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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F324D1 it is the complementary color #0CDB2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F324D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F324D1 shade: #F824CC, #FF36DF, #FF48F2, #FF5AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F324D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F324D1 shade: #F324D1, #E212BE, #D100AB, #C00098 and #AF0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F324D1 shade: #F324D1, #F32499, #F32462, #F3242A and #F32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F324D1 shade: #F324D1, #DD24F3, #A624F3, #6E24F3 and #3624F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F324D1 shade matches the following richer shades: #F324D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F324D1 shade: #F324D1, #E037C5, #CE4AB8, #BB5CAC and #A96F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F324D1 shade: #A424F3, #DB24F3, #F324D4, #F3249D and #F32466

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F324D1 shade: #BC099E, #E30BBF, #F324D1, #F54CD9 and #F773E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F324D1 shade: #F324D1, #F36D24 and #24F3BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F324D1 shade: #F324D1, #D4F324 and #24D4F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F324D1 shade: #F324D1, #F36D24, #24F343 and #24ABF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F324D1 shade: #F324D1, #F3AB24, #24F343 and #246DF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

Complementary color

CMYK 95 / 0 / 79 / 14

HEX #0CDB2E

RGB 12 219 46

HSL 129.86, 0.9%, 0.45%

LAB 76.64, -74.84, 66.44

 

CMYK 0 / 85 / 18 / 3

HEX #F824CC

RGB 248 36 204

HSL 312.45, 0.94%, 0.56%

LAB 57.63, 86.89, -36.48

 

CMYK 0 / 79 / 13 / 0

HEX #FF36DF

RGB 255 54 223

HSL 309.55, 1%, 0.61%

LAB 60.98, 87.05, -41.93

 

CMYK 0 / 72 / 5 / 0

HEX #FF48F2

RGB 255 72 242

HSL 304.26, 1%, 0.64%

LAB 63.59, 84.85, -48.43

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 92 / 16 / 11

HEX #E212BE

RGB 226 18 190

HSL 310.38, 0.85%, 0.48%

LAB 52.2, 83.46, -37.22

 

CMYK 0 / 100 / 18 / 18

HEX #D100AB

RGB 209 0 171

HSL 310.91, 1%, 0.41%

LAB 47.62, 79.48, -33.48

 

CMYK 0 / 100 / 21 / 25

HEX #C00098

RGB 192 0 152

HSL 312.5, 1%, 0.38%

LAB 43.47, 73.99, -28.85

 

CMYK 0 / 100 / 24 / 31

HEX #AF0085

RGB 175 0 133

HSL 314.4, 1%, 0.34%

LAB 39.25, 68.42, -24.05

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 85 / 37 / 5

HEX #F32499

RGB 243 36 153

HSL 326.09, 0.9%, 0.55%

LAB 54.67, 80.22, -11.42

 

CMYK 0 / 85 / 60 / 5

HEX #F32462

RGB 243 36 98

HSL 342.03, 0.9%, 0.55%

LAB 53.17, 75.93, 19.4

 

CMYK 0 / 85 / 83 / 5

HEX #F3242A

RGB 243 36 42

HSL 358.26, 0.9%, 0.55%

LAB 52.38, 73.64, 50.64

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 9 / 85 / 0 / 5

HEX #DD24F3

RGB 221 36 243

HSL 293.62, 0.9%, 0.55%

LAB 55.18, 87.53, -62.72

 

CMYK 32 / 85 / 0 / 5

HEX #A624F3

RGB 166 36 243

HSL 277.68, 0.9%, 0.55%

LAB 46.76, 79.23, -76.76

 

CMYK 55 / 85 / 0 / 5

HEX #6E24F3

RGB 110 36 243

HSL 261.45, 0.9%, 0.55%

LAB 39.66, 72.74, -88.69

 

CMYK 78 / 85 / 0 / 5

HEX #3624F3

RGB 54 36 243

HSL 245.22, 0.9%, 0.55%

LAB 35.04, 68.89, -96.5

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 75 / 12 / 12

HEX #E037C5

RGB 224 55 197

HSL 309.59, 0.73%, 0.55%

LAB 54.67, 76.79, -37.4

 

