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Color name
HEX #F338D5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F338D5 it is the complementary color #0CC72A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F338D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F338D5 shade: #F838D0, #FF4AE3, #FF5CF6, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F338D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F338D5 shade: #F338D5, #E226C2, #D114AF, #C0029C and #AF0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F338D5 shade: #F339D5, #F339A3, #F33971, #F3393F and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F338D5 shade: #F339D5, #DF39F3, #AC39F3, #7A39F3 and #4839F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F338D5 shade matches the following richer shades: #F339D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F338D5 shade: #F339D5, #E24ACA, #D15BBE, #C06CB3 and #AF7DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F338D5 shade: #AC39F3, #DD39F3, #F339D7, #F339A5 and #F33974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F338D5 shade: #CE0CAF, #F112CD, #F339D5, #F560DD and #F887E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F338D5 shade: #F338D5, #F37A39 and #39F3C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F338D5 shade: #F338D5, #D7F339 and #39D7F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F338D5 shade: #F338D5, #F37A39, #39F355 and #39B2F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F338D5 shade: #F338D5, #F3B239, #39F355 and #397AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 12 / 5

HEX #F338D5

RGB 243 56 213

HSL 309.63, 0.89%, 0.59%

LAB 58.68, 82.75, -40.02

 

Complementary color

CMYK 94 / 0 / 79 / 22

HEX #0CC72A

RGB 12 199 42

HSL 129.63, 0.89%, 0.41%

LAB 70.24, -69.49, 61.52

 

CMYK 0 / 77 / 16 / 3

HEX #F838D0

RGB 248 56 208

HSL 312.5, 0.93%, 0.6%

LAB 59.29, 83.14, -36.18

 

CMYK 0 / 71 / 11 / 0

HEX #FF4AE3

RGB 255 74 227

HSL 309.28, 1%, 0.65%

LAB 63.1, 82.07, -40.85

 

CMYK 0 / 64 / 4 / 0

HEX #FF5CF6

RGB 255 92 246

HSL 303.31, 1%, 0.68%

LAB 66.19, 78.67, -46.55

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 77 / 12 / 5

HEX #F338D5

RGB 243 56 213

HSL 309.63, 0.89%, 0.59%

LAB 58.68, 82.75, -40.02

 

CMYK 0 / 83 / 14 / 11

HEX #E226C2

RGB 226 38 194

HSL 310.21, 0.76%, 0.52%

LAB 53.44, 80.91, -37.58

 

CMYK 0 / 90 / 16 / 18

HEX #D114AF

RGB 209 20 175

HSL 310.79, 0.83%, 0.45%

LAB 48.45, 78.12, -34.54

 

CMYK 0 / 99 / 19 / 25

HEX #C0029C

RGB 192 2 156

HSL 311.37, 0.98%, 0.38%

LAB 43.73, 74.3, -30.85

 

CMYK 0 / 100 / 22 / 31

HEX #AF0089

RGB 175 0 137

HSL 313.03, 1%, 0.34%

LAB 39.45, 68.91, -26.22

 

CMYK 0 / 77 / 12 / 5

HEX #F339D5

RGB 243 57 213

HSL 309.68, 0.89%, 0.59%

LAB 58.77, 82.49, -39.88

 

CMYK 0 / 77 / 33 / 5

HEX #F339A3

RGB 243 57 163

HSL 325.81, 0.89%, 0.59%

LAB 56.71, 76.4, -14.24

 

CMYK 0 / 77 / 53 / 5

HEX #F33971

RGB 243 57 113

HSL 341.94, 0.89%, 0.59%

LAB 55.25, 71.92, 13.26

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 77 / 12 / 5

HEX #F339D5

RGB 243 57 213

HSL 309.68, 0.89%, 0.59%

LAB 58.77, 82.49, -39.88

 

CMYK 8 / 77 / 0 / 5

HEX #DF39F3

RGB 223 57 243

HSL 293.55, 0.89%, 0.59%

LAB 57.16, 83.03, -59.53

 

CMYK 29 / 77 / 0 / 5

HEX #AC39F3

RGB 172 57 243

HSL 277.1, 0.89%, 0.59%

LAB 49.7, 74.01, -71.94

 

CMYK 50 / 77 / 0 / 5

HEX #7A39F3

RGB 122 57 243

HSL 260.97, 0.89%, 0.59%

LAB 43.56, 66.47, -82.23

 

CMYK 70 / 77 / 0 / 5

HEX #4839F3

RGB 72 57 243

HSL 244.84, 0.89%, 0.59%

LAB 39.2, 61.01, -89.56

 

CMYK 0 / 77 / 12 / 5

HEX #F339D5

RGB 243 57 213

HSL 309.68, 0.89%, 0.59%

LAB 58.77, 82.49, -39.88

 

CMYK 0 / 77 / 12 / 5

HEX #F339D5

RGB 243 57 213

HSL 309.68, 0.89%, 0.59%

LAB 58.77, 82.49, -39.88

 

CMYK 0 / 67 / 11 / 11

HEX #E24ACA

RGB 226 74 202

HSL 309.47, 0.72%, 0.59%

LAB 57.4, 71.81, -35.97

 

