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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2743F it is the complementary color #0D8BC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2743F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2743F shade: #F7743A, #FF864D, #FF9860, #FFAA73 and #FFBC86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2743F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2743F shade: #F2743F, #E1622C, #D05019, #BF3E06 and #AE2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2743F shade: #F17440, #F14440 and #F14040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2743F shade: #F17440, #F1A440, #F1D440, #DFF140 and #AFF140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2743F shade matches the following richer shades: #F17440

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2743F shade: #F17440, #E17B50, #D08261, #C08971 and #AF8F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2743F shade: #F1406C, #F14340, #F17240, #F1A140 and #F1D140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2743F shade: #D0480E, #EF5819, #F17440, #F49066 and #F7AC8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2743F shade: #F2743F, #9BF140 and #4054F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2743F shade: #F2743F, #40F172 and #7240F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2743F shade: #F2743F, #9BF140, #40BFF1 and #9640F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2743F shade: #F2743F, #66F140, #40BFF1 and #CB40F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 74 / 5

HEX #F2743F

RGB 242 116 63

HSL 17.77, 0.87%, 0.6%

LAB 63.12, 45.07, 50.86

 

Complementary color

CMYK 93 / 28 / 0 / 25

HEX #0D8BC0

RGB 13 139 192

HSL 197.77, 0.87%, 0.4%

LAB 54.4, -11.56, -36.13

 

CMYK 0 / 53 / 77 / 3

HEX #F7743A

RGB 247 116 58

HSL 18.41, 0.92%, 0.6%

LAB 63.81, 46.74, 54.19

 

CMYK 0 / 47 / 70 / 0

HEX #FF864D

RGB 255 134 77

HSL 19.21, 1%, 0.65%

LAB 68.64, 41.75, 50.51

 

CMYK 0 / 40 / 62 / 0

HEX #FF9860

RGB 255 152 96

HSL 21.13, 1%, 0.69%

LAB 72.6, 33.69, 45.51

 

CMYK 0 / 33 / 55 / 0

HEX #FFAA73

RGB 255 170 115

HSL 23.57, 1%, 0.73%

LAB 76.83, 25.7, 40.91

 

CMYK 0 / 26 / 47 / 0

HEX #FFBC86

RGB 255 188 134

HSL 26.78, 1%, 0.76%

LAB 81.26, 17.92, 36.71

 

CMYK 0 / 52 / 74 / 5

HEX #F2743F

RGB 242 116 63

HSL 17.77, 0.87%, 0.6%

LAB 63.12, 45.07, 50.86

 

CMYK 0 / 56 / 80 / 12

HEX #E1622C

RGB 225 98 44

HSL 17.9, 0.75%, 0.53%

LAB 57, 46.68, 52.83

 

CMYK 0 / 62 / 88 / 18

HEX #D05019

RGB 208 80 25

HSL 18.03, 0.79%, 0.46%

LAB 50.94, 48.29, 54.36

 

CMYK 0 / 68 / 97 / 25

HEX #BF3E06

RGB 191 62 6

HSL 18.16, 0.94%, 0.39%

LAB 44.99, 49.77, 54.66

 

CMYK 0 / 75 / 100 / 32

HEX #AE2C00

RGB 174 44 0

HSL 15.17, 1%, 0.34%

LAB 39.24, 50.9, 51.79

 

CMYK 0 / 52 / 73 / 5

HEX #F17440

RGB 241 116 64

HSL 17.63, 0.86%, 0.6%

LAB 62.98, 44.73, 50.19

 

CMYK 0 / 72 / 73 / 5

HEX #F14440

RGB 241 68 64

HSL 1.36, 0.86%, 0.6%

LAB 55.28, 65.14, 41.8

 

CMYK 0 / 73 / 73 / 5

HEX #F14040

RGB 241 64 64

HSL 0, 0.86%, 0.6%

LAB 54.8, 66.48, 41.26

 

CMYK 0 / 52 / 73 / 5

HEX #F17440

RGB 241 116 64

HSL 17.63, 0.86%, 0.6%

LAB 62.98, 44.73, 50.19

 

CMYK 0 / 32 / 73 / 5

HEX #F1A440

RGB 241 164 64

HSL 33.9, 0.86%, 0.6%

LAB 73.3, 19.99, 60.83

 

CMYK 0 / 12 / 73 / 5

HEX #F1D440

RGB 241 212 64

HSL 50.17, 0.86%, 0.6%

LAB 85.08, -4.99, 72.33

 

CMYK 7 / 0 / 73 / 5

HEX #DFF140

RGB 223 241 64

HSL 66.1, 0.86%, 0.6%

LAB 91.22, -26.64, 77.63

 

CMYK 27 / 0 / 73 / 5

HEX #AFF140

RGB 175 241 64

HSL 82.37, 0.86%, 0.6%

LAB 88.16, -45.17, 73.64

 

CMYK 0 / 52 / 73 / 5

HEX #F17440

RGB 241 116 64

HSL 17.63, 0.86%, 0.6%

LAB 62.98, 44.73, 50.19

 

CMYK 0 / 52 / 73 / 5

HEX #F17440

RGB 241 116 64

HSL 17.63, 0.86%, 0.6%

LAB 62.98, 44.73, 50.19

 

