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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2BD87 it is the complementary color #0D4278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2BD87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2BD87 shade: #F7BD82, #FFCF95, #FFE1A8, #FFF3BB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2BD87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2BD87 shade: #F2BD87, #E1AB74, #D09961, #BF874E and #AE753B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2BD87 shade: #F1BD87, #F1A087 and #F18787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2BD87 shade: #F1BD87, #F1D987, #EDF187, #D0F187 and #B3F187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2BD87 shade matches the following richer shades: #F1BD87 and #FCBD7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2BD87 shade: #F1BD87, #E7BD92, #DCBC9D, #D1BCA7 and #C6BCB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2BD87 shade: #F1878B, #F1A087, #F1BC87, #F1D887 and #EEF187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2BD87 shade: #E9943D, #EDA862, #F1BD87, #F5D1AC and #F9E6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2BD87 shade: #F2BD87, #A7F187 and #9287F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2BD87 shade: #F2BD87, #87F1BC and #BC87F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2BD87 shade: #F2BD87, #A7F187, #87BCF1 and #D187F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2BD87 shade: #F2BD87, #87F187, #87BCF1 and #F187F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 44 / 5

HEX #F2BD87

RGB 242 189 135

HSL 30.28, 0.8%, 0.74%

LAB 80.19, 12.36, 34.55

 

Complementary color

CMYK 89 / 45 / 0 / 53

HEX #0D4278

RGB 13 66 120

HSL 210.28, 0.8%, 0.26%

LAB 27.68, 5.18, -35.49

 

CMYK 0 / 23 / 47 / 3

HEX #F7BD82

RGB 247 189 130

HSL 30.26, 0.88%, 0.74%

LAB 80.62, 13.85, 37.78

 

CMYK 0 / 19 / 42 / 0

HEX #FFCF95

RGB 255 207 149

HSL 32.83, 1%, 0.79%

LAB 86.03, 9.52, 35.19

 

CMYK 0 / 12 / 34 / 0

HEX #FFE1A8

RGB 255 225 168

HSL 39.31, 1%, 0.83%

LAB 90.75, 2.38, 31.71

 

CMYK 0 / 5 / 27 / 0

HEX #FFF3BB

RGB 255 243 187

HSL 49.41, 1%, 0.87%

LAB 95.56, -4.37, 28.51

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 22 / 44 / 5

HEX #F2BD87

RGB 242 189 135

HSL 30.28, 0.8%, 0.74%

LAB 80.19, 12.36, 34.55

 

CMYK 0 / 24 / 48 / 12

HEX #E1AB74

RGB 225 171 116

HSL 30.28, 0.64%, 0.67%

LAB 73.8, 13.21, 35.88

 

CMYK 0 / 26 / 53 / 18

HEX #D09961

RGB 208 153 97

HSL 30.27, 0.54%, 0.6%

LAB 67.32, 14.19, 37.29

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 33 / 66 / 32

HEX #AE753B

RGB 174 117 59

HSL 30.26, 0.49%, 0.46%

LAB 54.07, 16.66, 40.33

 

CMYK 0 / 22 / 44 / 5

HEX #F1BD87

RGB 241 189 135

HSL 30.57, 0.79%, 0.74%

LAB 80.09, 11.96, 34.4

 

CMYK 0 / 34 / 44 / 5

HEX #F1A087

RGB 241 160 135

HSL 14.15, 0.79%, 0.74%

LAB 73.28, 27.28, 25.37

 

CMYK 0 / 44 / 44 / 5

HEX #F18787

RGB 241 135 135

HSL 0, 0.79%, 0.74%

LAB 67.86, 40.32, 17.98

 

CMYK 0 / 22 / 44 / 5

HEX #F1BD87

RGB 241 189 135

HSL 30.57, 0.79%, 0.74%

LAB 80.09, 11.96, 34.4

 

CMYK 0 / 10 / 44 / 5

HEX #F1D987

RGB 241 217 135

HSL 46.42, 0.79%, 0.74%

LAB 87.03, -2.56, 43.31

 

CMYK 2 / 0 / 44 / 5

HEX #EDF187

RGB 237 241 135

HSL 62.26, 0.79%, 0.74%

LAB 92.87, -16.11, 50.51

 

CMYK 14 / 0 / 44 / 5

HEX #D0F187

RGB 208 241 135

HSL 78.68, 0.79%, 0.74%

LAB 90.81, -27.13, 47.51

 

CMYK 26 / 0 / 44 / 5

HEX #B3F187

RGB 179 241 135

HSL 95.09, 0.79%, 0.74%

LAB 89.04, -37.56, 44.9

 

CMYK 0 / 22 / 44 / 5

HEX #F1BD87

RGB 241 189 135

HSL 30.57, 0.79%, 0.74%

LAB 80.09, 11.96, 34.4

 

CMYK 0 / 25 / 51 / 1

HEX #FCBD7C

RGB 252 189 124

HSL 30.47, 0.96%, 0.74%

LAB 81.04, 15.3, 41.5

 

CMYK 0 / 22 / 44 / 5

HEX #F1BD87

RGB 241 189 135

HSL 30.57, 0.79%, 0.74%

LAB 80.09, 11.96, 34.4

 

