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Color name
HEX #F31B8E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F31B8E it is the complementary color #0CE471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F31B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F31B8E shade: #F81B89, #FF2D9C, #FF3FAF, #FF51C2 and #FF63D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F31B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F31B8E shade: #F31B8E, #E2097B, #D10068, #C00055 and #AF0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F31B8E shade: #F31B8E, #F31B53 and #F31B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F31B8E shade: #F31B8E, #F31BC8, #E31BF3, #A91BF3 and #6F1BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F31B8E shade matches the following richer shades: #F31B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F31B8E shade: #F31B8E, #DF2E8C, #CC428B, #B8558A and #A56889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F31B8E shade: #E41BF3, #F31BC7, #F31B8E, #F31B54 and #F31B1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F31B8E shade: #B20963, #D90B79, #F31B8E, #F542A1 and #F769B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F31B8E shade: #F31B8E, #F3AB1B and #1BE4F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F31B8E shade: #F31B8E, #8EF31B and #1B8EF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F31B8E shade: #F31B8E, #F3AB1B, #1BF37F and #1B63F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F31B8E shade: #F31B8E, #F3EB1B, #1BF37F and #1B22F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

Complementary color

CMYK 95 / 0 / 50 / 11

HEX #0CE471

RGB 12 228 113

HSL 148.06, 0.9%, 0.47%

LAB 80.04, -70.26, 43.2

 

CMYK 0 / 89 / 45 / 3

HEX #F81B89

RGB 248 27 137

HSL 330.14, 0.94%, 0.54%

LAB 54.6, 81.35, -1.9

 

CMYK 0 / 82 / 39 / 0

HEX #FF2D9C

RGB 255 45 156

HSL 328.29, 1%, 0.59%

LAB 57.6, 81.45, -8.59

 

CMYK 0 / 75 / 31 / 0

HEX #FF3FAF

RGB 255 63 175

HSL 325, 1%, 0.62%

LAB 59.81, 78.89, -16.34

 

CMYK 0 / 68 / 24 / 0

HEX #FF51C2

RGB 255 81 194

HSL 321.03, 1%, 0.66%

LAB 62.54, 75.37, -23.08

 

CMYK 0 / 61 / 16 / 0

HEX #FF63D5

RGB 255 99 213

HSL 316.15, 1%, 0.69%

LAB 65.74, 71.07, -28.9

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 96 / 46 / 11

HEX #E2097B

RGB 226 9 123

HSL 328.48, 0.92%, 0.46%

LAB 49.25, 77.28, -1.81

 

CMYK 0 / 100 / 50 / 18

HEX #D10068

RGB 209 0 104

HSL 330.14, 1%, 0.41%

LAB 45.02, 72.8, 3.33

 

CMYK 0 / 100 / 56 / 25

HEX #C00055

RGB 192 0 85

HSL 333.44, 1%, 0.38%

LAB 41, 67.6, 9.09

 

CMYK 0 / 100 / 62 / 31

HEX #AF0042

RGB 175 0 66

HSL 337.37, 1%, 0.34%

LAB 36.94, 62.41, 15.15

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 89 / 66 / 5

HEX #F31B53

RGB 243 27 83

HSL 344.44, 0.9%, 0.53%

LAB 52.36, 76.64, 27.37

 

CMYK 0 / 89 / 89 / 5

HEX #F31B1B

RGB 243 27 27

HSL 0, 0.9%, 0.53%

LAB 51.74, 74.89, 57.06

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 89 / 18 / 5

HEX #F31BC8

RGB 243 27 200

HSL 311.94, 0.9%, 0.53%

LAB 56.1, 86.8, -36.66

 

CMYK 7 / 89 / 0 / 5

HEX #E31BF3

RGB 227 27 243

HSL 295.56, 0.9%, 0.53%

LAB 55.67, 89.93, -61.88

 

CMYK 30 / 89 / 0 / 5

HEX #A91BF3

RGB 169 27 243

HSL 279.44, 0.9%, 0.53%

LAB 46.57, 81.5, -77.07

 

CMYK 54 / 89 / 0 / 5

HEX #6F1BF3

RGB 111 27 243

HSL 263.33, 0.9%, 0.53%

LAB 38.96, 75.25, -89.85

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 79 / 37 / 13

HEX #DF2E8C

RGB 223 46 140

HSL 328.14, 0.73%, 0.53%

LAB 51.31, 72.12, -9.1

 

