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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F230B4 it is the complementary color #0DCF4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F230B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F230B4 shade: #F730AF, #FF42C2, #FF54D5, #FF66E8 and #FF78FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F230B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F230B4 shade: #F230B4, #E11EA1, #D00C8E, #BF007B and #AE0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F230B4 shade: #F130B4, #F13080, #F1304C and #F13030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F230B4 shade: #F130B4, #F130E8, #C730F1, #9330F1 and #5F30F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F230B4 shade matches the following richer shades: #F130B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F230B4 shade: #F130B4, #E042AD, #CE54A7, #BC66A0 and #AA779A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F230B4 shade: #C830F1, #F130E8, #F130B4, #F13081 and #F1304D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F230B4 shade: #C30C89, #EA0EA4, #F130B4, #F457C2 and #F67ED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F230B4 shade: #F230B4, #F19430 and #30F1E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F230B4 shade: #F230B4, #B4F130 and #30B4F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F230B4 shade: #F230B4, #F19430, #30F16D and #308EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F230B4 shade: #F230B4, #F1CE30, #30F16D and #3054F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 26 / 5

HEX #F230B4

RGB 242 48 180

HSL 319.18, 0.88%, 0.57%

LAB 56.37, 80.36, -24.69

 

Complementary color

CMYK 94 / 0 / 64 / 19

HEX #0DCF4B

RGB 13 207 75

HSL 139.18, 0.88%, 0.43%

LAB 73.04, -68.85, 52.25

 

CMYK 0 / 81 / 29 / 3

HEX #F730AF

RGB 247 48 175

HSL 321.71, 0.93%, 0.58%

LAB 57.06, 80.91, -20.65

 

CMYK 0 / 74 / 24 / 0

HEX #FF42C2

RGB 255 66 194

HSL 319.37, 1%, 0.63%

LAB 60.83, 80.2, -25.71

 

CMYK 0 / 67 / 16 / 0

HEX #FF54D5

RGB 255 84 213

HSL 314.74, 1%, 0.66%

LAB 63.68, 76.78, -32.09

 

CMYK 0 / 60 / 9 / 0

HEX #FF66E8

RGB 255 102 232

HSL 309.02, 1%, 0.7%

LAB 66.97, 72.62, -37.58

 

CMYK 0 / 53 / 2 / 0

HEX #FF78FB

RGB 255 120 251

HSL 301.78, 1%, 0.74%

LAB 70.63, 67.92, -42.32

 

CMYK 0 / 80 / 26 / 5

HEX #F230B4

RGB 242 48 180

HSL 319.18, 0.88%, 0.57%

LAB 56.37, 80.36, -24.69

 

CMYK 0 / 87 / 28 / 12

HEX #E11EA1

RGB 225 30 161

HSL 319.69, 0.76%, 0.5%

LAB 51.28, 78.19, -21.64

 

CMYK 0 / 94 / 32 / 18

HEX #D00C8E

RGB 208 12 142

HSL 320.2, 0.89%, 0.43%

LAB 46.48, 74.96, -17.88

 

CMYK 0 / 100 / 36 / 25

HEX #BF007B

RGB 191 0 123

HSL 321.36, 1%, 0.37%

LAB 42.01, 70.58, -13.35

 

CMYK 0 / 100 / 40 / 32

HEX #AE0068

RGB 174 0 104

HSL 324.14, 1%, 0.34%

LAB 37.84, 65.1, -8.06

 

CMYK 0 / 80 / 25 / 5

HEX #F130B4

RGB 241 48 180

HSL 318.96, 0.87%, 0.57%

LAB 56.2, 80.14, -24.97

 

CMYK 0 / 80 / 47 / 5

HEX #F13080

RGB 241 48 128

HSL 335.13, 0.87%, 0.57%

LAB 54.42, 74.96, 3.06

 

CMYK 0 / 80 / 68 / 5

HEX #F1304C

RGB 241 48 76

HSL 351.3, 0.87%, 0.57%

LAB 53.32, 71.61, 32.65

 

CMYK 0 / 80 / 80 / 5

HEX #F13030

RGB 241 48 48

HSL 0, 0.87%, 0.57%

LAB 52.98, 70.58, 47.99

 

CMYK 0 / 80 / 25 / 5

HEX #F130B4

RGB 241 48 180

HSL 318.96, 0.87%, 0.57%

LAB 56.2, 80.14, -24.97

 

CMYK 0 / 80 / 4 / 5

HEX #F130E8

RGB 241 48 232

HSL 302.8, 0.87%, 0.57%

LAB 58.64, 86.95, -50.84

 

CMYK 17 / 80 / 0 / 5

HEX #C730F1

RGB 199 48 241

HSL 286.94, 0.87%, 0.57%

LAB 52.52, 80.88, -66.07

 

CMYK 39 / 80 / 0 / 5

HEX #9330F1

RGB 147 48 241

HSL 270.78, 0.87%, 0.57%

LAB 45.18, 72.79, -78.33

 

CMYK 61 / 80 / 0 / 5

HEX #5F30F1

RGB 95 48 241

HSL 254.61, 0.87%, 0.57%

LAB 39.41, 66.55, -88.03

 

CMYK 0 / 80 / 25 / 5

HEX #F130B4

RGB 241 48 180

HSL 318.96, 0.87%, 0.57%

LAB 56.2, 80.14, -24.97

 

CMYK 0 / 80 / 25 / 5

HEX #F130B4

RGB 241 48 180

HSL 318.96, 0.87%, 0.57%

LAB 56.2, 80.14, -24.97

 

