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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F30B90 it is the complementary color #0CF46F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F30B90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F30B90 shade: #F80B8B, #FF1D9E, #FF2FB1, #FF41C4 and #FF53D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F30B90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F30B90 shade: #F30B90, #E2007D, #D1006A, #C00057 and #AF0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F30B90 shade: #F30B90, #F30B51, #F30B13 and #F30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F30B90 shade: #F30B90, #F30BCF, #D90BF3, #9A0BF3 and #5C0BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F30B90 shade matches the following richer shades: #F30B90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F30B90 shade: #F30B90, #DE208D, #CA348A, #B54987 and #A15D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F30B90 shade: #D80BF3, #F30BD0, #F30B92, #F30B54 and #F30B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F30B90 shade: #A40761, #CC0979, #F30B90, #F532A2 and #F75AB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F30B90 shade: #F30B90, #F39A0B and #0BEFF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F30B90 shade: #F30B90, #92F30B and #0B92F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F30B90 shade: #F30B90, #F39A0B, #0BF36C and #0B64F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F30B90 shade: #F30B90, #F3E00B, #0BF36C and #0B1EF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

Complementary color

CMYK 95 / 0 / 55 / 4

HEX #0CF46F

RGB 12 244 111

HSL 145.6, 0.91%, 0.5%

LAB 84.96, -75.52, 50.15

 

CMYK 0 / 96 / 44 / 3

HEX #F80B8B

RGB 248 11 139

HSL 327.59, 0.94%, 0.51%

LAB 54.09, 83.18, -3.85

 

CMYK 0 / 89 / 38 / 0

HEX #FF1D9E

RGB 255 29 158

HSL 325.75, 1%, 0.56%

LAB 56.69, 84.44, -11.12

 

CMYK 0 / 82 / 31 / 0

HEX #FF2FB1

RGB 255 47 177

HSL 322.5, 1%, 0.59%

LAB 58.48, 83.12, -19.52

 

CMYK 0 / 75 / 23 / 0

HEX #FF41C4

RGB 255 65 196

HSL 318.63, 1%, 0.63%

LAB 60.8, 80.73, -26.89

 

CMYK 0 / 67 / 16 / 0

HEX #FF53D7

RGB 255 83 215

HSL 313.95, 1%, 0.66%

LAB 63.63, 77.41, -33.28

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 100 / 45 / 11

HEX #E2007D

RGB 226 0 125

HSL 326.81, 1%, 0.44%

LAB 49.07, 78.14, -3.29

 

CMYK 0 / 100 / 49 / 18

HEX #D1006A

RGB 209 0 106

HSL 329.57, 1%, 0.41%

LAB 45.08, 72.95, 2.17

 

CMYK 0 / 100 / 55 / 25

HEX #C00057

RGB 192 0 87

HSL 332.81, 1%, 0.38%

LAB 41.05, 67.74, 7.89

 

CMYK 0 / 100 / 61 / 31

HEX #AF0044

RGB 175 0 68

HSL 336.69, 1%, 0.34%

LAB 36.99, 62.53, 13.91

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 95 / 67 / 5

HEX #F30B51

RGB 243 11 81

HSL 341.9, 0.91%, 0.5%

LAB 51.71, 78.31, 27.76

 

CMYK 0 / 95 / 92 / 5

HEX #F30B13

RGB 243 11 19

HSL 357.93, 0.91%, 0.5%

LAB 51.08, 76.58, 59.67

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 95 / 15 / 5

HEX #F30BCF

RGB 243 11 207

HSL 309.31, 0.91%, 0.5%

LAB 55.89, 89.27, -41

 

CMYK 11 / 95 / 0 / 5

HEX #D90BF3

RGB 217 11 243

HSL 293.28, 0.91%, 0.5%

LAB 53.45, 90.09, -65.54

 

CMYK 37 / 95 / 0 / 5

HEX #9A0BF3

RGB 154 11 243

HSL 276.98, 0.91%, 0.5%

LAB 43.63, 82, -81.97

 

CMYK 62 / 95 / 0 / 5

HEX #5C0BF3

RGB 92 11 243

HSL 260.95, 0.91%, 0.5%

LAB 35.96, 76.93, -94.89

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 86 / 36 / 13

HEX #DE208D

RGB 222 32 141

HSL 325.58, 0.75%, 0.5%

LAB 50.08, 75.08, -11.56

 

