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Color name
HEX #F315BF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F315BF it is the complementary color #0CEA40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F315BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F315BF shade: #F815BA, #FF27CD, #FF39E0, #FF4BF3 and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F315BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F315BF shade: #F315BF, #E203AC, #D10099, #C00086 and #AF0073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F315BF shade: #F216BF, #F21683, #F21648 and #F21616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F315BF shade: #F216BF, #EA16F2, #AF16F2, #7416F2 and #3816F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F315BF shade matches the following richer shades: #F216BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F315BF shade: #F216BF, #DE2AB4, #CB3EAA, #B7519F and #A36595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F315BF shade: #B016F2, #EB16F2, #F216BF, #F21684 and #F21649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F315BF shade: #AD0987, #D40BA5, #F216BF, #F43DC9 and #F664D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F315BF shade: #F315BF, #F27516 and #16F2CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F315BF shade: #F315BF, #BFF216 and #16BFF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F315BF shade: #F315BF, #F27516, #16F249 and #1693F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F315BF shade: #F315BF, #F2B816, #16F249 and #1651F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 21 / 5

HEX #F315BF

RGB 243 21 191

HSL 314.05, 0.9%, 0.52%

LAB 55.43, 86.46, -32.5

 

Complementary color

CMYK 95 / 0 / 73 / 8

HEX #0CEA40

RGB 12 234 64

HSL 134.05, 0.9%, 0.48%

LAB 81.45, -77.74, 65.45

 

CMYK 0 / 92 / 25 / 3

HEX #F815BA

RGB 248 21 186

HSL 316.39, 0.94%, 0.53%

LAB 56.13, 86.85, -28.46

 

CMYK 0 / 85 / 20 / 0

HEX #FF27CD

RGB 255 39 205

HSL 313.89, 1%, 0.58%

LAB 59.08, 87.87, -34.69

 

CMYK 0 / 78 / 12 / 0

HEX #FF39E0

RGB 255 57 224

HSL 309.39, 1%, 0.61%

LAB 61.28, 86.46, -42.02

 

CMYK 0 / 71 / 5 / 0

HEX #FF4BF3

RGB 255 75 243

HSL 304, 1%, 0.65%

LAB 63.97, 84.07, -48.39

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 91 / 21 / 5

HEX #F315BF

RGB 243 21 191

HSL 314.05, 0.9%, 0.52%

LAB 55.43, 86.46, -32.5

 

CMYK 0 / 99 / 24 / 11

HEX #E203AC

RGB 226 3 172

HSL 314.53, 0.97%, 0.45%

LAB 50.93, 82.53, -28.65

 

CMYK 0 / 100 / 27 / 18

HEX #D10099

RGB 209 0 153

HSL 316.08, 1%, 0.41%

LAB 46.78, 77.38, -24.04

 

CMYK 0 / 100 / 30 / 25

HEX #C00086

RGB 192 0 134

HSL 318.13, 1%, 0.38%

LAB 42.65, 71.93, -19.14

 

CMYK 0 / 100 / 34 / 31

HEX #AF0073

RGB 175 0 115

HSL 320.57, 1%, 0.34%

LAB 38.47, 66.41, -14.05

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 0 / 91 / 46 / 5

HEX #F21683

RGB 242 22 131

HSL 330.27, 0.89%, 0.52%

LAB 53.05, 80.18, -0.72

 

CMYK 0 / 91 / 70 / 5

HEX #F21648

RGB 242 22 72

HSL 346.36, 0.89%, 0.52%

LAB 51.75, 76.58, 33.14

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 3 / 91 / 0 / 5

HEX #EA16F2

RGB 234 22 242

HSL 297.82, 0.89%, 0.52%

LAB 56.56, 91.52, -59.82

 

CMYK 28 / 91 / 0 / 5

HEX #AF16F2

RGB 175 22 242

HSL 281.73, 0.89%, 0.52%

LAB 47.1, 82.91, -75.59

 

CMYK 52 / 91 / 0 / 5

HEX #7416F2

RGB 116 22 242

HSL 265.64, 0.89%, 0.52%

LAB 39.07, 76.54, -89.09

 

CMYK 77 / 91 / 0 / 5

HEX #3816F2

RGB 56 22 242

HSL 249.27, 0.89%, 0.52%

LAB 33.62, 72.97, -98.3

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 0 / 81 / 19 / 13

HEX #DE2AB4

RGB 222 42 180

HSL 314, 0.73%, 0.52%

LAB 52.38, 77.42, -31.16

 

CMYK 0 / 69 / 16 / 20

HEX #CB3EAA

RGB 203 62 170

HSL 314.04, 0.58%, 0.52%

LAB 50.74, 65.9, -28.1

 

