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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F245AE it is the complementary color #0DBA51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F245AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F245AE shade: #F745A9, #FF57BC, #FF69CF, #FF7BE2 and #FF8DF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F245AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F245AE shade: #F245AE, #E1339B, #D02188, #BF0F75 and #AE0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F245AE shade: #F245AE, #F2457F, #F24550 and #F24545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F245AE shade: #F245AE, #F245DC, #D845F2, #AA45F2 and #7B45F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F245AE shade matches the following richer shades: #F245AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F245AE shade: #F245AE, #E155AA, #D165A7, #C175A3 and #B185A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F245AE shade: #D845F2, #F245DD, #F245AF, #F24581 and #F24553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F245AE shade: #D50E87, #EF1E9D, #F245AE, #F46BBE and #F792CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F245AE shade: #F245AE, #F2A945 and #45F2EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F245AE shade: #F245AE, #AFF245 and #45AFF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F245AE shade: #F245AE, #F2A945, #45F287 and #458DF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F245AE shade: #F245AE, #F2DD45, #45F287 and #4559F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

Complementary color

CMYK 93 / 0 / 56 / 27

HEX #0DBA51

RGB 13 186 81

HSL 143.58, 0.87%, 0.39%

LAB 66.36, -61.59, 41.83

 

CMYK 0 / 72 / 32 / 3

HEX #F745A9

RGB 247 69 169

HSL 326.29, 0.92%, 0.62%

LAB 58.88, 74.45, -14.4

 

CMYK 0 / 66 / 26 / 0

HEX #FF57BC

RGB 255 87 188

HSL 323.93, 1%, 0.67%

LAB 63.1, 72.46, -18.81

 

CMYK 0 / 59 / 19 / 0

HEX #FF69CF

RGB 255 105 207

HSL 319.2, 1%, 0.71%

LAB 66.42, 67.75, -24.49

 

CMYK 0 / 52 / 11 / 0

HEX #FF7BE2

RGB 255 123 226

HSL 313.18, 1%, 0.74%

LAB 70.12, 62.55, -29.38

 

CMYK 0 / 45 / 4 / 0

HEX #FF8DF5

RGB 255 141 245

HSL 305.26, 1%, 0.78%

LAB 74.13, 57.05, -33.61

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 77 / 31 / 12

HEX #E1339B

RGB 225 51 155

HSL 324.14, 0.74%, 0.54%

LAB 52.67, 72.86, -15.96

 

CMYK 0 / 84 / 35 / 18

HEX #D02188

RGB 208 33 136

HSL 324.69, 0.73%, 0.47%

LAB 47.33, 71.19, -12.95

 

CMYK 0 / 92 / 39 / 25

HEX #BF0F75

RGB 191 15 117

HSL 325.23, 0.85%, 0.4%

LAB 42.31, 68.45, -9.17

 

CMYK 0 / 100 / 44 / 32

HEX #AE0062

RGB 174 0 98

HSL 326.21, 1%, 0.34%

LAB 37.63, 64.55, -4.55

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 71 / 48 / 5

HEX #F2457F

RGB 242 69 127

HSL 339.88, 0.87%, 0.61%

LAB 56.75, 69, 7.02

 

CMYK 0 / 71 / 67 / 5

HEX #F24550

RGB 242 69 80

HSL 356.18, 0.87%, 0.61%

LAB 55.8, 65.82, 33.41

 

CMYK 0 / 71 / 71 / 5

HEX #F24545

RGB 242 69 69

HSL 0, 0.87%, 0.61%

LAB 55.65, 65.31, 39.49

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 71 / 9 / 5

HEX #F245DC

RGB 242 69 220

HSL 307.63, 0.87%, 0.61%

LAB 60.16, 79.78, -41.67

 

CMYK 11 / 71 / 0 / 5

HEX #D845F2

RGB 216 69 242

HSL 290.98, 0.87%, 0.61%

LAB 57.33, 77.81, -58.75

 

CMYK 30 / 71 / 0 / 5

HEX #AA45F2

RGB 170 69 242

HSL 275.03, 0.87%, 0.61%

LAB 50.94, 68.95, -69.38

 

CMYK 49 / 71 / 0 / 5

HEX #7B45F2

RGB 123 69 242

HSL 258.73, 0.87%, 0.61%

LAB 45.47, 60.97, -78.53

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 62 / 24 / 12

HEX #E155AA

RGB 225 85 170

HSL 323.57, 0.7%, 0.61%

LAB 57.47, 62.81, -17.45

 

