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Color name
HEX #F32A15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F32A15 it is the complementary color #0CD5EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F32A15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F32A15 shade: #F82A10, #FF3C23, #FF4E36, #FF6049 and #FF725C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F32A15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F32A15 shade: #F32A15, #E21802, #D10600, #C00000 and #AF0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F32A15 shade: #F22B16 and #F21616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F32A15 shade: #F22B16, #F26616, #F2A216, #F2DD16 and #CCF216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F32A15 shade matches the following richer shades: #F22B16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F32A15 shade: #F22B16, #DE3B2A, #CB4B3E, #B75B51 and #A36B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F32A15 shade: #F21679, #F2163E, #F22816, #F26316 and #F29E16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F32A15 shade: #AD1809, #D41E0B, #F22B16, #F44E3D and #F67264

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F32A15 shade: #F32A15, #B4F216 and #165CF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F32A15 shade: #F32A15, #16F228 and #2816F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F32A15 shade: #F32A15, #B4F216, #16E0F2 and #5416F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F32A15 shade: #F32A15, #72F216, #16E0F2 and #9616F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 91 / 5

HEX #F32A15

RGB 243 42 21

HSL 5.68, 0.9%, 0.52%

LAB 52.69, 72.02, 59.98

 

Complementary color

CMYK 95 / 9 / 0 / 8

HEX #0CD5EA

RGB 12 213 234

HSL 185.68, 0.9%, 0.48%

LAB 78.23, -35.27, -22.51

 

CMYK 0 / 83 / 94 / 3

HEX #F82A10

RGB 248 42 16

HSL 6.72, 0.94%, 0.52%

LAB 53.65, 73.31, 62.65

 

CMYK 0 / 76 / 86 / 0

HEX #FF3C23

RGB 255 60 35

HSL 6.82, 1%, 0.57%

LAB 56.7, 70.96, 58.49

 

CMYK 0 / 69 / 79 / 0

HEX #FF4E36

RGB 255 78 54

HSL 7.16, 1%, 0.61%

LAB 58.95, 65.56, 51.69

 

CMYK 0 / 62 / 71 / 0

HEX #FF6049

RGB 255 96 73

HSL 7.58, 1%, 0.64%

LAB 61.75, 59.22, 44.85

 

CMYK 0 / 55 / 64 / 0

HEX #FF725C

RGB 255 114 92

HSL 8.1, 1%, 0.68%

LAB 65.02, 52.23, 38.48

 

CMYK 0 / 83 / 91 / 5

HEX #F32A15

RGB 243 42 21

HSL 5.68, 0.9%, 0.52%

LAB 52.69, 72.02, 59.98

 

CMYK 0 / 89 / 99 / 11

HEX #E21802

RGB 226 24 2

HSL 5.89, 0.98%, 0.45%

LAB 48.04, 70.71, 61.08

 

CMYK 0 / 97 / 100 / 18

HEX #D10600

RGB 209 6 0

HSL 1.72, 1%, 0.41%

LAB 43.78, 68.4, 57.92

 

CMYK 0 / 100 / 100 / 25

HEX #C00000

RGB 192 0 0

HSL 0, 1%, 0.38%

LAB 39.93, 64.71, 54.3

 

CMYK 0 / 100 / 100 / 31

HEX #AF0000

RGB 175 0 0

HSL 0, 1%, 0.34%

LAB 36.2, 60.4, 50.58

 

CMYK 0 / 82 / 91 / 5

HEX #F22B16

RGB 242 43 22

HSL 5.73, 0.89%, 0.52%

LAB 52.58, 71.53, 59.46

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 82 / 91 / 5

HEX #F22B16

RGB 242 43 22

HSL 5.73, 0.89%, 0.52%

LAB 52.58, 71.53, 59.46

 

CMYK 0 / 58 / 91 / 5

HEX #F26616

RGB 242 102 22

HSL 21.82, 0.89%, 0.52%

LAB 60.28, 50.56, 64.7

 

CMYK 0 / 33 / 91 / 5

HEX #F2A216

RGB 242 162 22

HSL 38.18, 0.89%, 0.52%

LAB 72.74, 20.26, 73.72

 

CMYK 0 / 9 / 91 / 5

HEX #F2DD16

RGB 242 221 22

HSL 54.27, 0.89%, 0.52%

LAB 87.31, -10.25, 84.71

 

CMYK 16 / 0 / 91 / 5

HEX #CCF216

RGB 204 242 22

HSL 70.36, 0.89%, 0.52%

LAB 90.04, -35.94, 85.6

 

CMYK 0 / 82 / 91 / 5

HEX #F22B16

RGB 242 43 22

HSL 5.73, 0.89%, 0.52%

LAB 52.58, 71.53, 59.46

 

CMYK 0 / 82 / 91 / 5

HEX #F22B16

RGB 242 43 22

HSL 5.73, 0.89%, 0.52%

LAB 52.58, 71.53, 59.46

 

CMYK 0 / 73 / 81 / 13

HEX #DE3B2A

RGB 222 59 42

HSL 5.67, 0.73%, 0.52%

LAB 50.48, 61.66, 47.41

 

CMYK 0 / 63 / 69 / 20

HEX #CB4B3E

RGB 203 75 62

HSL 5.53, 0.58%, 0.52%

LAB 49.59, 50.04, 34.64

 