CMYK 0 / 68 / 32 / 20

HEX #CC428B

RGB 204 66 139

HSL 328.26, 0.58%, 0.53%

LAB 50.21, 60.65, -10.48

 

CMYK 0 / 54 / 25 / 28

HEX #B8558A

RGB 184 85 138

HSL 327.88, 0.41%, 0.53%

LAB 50.12, 46.1, -10.34

 

CMYK 0 / 37 / 17 / 35

HEX #A56889

RGB 165 104 137

HSL 327.54, 0.25%, 0.53%

LAB 51.5, 29.32, -7.94

 

CMYK 6 / 89 / 0 / 5

HEX #E41BF3

RGB 228 27 243

HSL 295.83, 0.9%, 0.53%

LAB 55.84, 90.09, -61.6

 

CMYK 0 / 89 / 18 / 5

HEX #F31BC7

RGB 243 27 199

HSL 312.22, 0.9%, 0.53%

LAB 56.05, 86.68, -36.16

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 89 / 65 / 5

HEX #F31B54

RGB 243 27 84

HSL 344.17, 0.9%, 0.53%

LAB 52.37, 76.68, 26.8

 

CMYK 0 / 89 / 89 / 5

HEX #F31B1B

RGB 243 27 27

HSL 0, 0.9%, 0.53%

LAB 51.74, 74.89, 57.06

 

CMYK 0 / 95 / 44 / 30

HEX #B20963

RGB 178 9 99

HSL 328.05, 0.9%, 0.37%

LAB 38.83, 64.53, -3.31

 

CMYK 0 / 95 / 44 / 15

HEX #D90B79

RGB 217 11 121

HSL 327.96, 0.9%, 0.45%

LAB 47.46, 74.98, -3.42

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 73 / 34 / 4

HEX #F542A1

RGB 245 66 161

HSL 328.16, 0.9%, 0.61%

LAB 57.92, 74.03, -11.21

 

CMYK 0 / 57 / 27 / 3

HEX #F769B4

RGB 247 105 180

HSL 328.31, 0.9%, 0.69%

LAB 64.3, 61.89, -12.55

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 30 / 89 / 5

HEX #F3AB1B

RGB 243 171 27

HSL 40, 0.9%, 0.53%

LAB 74.99, 16.02, 74.44

 

CMYK 89 / 6 / 0 / 5

HEX #1BE4F3

RGB 27 228 243

HSL 184.17, 0.9%, 0.53%

LAB 83.01, -38.91, -20.03

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 42 / 0 / 89 / 5

HEX #8EF31B

RGB 142 243 27

HSL 88.06, 0.9%, 0.53%

LAB 86.96, -58.77, 80.98

 

CMYK 89 / 42 / 0 / 5

HEX #1B8EF3

RGB 27 142 243

HSL 208.06, 0.9%, 0.53%

LAB 58.08, 6.5, -58.87

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 30 / 89 / 5

HEX #F3AB1B

RGB 243 171 27

HSL 40, 0.9%, 0.53%

LAB 74.99, 16.02, 74.44

 

CMYK 89 / 0 / 48 / 5

HEX #1BF37F

RGB 27 243 127

HSL 147.78, 0.9%, 0.53%

LAB 84.93, -72.16, 42.62

 

CMYK 89 / 59 / 0 / 5

HEX #1B63F3

RGB 27 99 243

HSL 220, 0.9%, 0.53%

LAB 46.48, 33.39, -77.65

 

CMYK 0 / 89 / 42 / 5

HEX #F31B8E

RGB 243 27 142

HSL 328.06, 0.9%, 0.53%

LAB 53.81, 80.67, -6.18

 

CMYK 0 / 3 / 89 / 5

HEX #F3EB1B

RGB 243 235 27

HSL 57.78, 0.9%, 0.53%

LAB 91.03, -16.64, 86.88

 

CMYK 89 / 0 / 48 / 5

HEX #1BF37F

RGB 27 243 127

HSL 147.78, 0.9%, 0.53%

LAB 84.93, -72.16, 42.62

 

CMYK 89 / 86 / 0 / 5

HEX #1B22F3

RGB 27 34 243

HSL 238.06, 0.9%, 0.53%

LAB 33.66, 68.75, -98.82

 

Description

Color code: HEX #F31B8E | qconv.com Color code: HEX #F31B8E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 27 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 27 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 42 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 42% 5% C M Y K

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