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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2DCF4 it is the complementary color #0D230B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2DCF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2DCF4 shade: #F7DCEF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2DCF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2DCF4 shade: #F2DCF4, #E1CAE1, #D0B8CE, #BFA6BB and #AE94A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2DCF4 shade: #F1DCF3, #F3DCEF, #F3DCE9, #F3DCE2 and #F3DCDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2DCF4 shade: #F1DCF3, #EBDCF3, #E5DCF3, #DEDCF3 and #DCDCF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2DCF4 shade matches the following richer shades: #F1DCF3, #F5D8F7 and #F8D4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2DCF4 shade: #F1DCF3, #EEDFF0, #EBE3EC, #E8E7E8 and #E5EAE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2DCF4 shade: #E5DCF3, #EBDCF3, #F1DCF3, #F3DCEF and #F3DCE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2DCF4 shade: #DA9DE0, #E6BCEA, #F1DCF3 and #FDFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2DCF4 shade: #F2DCF4, #F3DEDC and #DCF3E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2DCF4 shade: #F2DCF4, #F3F1DC and #DCF3F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2DCF4 shade: #F2DCF4, #F3DEDC, #DEF3DC and #DCF1F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2DCF4 shade: #F2DCF4, #F3E6DC, #DEF3DC and #DCEAF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 10 / 0 / 4

HEX #F2DCF4

RGB 242 220 244

HSL 295, 0.52%, 0.91%

LAB 90.14, 11.72, -8.94

 

Complementary color

CMYK 63 / 0 / 69 / 86

HEX #0D230B

RGB 13 35 11

HSL 115, 0.52%, 0.09%

LAB 11.36, -15.06, 12.06

 

CMYK 0 / 11 / 3 / 3

HEX #F7DCEF

RGB 247 220 239

HSL 317.78, 0.63%, 0.92%

LAB 90.41, 12.5, -5.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 1 / 10 / 0 / 4

HEX #F2DCF4

RGB 242 220 244

HSL 295, 0.52%, 0.91%

LAB 90.14, 11.72, -8.94

 

CMYK 0 / 10 / 0 / 12

HEX #E1CAE1

RGB 225 202 225

HSL 300, 0.28%, 0.84%

LAB 83.8, 12.05, -8.44

 

CMYK 0 / 12 / 1 / 18

HEX #D0B8CE

RGB 208 184 206

HSL 305, 0.2%, 0.77%

LAB 77.37, 12.41, -7.94

 

CMYK 0 / 13 / 2 / 25

HEX #BFA6BB

RGB 191 166 187

HSL 309.6, 0.16%, 0.7%

LAB 70.83, 12.8, -7.41

 

CMYK 0 / 15 / 3 / 32

HEX #AE94A8

RGB 174 148 168

HSL 313.85, 0.14%, 0.63%

LAB 64.17, 13.23, -6.87

 

CMYK 1 / 9 / 0 / 5

HEX #F1DCF3

RGB 241 220 243

HSL 294.78, 0.49%, 0.91%

LAB 90.03, 11.2, -8.59

 

CMYK 0 / 9 / 2 / 5

HEX #F3DCEF

RGB 243 220 239

HSL 310.43, 0.49%, 0.91%

LAB 90.08, 11.15, -6.39

 

CMYK 0 / 9 / 4 / 5

HEX #F3DCE9

RGB 243 220 233

HSL 326.09, 0.49%, 0.91%

LAB 89.92, 10.1, -3.48

 

CMYK 0 / 9 / 7 / 5

HEX #F3DCE2

RGB 243 220 226

HSL 344.35, 0.49%, 0.91%

LAB 89.73, 8.9, -0.07

 

CMYK 0 / 9 / 9 / 5

HEX #F3DCDC

RGB 243 220 220

HSL 0, 0.49%, 0.91%

LAB 89.58, 7.91, 2.87

 

CMYK 1 / 9 / 0 / 5

HEX #F1DCF3

RGB 241 220 243

HSL 294.78, 0.49%, 0.91%

LAB 90.03, 11.2, -8.59

 

CMYK 3 / 9 / 0 / 5

HEX #EBDCF3

RGB 235 220 243

HSL 279.13, 0.49%, 0.91%

LAB 89.54, 9.22, -9.36

 

CMYK 6 / 9 / 0 / 5

HEX #E5DCF3

RGB 229 220 243

HSL 263.48, 0.49%, 0.91%

LAB 89.07, 7.26, -10.11

 

CMYK 9 / 9 / 0 / 5

HEX #DEDCF3

RGB 222 220 243

HSL 245.22, 0.49%, 0.91%

LAB 88.54, 4.98, -10.96

 

CMYK 9 / 9 / 0 / 5

HEX #DCDCF3

RGB 220 220 243

HSL 240, 0.49%, 0.91%

LAB 88.39, 4.34, -11.2

 

CMYK 1 / 9 / 0 / 5

HEX #F1DCF3

RGB 241 220 243

HSL 294.78, 0.49%, 0.91%

LAB 90.03, 11.2, -8.59

 

CMYK 1 / 13 / 0 / 3

HEX #F5D8F7

RGB 245 216 247

HSL 296.13, 0.66%, 0.91%

LAB 89.51, 15.35, -11.43

 

CMYK 1 / 16 / 0 / 2

HEX #F8D4FB

RGB 248 212 251

HSL 295.38, 0.83%, 0.91%

LAB 88.93, 19.16, -14.37

 

CMYK 1 / 9 / 0 / 5

HEX #F1DCF3

RGB 241 220 243

HSL 294.78, 0.49%, 0.91%

LAB 90.03, 11.2, -8.59

 