CMYK 0 / 50 / 56 / 28

HEX #B75B51

RGB 183 91 81

HSL 5.88, 0.41%, 0.52%

LAB 49.67, 36.25, 23.04

 

CMYK 0 / 34 / 38 / 36

HEX #A36B65

RGB 163 107 101

HSL 5.81, 0.25%, 0.52%

LAB 50.97, 21.61, 12.56

 

CMYK 0 / 91 / 50 / 5

HEX #F21679

RGB 242 22 121

HSL 333, 0.89%, 0.52%

LAB 52.76, 79.4, 4.9

 

CMYK 0 / 91 / 74 / 5

HEX #F2163E

RGB 242 22 62

HSL 349.09, 0.89%, 0.52%

LAB 51.61, 76.19, 38.85

 

CMYK 0 / 83 / 91 / 5

HEX #F22816

RGB 242 40 22

HSL 4.91, 0.89%, 0.52%

LAB 52.35, 72.2, 59.31

 

CMYK 0 / 59 / 91 / 5

HEX #F26316

RGB 242 99 22

HSL 21, 0.89%, 0.52%

LAB 59.76, 51.92, 64.34

 

CMYK 0 / 35 / 91 / 5

HEX #F29E16

RGB 242 158 22

HSL 37.09, 0.89%, 0.52%

LAB 71.82, 22.36, 73.04

 

CMYK 0 / 86 / 95 / 32

HEX #AD1809

RGB 173 24 9

HSL 5.49, 0.9%, 0.36%

LAB 37.04, 56.44, 47.24

 

CMYK 0 / 86 / 95 / 17

HEX #D41E0B

RGB 212 30 11

HSL 5.67, 0.9%, 0.44%

LAB 45.57, 66.04, 55.74

 

CMYK 0 / 82 / 91 / 5

HEX #F22B16

RGB 242 43 22

HSL 5.73, 0.89%, 0.52%

LAB 52.58, 71.53, 59.46

 

CMYK 0 / 68 / 75 / 4

HEX #F44E3D

RGB 244 78 61

HSL 5.57, 0.89%, 0.6%

LAB 57.09, 62.35, 45.56

 

CMYK 0 / 54 / 59 / 4

HEX #F67264

RGB 246 114 100

HSL 5.75, 0.89%, 0.68%

LAB 63.79, 49.55, 32.26

 

CMYK 0 / 83 / 91 / 5

HEX #F32A15

RGB 243 42 21

HSL 5.68, 0.9%, 0.52%

LAB 52.69, 72.02, 59.98

 

CMYK 26 / 0 / 91 / 5

HEX #B4F216

RGB 180 242 22

HSL 76.91, 0.89%, 0.52%

LAB 88.57, -45.2, 83.81

 

CMYK 91 / 62 / 0 / 5

HEX #165CF2

RGB 22 92 242

HSL 220.91, 0.89%, 0.52%

LAB 44.57, 37.24, -80.22

 

CMYK 0 / 83 / 91 / 5

HEX #F32A15

RGB 243 42 21

HSL 5.68, 0.9%, 0.52%

LAB 52.69, 72.02, 59.98

 

CMYK 91 / 0 / 83 / 5

HEX #16F228

RGB 22 242 40

HSL 124.91, 0.89%, 0.52%

LAB 83.88, -80.98, 74.7

 

CMYK 83 / 91 / 0 / 5

HEX #2816F2

RGB 40 22 242

HSL 244.91, 0.89%, 0.52%

LAB 32.78, 72.5, -99.72

 

CMYK 0 / 83 / 91 / 5

HEX #F32A15

RGB 243 42 21

HSL 5.68, 0.9%, 0.52%

LAB 52.69, 72.02, 59.98

 

CMYK 26 / 0 / 91 / 5

HEX #B4F216

RGB 180 242 22

HSL 76.91, 0.89%, 0.52%

LAB 88.57, -45.2, 83.81

 

CMYK 91 / 7 / 0 / 5

HEX #16E0F2

RGB 22 224 242

HSL 184.91, 0.89%, 0.52%

LAB 81.78, -37.59, -21.38

 

CMYK 65 / 91 / 0 / 5

HEX #5416F2

RGB 84 22 242

HSL 256.91, 0.89%, 0.52%

LAB 35.73, 74.27, -94.72

 

CMYK 0 / 83 / 91 / 5

HEX #F32A15

RGB 243 42 21

HSL 5.68, 0.9%, 0.52%

LAB 52.69, 72.02, 59.98

 

CMYK 53 / 0 / 91 / 5

HEX #72F216

RGB 114 242 22

HSL 94.91, 0.89%, 0.52%

LAB 85.57, -66.8, 80.12

 

CMYK 91 / 7 / 0 / 5

HEX #16E0F2

RGB 22 224 242

HSL 184.91, 0.89%, 0.52%

LAB 81.78, -37.59, -21.38

 

CMYK 38 / 91 / 0 / 5

HEX #9616F2

RGB 150 22 242

HSL 274.91, 0.89%, 0.52%

LAB 43.46, 79.89, -81.69

 

Description

Color code: HEX #F32A15 | qconv.com Color code: HEX #F32A15 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 42 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 42 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 91% 5% C M Y K

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Provide designers and agencies with accurate color values.

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