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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F29AFF it is the complementary color #0D6500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F29AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F29AFF shade: #F79AFA, #FFACFF, #FFBEFF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F29AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F29AFF shade: #F29AFF, #E188EC, #D076D9, #BF64C6 and #AE52B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F29AFF shade: #F199FF, #FF99F0, #FF99D5, #FF99B9 and #FF999E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F29AFF shade: #F199FF, #D699FF, #BA99FF, #9F99FF and #9999FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F29AFF shade matches the following richer shades: #F199FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F29AFF shade: #F199FF, #EBA1F6, #E5A9EE, #DFB1E6 and #D9BADD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F29AFF shade: #BB99FF, #D699FF, #F199FF, #FF99F1 and #FF99D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F29AFF shade: #E746FF, #EC6FFF, #F199FF, #F7C2FF and #FCEBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F29AFF shade: #F29AFF, #FF9F99 and #99FFC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F29AFF shade: #F29AFF, #FFF199 and #99FFF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F29AFF shade: #F29AFF, #FF9F99, #A6FF99 and #99F8FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F29AFF shade: #F29AFF, #FFBE99, #A6FF99 and #99D9FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 40 / 0 / 0

HEX #F29AFF

RGB 242 154 255

HSL 292.28, 1%, 0.8%

LAB 75.58, 48.52, -36.91

 

Complementary color

CMYK 87 / 0 / 100 / 60

HEX #0D6500

RGB 13 101 0

HSL 112.28, 1%, 0.2%

LAB 36.73, -42.22, 42.35

 

CMYK 1 / 38 / 0 / 2

HEX #F79AFA

RGB 247 154 250

HSL 298.13, 0.91%, 0.79%

LAB 75.94, 49.07, -33.6

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 5 / 40 / 0 / 0

HEX #F29AFF

RGB 242 154 255

HSL 292.28, 1%, 0.8%

LAB 75.58, 48.52, -36.91

 

CMYK 5 / 42 / 0 / 7

HEX #E188EC

RGB 225 136 236

HSL 293.4, 0.72%, 0.73%

LAB 69.24, 49.25, -36.56

 

CMYK 4 / 46 / 0 / 15

HEX #D076D9

RGB 208 118 217

HSL 294.55, 0.57%, 0.66%

LAB 62.82, 49.98, -36.16

 

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

CMYK 3 / 54 / 0 / 30

HEX #AE52B3

RGB 174 82 179

HSL 296.91, 0.39%, 0.51%

LAB 49.84, 51.28, -35.09

 

CMYK 5 / 40 / 0 / 0

HEX #F199FF

RGB 241 153 255

HSL 291.76, 1%, 0.8%

LAB 75.27, 48.74, -37.4

 

CMYK 0 / 40 / 6 / 0

HEX #FF99F0

RGB 255 153 240

HSL 308.82, 1%, 0.8%

LAB 76.27, 50.25, -27.59

 

CMYK 0 / 40 / 16 / 0

HEX #FF99D5

RGB 255 153 213

HSL 324.71, 1%, 0.8%

LAB 75.36, 45.93, -14.25

 

CMYK 0 / 40 / 27 / 0

HEX #FF99B9

RGB 255 153 185

HSL 341.18, 1%, 0.8%

LAB 74.54, 41.95, -0.07

 

CMYK 0 / 40 / 38 / 0

HEX #FF999E

RGB 255 153 158

HSL 357.06, 1%, 0.8%

LAB 73.88, 38.65, 13.87

 

CMYK 5 / 40 / 0 / 0

HEX #F199FF

RGB 241 153 255

HSL 291.76, 1%, 0.8%

LAB 75.27, 48.74, -37.4

 

CMYK 16 / 40 / 0 / 0

HEX #D699FF

RGB 214 153 255

HSL 275.88, 1%, 0.8%

LAB 72.43, 40.92, -42.04

 

CMYK 27 / 40 / 0 / 0

HEX #BA99FF

RGB 186 153 255

HSL 259.41, 1%, 0.8%

LAB 69.78, 33.04, -46.37

 

CMYK 38 / 40 / 0 / 0

HEX #9F99FF

RGB 159 153 255

HSL 243.53, 1%, 0.8%

LAB 67.56, 25.87, -50.03

 

CMYK 40 / 40 / 0 / 0

HEX #9999FF

RGB 153 153 255

HSL 240, 1%, 0.8%

LAB 67.11, 24.35, -50.77

 

CMYK 5 / 40 / 0 / 0

HEX #F199FF

RGB 241 153 255

HSL 291.76, 1%, 0.8%

LAB 75.27, 48.74, -37.4

 

CMYK 5 / 40 / 0 / 0

HEX #F199FF

RGB 241 153 255

HSL 291.76, 1%, 0.8%

LAB 75.27, 48.74, -37.4

 

CMYK 4 / 35 / 0 / 4

HEX #EBA1F6

RGB 235 161 246

HSL 292.24, 0.83%, 0.8%

LAB 75.95, 41.09, -31.53

 

CMYK 4 / 29 / 0 / 7

HEX #E5A9EE

RGB 229 169 238

HSL 292.17, 0.67%, 0.8%

LAB 76.8, 33.46, -25.94

 

