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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F30CF7 it is the complementary color #0CF308. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F30CF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F30CF7 shade: #F80CF2, #FF1EFF, #FF30FF, #FF42FF and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F30CF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F30CF7 shade: #F30CF7, #E200E4, #D100D1, #C000BE and #AF00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F30CF7 shade: #F30CF7, #F70CBC, #F70C7C, #F70C3D and #F70C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F30CF7 shade: #F30CF7, #B40CF7, #740CF7, #350CF7 and #0C0CF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F30CF7 shade matches the following richer shades: #F30CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F30CF7 shade: #F30CF7, #DF20E3, #CC35CF, #B849BA and #A55DA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F30CF7 shade: #720CF7, #B10CF7, #EF0CF7, #F70CC0 and #F70C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F30CF7 shade: #A905AC, #D006D4, #F30CF7, #F534F8 and #F75CF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F30CF7 shade: #F30CF7, #F7330C and #0CF791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F30CF7 shade: #F30CF7, #F7EF0C and #0CF7EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F30CF7 shade: #F30CF7, #F7330C, #14F70C and #0CD0F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F30CF7 shade: #F30CF7, #F77A0C, #14F70C and #0C89F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

Complementary color

CMYK 95 / 0 / 97 / 5

HEX #0CF308

RGB 12 243 8

HSL 118.98, 0.94%, 0.49%

LAB 84.07, -82.6, 79.61

 

CMYK 0 / 95 / 2 / 3

HEX #F80CF2

RGB 248 12 242

HSL 301.53, 0.94%, 0.51%

LAB 58.63, 94.64, -56.38

 

CMYK 0 / 88 / 0 / 0

HEX #FF1EFF

RGB 255 30 255

HSL 300, 1%, 0.56%

LAB 61.14, 95.83, -59.53

 

CMYK 0 / 81 / 0 / 0

HEX #FF30FF

RGB 255 48 255

HSL 300, 1%, 0.59%

LAB 62.16, 92.83, -57.9

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 1 / 100 / 0 / 11

HEX #E200E4

RGB 226 0 228

HSL 299.47, 1%, 0.45%

LAB 53.78, 89.97, -56.48

 

CMYK 0 / 100 / 0 / 18

HEX #D100D1

RGB 209 0 209

HSL 300, 1%, 0.41%

LAB 49.69, 84.57, -52.37

 

CMYK 0 / 100 / 1 / 25

HEX #C000BE

RGB 192 0 190

HSL 300.63, 1%, 0.38%

LAB 45.53, 79.08, -48.17

 

CMYK 0 / 100 / 2 / 31

HEX #AF00AB

RGB 175 0 171

HSL 301.37, 1%, 0.34%

LAB 41.3, 73.49, -43.89

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 0 / 95 / 24 / 3

HEX #F70CBC

RGB 247 12 188

HSL 315.06, 0.94%, 0.51%

LAB 55.75, 87.69, -30.21

 

CMYK 0 / 95 / 50 / 3

HEX #F70C7C

RGB 247 12 124

HSL 331.4, 0.94%, 0.51%

LAB 53.48, 81.72, 4.25

 

CMYK 0 / 95 / 75 / 3

HEX #F70C3D

RGB 247 12 61

HSL 347.49, 0.94%, 0.51%

LAB 52.26, 78.38, 40.43

 

CMYK 0 / 95 / 95 / 3

HEX #F70C0C

RGB 247 12 12

HSL 0, 0.94%, 0.51%

LAB 51.91, 77.42, 62.71

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 27 / 95 / 0 / 3

HEX #B40CF7

RGB 180 12 247

HSL 282.89, 0.94%, 0.51%

LAB 47.86, 85.66, -77.13

 

CMYK 53 / 95 / 0 / 3

HEX #740CF7

RGB 116 12 247

HSL 266.55, 0.94%, 0.51%

LAB 39.06, 79.26, -91.93

 

CMYK 79 / 95 / 0 / 3

HEX #350CF7

RGB 53 12 247

HSL 250.47, 0.94%, 0.51%

LAB 33.43, 76.14, -101.45

 

CMYK 95 / 95 / 0 / 3

HEX #0C0CF7

RGB 12 12 247

HSL 240, 0.94%, 0.51%

LAB 31.94, 75.49, -103.97

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 2 / 86 / 0 / 11

HEX #DF20E3

RGB 223 32 227

HSL 298.77, 0.78%, 0.51%

LAB 54.31, 86.1, -55.1

 

