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Color name
HEX #F27071

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F27071 it is the complementary color #0D8F8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F27071. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F27071 shade: #F7706C, #FF827F, #FF9492, #FFA6A5 and #FFB8B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F27071. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F27071 shade: #F27071, #E15E5E, #D04C4B, #BF3A38 and #AE2825

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F27071 shade: #F16E6F and #F16E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F27071 shade: #F16E6F, #F16E92, #F16EB6, #F16ED9 and #E66EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F27071 shade matches the following richer shades: #F16E6F and #FE6162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F27071 shade: #F16E6F, #E47B7B, #D78788, #CB9495 and #BEA1A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F27071 shade: #F16EB6, #F16E93, #F16E70, #F18F6E and #F1B26E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F27071 shade: #EA2224, #EE4849, #F16E6F, #F59494 and #F8B9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F27071 shade: #F27071, #D9F16E and #6EA5F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F27071 shade: #F27071, #70F16E and #6E70F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F27071 shade: #F27071, #D9F16E, #6EF1EF and #866EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F27071 shade: #F27071, #B2F16E, #6EF1EF and #AD6EF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 53 / 5

HEX #F27071

RGB 242 112 113

HSL 359.54, 0.83%, 0.69%

LAB 63.06, 50.06, 23.88

 

Complementary color

CMYK 91 / 0 / 1 / 44

HEX #0D8F8E

RGB 13 143 142

HSL 179.54, 0.83%, 0.31%

LAB 53.69, -30.96, -8.51

 

CMYK 0 / 55 / 56 / 3

HEX #F7706C

RGB 247 112 108

HSL 1.73, 0.9%, 0.7%

LAB 63.71, 51.42, 27.7

 

CMYK 0 / 49 / 50 / 0

HEX #FF827F

RGB 255 130 127

HSL 1.41, 1%, 0.75%

LAB 68.58, 47.13, 23.74

 

CMYK 0 / 42 / 43 / 0

HEX #FF9492

RGB 255 148 146

HSL 1.1, 1%, 0.79%

LAB 72.57, 39.92, 18.66

 

CMYK 0 / 35 / 35 / 0

HEX #FFA6A5

RGB 255 166 165

HSL 0.67, 1%, 0.82%

LAB 76.83, 32.73, 14.19

 

CMYK 0 / 28 / 28 / 0

HEX #FFB8B8

RGB 255 184 184

HSL 0, 1%, 0.86%

LAB 81.29, 25.7, 10.22

 

CMYK 0 / 54 / 53 / 5

HEX #F27071

RGB 242 112 113

HSL 359.54, 0.83%, 0.69%

LAB 63.06, 50.06, 23.88

 

CMYK 0 / 58 / 58 / 12

HEX #E15E5E

RGB 225 94 94

HSL 0, 0.69%, 0.63%

LAB 56.9, 51.1, 26.14

 

CMYK 0 / 63 / 64 / 18

HEX #D04C4B

RGB 208 76 75

HSL 0.45, 0.59%, 0.55%

LAB 50.79, 52.05, 28.79

 

CMYK 0 / 70 / 71 / 25

HEX #BF3A38

RGB 191 58 56

HSL 0.89, 0.55%, 0.48%

LAB 44.78, 52.76, 31.92

 

CMYK 0 / 77 / 79 / 32

HEX #AE2825

RGB 174 40 37

HSL 1.31, 0.65%, 0.41%

LAB 38.98, 53.02, 35.57

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6F

RGB 241 110 111

HSL 359.54, 0.82%, 0.69%

LAB 62.51, 50.49, 24.26

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6E

RGB 241 110 110

HSL 0, 0.82%, 0.69%

LAB 62.49, 50.41, 24.8

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6F

RGB 241 110 111

HSL 359.54, 0.82%, 0.69%

LAB 62.51, 50.49, 24.26

 

CMYK 0 / 54 / 39 / 5

HEX #F16E92

RGB 241 110 146

HSL 343.51, 0.82%, 0.69%

LAB 63.28, 53.76, 5.3

 

CMYK 0 / 54 / 24 / 5

HEX #F16EB6

RGB 241 110 182

HSL 327.02, 0.82%, 0.69%

LAB 64.35, 58.1, -13.71

 

CMYK 0 / 54 / 10 / 5

HEX #F16ED9

RGB 241 110 217

HSL 310.99, 0.82%, 0.69%

LAB 65.64, 63.17, -31.45

 

CMYK 5 / 54 / 0 / 5

HEX #E66EF1

RGB 230 110 241

HSL 294.96, 0.82%, 0.69%

LAB 65.22, 64.25, -45.55

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6F

RGB 241 110 111

HSL 359.54, 0.82%, 0.69%

LAB 62.51, 50.49, 24.26

 

CMYK 0 / 62 / 61 / 0

HEX #FE6162

RGB 254 97 98

HSL 359.62, 0.99%, 0.69%

LAB 62.09, 59.8, 31.46

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6F

RGB 241 110 111

HSL 359.54, 0.82%, 0.69%

LAB 62.51, 50.49, 24.26

 

CMYK 0 / 46 / 46 / 11

HEX #E47B7B

RGB 228 123 123

HSL 0, 0.66%, 0.69%

LAB 63.42, 40.49, 18.36

 

