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Color name
HEX #F297DA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F297DA it is the complementary color #0D6825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F297DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F297DA shade: #F797D5, #FFA9E8, #FFBBFB, #FFCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F297DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F297DA shade: #F297DA, #E185C7, #D073B4, #BF61A1 and #AE4F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F297DA shade: #F296D9, #F296C1, #F296A8 and #F29696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F297DA shade: #F296D9, #F196F2, #D896F2, #C096F2 and #A796F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F297DA shade matches the following richer shades: #F296D9 and #FB8DDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F297DA shade: #F296D9, #E8A0D5, #DFA9D1, #D5B3CC and #CCBCC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F297DA shade: #D896F2, #F096F2, #F296DB, #F296C2 and #F296AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F297DA shade: #E94DBF, #ED71CC, #F296D9, #F6BBE6 and #FBE0F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F297DA shade: #F297DA, #F2BF96 and #96F2E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F297DA shade: #F297DA, #DBF296 and #96DBF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F297DA shade: #F297DA, #F2BF96, #96F2AD and #96C8F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F297DA shade: #F297DA, #F2DB96, #96F2AD and #96ADF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 10 / 5

HEX #F297DA

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

 

Complementary color

CMYK 88 / 0 / 64 / 59

HEX #0D6825

RGB 13 104 37

HSL 135.82, 0.78%, 0.23%

LAB 38.06, -40.19, 30.12

 

CMYK 0 / 39 / 14 / 3

HEX #F797D5

RGB 247 151 213

HSL 321.25, 0.86%, 0.78%

LAB 74, 44.36, -16.38

 

CMYK 0 / 34 / 9 / 0

HEX #FFA9E8

RGB 255 169 232

HSL 316.05, 1%, 0.83%

LAB 79.31, 40.71, -18.64

 

CMYK 0 / 27 / 2 / 0

HEX #FFBBFB

RGB 255 187 251

HSL 303.53, 1%, 0.87%

LAB 83.84, 34.58, -21.97

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 38 / 10 / 5

HEX #F297DA

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

 

CMYK 0 / 41 / 12 / 12

HEX #E185C7

RGB 225 133 199

HSL 316.96, 0.61%, 0.7%

LAB 67.21, 44.3, -19.16

 

CMYK 0 / 45 / 13 / 18

HEX #D073B4

RGB 208 115 180

HSL 318.06, 0.5%, 0.63%

LAB 60.75, 45.05, -18.44

 

CMYK 0 / 49 / 16 / 25

HEX #BF61A1

RGB 191 97 161

HSL 319.15, 0.42%, 0.56%

LAB 54.24, 45.79, -17.59

 

CMYK 0 / 55 / 18 / 32

HEX #AE4F8E

RGB 174 79 142

HSL 320.21, 0.38%, 0.5%

LAB 47.68, 46.45, -16.57

 

CMYK 0 / 38 / 10 / 5

HEX #F296D9

RGB 242 150 217

HSL 316.3, 0.78%, 0.77%

LAB 73.35, 43.9, -19.63

 

CMYK 0 / 38 / 20 / 5

HEX #F296C1

RGB 242 150 193

HSL 331.96, 0.78%, 0.77%

LAB 72.59, 40.17, -7.54

 

CMYK 0 / 38 / 31 / 5

HEX #F296A8

RGB 242 150 168

HSL 348.26, 0.78%, 0.77%

LAB 71.9, 36.73, 5.32

 

CMYK 0 / 38 / 38 / 5

HEX #F29696

RGB 242 150 150

HSL 0, 0.78%, 0.77%

LAB 71.48, 34.54, 14.7

 

CMYK 0 / 38 / 10 / 5

HEX #F296D9

RGB 242 150 217

HSL 316.3, 0.78%, 0.77%

LAB 73.35, 43.9, -19.63

 

CMYK 0 / 38 / 0 / 5

HEX #F196F2

RGB 241 150 242

HSL 299.35, 0.78%, 0.77%

LAB 74.14, 47.89, -32.09

 

CMYK 11 / 38 / 0 / 5

HEX #D896F2

RGB 216 150 242

HSL 283.04, 0.78%, 0.77%

LAB 71.43, 40.42, -36.5

 

CMYK 21 / 38 / 0 / 5

HEX #C096F2

RGB 192 150 242

HSL 267.39, 0.78%, 0.77%

LAB 69.06, 33.38, -40.38

 

CMYK 31 / 38 / 0 / 5

HEX #A796F2

RGB 167 150 242

HSL 251.09, 0.78%, 0.77%

LAB 66.85, 26.32, -43.99

 

CMYK 0 / 38 / 10 / 5

HEX #F296D9

RGB 242 150 217

HSL 316.3, 0.78%, 0.77%

LAB 73.35, 43.9, -19.63

 

CMYK 0 / 44 / 12 / 2

HEX #FB8DDE

RGB 251 141 222

HSL 315.82, 0.93%, 0.77%

LAB 72.78, 52.1, -23.14

 

CMYK 0 / 38 / 10 / 5

HEX #F296D9

RGB 242 150 217

HSL 316.3, 0.78%, 0.77%

LAB 73.35, 43.9, -19.63

 

