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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F30B6D it is the complementary color #0CF492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F30B6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F30B6D shade: #F80B68, #FF1D7B, #FF2F8E, #FF41A1 and #FF53B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F30B6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F30B6D shade: #F30B6D, #E2005A, #D10047, #C00034 and #AF0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F30B6D shade: #F30B6D, #F30B2E and #F30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F30B6D shade: #F30B6D, #F30BAC, #F30BEA, #BD0BF3 and #7F0BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F30B6D shade matches the following richer shades: #F30B6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F30B6D shade: #F30B6D, #DE2070, #CA3473, #B54977 and #A15D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F30B6D shade: #F30BEB, #F30BAD, #F30B70, #F30B32 and #F3220B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F30B6D shade: #A4074A, #CC095B, #F30B6D, #F53285 and #F75A9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F30B6D shade: #F30B6D, #F3BD0B and #0BCCF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F30B6D shade: #F30B6D, #70F30B and #0B70F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F30B6D shade: #F30B6D, #F3BD0B, #0BF38E and #0B41F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F30B6D shade: #F30B6D, #E4F30B, #0BF38E and #1A0BF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

Complementary color

CMYK 95 / 0 / 40 / 4

HEX #0CF492

RGB 12 244 146

HSL 154.66, 0.91%, 0.5%

LAB 85.43, -69.86, 33.93

 

CMYK 0 / 96 / 58 / 3

HEX #F80B68

RGB 248 11 104

HSL 336.46, 0.94%, 0.51%

LAB 53.16, 80.69, 15.93

 

CMYK 0 / 89 / 52 / 0

HEX #FF1D7B

RGB 255 29 123

HSL 335.04, 1%, 0.56%

LAB 55.65, 81.58, 8.17

 

CMYK 0 / 82 / 44 / 0

HEX #FF2F8E

RGB 255 47 142

HSL 332.6, 1%, 0.59%

LAB 57.31, 79.77, -0.75

 

CMYK 0 / 75 / 37 / 0

HEX #FF41A1

RGB 255 65 161

HSL 329.68, 1%, 0.63%

LAB 59.54, 76.85, -8.61

 

CMYK 0 / 67 / 29 / 0

HEX #FF53B4

RGB 255 83 180

HSL 326.16, 1%, 0.66%

LAB 62.29, 72.98, -15.46

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 100 / 60 / 11

HEX #E2005A

RGB 226 0 90

HSL 336.11, 1%, 0.44%

LAB 48.14, 75.69, 16.92

 

CMYK 0 / 100 / 66 / 18

HEX #D10047

RGB 209 0 71

HSL 339.62, 1%, 0.41%

LAB 44.25, 70.74, 22.93

 

CMYK 0 / 100 / 73 / 25

HEX #C00034

RGB 192 0 52

HSL 343.75, 1%, 0.38%

LAB 40.34, 65.83, 29.12

 

CMYK 0 / 100 / 81 / 31

HEX #AF0021

RGB 175 0 33

HSL 348.69, 1%, 0.34%

LAB 36.41, 60.97, 35.3

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 95 / 81 / 5

HEX #F30B2E

RGB 243 11 46

HSL 350.95, 0.91%, 0.5%

LAB 51.26, 77.06, 47.5

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 95 / 29 / 5

HEX #F30BAC

RGB 243 11 172

HSL 318.36, 0.91%, 0.5%

LAB 54.32, 85.25, -23.17

 

CMYK 0 / 95 / 4 / 5

HEX #F30BEA

RGB 243 11 234

HSL 302.33, 0.91%, 0.5%

LAB 57.3, 92.8, -54.07

 

CMYK 22 / 95 / 0 / 5

HEX #BD0BF3

RGB 189 11 243

HSL 286.03, 0.91%, 0.5%

LAB 48.92, 86.19, -73.1

 

CMYK 48 / 95 / 0 / 5

HEX #7F0BF3

RGB 127 11 243

HSL 270, 0.91%, 0.5%

LAB 39.95, 79.4, -88.15

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 86 / 50 / 13

HEX #DE2070

RGB 222 32 112

HSL 334.74, 0.75%, 0.5%

LAB 49.17, 72.51, 4.7

 

CMYK 0 / 74 / 43 / 21

HEX #CA3473

RGB 202 52 115

HSL 334.8, 0.59%, 0.5%

LAB 47.3, 62.51, -0.31

 