CMYK 0 / 37 / 37 / 16

HEX #D78788

RGB 215 135 136

HSL 359.25, 0.5%, 0.69%

LAB 64.61, 30.76, 12.4

 

CMYK 0 / 27 / 27 / 20

HEX #CB9495

RGB 203 148 149

HSL 358.91, 0.35%, 0.69%

LAB 66.56, 20.85, 7.66

 

CMYK 0 / 15 / 15 / 25

HEX #BEA1A1

RGB 190 161 161

HSL 0, 0.18%, 0.69%

LAB 68.76, 10.64, 3.96

 

CMYK 0 / 54 / 24 / 5

HEX #F16EB6

RGB 241 110 182

HSL 327.02, 0.82%, 0.69%

LAB 64.35, 58.1, -13.71

 

CMYK 0 / 54 / 39 / 5

HEX #F16E93

RGB 241 110 147

HSL 343.05, 0.82%, 0.69%

LAB 63.31, 53.87, 4.76

 

CMYK 0 / 54 / 54 / 5

HEX #F16E70

RGB 241 110 112

HSL 359.08, 0.82%, 0.69%

LAB 62.53, 50.57, 23.71

 

CMYK 0 / 41 / 54 / 5

HEX #F18F6E

RGB 241 143 110

HSL 15.11, 0.82%, 0.69%

LAB 69.09, 33.91, 33.41

 

CMYK 0 / 26 / 54 / 5

HEX #F1B26E

RGB 241 178 110

HSL 31.15, 0.82%, 0.69%

LAB 77.08, 15.47, 43.44

 

CMYK 0 / 85 / 85 / 8

HEX #EA2224

RGB 234 34 36

HSL 359.4, 0.83%, 0.53%

LAB 50.41, 71.53, 51.18

 

CMYK 0 / 70 / 69 / 7

HEX #EE4849

RGB 238 72 73

HSL 359.64, 0.83%, 0.61%

LAB 55.37, 63.2, 36.73

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6F

RGB 241 110 111

HSL 359.54, 0.82%, 0.69%

LAB 62.51, 50.49, 24.26

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 25 / 25 / 3

HEX #F8B9BA

RGB 248 185 186

HSL 359.05, 0.82%, 0.85%

LAB 80.85, 22.89, 8.41

 

CMYK 0 / 54 / 53 / 5

HEX #F27071

RGB 242 112 113

HSL 359.54, 0.83%, 0.69%

LAB 63.06, 50.06, 23.88

 

CMYK 10 / 0 / 54 / 5

HEX #D9F16E

RGB 217 241 110

HSL 70.99, 0.82%, 0.69%

LAB 91.14, -26.12, 59.62

 

CMYK 54 / 32 / 0 / 5

HEX #6EA5F1

RGB 110 165 241

HSL 214.81, 0.82%, 0.69%

LAB 66.96, 3.39, -43.54

 

CMYK 0 / 54 / 53 / 5

HEX #F27071

RGB 242 112 113

HSL 359.54, 0.83%, 0.69%

LAB 63.06, 50.06, 23.88

 

CMYK 54 / 0 / 54 / 5

HEX #70F16E

RGB 112 241 110

HSL 119.08, 0.82%, 0.69%

LAB 85.75, -60.92, 51.95

 

CMYK 54 / 54 / 0 / 5

HEX #6E70F1

RGB 110 112 241

HSL 239.08, 0.82%, 0.69%

LAB 53.23, 34.7, -65.4

 

CMYK 0 / 54 / 53 / 5

HEX #F27071

RGB 242 112 113

HSL 359.54, 0.83%, 0.69%

LAB 63.06, 50.06, 23.88

 

CMYK 10 / 0 / 54 / 5

HEX #D9F16E

RGB 217 241 110

HSL 70.99, 0.82%, 0.69%

LAB 91.14, -26.12, 59.62

 

CMYK 54 / 0 / 1 / 5

HEX #6EF1EF

RGB 110 241 239

HSL 179.08, 0.82%, 0.69%

LAB 88.19, -36.34, -10.01

 

CMYK 44 / 54 / 0 / 5

HEX #866EF1

RGB 134 110 241

HSL 250.99, 0.82%, 0.69%

LAB 54.63, 40.79, -63.05

 

CMYK 0 / 54 / 53 / 5

HEX #F27071

RGB 242 112 113

HSL 359.54, 0.83%, 0.69%

LAB 63.06, 50.06, 23.88

 

CMYK 26 / 0 / 54 / 5

HEX #B2F16E

RGB 178 241 110

HSL 88.85, 0.82%, 0.69%

LAB 88.69, -40.65, 56.15

 

CMYK 54 / 0 / 1 / 5

HEX #6EF1EF

RGB 110 241 239

HSL 179.08, 0.82%, 0.69%

LAB 88.19, -36.34, -10.01

 

CMYK 28 / 54 / 0 / 5

HEX #AD6EF1

RGB 173 110 241

HSL 268.85, 0.82%, 0.69%

LAB 58.4, 49.85, -56.79

 

Description

Color code: HEX #F27071 | qconv.com Color code: HEX #F27071 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 112 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 112 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 53% 5% C M Y K

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Provide designers and agencies with accurate color values.

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