CMYK 0 / 31 / 8 / 9

HEX #E8A0D5

RGB 232 160 213

HSL 315.83, 0.61%, 0.77%

LAB 74.25, 34.73, -16.17

 

CMYK 0 / 24 / 6 / 13

HEX #DFA9D1

RGB 223 169 209

HSL 315.56, 0.46%, 0.77%

LAB 75.24, 26.19, -12.59

 

CMYK 0 / 16 / 4 / 16

HEX #D5B3CC

RGB 213 179 204

HSL 315.88, 0.29%, 0.77%

LAB 76.52, 16.47, -8.05

 

CMYK 0 / 8 / 2 / 20

HEX #CCBCC8

RGB 204 188 200

HSL 315, 0.14%, 0.77%

LAB 77.86, 7.78, -4

 

CMYK 11 / 38 / 0 / 5

HEX #D896F2

RGB 216 150 242

HSL 283.04, 0.78%, 0.77%

LAB 71.43, 40.42, -36.5

 

CMYK 1 / 38 / 0 / 5

HEX #F096F2

RGB 240 150 242

HSL 298.7, 0.78%, 0.77%

LAB 74.03, 47.59, -32.28

 

CMYK 0 / 38 / 10 / 5

HEX #F296DB

RGB 242 150 219

HSL 315, 0.78%, 0.77%

LAB 73.42, 44.23, -20.62

 

CMYK 0 / 38 / 20 / 5

HEX #F296C2

RGB 242 150 194

HSL 331.3, 0.78%, 0.77%

LAB 72.62, 40.32, -8.05

 

CMYK 0 / 38 / 30 / 5

HEX #F296AA

RGB 242 150 170

HSL 346.96, 0.78%, 0.77%

LAB 71.96, 36.98, 4.28

 

CMYK 0 / 67 / 18 / 9

HEX #E94DBF

RGB 233 77 191

HSL 316.15, 0.78%, 0.61%

LAB 58.41, 70.87, -28.02

 

CMYK 0 / 52 / 14 / 7

HEX #ED71CC

RGB 237 113 204

HSL 315.97, 0.78%, 0.69%

LAB 65.1, 58.66, -25.04

 

CMYK 0 / 38 / 10 / 5

HEX #F296D9

RGB 242 150 217

HSL 316.3, 0.78%, 0.77%

LAB 73.35, 43.9, -19.63

 

CMYK 0 / 24 / 7 / 4

HEX #F6BBE6

RGB 246 187 230

HSL 316.27, 0.77%, 0.85%

LAB 82.3, 27.97, -13.16

 

CMYK 0 / 11 / 3 / 2

HEX #FBE0F4

RGB 251 224 244

HSL 315.56, 0.77%, 0.93%

LAB 91.84, 12.63, -6.33

 

CMYK 0 / 38 / 10 / 5

HEX #F297DA

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

 

CMYK 0 / 21 / 38 / 5

HEX #F2BF96

RGB 242 191 150

HSL 26.74, 0.78%, 0.77%

LAB 80.93, 12.91, 27.66

 

CMYK 38 / 0 / 6 / 5

HEX #96F2E4

RGB 150 242 228

HSL 170.87, 0.78%, 0.77%

LAB 89.67, -30.56, -1.91

 

CMYK 0 / 38 / 10 / 5

HEX #F297DA

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

 

CMYK 10 / 0 / 38 / 5

HEX #DBF296

RGB 219 242 150

HSL 75, 0.78%, 0.77%

LAB 92.03, -21.82, 41.9

 

CMYK 38 / 10 / 0 / 5

HEX #96DBF2

RGB 150 219 242

HSL 195, 0.78%, 0.77%

LAB 83.74, -15.94, -18.09

 

CMYK 0 / 38 / 10 / 5

HEX #F297DA

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

 

CMYK 0 / 21 / 38 / 5

HEX #F2BF96

RGB 242 191 150

HSL 26.74, 0.78%, 0.77%

LAB 80.93, 12.91, 27.66

 

CMYK 38 / 0 / 29 / 5

HEX #96F2AD

RGB 150 242 173

HSL 135, 0.78%, 0.77%

LAB 88.45, -41.61, 24.87

 

CMYK 38 / 17 / 0 / 5

HEX #96C8F2

RGB 150 200 242

HSL 207.39, 0.78%, 0.77%

LAB 78.58, -6.05, -25.92

 

CMYK 0 / 38 / 10 / 5

HEX #F297DA

RGB 242 151 218

HSL 315.82, 0.78%, 0.77%

LAB 73.59, 43.55, -19.81

 

CMYK 0 / 10 / 38 / 5

HEX #F2DB96

RGB 242 219 150

HSL 45, 0.78%, 0.77%

LAB 87.84, -1.61, 36.83

 

CMYK 38 / 0 / 29 / 5

HEX #96F2AD

RGB 150 242 173

HSL 135, 0.78%, 0.77%

LAB 88.45, -41.61, 24.87

 

CMYK 38 / 29 / 0 / 5

HEX #96ADF2

RGB 150 173 242

HSL 225, 0.78%, 0.77%

LAB 71.41, 8.71, -36.97

 

Description

Color code: HEX #F297DA | qconv.com Color code: HEX #F297DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 151 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 151 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 10 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 10% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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