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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2D74E it is the complementary color #0D28B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2D74E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2D74E shade: #F7D749, #FFE95C, #FFFB6F, #FFFF82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2D74E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2D74E shade: #F2D74E, #E1C53B, #D0B328, #BFA115 and #AE8F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2D74E shade: #F1D74F, #F1AB4F, #F17F4F, #F1534F and #F14F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2D74E shade: #F1D74F, #E0F14F, #B4F14F, #89F14F and #5DF14F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2D74E shade matches the following richer shades: #F1D74F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2D74E shade: #F1D74F, #E2CC5E, #D3C26E, #C3B87D and #B4AE8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2D74E shade: #F1804F, #F1AB4F, #F1D64F, #E1F14F and #B6F14F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2D74E shade: #DEBC10, #EECE29, #F1D74F, #F4DF75 and #F7E89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2D74E shade: #F2D74E, #4FF154 and #954FF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2D74E shade: #F2D74E, #4FF1D6 and #D64FF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2D74E shade: #F2D74E, #4FF154, #4F6AF1 and #F14FEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2D74E shade: #F2D74E, #4FF185, #4F6AF1 and #F14FBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 68 / 5

HEX #F2D74E

RGB 242 215 78

HSL 50.12, 0.86%, 0.63%

LAB 86.02, -5.43, 68.09

 

Complementary color

CMYK 93 / 77 / 0 / 31

HEX #0D28B1

RGB 13 40 177

HSL 230.12, 0.86%, 0.37%

LAB 26.09, 45.29, -73.08

 

CMYK 0 / 13 / 70 / 3

HEX #F7D749

RGB 247 215 73

HSL 48.97, 0.92%, 0.63%

LAB 86.43, -3.59, 70.57

 

CMYK 0 / 9 / 64 / 0

HEX #FFE95C

RGB 255 233 92

HSL 51.9, 1%, 0.68%

LAB 91.82, -8.31, 68.87

 

CMYK 0 / 2 / 56 / 0

HEX #FFFB6F

RGB 255 251 111

HSL 58.33, 1%, 0.72%

LAB 96.58, -15.91, 66.1

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 11 / 68 / 5

HEX #F2D74E

RGB 242 215 78

HSL 50.12, 0.86%, 0.63%

LAB 86.02, -5.43, 68.09

 

CMYK 0 / 12 / 74 / 12

HEX #E1C53B

RGB 225 197 59

HSL 49.88, 0.73%, 0.56%

LAB 79.76, -4.32, 68.51

 

CMYK 0 / 14 / 81 / 18

HEX #D0B328

RGB 208 179 40

HSL 49.64, 0.68%, 0.49%

LAB 73.42, -3.03, 68.33

 

CMYK 0 / 16 / 89 / 25

HEX #BFA115

RGB 191 161 21

HSL 49.41, 0.8%, 0.42%

LAB 66.99, -1.52, 67.12

 

CMYK 0 / 18 / 99 / 32

HEX #AE8F02

RGB 174 143 2

HSL 49.19, 0.98%, 0.35%

LAB 60.47, 0.24, 64.54

 

CMYK 0 / 11 / 67 / 5

HEX #F1D74F

RGB 241 215 79

HSL 50.37, 0.85%, 0.63%

LAB 85.94, -5.79, 67.58

 

CMYK 0 / 29 / 67 / 5

HEX #F1AB4F

RGB 241 171 79

HSL 34.07, 0.85%, 0.63%

LAB 75.07, 17.05, 56.11

 

CMYK 0 / 47 / 67 / 5

HEX #F17F4F

RGB 241 127 79

HSL 17.78, 0.85%, 0.63%

LAB 65.31, 40, 45.22

 

CMYK 0 / 66 / 67 / 5

HEX #F1534F

RGB 241 83 79

HSL 1.48, 0.85%, 0.63%

LAB 57.51, 60.25, 36.03

 

CMYK 0 / 67 / 67 / 5

HEX #F14F4F

RGB 241 79 79

HSL 0, 0.85%, 0.63%

LAB 56.94, 61.82, 35.33

 

CMYK 0 / 11 / 67 / 5

HEX #F1D74F

RGB 241 215 79

HSL 50.37, 0.85%, 0.63%

LAB 85.94, -5.79, 67.58

 

CMYK 7 / 0 / 67 / 5

HEX #E0F14F

RGB 224 241 79

HSL 66.3, 0.85%, 0.63%

LAB 91.38, -25.5, 72.68

 

CMYK 25 / 0 / 67 / 5

HEX #B4F14F

RGB 180 241 79

HSL 82.59, 0.85%, 0.63%

LAB 88.53, -42.45, 68.86

 

CMYK 43 / 0 / 67 / 5

HEX #89F14F

RGB 137 241 79

HSL 98.52, 0.85%, 0.63%

LAB 86.4, -57.01, 65.98

 

CMYK 61 / 0 / 67 / 5

HEX #5DF14F

RGB 93 241 79

HSL 114.81, 0.85%, 0.63%

LAB 84.9, -68.56, 63.93

 

CMYK 0 / 11 / 67 / 5

HEX #F1D74F

RGB 241 215 79

HSL 50.37, 0.85%, 0.63%

LAB 85.94, -5.79, 67.58

 

CMYK 0 / 11 / 67 / 5

HEX #F1D74F

RGB 241 215 79

HSL 50.37, 0.85%, 0.63%

LAB 85.94, -5.79, 67.58

 