CMYK 0 / 71 / 23 / 12

HEX #E042AD

RGB 224 66 173

HSL 319.37, 0.72%, 0.57%

LAB 54.83, 70.14, -23.25

 

CMYK 0 / 59 / 19 / 19

HEX #CE54A7

RGB 206 84 167

HSL 319.18, 0.55%, 0.57%

LAB 54.29, 57.42, -20.81

 

CMYK 0 / 46 / 15 / 26

HEX #BC66A0

RGB 188 102 160

HSL 319.53, 0.39%, 0.57%

LAB 54.8, 42.09, -16.19

 

CMYK 0 / 30 / 9 / 33

HEX #AA779A

RGB 170 119 154

HSL 318.82, 0.23%, 0.57%

LAB 56.16, 25.6, -10.86

 

CMYK 17 / 80 / 0 / 5

HEX #C830F1

RGB 200 48 241

HSL 287.25, 0.87%, 0.57%

LAB 52.67, 81.05, -65.82

 

CMYK 0 / 80 / 4 / 5

HEX #F130E8

RGB 241 48 232

HSL 302.8, 0.87%, 0.57%

LAB 58.64, 86.95, -50.84

 

CMYK 0 / 80 / 25 / 5

HEX #F130B4

RGB 241 48 180

HSL 318.96, 0.87%, 0.57%

LAB 56.2, 80.14, -24.97

 

CMYK 0 / 80 / 46 / 5

HEX #F13081

RGB 241 48 129

HSL 334.82, 0.87%, 0.57%

LAB 54.45, 75.04, 2.5

 

CMYK 0 / 80 / 68 / 5

HEX #F1304D

RGB 241 48 77

HSL 350.98, 0.87%, 0.57%

LAB 53.33, 71.66, 32.08

 

CMYK 0 / 94 / 30 / 24

HEX #C30C89

RGB 195 12 137

HSL 319.02, 0.88%, 0.41%

LAB 43.76, 71.73, -19.23

 

CMYK 0 / 94 / 30 / 8

HEX #EA0EA4

RGB 234 14 164

HSL 319.09, 0.89%, 0.49%

LAB 52.38, 82.39, -21.57

 

CMYK 0 / 80 / 25 / 5

HEX #F130B4

RGB 241 48 180

HSL 318.96, 0.87%, 0.57%

LAB 56.2, 80.14, -24.97

 

CMYK 0 / 64 / 20 / 4

HEX #F457C2

RGB 244 87 194

HSL 319.11, 0.88%, 0.65%

LAB 61.61, 70.34, -24.66

 

CMYK 0 / 49 / 15 / 4

HEX #F67ED0

RGB 246 126 208

HSL 319, 0.87%, 0.73%

LAB 68.8, 55.76, -21.52

 

CMYK 0 / 80 / 26 / 5

HEX #F230B4

RGB 242 48 180

HSL 319.18, 0.88%, 0.57%

LAB 56.37, 80.36, -24.69

 

CMYK 0 / 39 / 80 / 5

HEX #F19430

RGB 241 148 48

HSL 31.09, 0.87%, 0.57%

LAB 69.54, 27.81, 63.58

 

CMYK 80 / 0 / 7 / 5

HEX #30F1E1

RGB 48 241 225

HSL 175.03, 0.87%, 0.57%

LAB 86.49, -48.46, -5.33

 

CMYK 0 / 80 / 26 / 5

HEX #F230B4

RGB 242 48 180

HSL 319.18, 0.88%, 0.57%

LAB 56.37, 80.36, -24.69

 

CMYK 25 / 0 / 80 / 5

HEX #B4F130

RGB 180 241 48

HSL 78.96, 0.87%, 0.57%

LAB 88.37, -44.05, 78.58

 

CMYK 80 / 25 / 0 / 5

HEX #30B4F1

RGB 48 180 241

HSL 198.96, 0.87%, 0.57%

LAB 69.2, -14.34, -40.18

 

CMYK 0 / 80 / 26 / 5

HEX #F230B4

RGB 242 48 180

HSL 319.18, 0.88%, 0.57%

LAB 56.37, 80.36, -24.69

 

CMYK 0 / 39 / 80 / 5

HEX #F19430

RGB 241 148 48

HSL 31.09, 0.87%, 0.57%

LAB 69.54, 27.81, 63.58

 

CMYK 80 / 0 / 55 / 5

HEX #30F16D

RGB 48 241 109

HSL 138.96, 0.87%, 0.57%

LAB 84.3, -72.47, 50.34

 

CMYK 80 / 41 / 0 / 5

HEX #308EF1

RGB 48 142 241

HSL 210.78, 0.87%, 0.57%

LAB 58.34, 7.29, -57.33

 

CMYK 0 / 80 / 26 / 5

HEX #F230B4

RGB 242 48 180

HSL 319.18, 0.88%, 0.57%

LAB 56.37, 80.36, -24.69

 

CMYK 0 / 15 / 80 / 5

HEX #F1CE30

RGB 241 206 48

HSL 49.12, 0.87%, 0.57%

LAB 83.47, -2.53, 75.98

 

CMYK 80 / 0 / 55 / 5

HEX #30F16D

RGB 48 241 109

HSL 138.96, 0.87%, 0.57%

LAB 84.3, -72.47, 50.34

 

CMYK 80 / 65 / 0 / 5

HEX #3054F1

RGB 48 84 241

HSL 228.81, 0.87%, 0.57%

LAB 43.24, 43.36, -81.81

 

Description

Color code: HEX #F230B4 | qconv.com Color code: HEX #F230B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 48 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 48 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 26% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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