CMYK 0 / 56 / 13 / 28

HEX #B7519F

RGB 183 81 159

HSL 314.12, 0.41%, 0.52%

LAB 50.04, 50.88, -22.94

 

CMYK 0 / 38 / 9 / 36

HEX #A36595

RGB 163 101 149

HSL 313.55, 0.25%, 0.52%

LAB 50.99, 32.37, -15.82

 

CMYK 27 / 91 / 0 / 5

HEX #B016F2

RGB 176 22 242

HSL 282, 0.89%, 0.52%

LAB 47.25, 83.04, -75.33

 

CMYK 3 / 91 / 0 / 5

HEX #EB16F2

RGB 235 22 242

HSL 298.09, 0.89%, 0.52%

LAB 56.73, 91.68, -59.55

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 0 / 91 / 45 / 5

HEX #F21684

RGB 242 22 132

HSL 330, 0.89%, 0.52%

LAB 53.08, 80.26, -1.28

 

CMYK 0 / 91 / 70 / 5

HEX #F21649

RGB 242 22 73

HSL 346.09, 0.89%, 0.52%

LAB 51.76, 76.62, 32.57

 

CMYK 0 / 95 / 22 / 32

HEX #AD0987

RGB 173 9 135

HSL 313.9, 0.9%, 0.36%

LAB 39.29, 67.29, -25.26

 

CMYK 0 / 95 / 22 / 17

HEX #D40BA5

RGB 212 11 165

HSL 314.03, 0.9%, 0.44%

LAB 48.2, 78.43, -28.97

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 0 / 75 / 18 / 4

HEX #F43DC9

RGB 244 61 201

HSL 314.1, 0.89%, 0.6%

LAB 58.78, 80.01, -33.03

 

CMYK 0 / 59 / 14 / 4

HEX #F664D4

RGB 246 100 212

HSL 313.97, 0.89%, 0.68%

LAB 64.53, 68.13, -30.31

 

CMYK 0 / 91 / 21 / 5

HEX #F315BF

RGB 243 21 191

HSL 314.05, 0.9%, 0.52%

LAB 55.43, 86.46, -32.5

 

CMYK 0 / 52 / 91 / 5

HEX #F27516

RGB 242 117 22

HSL 25.91, 0.89%, 0.52%

LAB 63.06, 43.43, 66.67

 

CMYK 91 / 0 / 15 / 5

HEX #16F2CE

RGB 22 242 206

HSL 170.18, 0.89%, 0.52%

LAB 86.07, -55.46, 3.98

 

CMYK 0 / 91 / 21 / 5

HEX #F315BF

RGB 243 21 191

HSL 314.05, 0.9%, 0.52%

LAB 55.43, 86.46, -32.5

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 91 / 21 / 0 / 5

HEX #16BFF2

RGB 22 191 242

HSL 193.91, 0.89%, 0.52%

LAB 72.12, -21.5, -36.19

 

CMYK 0 / 91 / 21 / 5

HEX #F315BF

RGB 243 21 191

HSL 314.05, 0.9%, 0.52%

LAB 55.43, 86.46, -32.5

 

CMYK 0 / 52 / 91 / 5

HEX #F27516

RGB 242 117 22

HSL 25.91, 0.89%, 0.52%

LAB 63.06, 43.43, 66.67

 

CMYK 91 / 0 / 70 / 5

HEX #16F249

RGB 22 242 73

HSL 133.91, 0.89%, 0.52%

LAB 84.05, -78.8, 64.94

 

CMYK 91 / 39 / 0 / 5

HEX #1693F2

RGB 22 147 242

HSL 205.91, 0.89%, 0.52%

LAB 59.39, 2.89, -56.24

 

CMYK 0 / 91 / 21 / 5

HEX #F315BF

RGB 243 21 191

HSL 314.05, 0.9%, 0.52%

LAB 55.43, 86.46, -32.5

 

CMYK 0 / 24 / 91 / 5

HEX #F2B816

RGB 242 184 22

HSL 44.18, 0.89%, 0.52%

LAB 78, 8.69, 77.65

 

CMYK 91 / 0 / 70 / 5

HEX #16F249

RGB 22 242 73

HSL 133.91, 0.89%, 0.52%

LAB 84.05, -78.8, 64.94

 

CMYK 91 / 67 / 0 / 5

HEX #1651F2

RGB 22 81 242

HSL 223.91, 0.89%, 0.52%

LAB 41.95, 44.11, -84.53

 

Description

Color code: HEX #F315BF | qconv.com Color code: HEX #F315BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 21 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 21 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 21% 5% C M Y K

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Provide designers and agencies with accurate color values.

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