CMYK 0 / 56 / 9 / 18

HEX #D15BBE

RGB 209 91 190

HSL 309.66, 0.56%, 0.59%

LAB 56.84, 58.64, -30.17

 

CMYK 0 / 44 / 7 / 25

HEX #C06CB3

RGB 192 108 179

HSL 309.29, 0.4%, 0.59%

LAB 57.26, 43.43, -23.39

 

CMYK 0 / 29 / 5 / 31

HEX #AF7DA7

RGB 175 125 167

HSL 309.6, 0.24%, 0.59%

LAB 58.58, 26.35, -14.66

 

CMYK 29 / 77 / 0 / 5

HEX #AC39F3

RGB 172 57 243

HSL 277.1, 0.89%, 0.59%

LAB 49.7, 74.01, -71.94

 

CMYK 9 / 77 / 0 / 5

HEX #DD39F3

RGB 221 57 243

HSL 292.9, 0.89%, 0.59%

LAB 56.85, 82.66, -60.04

 

CMYK 0 / 77 / 12 / 5

HEX #F339D7

RGB 243 57 215

HSL 309.03, 0.89%, 0.59%

LAB 58.87, 82.76, -40.86

 

CMYK 0 / 77 / 32 / 5

HEX #F339A5

RGB 243 57 165

HSL 325.16, 0.89%, 0.59%

LAB 56.78, 76.62, -15.31

 

CMYK 0 / 77 / 52 / 5

HEX #F33974

RGB 243 57 116

HSL 340.97, 0.89%, 0.59%

LAB 55.32, 72.14, 11.56

 

CMYK 0 / 94 / 15 / 19

HEX #CE0CAF

RGB 206 12 175

HSL 309.59, 0.89%, 0.43%

LAB 47.6, 78.44, -35.92

 

CMYK 0 / 93 / 15 / 5

HEX #F112CD

RGB 241 18 205

HSL 309.69, 0.89%, 0.51%

LAB 55.63, 88.09, -40.29

 

CMYK 0 / 77 / 12 / 5

HEX #F339D5

RGB 243 57 213

HSL 309.68, 0.89%, 0.59%

LAB 58.77, 82.49, -39.88

 

CMYK 0 / 61 / 10 / 4

HEX #F560DD

RGB 245 96 221

HSL 309.66, 0.88%, 0.67%

LAB 64.16, 70.86, -35.94

 

CMYK 0 / 46 / 8 / 3

HEX #F887E5

RGB 248 135 229

HSL 310.09, 0.89%, 0.75%

LAB 71.52, 55.28, -28.96

 

CMYK 0 / 77 / 12 / 5

HEX #F338D5

RGB 243 56 213

HSL 309.63, 0.89%, 0.59%

LAB 58.68, 82.75, -40.02

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C4

RGB 57 243 196

HSL 164.84, 0.89%, 0.59%

LAB 86.48, -55.82, 9.83

 

CMYK 0 / 77 / 12 / 5

HEX #F338D5

RGB 243 56 213

HSL 309.63, 0.89%, 0.59%

LAB 58.68, 82.75, -40.02

 

CMYK 12 / 0 / 77 / 5

HEX #D7F339

RGB 215 243 57

HSL 69.03, 0.89%, 0.59%

LAB 91.16, -31.06, 79.48

 

CMYK 77 / 12 / 0 / 5

HEX #39D7F3

RGB 57 215 243

HSL 189.03, 0.89%, 0.59%

LAB 79.58, -30.65, -25.22

 

CMYK 0 / 77 / 12 / 5

HEX #F338D5

RGB 243 56 213

HSL 309.63, 0.89%, 0.59%

LAB 58.68, 82.75, -40.02

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 77 / 0 / 65 / 5

HEX #39F355

RGB 57 243 85

HSL 129.03, 0.89%, 0.59%

LAB 84.81, -74.84, 61.27

 

CMYK 77 / 27 / 0 / 5

HEX #39B2F3

RGB 57 178 243

HSL 200.97, 0.89%, 0.59%

LAB 68.88, -11.69, -41.75

 

CMYK 0 / 77 / 12 / 5

HEX #F338D5

RGB 243 56 213

HSL 309.63, 0.89%, 0.59%

LAB 58.68, 82.75, -40.02

 

CMYK 0 / 27 / 77 / 5

HEX #F3B239

RGB 243 178 57

HSL 39.03, 0.89%, 0.59%

LAB 76.79, 13.17, 67.05

 

CMYK 77 / 0 / 65 / 5

HEX #39F355

RGB 57 243 85

HSL 129.03, 0.89%, 0.59%

LAB 84.81, -74.84, 61.27

 

CMYK 77 / 50 / 0 / 5

HEX #397AF3

RGB 57 122 243

HSL 219.03, 0.89%, 0.59%

LAB 53.23, 21.19, -66.64

 

Description

Color code: HEX #F338D5 | qconv.com Color code: HEX #F338D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 56 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 56 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 12% 5% C M Y K

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Provide designers and agencies with accurate color values.

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