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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F253E2 it is the complementary color #0DAC1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F253E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F253E2 shade: #F753DD, #FF65F0, #FF77FF, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F253E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F253E2 shade: #F253E2, #E141CF, #D02FBC, #BF1DA9 and #AE0B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F253E2 shade: #F254E2, #F254B7, #F2548D, #F25462 and #F25454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F253E2 shade: #F254E2, #D754F2, #AC54F2, #8254F2 and #5754F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F253E2 shade matches the following richer shades: #F254E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F253E2 shade: #F254E2, #E363D6, #D471CA, #C580BE and #B68FB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F253E2 shade: #AD54F2, #D754F2, #F254E2, #F254B8 and #F2548E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F253E2 shade: #E211CD, #EF2DDB, #F254E2, #F57AE8 and #F7A0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F253E2 shade: #F253E2, #F28354 and #54F2C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F253E2 shade: #F253E2, #E2F254 and #54E2F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F253E2 shade: #F253E2, #F28354, #54F264 and #54C2F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F253E2 shade: #F253E2, #F2B254, #54F264 and #5493F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 7 / 5

HEX #F253E2

RGB 242 83 226

HSL 306.04, 0.86%, 0.64%

LAB 62.13, 75.91, -41.95

 

Complementary color

CMYK 92 / 0 / 83 / 33

HEX #0DAC1D

RGB 13 172 29

HSL 126.04, 0.86%, 0.36%

LAB 61.38, -62.48, 56.91

 

CMYK 0 / 66 / 11 / 3

HEX #F753DD

RGB 247 83 221

HSL 309.51, 0.91%, 0.65%

LAB 62.66, 76.34, -38.26

 

CMYK 0 / 60 / 6 / 0

HEX #FF65F0

RGB 255 101 240

HSL 305.84, 1%, 0.7%

LAB 67.17, 74.25, -41.69

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 66 / 7 / 5

HEX #F253E2

RGB 242 83 226

HSL 306.04, 0.86%, 0.64%

LAB 62.13, 75.91, -41.95

 

CMYK 0 / 71 / 8 / 12

HEX #E141CF

RGB 225 65 207

HSL 306.75, 0.73%, 0.57%

LAB 56.38, 75.4, -40.43

 

CMYK 0 / 77 / 10 / 18

HEX #D02FBC

RGB 208 47 188

HSL 307.45, 0.63%, 0.5%

LAB 50.77, 74.3, -38.51

 

CMYK 0 / 85 / 12 / 25

HEX #BF1DA9

RGB 191 29 169

HSL 308.15, 0.74%, 0.43%

LAB 45.39, 72.35, -36.03

 

CMYK 0 / 94 / 14 / 32

HEX #AE0B96

RGB 174 11 150

HSL 308.83, 0.88%, 0.36%

LAB 40.31, 69.22, -32.83

 

CMYK 0 / 65 / 7 / 5

HEX #F254E2

RGB 242 84 226

HSL 306.08, 0.86%, 0.64%

LAB 62.26, 75.54, -41.74

 

CMYK 0 / 65 / 24 / 5

HEX #F254B7

RGB 242 84 183

HSL 322.41, 0.86%, 0.64%

LAB 60.46, 69.53, -20.15

 

CMYK 0 / 65 / 42 / 5

HEX #F2548D

RGB 242 84 141

HSL 338.35, 0.86%, 0.64%

LAB 59.1, 64.8, 2.18

 

CMYK 0 / 65 / 60 / 5

HEX #F25462

RGB 242 84 98

HSL 354.68, 0.86%, 0.64%

LAB 58.13, 61.28, 25.96

 

CMYK 0 / 65 / 65 / 5

HEX #F25454

RGB 242 84 84

HSL 0, 0.86%, 0.64%

LAB 57.9, 60.44, 33.72

 

CMYK 0 / 65 / 7 / 5

HEX #F254E2

RGB 242 84 226

HSL 306.08, 0.86%, 0.64%

LAB 62.26, 75.54, -41.74

 

CMYK 11 / 65 / 0 / 5

HEX #D754F2

RGB 215 84 242

HSL 289.75, 0.86%, 0.64%

LAB 59.16, 72.05, -55.84

 

CMYK 29 / 65 / 0 / 5

HEX #AC54F2

RGB 172 84 242

HSL 273.42, 0.86%, 0.64%

LAB 53.52, 62.83, -65.2

 

CMYK 46 / 65 / 0 / 5

HEX #8254F2

RGB 130 84 242

HSL 257.47, 0.86%, 0.64%

LAB 48.88, 54.62, -72.93

 

CMYK 64 / 65 / 0 / 5

HEX #5754F2

RGB 87 84 242

HSL 241.14, 0.86%, 0.64%

LAB 45.33, 47.81, -78.88

 

CMYK 0 / 65 / 7 / 5

HEX #F254E2

RGB 242 84 226

HSL 306.08, 0.86%, 0.64%

LAB 62.26, 75.54, -41.74

 

CMYK 0 / 65 / 7 / 5

HEX #F254E2

RGB 242 84 226

HSL 306.08, 0.86%, 0.64%

LAB 62.26, 75.54, -41.74

 

CMYK 0 / 56 / 6 / 11

HEX #E363D6

RGB 227 99 214

HSL 306.09, 0.7%, 0.64%

LAB 61.75, 63.82, -35.97

 