CMYK 0 / 18 / 37 / 9

HEX #E7BD92

RGB 231 189 146

HSL 30.35, 0.64%, 0.74%

LAB 79.31, 9.22, 27.41

 

CMYK 0 / 15 / 29 / 14

HEX #DCBC9D

RGB 220 188 157

HSL 29.52, 0.47%, 0.74%

LAB 78.24, 6.85, 19.93

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 0 / 5 / 10 / 22

HEX #C6BCB2

RGB 198 188 178

HSL 30, 0.15%, 0.74%

LAB 76.79, 1.79, 6.3

 

CMYK 0 / 44 / 42 / 5

HEX #F1878B

RGB 241 135 139

HSL 357.74, 0.79%, 0.74%

LAB 67.94, 40.73, 15.86

 

CMYK 0 / 34 / 44 / 5

HEX #F1A087

RGB 241 160 135

HSL 14.15, 0.79%, 0.74%

LAB 73.28, 27.28, 25.37

 

CMYK 0 / 22 / 44 / 5

HEX #F1BC87

RGB 241 188 135

HSL 30, 0.79%, 0.74%

LAB 79.85, 12.49, 34.08

 

CMYK 0 / 10 / 44 / 5

HEX #F1D887

RGB 241 216 135

HSL 45.85, 0.79%, 0.74%

LAB 86.78, -2.05, 42.99

 

CMYK 1 / 0 / 44 / 5

HEX #EEF187

RGB 238 241 135

HSL 61.7, 0.79%, 0.74%

LAB 92.94, -15.72, 50.62

 

CMYK 0 / 36 / 74 / 9

HEX #E9943D

RGB 233 148 61

HSL 30.35, 0.8%, 0.58%

LAB 68.64, 25, 57.1

 

CMYK 0 / 29 / 59 / 7

HEX #EDA862

RGB 237 168 98

HSL 30.22, 0.79%, 0.66%

LAB 74.12, 18.2, 45.79

 

CMYK 0 / 22 / 44 / 5

HEX #F1BD87

RGB 241 189 135

HSL 30.57, 0.79%, 0.74%

LAB 80.09, 11.96, 34.4

 

CMYK 0 / 15 / 30 / 4

HEX #F5D1AC

RGB 245 209 172

HSL 30.41, 0.78%, 0.82%

LAB 86, 7.31, 23.05

 

CMYK 0 / 8 / 16 / 2

HEX #F9E6D1

RGB 249 230 209

HSL 31.5, 0.77%, 0.9%

LAB 92.28, 3.13, 12.56

 

CMYK 0 / 22 / 44 / 5

HEX #F2BD87

RGB 242 189 135

HSL 30.28, 0.8%, 0.74%

LAB 80.19, 12.36, 34.55

 

CMYK 31 / 0 / 44 / 5

HEX #A7F187

RGB 167 241 135

HSL 101.89, 0.79%, 0.74%

LAB 88.39, -41.63, 43.95

 

CMYK 39 / 44 / 0 / 5

HEX #9287F1

RGB 146 135 241

HSL 246.23, 0.79%, 0.74%

LAB 61.47, 29.15, -52.05

 

CMYK 0 / 22 / 44 / 5

HEX #F2BD87

RGB 242 189 135

HSL 30.28, 0.8%, 0.74%

LAB 80.19, 12.36, 34.55

 

CMYK 44 / 0 / 22 / 5

HEX #87F1BC

RGB 135 241 188

HSL 150, 0.79%, 0.74%

LAB 87.82, -42.47, 16.18

 

CMYK 22 / 44 / 0 / 5

HEX #BC87F1

RGB 188 135 241

HSL 270, 0.79%, 0.74%

LAB 65.26, 40.27, -45.82

 

CMYK 0 / 22 / 44 / 5

HEX #F2BD87

RGB 242 189 135

HSL 30.28, 0.8%, 0.74%

LAB 80.19, 12.36, 34.55

 

CMYK 31 / 0 / 44 / 5

HEX #A7F187

RGB 167 241 135

HSL 101.89, 0.79%, 0.74%

LAB 88.39, -41.63, 43.95

 

CMYK 44 / 22 / 0 / 5

HEX #87BCF1

RGB 135 188 241

HSL 210, 0.79%, 0.74%

LAB 74.49, -3.68, -31.73

 

CMYK 13 / 44 / 0 / 5

HEX #D187F1

RGB 209 135 241

HSL 281.89, 0.79%, 0.74%

LAB 67.45, 46.16, -42.22

 

CMYK 0 / 22 / 44 / 5

HEX #F2BD87

RGB 242 189 135

HSL 30.28, 0.8%, 0.74%

LAB 80.19, 12.36, 34.55

 

CMYK 44 / 0 / 44 / 5

HEX #87F187

RGB 135 241 135

HSL 120, 0.79%, 0.74%

LAB 86.9, -51.5, 41.76

 

CMYK 44 / 22 / 0 / 5

HEX #87BCF1

RGB 135 188 241

HSL 210, 0.79%, 0.74%

LAB 74.49, -3.68, -31.73

 

CMYK 0 / 44 / 0 / 5

HEX #F187F1

RGB 241 135 241

HSL 300, 0.79%, 0.74%

LAB 71.13, 55.29, -36.21

 

Description

Color code: HEX #F2BD87 | qconv.com Color code: HEX #F2BD87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 189 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 189 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 44% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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