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Color name
HEX #F2BE97

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2BE97 it is the complementary color #0D4168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2BE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2BE97 shade: #F7BE92, #FFD0A5, #FFE2B8, #FFF4CB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2BE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2BE97 shade: #F2BE97, #E1AC84, #D09A71, #BF885E and #AE764B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2BE97 shade: #F2BD96, #F2A596 and #F29696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2BE97 shade: #F2BD96, #F2D696, #F2EF96, #DCF296 and #C3F296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2BE97 shade matches the following richer shades: #F2BD96 and #FBBC8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2BE97 shade: #F2BD96, #E8BFA0, #DFC0A9, #D5C1B3 and #CCC3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2BE97 shade: #F296A1, #F2A496, #F2BC96, #F2D596 and #F2ED96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2BE97 shade: #E98F4D, #EDA671, #F2BD96, #F6D4BB and #FBEBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2BE97 shade: #F2BE97, #B9F296 and #9896F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2BE97 shade: #F2BE97, #96F2BC and #BC96F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2BE97 shade: #F2BE97, #B9F296, #96CBF2 and #CF96F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2BE97 shade: #F2BE97, #9EF296, #96CBF2 and #EA96F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 38 / 5

HEX #F2BE97

RGB 242 190 151

HSL 25.71, 0.78%, 0.77%

LAB 80.7, 13.55, 26.83

 

Complementary color

CMYK 88 / 38 / 0 / 59

HEX #0D4168

RGB 13 65 104

HSL 205.71, 0.78%, 0.23%

LAB 26.35, -0.92, -27.44

 

CMYK 0 / 23 / 41 / 3

HEX #F7BE92

RGB 247 190 146

HSL 26.14, 0.86%, 0.77%

LAB 81.11, 14.95, 30.1

 

CMYK 0 / 18 / 35 / 0

HEX #FFD0A5

RGB 255 208 165

HSL 28.67, 1%, 0.82%

LAB 86.55, 10.78, 27.6

 

CMYK 0 / 11 / 28 / 0

HEX #FFE2B8

RGB 255 226 184

HSL 35.49, 1%, 0.86%

LAB 91.29, 3.85, 24.21

 

CMYK 0 / 4 / 20 / 0

HEX #FFF4CB

RGB 255 244 203

HSL 47.31, 1%, 0.9%

LAB 96.11, -2.7, 21.11

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 21 / 38 / 5

HEX #F2BE97

RGB 242 190 151

HSL 25.71, 0.78%, 0.77%

LAB 80.7, 13.55, 26.83

 

CMYK 0 / 24 / 41 / 12

HEX #E1AC84

RGB 225 172 132

HSL 25.81, 0.61%, 0.7%

LAB 74.3, 14.3, 28.06

 

CMYK 0 / 26 / 46 / 18

HEX #D09A71

RGB 208 154 113

HSL 25.89, 0.5%, 0.63%

LAB 67.81, 15.15, 29.38

 

CMYK 0 / 29 / 51 / 25

HEX #BF885E

RGB 191 136 94

HSL 25.98, 0.43%, 0.56%

LAB 61.21, 16.14, 30.81

 

CMYK 0 / 32 / 57 / 32

HEX #AE764B

RGB 174 118 75

HSL 26.06, 0.4%, 0.49%

LAB 54.52, 17.28, 32.36

 

CMYK 0 / 22 / 38 / 5

HEX #F2BD96

RGB 242 189 150

HSL 25.43, 0.78%, 0.77%

LAB 80.45, 13.97, 27.01

 

CMYK 0 / 32 / 38 / 5

HEX #F2A596

RGB 242 165 150

HSL 9.78, 0.78%, 0.77%

LAB 74.82, 26.65, 19.33

 

CMYK 0 / 38 / 38 / 5

HEX #F29696

RGB 242 150 150

HSL 0, 0.78%, 0.77%

LAB 71.48, 34.54, 14.7

 

CMYK 0 / 22 / 38 / 5

HEX #F2BD96

RGB 242 189 150

HSL 25.43, 0.78%, 0.77%

LAB 80.45, 13.97, 27.01

 

CMYK 0 / 12 / 38 / 5

HEX #F2D696

RGB 242 214 150

HSL 41.74, 0.78%, 0.77%

LAB 86.59, 0.95, 35.19

 

CMYK 0 / 1 / 38 / 5

HEX #F2EF96

RGB 242 239 150

HSL 58.04, 0.78%, 0.77%

LAB 92.93, -11.66, 43.4

 

CMYK 9 / 0 / 38 / 5

HEX #DCF296

RGB 220 242 150

HSL 74.35, 0.78%, 0.77%

LAB 92.1, -21.45, 42

 

CMYK 19 / 0 / 38 / 5

HEX #C3F296

RGB 195 242 150

HSL 90.65, 0.78%, 0.77%

LAB 90.46, -30.54, 39.57

 

CMYK 0 / 22 / 38 / 5

HEX #F2BD96

RGB 242 189 150

HSL 25.43, 0.78%, 0.77%

LAB 80.45, 13.97, 27.01

 

CMYK 0 / 25 / 44 / 2

HEX #FBBC8D

RGB 251 188 141

HSL 25.64, 0.93%, 0.77%

LAB 80.96, 17.04, 32.59

 

CMYK 0 / 22 / 38 / 5

HEX #F2BD96

RGB 242 189 150

HSL 25.43, 0.78%, 0.77%

LAB 80.45, 13.97, 27.01

 

CMYK 0 / 18 / 31 / 9

HEX #E8BFA0

RGB 232 191 160

HSL 25.83, 0.61%, 0.77%

LAB 80.15, 10.26, 21.15

 

