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Color name
HEX #F2A53A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2A53A it is the complementary color #0D5AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2A53A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2A53A shade: #F7A535, #FFB748, #FFC95B, #FFDB6E and #FFED81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2A53A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2A53A shade: #F2A53A, #E19327, #D08114, #BF6F01 and #AE5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2A53A shade: #F2A53A, #F2733A, #F2423A and #F23A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2A53A shade: #F2A53A, #F2D73A, #DCF23A, #AAF23A and #78F23A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2A53A shade matches the following richer shades: #F2A53A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2A53A shade: #F2A53A, #E1A24B, #D09F5C, #BF9D6D and #AE9A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2A53A shade: #F2403A, #F2713A, #F2A23A, #F2D33A and #E0F23A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2A53A shade: #CD7C0D, #EF9313, #F2A53A, #F4B761 and #F7C888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2A53A shade: #F2A53A, #65F23A and #593AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2A53A shade: #F2A53A, #3AF2A2 and #A23AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2A53A shade: #F2A53A, #65F23A, #3A8AF2 and #C73AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2A53A shade: #F2A53A, #3AF246, #3A8AF2 and #F23AE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

Complementary color

CMYK 93 / 54 / 0 / 23

HEX #0D5AC5

RGB 13 90 197

HSL 214.89, 0.88%, 0.41%

LAB 40.29, 20.78, -61.54

 

CMYK 0 / 33 / 79 / 3

HEX #F7A535

RGB 247 165 53

HSL 34.64, 0.92%, 0.59%

LAB 74.15, 21.54, 66.22

 

CMYK 0 / 28 / 72 / 0

HEX #FFB748

RGB 255 183 72

HSL 36.39, 1%, 0.64%

LAB 79.38, 16.21, 64.15

 

CMYK 0 / 21 / 64 / 0

HEX #FFC95B

RGB 255 201 91

HSL 40.24, 1%, 0.68%

LAB 83.86, 7.87, 60.73

 

CMYK 0 / 14 / 57 / 0

HEX #FFDB6E

RGB 255 219 110

HSL 45.1, 1%, 0.72%

LAB 88.47, -0.1, 57.34

 

CMYK 0 / 7 / 49 / 0

HEX #FFED81

RGB 255 237 129

HSL 51.43, 1%, 0.75%

LAB 93.2, -7.63, 54.07

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 0 / 35 / 83 / 12

HEX #E19327

RGB 225 147 39

HSL 34.84, 0.76%, 0.52%

LAB 67.29, 21.37, 64.03

 

CMYK 0 / 38 / 90 / 18

HEX #D08114

RGB 208 129 20

HSL 34.79, 0.82%, 0.45%

LAB 60.92, 23.33, 63.48

 

CMYK 0 / 42 / 99 / 25

HEX #BF6F01

RGB 191 111 1

HSL 34.74, 0.99%, 0.38%

LAB 54.5, 25.52, 61.62

 

CMYK 0 / 47 / 100 / 32

HEX #AE5D00

RGB 174 93 0

HSL 32.07, 1%, 0.34%

LAB 48.04, 27.99, 56.6

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 0 / 52 / 76 / 5

HEX #F2733A

RGB 242 115 58

HSL 18.59, 0.88%, 0.59%

LAB 62.88, 45.35, 53.01

 

CMYK 0 / 73 / 76 / 5

HEX #F2423A

RGB 242 66 58

HSL 2.61, 0.88%, 0.59%

LAB 55.15, 65.89, 44.98

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 0 / 11 / 76 / 5

HEX #F2D73A

RGB 242 215 58

HSL 51.2, 0.88%, 0.59%

LAB 85.9, -6.33, 75.14

 

CMYK 9 / 0 / 76 / 5

HEX #DCF23A

RGB 220 242 58

HSL 67.17, 0.88%, 0.59%

LAB 91.25, -28.56, 79.4

 

CMYK 30 / 0 / 76 / 5

HEX #AAF23A

RGB 170 242 58

HSL 83.48, 0.88%, 0.59%

LAB 88.14, -47.7, 75.39

 

CMYK 50 / 0 / 76 / 5

HEX #78F23A

RGB 120 242 58

HSL 99.78, 0.88%, 0.59%

LAB 85.91, -63.75, 72.48

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 0 / 28 / 67 / 12

HEX #E1A24B

RGB 225 162 75

HSL 34.8, 0.71%, 0.59%

LAB 71.12, 14.9, 53.13

 