CMYK 0 / 52 / 20 / 18

HEX #D165A7

RGB 209 101 167

HSL 323.33, 0.54%, 0.61%

LAB 57.71, 50.4, -15.58

 

CMYK 0 / 39 / 16 / 24

HEX #C175A3

RGB 193 117 163

HSL 323.68, 0.38%, 0.61%

LAB 58.7, 36.28, -11.97

 

CMYK 0 / 25 / 10 / 31

HEX #B185A0

RGB 177 133 160

HSL 323.18, 0.22%, 0.61%

LAB 60.48, 21.28, -7.77

 

CMYK 11 / 71 / 0 / 5

HEX #D845F2

RGB 216 69 242

HSL 290.98, 0.87%, 0.61%

LAB 57.33, 77.81, -58.75

 

CMYK 0 / 71 / 9 / 5

HEX #F245DD

RGB 242 69 221

HSL 307.28, 0.87%, 0.61%

LAB 60.21, 79.93, -42.16

 

CMYK 0 / 71 / 28 / 5

HEX #F245AF

RGB 242 69 175

HSL 323.24, 0.87%, 0.61%

LAB 58.25, 73.88, -18.9

 

CMYK 0 / 71 / 47 / 5

HEX #F24581

RGB 242 69 129

HSL 339.19, 0.87%, 0.61%

LAB 56.8, 69.17, 5.91

 

CMYK 0 / 71 / 66 / 5

HEX #F24553

RGB 242 69 83

HSL 355.14, 0.87%, 0.61%

LAB 55.84, 65.98, 31.74

 

CMYK 0 / 93 / 37 / 16

HEX #D50E87

RGB 213 14 135

HSL 323.52, 0.88%, 0.45%

LAB 47.25, 75.11, -12.37

 

CMYK 0 / 87 / 34 / 6

HEX #EF1E9D

RGB 239 30 157

HSL 323.54, 0.87%, 0.53%

LAB 53.72, 80.76, -15.3

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 56 / 22 / 4

HEX #F46BBE

RGB 244 107 190

HSL 323.65, 0.86%, 0.69%

LAB 64.54, 61.43, -17.92

 

CMYK 0 / 41 / 16 / 3

HEX #F792CF

RGB 247 146 207

HSL 323.76, 0.86%, 0.77%

LAB 72.78, 45.99, -14.92

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 30 / 71 / 5

HEX #F2A945

RGB 242 169 69

HSL 34.68, 0.87%, 0.61%

LAB 74.62, 18, 60.1

 

CMYK 71 / 0 / 1 / 5

HEX #45F2EF

RGB 69 242 239

HSL 178.96, 0.87%, 0.61%

LAB 87.49, -43.01, -11.16

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 28 / 0 / 71 / 5

HEX #AFF245

RGB 175 242 69

HSL 83.24, 0.87%, 0.61%

LAB 88.47, -45.32, 72.28

 

CMYK 71 / 28 / 0 / 5

HEX #45AFF2

RGB 69 175 242

HSL 203.24, 0.87%, 0.61%

LAB 68.27, -8.94, -42.15

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 30 / 71 / 5

HEX #F2A945

RGB 242 169 69

HSL 34.68, 0.87%, 0.61%

LAB 74.62, 18, 60.1

 

CMYK 71 / 0 / 44 / 5

HEX #45F287

RGB 69 242 135

HSL 142.89, 0.87%, 0.61%

LAB 85.26, -66.26, 39.26

 

CMYK 71 / 42 / 0 / 5

HEX #458DF2

RGB 69 141 242

HSL 215.03, 0.87%, 0.61%

LAB 58.72, 10.65, -57.25

 

CMYK 0 / 71 / 28 / 5

HEX #F245AE

RGB 242 69 174

HSL 323.58, 0.87%, 0.61%

LAB 58.22, 73.76, -18.38

 

CMYK 0 / 9 / 71 / 5

HEX #F2DD45

RGB 242 221 69

HSL 52.72, 0.87%, 0.61%

LAB 87.49, -8.89, 72.92

 

CMYK 71 / 0 / 44 / 5

HEX #45F287

RGB 69 242 135

HSL 142.89, 0.87%, 0.61%

LAB 85.26, -66.26, 39.26

 

CMYK 71 / 63 / 0 / 5

HEX #4559F2

RGB 69 89 242

HSL 233.06, 0.87%, 0.61%

LAB 45.39, 42.64, -78.82

 

Description

Color code: HEX #F245AE | qconv.com Color code: HEX #F245AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 69 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 69 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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