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Color name
HEX #F28F21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F28F21 it is the complementary color #0D70DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F28F21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F28F21 shade: #F78F1C, #FFA12F, #FFB342, #FFC555 and #FFD768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F28F21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F28F21 shade: #F28F21, #E17D0E, #D06B00, #BF5900 and #AE4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F28F21 shade: #F28F21, #F25621 and #F22121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F28F21 shade: #F28F21, #F2C721, #E4F221, #ACF221 and #73F221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F28F21 shade matches the following richer shades: #F28F21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F28F21 shade: #F28F21, #DF8E34, #CC8D47, #B98C5A and #A68B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F28F21 shade: #F22124, #F25521, #F28D21, #F2C421 and #E7F221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F28F21 shade: #B6640A, #DD7A0C, #F28F21, #F4A248 and #F6B66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F28F21 shade: #F28F21, #5CF221 and #3921F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F28F21 shade: #F28F21, #21F28D and #8D21F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F28F21 shade: #F28F21, #5CF221, #2186F2 and #B621F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F28F21 shade: #F28F21, #21F224, #2186F2 and #F221EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

Complementary color

CMYK 94 / 50 / 0 / 13

HEX #0D70DE

RGB 13 112 222

HSL 211.58, 0.89%, 0.46%

LAB 48.19, 16.4, -63.05

 

CMYK 0 / 42 / 89 / 3

HEX #F78F1C

RGB 247 143 28

HSL 31.51, 0.93%, 0.54%

LAB 69.11, 32.38, 69.92

 

CMYK 0 / 37 / 82 / 0

HEX #FFA12F

RGB 255 161 47

HSL 32.88, 1%, 0.59%

LAB 74.16, 26.76, 68.72

 

CMYK 0 / 30 / 74 / 0

HEX #FFB342

RGB 255 179 66

HSL 35.87, 1%, 0.63%

LAB 78.4, 18.04, 65.6

 

CMYK 0 / 23 / 67 / 0

HEX #FFC555

RGB 255 197 85

HSL 39.53, 1%, 0.67%

LAB 82.83, 9.59, 62.24

 

CMYK 0 / 16 / 59 / 0

HEX #FFD768

RGB 255 215 104

HSL 44.11, 1%, 0.7%

LAB 87.42, 1.51, 58.87

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 0 / 44 / 94 / 12

HEX #E17D0E

RGB 225 125 14

HSL 31.56, 0.88%, 0.47%

LAB 62.26, 32.51, 66.74

 

CMYK 0 / 49 / 100 / 18

HEX #D06B00

RGB 208 107 0

HSL 30.87, 1%, 0.41%

LAB 56.01, 34.77, 63.96

 

CMYK 0 / 53 / 100 / 25

HEX #BF5900

RGB 191 89 0

HSL 27.96, 1%, 0.37%

LAB 49.76, 37.15, 58.94

 

CMYK 0 / 59 / 100 / 32

HEX #AE4700

RGB 174 71 0

HSL 24.48, 1%, 0.34%

LAB 43.51, 39.42, 53.95

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 0 / 64 / 86 / 5

HEX #F25621

RGB 242 86 33

HSL 15.22, 0.89%, 0.54%

LAB 57.7, 57.72, 59.12

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 0 / 18 / 86 / 5

HEX #F2C721

RGB 242 199 33

HSL 47.66, 0.89%, 0.54%

LAB 81.75, 1.1, 78.39

 

CMYK 6 / 0 / 86 / 5

HEX #E4F221

RGB 228 242 33

HSL 64.02, 0.89%, 0.54%

LAB 91.73, -26.07, 85.95

 

CMYK 29 / 0 / 86 / 5

HEX #ACF221

RGB 172 242 33

HSL 80.1, 0.89%, 0.54%

LAB 88.15, -47.91, 81.53

 

CMYK 52 / 0 / 86 / 5

HEX #73F221

RGB 115 242 33

HSL 96.46, 0.89%, 0.54%

LAB 85.63, -66.23, 78.39

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 0 / 36 / 77 / 13

HEX #DF8E34

RGB 223 142 52

HSL 31.58, 0.73%, 0.54%

LAB 65.97, 23.63, 57.86

 

CMYK 0 / 31 / 65 / 20

HEX #CC8D47

RGB 204 141 71

HSL 31.58, 0.57%, 0.54%

LAB 63.62, 17.09, 46.07

 