CMYK 0 / 10 / 58 / 11

HEX #E2CC5E

RGB 226 204 94

HSL 50, 0.69%, 0.63%

LAB 81.93, -5.5, 56.48

 

CMYK 0 / 8 / 48 / 17

HEX #D3C26E

RGB 211 194 110

HSL 49.9, 0.53%, 0.63%

LAB 78.2, -5.21, 44.16

 

CMYK 0 / 6 / 36 / 24

HEX #C3B87D

RGB 195 184 125

HSL 50.57, 0.37%, 0.63%

LAB 74.42, -4.88, 31.41

 

CMYK 0 / 3 / 22 / 29

HEX #B4AE8C

RGB 180 174 140

HSL 51, 0.21%, 0.63%

LAB 70.78, -3.49, 18.26

 

CMYK 0 / 47 / 67 / 5

HEX #F1804F

RGB 241 128 79

HSL 18.15, 0.85%, 0.63%

LAB 65.52, 39.5, 45.46

 

CMYK 0 / 29 / 67 / 5

HEX #F1AB4F

RGB 241 171 79

HSL 34.07, 0.85%, 0.63%

LAB 75.07, 17.05, 56.11

 

CMYK 0 / 11 / 67 / 5

HEX #F1D64F

RGB 241 214 79

HSL 50, 0.85%, 0.63%

LAB 85.68, -5.29, 67.32

 

CMYK 7 / 0 / 67 / 5

HEX #E1F14F

RGB 225 241 79

HSL 65.93, 0.85%, 0.63%

LAB 91.45, -25.1, 72.78

 

CMYK 24 / 0 / 67 / 5

HEX #B6F14F

RGB 182 241 79

HSL 81.85, 0.85%, 0.63%

LAB 88.65, -41.72, 69.02

 

CMYK 0 / 15 / 93 / 13

HEX #DEBC10

RGB 222 188 16

HSL 50.1, 0.87%, 0.47%

LAB 77, -2.14, 76.94

 

CMYK 0 / 13 / 83 / 7

HEX #EECE29

RGB 238 206 41

HSL 50.25, 0.85%, 0.55%

LAB 83.17, -4.01, 77.51

 

CMYK 0 / 11 / 67 / 5

HEX #F1D74F

RGB 241 215 79

HSL 50.37, 0.85%, 0.63%

LAB 85.94, -5.79, 67.58

 

CMYK 0 / 9 / 52 / 4

HEX #F4DF75

RGB 244 223 117

HSL 50.08, 0.85%, 0.71%

LAB 88.59, -6.02, 53.98

 

CMYK 0 / 6 / 37 / 3

HEX #F7E89C

RGB 247 232 156

HSL 50.11, 0.85%, 0.79%

LAB 91.63, -5.6, 38.83

 

CMYK 0 / 11 / 68 / 5

HEX #F2D74E

RGB 242 215 78

HSL 50.12, 0.86%, 0.63%

LAB 86.02, -5.43, 68.09

 

CMYK 67 / 0 / 65 / 5

HEX #4FF154

RGB 79 241 84

HSL 121.85, 0.85%, 0.63%

LAB 84.59, -70.89, 61.55

 

CMYK 38 / 67 / 0 / 5

HEX #954FF1

RGB 149 79 241

HSL 265.93, 0.85%, 0.63%

LAB 49.9, 60.39, -70.63

 

CMYK 0 / 11 / 68 / 5

HEX #F2D74E

RGB 242 215 78

HSL 50.12, 0.86%, 0.63%

LAB 86.02, -5.43, 68.09

 

CMYK 67 / 0 / 11 / 5

HEX #4FF1D6

RGB 79 241 214

HSL 170, 0.85%, 0.63%

LAB 86.72, -47.86, 0.82

 

CMYK 11 / 67 / 0 / 5

HEX #D64FF1

RGB 214 79 241

HSL 290, 0.85%, 0.63%

LAB 58.26, 73.61, -56.72

 

CMYK 0 / 11 / 68 / 5

HEX #F2D74E

RGB 242 215 78

HSL 50.12, 0.86%, 0.63%

LAB 86.02, -5.43, 68.09

 

CMYK 67 / 0 / 65 / 5

HEX #4FF154

RGB 79 241 84

HSL 121.85, 0.85%, 0.63%

LAB 84.59, -70.89, 61.55

 

CMYK 67 / 56 / 0 / 5

HEX #4F6AF1

RGB 79 106 241

HSL 230, 0.85%, 0.63%

LAB 49.88, 33.17, -70.91

 

CMYK 0 / 67 / 2 / 5

HEX #F14FEC

RGB 241 79 236

HSL 301.85, 0.85%, 0.63%

LAB 61.95, 78.65, -47.82

 

CMYK 0 / 11 / 68 / 5

HEX #F2D74E

RGB 242 215 78

HSL 50.12, 0.86%, 0.63%

LAB 86.02, -5.43, 68.09

 

CMYK 67 / 0 / 45 / 5

HEX #4FF185

RGB 79 241 133

HSL 140, 0.85%, 0.63%

LAB 85.13, -64.64, 40.12

 

CMYK 67 / 56 / 0 / 5

HEX #4F6AF1

RGB 79 106 241

HSL 230, 0.85%, 0.63%

LAB 49.88, 33.17, -70.91

 

CMYK 0 / 67 / 22 / 5

HEX #F14FBB

RGB 241 79 187

HSL 320, 0.85%, 0.63%

LAB 59.78, 71.65, -23.5

 

Description

Color code: HEX #F2D74E | qconv.com Color code: HEX #F2D74E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 215 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 215 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 68 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 68% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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