CMYK 0 / 74 / 32 / 21

HEX #CA348A

RGB 202 52 138

HSL 325.6, 0.59%, 0.5%

LAB 48.07, 64.93, -13.15

 

CMYK 0 / 60 / 25 / 29

HEX #B54987

RGB 181 73 135

HSL 325.56, 0.43%, 0.5%

LAB 47.41, 50.45, -12.66

 

CMYK 0 / 42 / 18 / 37

HEX #A15D84

RGB 161 93 132

HSL 325.59, 0.27%, 0.5%

LAB 48.35, 33.2, -9.74

 

CMYK 11 / 95 / 0 / 5

HEX #D80BF3

RGB 216 11 243

HSL 293.02, 0.91%, 0.5%

LAB 53.29, 89.94, -65.81

 

CMYK 0 / 95 / 14 / 5

HEX #F30BD0

RGB 243 11 208

HSL 309.05, 0.91%, 0.5%

LAB 55.94, 89.39, -41.5

 

CMYK 0 / 95 / 40 / 5

HEX #F30B92

RGB 243 11 146

HSL 325.09, 0.91%, 0.5%

LAB 53.35, 82.72, -9.24

 

CMYK 0 / 95 / 65 / 5

HEX #F30B54

RGB 243 11 84

HSL 341.12, 0.91%, 0.5%

LAB 51.76, 78.45, 26.01

 

CMYK 0 / 95 / 91 / 5

HEX #F30B17

RGB 243 11 23

HSL 356.9, 0.91%, 0.5%

LAB 51.1, 76.63, 58.22

 

CMYK 0 / 96 / 41 / 36

HEX #A40761

RGB 164 7 97

HSL 325.61, 0.92%, 0.34%

LAB 35.81, 61.38, -6.85

 

CMYK 0 / 96 / 41 / 20

HEX #CC0979

RGB 204 9 121

HSL 325.54, 0.92%, 0.42%

LAB 44.82, 72.31, -7.62

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 80 / 34 / 4

HEX #F532A2

RGB 245 50 162

HSL 325.54, 0.91%, 0.58%

LAB 56.39, 78.59, -14.11

 

CMYK 0 / 64 / 27 / 3

HEX #F75AB4

RGB 247 90 180

HSL 325.61, 0.91%, 0.66%

LAB 61.98, 68.17, -16.05

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 37 / 95 / 5

HEX #F39A0B

RGB 243 154 11

HSL 36.98, 0.91%, 0.5%

LAB 71, 24.76, 74.32

 

CMYK 95 / 2 / 0 / 5

HEX #0BEFF3

RGB 11 239 243

HSL 181.03, 0.91%, 0.5%

LAB 86.14, -44.38, -15.33

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 40 / 0 / 95 / 5

HEX #92F30B

RGB 146 243 11

HSL 85.09, 0.91%, 0.5%

LAB 87.11, -57.76, 83.09

 

CMYK 95 / 40 / 0 / 5

HEX #0B92F3

RGB 11 146 243

HSL 205.09, 0.91%, 0.5%

LAB 59.07, 3.47, -57.31

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 37 / 95 / 5

HEX #F39A0B

RGB 243 154 11

HSL 36.98, 0.91%, 0.5%

LAB 71, 24.76, 74.32

 

CMYK 95 / 0 / 56 / 5

HEX #0BF36C

RGB 11 243 108

HSL 145.09, 0.91%, 0.5%

LAB 84.61, -75.66, 51.1

 

CMYK 95 / 59 / 0 / 5

HEX #0B64F3

RGB 11 100 243

HSL 216.98, 0.91%, 0.5%

LAB 46.52, 32.17, -77.59

 

CMYK 0 / 95 / 41 / 5

HEX #F30B90

RGB 243 11 144

HSL 325.6, 0.91%, 0.5%

LAB 53.28, 82.55, -8.15

 

CMYK 0 / 8 / 95 / 5

HEX #F3E00B

RGB 243 224 11

HSL 55.09, 0.91%, 0.5%

LAB 88.16, -11.44, 86.62

 

CMYK 95 / 0 / 56 / 5

HEX #0BF36C

RGB 11 243 108

HSL 145.09, 0.91%, 0.5%

LAB 84.61, -75.66, 51.1

 

CMYK 95 / 88 / 0 / 5

HEX #0B1EF3

RGB 11 30 243

HSL 235.09, 0.91%, 0.5%

LAB 32.86, 69.91, -100.17

 

Description

Color code: HEX #F30B90 | qconv.com Color code: HEX #F30B90 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 11 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 11 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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