CMYK 0 / 45 / 64 / 12

HEX #E17B50

RGB 225 123 80

HSL 17.79, 0.71%, 0.6%

LAB 62.3, 35.89, 40.63

 

CMYK 0 / 38 / 53 / 18

HEX #D08261

RGB 208 130 97

HSL 17.84, 0.54%, 0.6%

LAB 61.86, 26.67, 30.4

 

CMYK 0 / 29 / 41 / 25

HEX #C08971

RGB 192 137 113

HSL 18.23, 0.39%, 0.6%

LAB 61.9, 17.97, 21.21

 

CMYK 0 / 18 / 26 / 31

HEX #AF8F82

RGB 175 143 130

HSL 17.33, 0.22%, 0.6%

LAB 61.97, 10.04, 11.45

 

CMYK 0 / 73 / 55 / 5

HEX #F1406C

RGB 241 64 108

HSL 345.08, 0.86%, 0.6%

LAB 55.53, 68.89, 16.57

 

CMYK 0 / 72 / 73 / 5

HEX #F14340

RGB 241 67 64

HSL 1.02, 0.86%, 0.6%

LAB 55.16, 65.48, 41.66

 

CMYK 0 / 53 / 73 / 5

HEX #F17240

RGB 241 114 64

HSL 16.95, 0.86%, 0.6%

LAB 62.6, 45.71, 49.78

 

CMYK 0 / 33 / 73 / 5

HEX #F1A140

RGB 241 161 64

HSL 32.88, 0.86%, 0.6%

LAB 72.6, 21.58, 60.13

 

CMYK 0 / 13 / 73 / 5

HEX #F1D140

RGB 241 209 64

HSL 49.15, 0.86%, 0.6%

LAB 84.31, -3.47, 71.6

 

CMYK 0 / 65 / 93 / 18

HEX #D0480E

RGB 208 72 14

HSL 17.94, 0.87%, 0.44%

LAB 49.59, 51.6, 56.95

 

CMYK 0 / 63 / 90 / 6

HEX #EF5819

RGB 239 88 25

HSL 17.66, 0.87%, 0.52%

LAB 57.46, 55.72, 61.57

 

CMYK 0 / 52 / 73 / 5

HEX #F17440

RGB 241 116 64

HSL 17.63, 0.86%, 0.6%

LAB 62.98, 44.73, 50.19

 

CMYK 0 / 41 / 58 / 4

HEX #F49066

RGB 244 144 102

HSL 17.75, 0.87%, 0.68%

LAB 69.57, 33.93, 38.38

 

CMYK 0 / 30 / 43 / 3

HEX #F7AC8D

RGB 247 172 141

HSL 17.55, 0.87%, 0.76%

LAB 76.8, 23.89, 26.99

 

CMYK 0 / 52 / 74 / 5

HEX #F2743F

RGB 242 116 63

HSL 17.77, 0.87%, 0.6%

LAB 63.12, 45.07, 50.86

 

CMYK 36 / 0 / 73 / 5

HEX #9BF140

RGB 155 241 64

HSL 89.15, 0.86%, 0.6%

LAB 87.12, -52.2, 72.27

 

CMYK 73 / 65 / 0 / 5

HEX #4054F1

RGB 64 84 241

HSL 233.22, 0.86%, 0.6%

LAB 43.92, 44.78, -80.68

 

CMYK 0 / 52 / 74 / 5

HEX #F2743F

RGB 242 116 63

HSL 17.77, 0.87%, 0.6%

LAB 63.12, 45.07, 50.86

 

CMYK 73 / 0 / 53 / 5

HEX #40F172

RGB 64 241 114

HSL 136.95, 0.86%, 0.6%

LAB 84.59, -69.81, 48.45

 

CMYK 53 / 73 / 0 / 5

HEX #7240F1

RGB 114 64 241

HSL 256.95, 0.86%, 0.6%

LAB 43.65, 61.76, -80.99

 

CMYK 0 / 52 / 74 / 5

HEX #F2743F

RGB 242 116 63

HSL 17.77, 0.87%, 0.6%

LAB 63.12, 45.07, 50.86

 

CMYK 36 / 0 / 73 / 5

HEX #9BF140

RGB 155 241 64

HSL 89.15, 0.86%, 0.6%

LAB 87.12, -52.2, 72.27

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 38 / 73 / 0 / 5

HEX #9640F1

RGB 150 64 241

HSL 269.15, 0.86%, 0.6%

LAB 47.63, 67.27, -74.32

 

CMYK 0 / 52 / 74 / 5

HEX #F2743F

RGB 242 116 63

HSL 17.77, 0.87%, 0.6%

LAB 63.12, 45.07, 50.86

 

CMYK 58 / 0 / 73 / 5

HEX #66F140

RGB 102 241 64

HSL 107.12, 0.86%, 0.6%

LAB 85.05, -67.67, 69.54

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 16 / 73 / 0 / 5

HEX #CB40F1

RGB 203 64 241

HSL 287.12, 0.86%, 0.6%

LAB 54.78, 76.79, -62.39

 

Description

Color code: HEX #F2743F | qconv.com Color code: HEX #F2743F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 116 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 116 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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