CMYK 0 / 47 / 5 / 17

HEX #D471CA

RGB 212 113 202

HSL 306.06, 0.54%, 0.64%

LAB 61.72, 50.98, -29.41

 

CMYK 0 / 35 / 4 / 23

HEX #C580BE

RGB 197 128 190

HSL 306.09, 0.37%, 0.64%

LAB 62.53, 36.33, -21.53

 

CMYK 0 / 21 / 2 / 29

HEX #B68FB2

RGB 182 143 178

HSL 306.15, 0.21%, 0.64%

LAB 64, 20.74, -12.67

 

CMYK 29 / 65 / 0 / 5

HEX #AD54F2

RGB 173 84 242

HSL 273.8, 0.86%, 0.64%

LAB 53.64, 63.04, -64.99

 

CMYK 11 / 65 / 0 / 5

HEX #D754F2

RGB 215 84 242

HSL 289.75, 0.86%, 0.64%

LAB 59.16, 72.05, -55.84

 

CMYK 0 / 65 / 7 / 5

HEX #F254E2

RGB 242 84 226

HSL 306.08, 0.86%, 0.64%

LAB 62.26, 75.54, -41.74

 

CMYK 0 / 65 / 24 / 5

HEX #F254B8

RGB 242 84 184

HSL 322.03, 0.86%, 0.64%

LAB 60.5, 69.66, -20.67

 

CMYK 0 / 65 / 41 / 5

HEX #F2548E

RGB 242 84 142

HSL 337.97, 0.86%, 0.64%

LAB 59.13, 64.9, 1.63

 

CMYK 0 / 92 / 9 / 11

HEX #E211CD

RGB 226 17 205

HSL 306.03, 0.86%, 0.48%

LAB 52.92, 85.51, -44.73

 

CMYK 0 / 81 / 8 / 6

HEX #EF2DDB

RGB 239 45 219

HSL 306.19, 0.86%, 0.56%

LAB 57.41, 85.38, -45.48

 

CMYK 0 / 65 / 7 / 5

HEX #F254E2

RGB 242 84 226

HSL 306.08, 0.86%, 0.64%

LAB 62.26, 75.54, -41.74

 

CMYK 0 / 50 / 5 / 4

HEX #F57AE8

RGB 245 122 232

HSL 306.34, 0.86%, 0.72%

LAB 68.87, 61.16, -34.74

 

CMYK 0 / 35 / 3 / 3

HEX #F7A0EF

RGB 247 160 239

HSL 305.52, 0.84%, 0.8%

LAB 76.77, 44.03, -26.37

 

CMYK 0 / 66 / 7 / 5

HEX #F253E2

RGB 242 83 226

HSL 306.04, 0.86%, 0.64%

LAB 62.13, 75.91, -41.95

 

CMYK 0 / 46 / 65 / 5

HEX #F28354

RGB 242 131 84

HSL 17.85, 0.86%, 0.64%

LAB 66.33, 38.65, 43.85

 

CMYK 65 / 0 / 20 / 5

HEX #54F2C2

RGB 84 242 194

HSL 161.77, 0.86%, 0.64%

LAB 86.64, -52.31, 11.17

 

CMYK 0 / 66 / 7 / 5

HEX #F253E2

RGB 242 83 226

HSL 306.04, 0.86%, 0.64%

LAB 62.13, 75.91, -41.95

 

CMYK 7 / 0 / 65 / 5

HEX #E2F254

RGB 226 242 84

HSL 66.08, 0.86%, 0.64%

LAB 91.83, -24.89, 71.32

 

CMYK 65 / 7 / 0 / 5

HEX #54E2F2

RGB 84 226 242

HSL 186.08, 0.86%, 0.64%

LAB 83.28, -32.87, -19.02

 

CMYK 0 / 66 / 7 / 5

HEX #F253E2

RGB 242 83 226

HSL 306.04, 0.86%, 0.64%

LAB 62.13, 75.91, -41.95

 

CMYK 0 / 46 / 65 / 5

HEX #F28354

RGB 242 131 84

HSL 17.85, 0.86%, 0.64%

LAB 66.33, 38.65, 43.85

 

CMYK 65 / 0 / 59 / 5

HEX #54F264

RGB 84 242 100

HSL 126.08, 0.86%, 0.64%

LAB 85.15, -68.61, 55.52

 

CMYK 65 / 20 / 0 / 5

HEX #54C2F2

RGB 84 194 242

HSL 198.23, 0.86%, 0.64%

LAB 74.11, -16.95, -33.02

 

CMYK 0 / 66 / 7 / 5

HEX #F253E2

RGB 242 83 226

HSL 306.04, 0.86%, 0.64%

LAB 62.13, 75.91, -41.95

 

CMYK 0 / 26 / 65 / 5

HEX #F2B254

RGB 242 178 84

HSL 35.7, 0.86%, 0.64%

LAB 76.9, 14.06, 55.85

 

CMYK 65 / 0 / 59 / 5

HEX #54F264

RGB 84 242 100

HSL 126.08, 0.86%, 0.64%

LAB 85.15, -68.61, 55.52

 

CMYK 65 / 39 / 0 / 5

HEX #5493F2

RGB 84 147 242

HSL 216.08, 0.86%, 0.64%

LAB 60.93, 9.3, -53.7

 

Description

Color code: HEX #F253E2 | qconv.com Color code: HEX #F253E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 83 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 83 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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