CMYK 1 / 7 / 0 / 6

HEX #EEDFF0

RGB 238 223 240

HSL 292.94, 0.36%, 0.91%

LAB 90.43, 8.1, -6.44

 

CMYK 0 / 4 / 0 / 7

HEX #EBE3EC

RGB 235 227 236

HSL 293.33, 0.19%, 0.91%

LAB 91.08, 4.3, -3.42

 

CMYK 0 / 0 / 0 / 9

HEX #E8E7E8

RGB 232 231 232

HSL 300, 0.02%, 0.91%

LAB 91.74, 0.52, -0.38

 

CMYK 2 / 0 / 2 / 8

HEX #E5EAE5

RGB 229 234 229

HSL 120, 0.11%, 0.91%

LAB 92.2, -2.56, 1.83

 

CMYK 6 / 9 / 0 / 5

HEX #E5DCF3

RGB 229 220 243

HSL 263.48, 0.49%, 0.91%

LAB 89.07, 7.26, -10.11

 

CMYK 3 / 9 / 0 / 5

HEX #EBDCF3

RGB 235 220 243

HSL 279.13, 0.49%, 0.91%

LAB 89.54, 9.22, -9.36

 

CMYK 1 / 9 / 0 / 5

HEX #F1DCF3

RGB 241 220 243

HSL 294.78, 0.49%, 0.91%

LAB 90.03, 11.2, -8.59

 

CMYK 0 / 9 / 2 / 5

HEX #F3DCEF

RGB 243 220 239

HSL 310.43, 0.49%, 0.91%

LAB 90.08, 11.15, -6.39

 

CMYK 0 / 9 / 4 / 5

HEX #F3DCE9

RGB 243 220 233

HSL 326.09, 0.49%, 0.91%

LAB 89.92, 10.1, -3.48

 

CMYK 3 / 30 / 0 / 12

HEX #DA9DE0

RGB 218 157 224

HSL 294.63, 0.52%, 0.75%

LAB 72.5, 33.75, -25.01

 

CMYK 2 / 20 / 0 / 8

HEX #E6BCEA

RGB 230 188 234

HSL 294.78, 0.52%, 0.83%

LAB 81.14, 22.85, -17.19

 

CMYK 1 / 9 / 0 / 5

HEX #F1DCF3

RGB 241 220 243

HSL 294.78, 0.49%, 0.91%

LAB 90.03, 11.2, -8.59

 

CMYK 0 / 1 / 0 / 1

HEX #FDFBFD

RGB 253 251 253

HSL 300, 0.33%, 0.99%

LAB 98.82, 1.02, -0.73

 

CMYK 1 / 10 / 0 / 4

HEX #F2DCF4

RGB 242 220 244

HSL 295, 0.52%, 0.91%

LAB 90.14, 11.72, -8.94

 

CMYK 0 / 9 / 9 / 5

HEX #F3DEDC

RGB 243 222 220

HSL 5.22, 0.49%, 0.91%

LAB 90.07, 6.87, 3.58

 

CMYK 9 / 0 / 5 / 5

HEX #DCF3E8

RGB 220 243 232

HSL 151.3, 0.49%, 0.91%

LAB 93.94, -9.55, 2.72

 

CMYK 1 / 10 / 0 / 4

HEX #F2DCF4

RGB 242 220 244

HSL 295, 0.52%, 0.91%

LAB 90.14, 11.72, -8.94

 

CMYK 0 / 1 / 9 / 5

HEX #F3F1DC

RGB 243 241 220

HSL 54.78, 0.49%, 0.91%

LAB 94.79, -2.86, 10.37

 

CMYK 9 / 0 / 1 / 5

HEX #DCF3F1

RGB 220 243 241

HSL 174.78, 0.49%, 0.91%

LAB 94.17, -7.87, -1.61

 

CMYK 1 / 10 / 0 / 4

HEX #F2DCF4

RGB 242 220 244

HSL 295, 0.52%, 0.91%

LAB 90.14, 11.72, -8.94

 

CMYK 0 / 9 / 9 / 5

HEX #F3DEDC

RGB 243 222 220

HSL 5.22, 0.49%, 0.91%

LAB 90.07, 6.87, 3.58

 

CMYK 9 / 0 / 9 / 5

HEX #DEF3DC

RGB 222 243 220

HSL 114.78, 0.49%, 0.91%

LAB 93.8, -11.03, 8.74

 

CMYK 9 / 1 / 0 / 5

HEX #DCF1F3

RGB 220 241 243

HSL 185.22, 0.49%, 0.91%

LAB 93.71, -6.48, -3.33

 

CMYK 1 / 10 / 0 / 4

HEX #F2DCF4

RGB 242 220 244

HSL 295, 0.52%, 0.91%

LAB 90.14, 11.72, -8.94

 

CMYK 0 / 5 / 9 / 5

HEX #F3E6DC

RGB 243 230 220

HSL 26.09, 0.49%, 0.91%

LAB 92.05, 2.74, 6.43

 

CMYK 9 / 0 / 9 / 5

HEX #DEF3DC

RGB 222 243 220

HSL 114.78, 0.49%, 0.91%

LAB 93.8, -11.03, 8.74

 

CMYK 9 / 4 / 0 / 5

HEX #DCEAF3

RGB 220 234 243

HSL 203.48, 0.49%, 0.91%

LAB 91.92, -2.91, -5.96

 

Description

Color code: HEX #F2DCF4 | qconv.com Color code: HEX #F2DCF4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 220 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 220 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 10 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 10% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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