CMYK 0 / 64 / 11 / 19

HEX #CE4AB8

RGB 206 74 184

HSL 310, 0.57%, 0.55%

LAB 53.47, 64.17, -31.98

 

CMYK 0 / 51 / 8 / 27

HEX #BB5CAC

RGB 187 92 172

HSL 309.47, 0.41%, 0.55%

LAB 53.17, 48.86, -25.7

 

CMYK 0 / 34 / 6 / 34

HEX #A96F9F

RGB 169 111 159

HSL 310.34, 0.25%, 0.55%

LAB 54.35, 30.66, -16.51

 

CMYK 33 / 85 / 0 / 5

HEX #A424F3

RGB 164 36 243

HSL 277.1, 0.9%, 0.55%

LAB 46.48, 78.96, -77.24

 

CMYK 10 / 85 / 0 / 5

HEX #DB24F3

RGB 219 36 243

HSL 293.04, 0.9%, 0.55%

LAB 54.86, 87.2, -63.25

 

CMYK 0 / 85 / 13 / 5

HEX #F324D4

RGB 243 36 212

HSL 308.99, 0.9%, 0.55%

LAB 57.14, 86.94, -41.88

 

CMYK 0 / 85 / 35 / 5

HEX #F3249D

RGB 243 36 157

HSL 324.93, 0.9%, 0.55%

LAB 54.81, 80.61, -13.58

 

CMYK 0 / 85 / 58 / 5

HEX #F32466

RGB 243 36 102

HSL 340.87, 0.9%, 0.55%

LAB 53.25, 76.18, 17.1

 

CMYK 0 / 95 / 16 / 26

HEX #BC099E

RGB 188 9 158

HSL 310.06, 0.91%, 0.39%

LAB 43.29, 73.14, -32.79

 

CMYK 0 / 95 / 16 / 11

HEX #E30BBF

RGB 227 11 191

HSL 310, 0.91%, 0.47%

LAB 52.21, 84.4, -37.76

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 69 / 11 / 4

HEX #F54CD9

RGB 245 76 217

HSL 309.94, 0.89%, 0.63%

LAB 61.3, 77.75, -38.16

 

CMYK 0 / 53 / 9 / 3

HEX #F773E1

RGB 247 115 225

HSL 310, 0.89%, 0.71%

LAB 67.63, 63.82, -32.76

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 85 / 0 / 21 / 5

HEX #24F3BF

RGB 36 243 191

HSL 164.93, 0.9%, 0.55%

LAB 86.13, -58.81, 11.89

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 13 / 0 / 85 / 5

HEX #D4F324

RGB 212 243 36

HSL 68.99, 0.9%, 0.55%

LAB 90.88, -32.93, 84.23

 

CMYK 85 / 13 / 0 / 5

HEX #24D4F3

RGB 36 212 243

HSL 188.99, 0.9%, 0.55%

LAB 78.42, -30.9, -27.01

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 85 / 0 / 72 / 5

HEX #24F343

RGB 36 243 67

HSL 128.99, 0.9%, 0.55%

LAB 84.42, -78.65, 67.49

 

CMYK 85 / 30 / 0 / 5

HEX #24ABF3

RGB 36 171 243

HSL 200.87, 0.9%, 0.55%

LAB 66.5, -9.7, -45.51

 

CMYK 0 / 85 / 14 / 5

HEX #F324D1

RGB 243 36 209

HSL 309.86, 0.9%, 0.55%

LAB 57, 86.55, -40.4

 

CMYK 0 / 30 / 85 / 5

HEX #F3AB24

RGB 243 171 36

HSL 39.13, 0.9%, 0.55%

LAB 75.02, 16.21, 72.26

 

CMYK 85 / 0 / 72 / 5

HEX #24F343

RGB 36 243 67

HSL 128.99, 0.9%, 0.55%

LAB 84.42, -78.65, 67.49

 

CMYK 85 / 55 / 0 / 5

HEX #246DF3

RGB 36 109 243

HSL 218.84, 0.9%, 0.55%

LAB 49.23, 27.55, -73.15

 

Description

Color code: HEX #F324D1 | qconv.com Color code: HEX #F324D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 36 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 36 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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