CMYK 0 / 24 / 56 / 18

HEX #D09F5C

RGB 208 159 92

HSL 34.66, 0.55%, 0.59%

LAB 68.74, 10.52, 41.62

 

CMYK 0 / 18 / 43 / 25

HEX #BF9D6D

RGB 191 157 109

HSL 35.12, 0.39%, 0.59%

LAB 66.74, 6.12, 29.81

 

CMYK 0 / 11 / 28 / 32

HEX #AE9A7E

RGB 174 154 126

HSL 35, 0.23%, 0.59%

LAB 64.66, 2.97, 17.42

 

CMYK 0 / 74 / 76 / 5

HEX #F2403A

RGB 242 64 58

HSL 1.96, 0.88%, 0.59%

LAB 54.92, 66.55, 44.73

 

CMYK 0 / 53 / 76 / 5

HEX #F2713A

RGB 242 113 58

HSL 17.93, 0.88%, 0.59%

LAB 62.5, 46.32, 52.63

 

CMYK 0 / 33 / 76 / 5

HEX #F2A23A

RGB 242 162 58

HSL 33.91, 0.88%, 0.59%

LAB 72.91, 21.22, 62.93

 

CMYK 0 / 13 / 76 / 5

HEX #F2D33A

RGB 242 211 58

HSL 49.89, 0.88%, 0.59%

LAB 84.88, -4.3, 74.2

 

CMYK 7 / 0 / 76 / 5

HEX #E0F23A

RGB 224 242 58

HSL 65.87, 0.88%, 0.59%

LAB 91.53, -26.95, 79.76

 

CMYK 0 / 40 / 94 / 20

HEX #CD7C0D

RGB 205 124 13

HSL 34.69, 0.88%, 0.43%

LAB 59.36, 24.64, 63.66

 

CMYK 0 / 38 / 92 / 6

HEX #EF9313

RGB 239 147 19

HSL 34.91, 0.87%, 0.51%

LAB 68.94, 26.85, 71.36

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 0 / 25 / 60 / 4

HEX #F4B761

RGB 244 183 97

HSL 35.1, 0.87%, 0.67%

LAB 78.44, 13.09, 51.55

 

CMYK 0 / 19 / 45 / 3

HEX #F7C888

RGB 247 200 136

HSL 34.59, 0.87%, 0.75%

LAB 83.37, 8.69, 38.24

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 58 / 0 / 76 / 5

HEX #65F23A

RGB 101 242 58

HSL 105.98, 0.88%, 0.59%

LAB 85.29, -68.63, 71.67

 

CMYK 63 / 76 / 0 / 5

HEX #593AF2

RGB 89 58 242

HSL 250.11, 0.88%, 0.59%

LAB 40.51, 61.83, -86.79

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 76 / 0 / 33 / 5

HEX #3AF2A2

RGB 58 242 162

HSL 153.91, 0.88%, 0.59%

LAB 85.51, -62.79, 26.03

 

CMYK 33 / 76 / 0 / 5

HEX #A23AF2

RGB 162 58 242

HSL 273.91, 0.88%, 0.59%

LAB 48.41, 71.8, -73.54

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 58 / 0 / 76 / 5

HEX #65F23A

RGB 101 242 58

HSL 105.98, 0.88%, 0.59%

LAB 85.29, -68.63, 71.67

 

CMYK 76 / 43 / 0 / 5

HEX #3A8AF2

RGB 58 138 242

HSL 213.91, 0.88%, 0.59%

LAB 57.55, 11.1, -59.14

 

CMYK 18 / 76 / 0 / 5

HEX #C73AF2

RGB 199 58 242

HSL 285.98, 0.88%, 0.59%

LAB 53.58, 78.17, -64.92

 

CMYK 0 / 32 / 76 / 5

HEX #F2A53A

RGB 242 165 58

HSL 34.89, 0.88%, 0.59%

LAB 73.61, 19.63, 63.6

 

CMYK 76 / 0 / 71 / 5

HEX #3AF246

RGB 58 242 70

HSL 123.91, 0.88%, 0.59%

LAB 84.4, -75.76, 66.51

 

CMYK 76 / 43 / 0 / 5

HEX #3A8AF2

RGB 58 138 242

HSL 213.91, 0.88%, 0.59%

LAB 57.55, 11.1, -59.14

 

CMYK 0 / 76 / 5 / 5

HEX #F23AE6

RGB 242 58 230

HSL 303.91, 0.88%, 0.59%

LAB 59.54, 84.41, -48.28

 

Description

Color code: HEX #F2A53A | qconv.com Color code: HEX #F2A53A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 165 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 165 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 76% 5% C M Y K

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