CMYK 0 / 14 / 24 / 13

HEX #DFC0A9

RGB 223 192 169

HSL 25.56, 0.46%, 0.77%

LAB 79.76, 7.52, 15.66

 

CMYK 0 / 9 / 16 / 16

HEX #D5C1B3

RGB 213 193 179

HSL 24.71, 0.29%, 0.77%

LAB 79.35, 4.76, 9.6

 

CMYK 0 / 4 / 8 / 20

HEX #CCC3BC

RGB 204 195 188

HSL 26.25, 0.14%, 0.77%

LAB 79.33, 1.92, 4.62

 

CMYK 0 / 38 / 33 / 5

HEX #F296A1

RGB 242 150 161

HSL 352.83, 0.78%, 0.77%

LAB 71.73, 35.85, 8.96

 

CMYK 0 / 32 / 38 / 5

HEX #F2A496

RGB 242 164 150

HSL 9.13, 0.78%, 0.77%

LAB 74.59, 27.18, 19.02

 

CMYK 0 / 22 / 38 / 5

HEX #F2BC96

RGB 242 188 150

HSL 24.78, 0.78%, 0.77%

LAB 80.21, 14.49, 26.69

 

CMYK 0 / 12 / 38 / 5

HEX #F2D596

RGB 242 213 150

HSL 41.09, 0.78%, 0.77%

LAB 86.34, 1.46, 34.86

 

CMYK 0 / 2 / 38 / 5

HEX #F2ED96

RGB 242 237 150

HSL 56.74, 0.78%, 0.77%

LAB 92.42, -10.67, 42.74

 

CMYK 0 / 39 / 67 / 9

HEX #E98F4D

RGB 233 143 77

HSL 25.38, 0.78%, 0.61%

LAB 67.65, 28.45, 48.61

 

CMYK 0 / 30 / 52 / 7

HEX #EDA671

RGB 237 166 113

HSL 25.65, 0.78%, 0.69%

LAB 73.85, 20.45, 37.77

 

CMYK 0 / 22 / 38 / 5

HEX #F2BD96

RGB 242 189 150

HSL 25.43, 0.78%, 0.77%

LAB 80.45, 13.97, 27.01

 

CMYK 0 / 14 / 24 / 4

HEX #F6D4BB

RGB 246 212 187

HSL 25.42, 0.77%, 0.85%

LAB 87.13, 8.13, 16.75

 

CMYK 0 / 6 / 11 / 2

HEX #FBEBE0

RGB 251 235 224

HSL 24.44, 0.77%, 0.93%

LAB 94.02, 3.61, 7.27

 

CMYK 0 / 21 / 38 / 5

HEX #F2BE97

RGB 242 190 151

HSL 25.71, 0.78%, 0.77%

LAB 80.7, 13.55, 26.83

 

CMYK 24 / 0 / 38 / 5

HEX #B9F296

RGB 185 242 150

HSL 97.17, 0.78%, 0.77%

LAB 89.87, -34.03, 38.69

 

CMYK 37 / 38 / 0 / 5

HEX #9896F2

RGB 152 150 242

HSL 241.3, 0.78%, 0.77%

LAB 65.67, 22.3, -45.94

 

CMYK 0 / 21 / 38 / 5

HEX #F2BE97

RGB 242 190 151

HSL 25.71, 0.78%, 0.77%

LAB 80.7, 13.55, 26.83

 

CMYK 38 / 0 / 22 / 5

HEX #96F2BC

RGB 150 242 188

HSL 144.78, 0.78%, 0.77%

LAB 88.74, -38.88, 17.56

 

CMYK 22 / 38 / 0 / 5

HEX #BC96F2

RGB 188 150 242

HSL 264.78, 0.78%, 0.77%

LAB 68.69, 32.22, -40.99

 

CMYK 0 / 21 / 38 / 5

HEX #F2BE97

RGB 242 190 151

HSL 25.71, 0.78%, 0.77%

LAB 80.7, 13.55, 26.83

 

CMYK 24 / 0 / 38 / 5

HEX #B9F296

RGB 185 242 150

HSL 97.17, 0.78%, 0.77%

LAB 89.87, -34.03, 38.69

 

CMYK 38 / 16 / 0 / 5

HEX #96CBF2

RGB 150 203 242

HSL 205.43, 0.78%, 0.77%

LAB 79.39, -7.64, -24.68

 

CMYK 14 / 38 / 0 / 5

HEX #CF96F2

RGB 207 150 242

HSL 277.17, 0.78%, 0.77%

LAB 70.52, 37.76, -38

 

CMYK 0 / 21 / 38 / 5

HEX #F2BE97

RGB 242 190 151

HSL 25.71, 0.78%, 0.77%

LAB 80.7, 13.55, 26.83

 

CMYK 35 / 0 / 38 / 5

HEX #9EF296

RGB 158 242 150

HSL 114.78, 0.78%, 0.77%

LAB 88.44, -42.91, 36.54

 

CMYK 38 / 16 / 0 / 5

HEX #96CBF2

RGB 150 203 242

HSL 205.43, 0.78%, 0.77%

LAB 79.39, -7.64, -24.68

 

CMYK 3 / 38 / 0 / 5

HEX #EA96F2

RGB 234 150 242

HSL 294.78, 0.78%, 0.77%

LAB 73.36, 45.79, -33.36

 

Description

Color code: HEX #F2BE97 | qconv.com Color code: HEX #F2BE97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 190 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 190 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 38% 5% C M Y K

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Provide designers and agencies with accurate color values.

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