CMYK 1 / 74 / 0 / 19

HEX #CC35CF

RGB 204 53 207

HSL 298.83, 0.62%, 0.51%

LAB 51.71, 74.66, -48.04

 

CMYK 1 / 61 / 0 / 27

HEX #B849BA

RGB 184 73 186

HSL 298.94, 0.45%, 0.51%

LAB 50.1, 59.32, -38.67

 

CMYK 1 / 44 / 0 / 35

HEX #A55DA6

RGB 165 93 166

HSL 299.18, 0.29%, 0.51%

LAB 50.19, 40.56, -27.02

 

CMYK 54 / 95 / 0 / 3

HEX #720CF7

RGB 114 12 247

HSL 266.04, 0.94%, 0.51%

LAB 38.82, 79.11, -92.32

 

CMYK 28 / 95 / 0 / 3

HEX #B10CF7

RGB 177 12 247

HSL 282.13, 0.94%, 0.51%

LAB 47.4, 85.29, -77.9

 

CMYK 3 / 95 / 0 / 3

HEX #EF0CF7

RGB 239 12 247

HSL 297.96, 0.94%, 0.51%

LAB 57.39, 93.93, -61.24

 

CMYK 0 / 95 / 22 / 3

HEX #F70CC0

RGB 247 12 192

HSL 314.04, 0.94%, 0.51%

LAB 55.93, 88.14, -32.25

 

CMYK 0 / 95 / 47 / 3

HEX #F70C82

RGB 247 12 130

HSL 329.87, 0.94%, 0.51%

LAB 53.65, 82.17, 0.88

 

CMYK 2 / 97 / 0 / 33

HEX #A905AC

RGB 169 5 172

HSL 298.92, 0.94%, 0.35%

LAB 40.45, 72.12, -45.91

 

CMYK 2 / 97 / 0 / 17

HEX #D006D4

RGB 208 6 212

HSL 298.83, 0.94%, 0.43%

LAB 49.85, 84.38, -53.84

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 1 / 79 / 0 / 3

HEX #F534F8

RGB 245 52 248

HSL 299.08, 0.93%, 0.59%

LAB 60.47, 89.13, -56.82

 

CMYK 1 / 63 / 0 / 2

HEX #F75CF9

RGB 247 92 249

HSL 299.24, 0.93%, 0.67%

LAB 65.17, 77.31, -49.88

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 0 / 79 / 95 / 3

HEX #F7330C

RGB 247 51 12

HSL 9.96, 0.94%, 0.51%

LAB 54.21, 70.86, 63.9

 

CMYK 95 / 0 / 41 / 3

HEX #0CF791

RGB 12 247 145

HSL 153.96, 0.94%, 0.51%

LAB 86.33, -71.04, 35.61

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 0 / 3 / 95 / 3

HEX #F7EF0C

RGB 247 239 12

HSL 57.96, 0.94%, 0.51%

LAB 92.37, -17.1, 89.81

 

CMYK 95 / 0 / 3 / 3

HEX #0CF7EF

RGB 12 247 239

HSL 177.96, 0.94%, 0.51%

LAB 88.37, -48.96, -9.91

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 0 / 79 / 95 / 3

HEX #F7330C

RGB 247 51 12

HSL 9.96, 0.94%, 0.51%

LAB 54.21, 70.86, 63.9

 

CMYK 92 / 0 / 95 / 3

HEX #14F70C

RGB 20 247 12

HSL 117.96, 0.94%, 0.51%

LAB 85.35, -83.26, 80.34

 

CMYK 95 / 16 / 0 / 3

HEX #0CD0F7

RGB 12 208 247

HSL 189.96, 0.94%, 0.51%

LAB 77.22, -28.71, -31

 

CMYK 2 / 95 / 0 / 3

HEX #F30CF7

RGB 243 12 247

HSL 298.98, 0.94%, 0.51%

LAB 58.07, 94.55, -60.12

 

CMYK 0 / 51 / 95 / 3

HEX #F77A0C

RGB 247 122 12

HSL 28.09, 0.94%, 0.51%

LAB 64.74, 42.79, 70.24

 

CMYK 92 / 0 / 95 / 3

HEX #14F70C

RGB 20 247 12

HSL 117.96, 0.94%, 0.51%

LAB 85.35, -83.26, 80.34

 

CMYK 95 / 45 / 0 / 3

HEX #0C89F7

RGB 12 137 247

HSL 208.09, 0.94%, 0.51%

LAB 56.77, 10.45, -63.2

 

Description

Color code: HEX #F30CF7 | qconv.com Color code: HEX #F30CF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 12 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 12 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 95 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 95% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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