CMYK 3 / 23 / 0 / 10

HEX #DFB1E6

RGB 223 177 230

HSL 292.08, 0.51%, 0.8%

LAB 77.78, 25.72, -20.18

 

CMYK 2 / 16 / 0 / 13

HEX #D9BADD

RGB 217 186 221

HSL 293.14, 0.34%, 0.8%

LAB 79.09, 17.18, -13.39

 

CMYK 27 / 40 / 0 / 0

HEX #BB99FF

RGB 187 153 255

HSL 260, 1%, 0.8%

LAB 69.87, 33.32, -46.23

 

CMYK 16 / 40 / 0 / 0

HEX #D699FF

RGB 214 153 255

HSL 275.88, 1%, 0.8%

LAB 72.43, 40.92, -42.04

 

CMYK 5 / 40 / 0 / 0

HEX #F199FF

RGB 241 153 255

HSL 291.76, 1%, 0.8%

LAB 75.27, 48.74, -37.4

 

CMYK 0 / 40 / 5 / 0

HEX #FF99F1

RGB 255 153 241

HSL 308.24, 1%, 0.8%

LAB 76.31, 50.42, -28.08

 

CMYK 0 / 40 / 16 / 0

HEX #FF99D6

RGB 255 153 214

HSL 324.12, 1%, 0.8%

LAB 75.39, 46.08, -14.76

 

CMYK 9 / 73 / 0 / 0

HEX #E746FF

RGB 231 70 255

HSL 292.22, 1%, 0.64%

LAB 60.42, 82.66, -60.9

 

CMYK 7 / 56 / 0 / 0

HEX #EC6FFF

RGB 236 111 255

HSL 292.08, 1%, 0.72%

LAB 66.84, 67.82, -50.64

 

CMYK 5 / 40 / 0 / 0

HEX #F199FF

RGB 241 153 255

HSL 291.76, 1%, 0.8%

LAB 75.27, 48.74, -37.4

 

CMYK 3 / 24 / 0 / 0

HEX #F7C2FF

RGB 247 194 255

HSL 292.13, 1%, 0.88%

LAB 84.78, 29.07, -22.75

 

CMYK 1 / 8 / 0 / 0

HEX #FCEBFF

RGB 252 235 255

HSL 291, 1%, 0.96%

LAB 94.88, 9.22, -7.57

 

CMYK 5 / 40 / 0 / 0

HEX #F29AFF

RGB 242 154 255

HSL 292.28, 1%, 0.8%

LAB 75.58, 48.52, -36.91

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F99

RGB 255 159 153

HSL 3.53, 1%, 0.8%

LAB 75.05, 35, 18.25

 

CMYK 40 / 0 / 22 / 0

HEX #99FFC8

RGB 153 255 200

HSL 147.65, 1%, 0.8%

LAB 92.78, -41.58, 17.07

 

CMYK 5 / 40 / 0 / 0

HEX #F29AFF

RGB 242 154 255

HSL 292.28, 1%, 0.8%

LAB 75.58, 48.52, -36.91

 

CMYK 0 / 5 / 40 / 0

HEX #FFF199

RGB 255 241 153

HSL 51.76, 1%, 0.8%

LAB 94.51, -7.34, 44.16

 

CMYK 40 / 0 / 5 / 0

HEX #99FFF1

RGB 153 255 241

HSL 171.76, 1%, 0.8%

LAB 93.73, -32.97, -2.69

 

CMYK 5 / 40 / 0 / 0

HEX #F29AFF

RGB 242 154 255

HSL 292.28, 1%, 0.8%

LAB 75.58, 48.52, -36.91

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F99

RGB 255 159 153

HSL 3.53, 1%, 0.8%

LAB 75.05, 35, 18.25

 

CMYK 35 / 0 / 40 / 0

HEX #A6FF99

RGB 166 255 153

HSL 112.35, 1%, 0.8%

LAB 92.54, -45.63, 40.48

 

CMYK 40 / 3 / 0 / 0

HEX #99F8FF

RGB 153 248 255

HSL 184.12, 1%, 0.8%

LAB 92.19, -26.37, -12.22

 

CMYK 5 / 40 / 0 / 0

HEX #F29AFF

RGB 242 154 255

HSL 292.28, 1%, 0.8%

LAB 75.58, 48.52, -36.91

 

CMYK 0 / 25 / 40 / 0

HEX #FFBE99

RGB 255 190 153

HSL 21.76, 1%, 0.8%

LAB 82.05, 18.8, 27.81

 

CMYK 35 / 0 / 40 / 0

HEX #A6FF99

RGB 166 255 153

HSL 112.35, 1%, 0.8%

LAB 92.54, -45.63, 40.48

 

CMYK 40 / 15 / 0 / 0

HEX #99D9FF

RGB 153 217 255

HSL 202.35, 1%, 0.8%

LAB 83.77, -10.86, -24.91

 

Description

Color code: HEX #F29AFF | qconv.com Color code: HEX #F29AFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 154 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 154 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 40 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 40% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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