CMYK 0 / 24 / 51 / 27

HEX #B98C5A

RGB 185 140 90

HSL 31.58, 0.4%, 0.54%

LAB 61.49, 11.02, 33.19

 

CMYK 0 / 16 / 34 / 35

HEX #A68B6D

RGB 166 139 109

HSL 31.58, 0.24%, 0.54%

LAB 59.6, 5.73, 19.87

 

CMYK 0 / 86 / 85 / 5

HEX #F22124

RGB 242 33 36

HSL 359.14, 0.89%, 0.54%

LAB 51.94, 73.8, 53.12

 

CMYK 0 / 65 / 86 / 5

HEX #F25521

RGB 242 85 33

HSL 14.93, 0.89%, 0.54%

LAB 57.54, 58.13, 59

 

CMYK 0 / 42 / 86 / 5

HEX #F28D21

RGB 242 141 33

HSL 31, 0.89%, 0.54%

LAB 68.05, 31.47, 67.41

 

CMYK 0 / 19 / 86 / 5

HEX #F2C421

RGB 242 196 33

HSL 46.79, 0.89%, 0.54%

LAB 81, 2.64, 77.79

 

CMYK 5 / 0 / 86 / 5

HEX #E7F221

RGB 231 242 33

HSL 63.16, 0.89%, 0.54%

LAB 91.95, -24.85, 86.22

 

CMYK 0 / 45 / 95 / 29

HEX #B6640A

RGB 182 100 10

HSL 31.4, 0.9%, 0.38%

LAB 50.78, 27.75, 56.75

 

CMYK 0 / 45 / 95 / 13

HEX #DD7A0C

RGB 221 122 12

HSL 31.58, 0.9%, 0.46%

LAB 61.06, 32.41, 66.02

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 0 / 34 / 70 / 4

HEX #F4A248

RGB 244 162 72

HSL 31.4, 0.89%, 0.62%

LAB 73.25, 22.67, 57.42

 

CMYK 0 / 26 / 55 / 4

HEX #F6B66F

RGB 246 182 111

HSL 31.56, 0.88%, 0.7%

LAB 78.58, 15.47, 44.88

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 62 / 0 / 86 / 5

HEX #5CF221

RGB 92 242 33

HSL 103.06, 0.89%, 0.54%

LAB 84.94, -71.85, 77.52

 

CMYK 76 / 86 / 0 / 5

HEX #3921F2

RGB 57 33 242

HSL 246.89, 0.89%, 0.54%

LAB 34.74, 69.8, -96.43

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 86 / 0 / 42 / 5

HEX #21F28D

RGB 33 242 141

HSL 151, 0.89%, 0.54%

LAB 84.87, -69.08, 35.7

 

CMYK 42 / 86 / 0 / 5

HEX #8D21F2

RGB 141 33 242

HSL 271, 0.89%, 0.54%

LAB 43.01, 76.59, -82.49

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 62 / 0 / 86 / 5

HEX #5CF221

RGB 92 242 33

HSL 103.06, 0.89%, 0.54%

LAB 84.94, -71.85, 77.52

 

CMYK 86 / 45 / 0 / 5

HEX #2186F2

RGB 33 134 242

HSL 211, 0.89%, 0.54%

LAB 55.87, 11.33, -61.86

 

CMYK 25 / 86 / 0 / 5

HEX #B621F2

RGB 182 33 242

HSL 282.78, 0.89%, 0.54%

LAB 48.81, 81.93, -72.75

 

CMYK 0 / 41 / 86 / 5

HEX #F28F21

RGB 242 143 33

HSL 31.58, 0.89%, 0.54%

LAB 68.48, 30.43, 67.76

 

CMYK 86 / 0 / 85 / 5

HEX #21F224

RGB 33 242 36

HSL 120.86, 0.89%, 0.54%

LAB 83.94, -80.44, 75.66

 

CMYK 86 / 45 / 0 / 5

HEX #2186F2

RGB 33 134 242

HSL 211, 0.89%, 0.54%

LAB 55.87, 11.33, -61.86

 

CMYK 0 / 86 / 2 / 5

HEX #F221EE

RGB 242 33 238

HSL 301.15, 0.89%, 0.54%

LAB 58.17, 90.8, -54.94

 

Description

Color code: HEX #F28F21 | qconv.com Color code: HEX #F28F21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 143 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 143 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 86 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 86% 5% C M Y K

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Provide designers and agencies with accurate color values.

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