -46.43

 

CMYK 0 / 93 / 5 / 5

HEX #F112E6

RGB 241 18 230

HSL 302.96, 0.89%, 0.51%

LAB 56.93, 91.37, -52.44

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 61 / 3 / 4

HEX #F560EE

RGB 245 96 238

HSL 302.82, 0.88%, 0.67%

LAB 64.92, 73.51, -44.21

 

CMYK 0 / 46 / 2 / 3

HEX #F887F2

RGB 248 135 242

HSL 303.19, 0.89%, 0.75%

LAB 72.02, 57.46, -35.3

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 59 / 77 / 5

HEX #F36439

RGB 243 100 57

HSL 13.87, 0.89%, 0.59%

LAB 60.31, 52.71, 50.92

 

CMYK 77 / 0 / 28 / 5

HEX #39F3AF

RGB 57 243 175

HSL 158.06, 0.89%, 0.59%

LAB 86.04, -60.58, 20.09

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 2 / 0 / 77 / 5

HEX #EDF339

RGB 237 243 57

HSL 61.94, 0.89%, 0.59%

LAB 92.75, -22.19, 81.51

 

CMYK 77 / 2 / 0 / 5

HEX #39EDF3

RGB 57 237 243

HSL 181.94, 0.89%, 0.59%

LAB 85.96, -40.9, -15.56

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 59 / 77 / 5

HEX #F36439

RGB 243 100 57

HSL 13.87, 0.89%, 0.59%

LAB 60.31, 52.71, 50.92

 

CMYK 77 / 0 / 74 / 5

HEX #39F33F

RGB 57 243 63

HSL 121.94, 0.89%, 0.59%

LAB 84.65, -76.72, 69.14

 

CMYK 77 / 18 / 0 / 5

HEX #39C8F3

RGB 57 200 243

HSL 193.87, 0.89%, 0.59%

LAB 75.23, -23.23, -31.88

 

CMYK 0 / 77 / 4 / 5

HEX #F339EA

RGB 243 57 234

HSL 302.9, 0.89%, 0.59%

LAB 59.82, 85.46, -50.07

 

CMYK 0 / 36 / 77 / 5

HEX #F39C39

RGB 243 156 57

HSL 31.94, 0.89%, 0.59%

LAB 71.64, 24.76, 62.15

 

CMYK 77 / 0 / 74 / 5

HEX #39F33F

RGB 57 243 63

HSL 121.94, 0.89%, 0.59%

LAB 84.65, -76.72, 69.14

 

CMYK 77 / 41 / 0 / 5

HEX #3990F3

RGB 57 144 243

HSL 211.94, 0.89%, 0.59%

LAB 59.24, 7.74, -56.99

 

Description

Color code: HEX #F339EA | qconv.com Color code: HEX #F339EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 57 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 57 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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