CMYK 0 / 60 / 34 / 29

HEX #B54977

RGB 181 73 119

HSL 334.44, 0.43%, 0.5%

LAB 46.87, 48.37, -3.8

 

CMYK 0 / 42 / 24 / 37

HEX #A15D7A

RGB 161 93 122

HSL 334.41, 0.27%, 0.5%

LAB 48.02, 31.62, -4.23

 

CMYK 0 / 95 / 3 / 5

HEX #F30BEB

RGB 243 11 235

HSL 302.07, 0.91%, 0.5%

LAB 57.36, 92.94, -54.54

 

CMYK 0 / 95 / 29 / 5

HEX #F30BAD

RGB 243 11 173

HSL 318.1, 0.91%, 0.5%

LAB 54.36, 85.35, -23.69

 

CMYK 0 / 95 / 54 / 5

HEX #F30B70

RGB 243 11 112

HSL 333.88, 0.91%, 0.5%

LAB 52.36, 80.07, 9.8

 

CMYK 0 / 95 / 79 / 5

HEX #F30B32

RGB 243 11 50

HSL 349.91, 0.91%, 0.5%

LAB 51.3, 77.17, 45.37

 

CMYK 0 / 86 / 95 / 5

HEX #F3220B

RGB 243 34 11

HSL 5.95, 0.91%, 0.5%

LAB 52.09, 73.54, 62.6

 

CMYK 0 / 96 / 55 / 36

HEX #A4074A

RGB 164 7 74

HSL 334.39, 0.92%, 0.34%

LAB 35.08, 59.43, 7.01

 

CMYK 0 / 96 / 55 / 20

HEX #CC095B

RGB 204 9 91

HSL 334.77, 0.92%, 0.42%

LAB 43.93, 69.92, 9.78

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 80 / 46 / 4

HEX #F53285

RGB 245 50 133

HSL 334.46, 0.91%, 0.58%

LAB 55.47, 75.87, 1.68

 

CMYK 0 / 64 / 37 / 3

HEX #F75A9C

RGB 247 90 156

HSL 334.78, 0.91%, 0.66%

LAB 61.21, 65.42, -3.38

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 22 / 95 / 5

HEX #F3BD0B

RGB 243 189 11

HSL 46.03, 0.91%, 0.5%

LAB 79.31, 6.38, 80.17

 

CMYK 95 / 16 / 0 / 5

HEX #0BCCF3

RGB 11 204 243

HSL 190.09, 0.91%, 0.5%

LAB 75.9, -28.08, -30.9

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 54 / 0 / 95 / 5

HEX #70F30B

RGB 112 243 11

HSL 93.88, 0.91%, 0.5%

LAB 85.79, -67.87, 81.47

 

CMYK 95 / 54 / 0 / 5

HEX #0B70F3

RGB 11 112 243

HSL 213.88, 0.91%, 0.5%

LAB 49.65, 24.51, -72.48

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 0 / 22 / 95 / 5

HEX #F3BD0B

RGB 243 189 11

HSL 46.03, 0.91%, 0.5%

LAB 79.31, 6.38, 80.17

 

CMYK 95 / 0 / 42 / 5

HEX #0BF38E

RGB 11 243 142

HSL 153.88, 0.91%, 0.5%

LAB 85.06, -70.29, 35.43

 

CMYK 95 / 73 / 0 / 5

HEX #0B41F3

RGB 11 65 243

HSL 226.03, 0.91%, 0.5%

LAB 38.42, 53.67, -90.93

 

CMYK 0 / 95 / 55 / 5

HEX #F30B6D

RGB 243 11 109

HSL 334.66, 0.91%, 0.5%

LAB 52.28, 79.87, 11.52

 

CMYK 6 / 0 / 95 / 5

HEX #E4F30B

RGB 228 243 11

HSL 63.88, 0.91%, 0.5%

LAB 91.96, -26.87, 88.94

 

CMYK 95 / 0 / 42 / 5

HEX #0BF38E

RGB 11 243 142

HSL 153.88, 0.91%, 0.5%

LAB 85.06, -70.29, 35.43

 

CMYK 89 / 95 / 0 / 5

HEX #1A0BF3

RGB 26 11 243

HSL 243.88, 0.91%, 0.5%

LAB 31.65, 74.8, -102.19

 

Description

Color code: HEX #F30B6D | qconv.com Color code: HEX #F30B6D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 11 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 11 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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