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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F238E0 it is the complementary color #0DC71F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F238E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F238E0 shade: #F738DB, #FF4AEE, #FF5CFF, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F238E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F238E0 shade: #F238E0, #E126CD, #D014BA, #BF02A7 and #AE0094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F238E0 shade: #F235DF, #F235AD, #F2357A, #F23547 and #F23535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F238E0 shade: #F235DF, #D135F2, #9E35F2, #6B35F2 and #3935F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F238E0 shade matches the following richer shades: #F235DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F238E0 shade: #F235DF, #E046D1, #CF58C3, #BE69B5 and #AC7AA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F238E0 shade: #9D35F2, #CF35F2, #F235E2, #F235B0 and #F2357D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F238E0 shade: #C80CB6, #EF0FD9, #F235DF, #F45CE5 and #F783EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F238E0 shade: #F238E0, #F26B35 and #35F2B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F238E0 shade: #F238E0, #E2F235 and #35E2F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F238E0 shade: #F238E0, #F26B35, #35F245 and #35BCF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F238E0 shade: #F238E0, #F2A335, #35F245 and #3584F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 7 / 5

HEX #F238E0

RGB 242 56 224

HSL 305.81, 0.88%, 0.58%

LAB 59.06, 84.08, -45.67

 

Complementary color

CMYK 93 / 0 / 84 / 22

HEX #0DC71F

RGB 13 199 31

HSL 125.81, 0.88%, 0.42%

LAB 70.2, -70.06, 64.44

 

CMYK 0 / 77 / 11 / 3

HEX #F738DB

RGB 247 56 219

HSL 308.8, 0.92%, 0.59%

LAB 59.63, 84.4, -41.88

 

CMYK 0 / 71 / 7 / 0

HEX #FF4AEE

RGB 255 74 238

HSL 305.64, 1%, 0.65%

LAB 63.62, 83.65, -46.17

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 77 / 7 / 5

HEX #F238E0

RGB 242 56 224

HSL 305.81, 0.88%, 0.58%

LAB 59.06, 84.08, -45.67

 

CMYK 0 / 83 / 9 / 12

HEX #E126CD

RGB 225 38 205

HSL 306.42, 0.76%, 0.52%

LAB 53.82, 82.2, -43.33

 

CMYK 0 / 90 / 11 / 18

HEX #D014BA

RGB 208 20 186

HSL 307.02, 0.82%, 0.45%

LAB 48.83, 79.38, -40.41

 

CMYK 0 / 99 / 13 / 25

HEX #BF02A7

RGB 191 2 167

HSL 307.62, 0.98%, 0.38%

LAB 44.1, 75.53, -36.87

 

CMYK 0 / 100 / 15 / 32

HEX #AE0094

RGB 174 0 148

HSL 308.97, 1%, 0.34%

LAB 39.81, 70.12, -32.4

 

CMYK 0 / 78 / 8 / 5

HEX #F235DF

RGB 242 53 223

HSL 306.03, 0.88%, 0.58%

LAB 58.74, 84.69, -45.6

 

CMYK 0 / 78 / 29 / 5

HEX #F235AD

RGB 242 53 173

HSL 321.9, 0.88%, 0.58%

LAB 56.53, 78.33, -20.38

 

CMYK 0 / 78 / 50 / 5

HEX #F2357A

RGB 242 53 122

HSL 338.1, 0.88%, 0.58%

LAB 54.9, 73.44, 7.35

 

CMYK 0 / 78 / 71 / 5

HEX #F23547

RGB 242 53 71

HSL 354.29, 0.88%, 0.58%

LAB 53.9, 70.35, 36.3

 

CMYK 0 / 78 / 78 / 5

HEX #F23535

RGB 242 53 53

HSL 0, 0.88%, 0.58%

LAB 53.69, 69.69, 46.12

 

CMYK 0 / 78 / 8 / 5

HEX #F235DF

RGB 242 53 223

HSL 306.03, 0.88%, 0.58%

LAB 58.74, 84.69, -45.6

 

CMYK 14 / 78 / 0 / 5

HEX #D135F2

RGB 209 53 242

HSL 289.52, 0.88%, 0.58%

LAB 54.57, 81.43, -63.25

 

CMYK 35 / 78 / 0 / 5

HEX #9E35F2

RGB 158 53 242

HSL 273.33, 0.88%, 0.58%

LAB 47.27, 72.94, -75.42

 

CMYK 56 / 78 / 0 / 5

HEX #6B35F2

RGB 107 53 242

HSL 257.14, 0.88%, 0.58%

LAB 41.35, 66.02, -85.36

 

CMYK 76 / 78 / 0 / 5

HEX #3935F2

RGB 57 53 242

HSL 241.27, 0.88%, 0.58%

LAB 37.53, 61.56, -91.79

 

CMYK 0 / 78 / 8 / 5

HEX #F235DF

RGB 242 53 223

HSL 306.03, 0.88%, 0.58%

LAB 58.74, 84.69, -45.6

 

CMYK 0 / 78 / 8 / 5

HEX #F235DF

RGB 242 53 223

HSL 306.03, 0.88%, 0.58%

LAB 58.74, 84.69, -45.6

 

CMYK 0 / 69 / 7 / 12

HEX #E046D1

RGB 224 70 209

HSL 305.84, 0.71%, 0.58%

LAB 56.91, 73.8, -40.75

 

CMYK 0 / 57 / 6 / 19

HEX #CF58C3

RGB 207 88 195

HSL 306.05, 0.55%, 0.58%

LAB 56.27, 60.26, -33.93

 

CMYK 0 / 45 / 5 / 25

HEX #BE69B5

RGB 190 105 181

HSL 306.35, 0.4%, 0.58%

LAB 56.47, 44.72, -25.77

 

CMYK 0 / 29 / 2 / 33

HEX #AC7AA8

RGB 172 122 168

HSL 304.8, 0.23%, 0.58%

LAB 57.58, 27.19, -16.78

 

CMYK 35 / 78 / 0 / 5

HEX #9D35F2

RGB 157 53 242

HSL 273.02, 0.88%, 0.58%

LAB 47.14, 72.78, -75.64

 

CMYK 14 / 78 / 0 / 5

HEX #CF35F2

RGB 207 53 242

HSL 288.89, 0.88%, 0.58%

LAB 54.26, 81.08, -63.75

 

CMYK 0 / 78 / 7 / 5

HEX #F235E2

RGB 242 53 226

HSL 305.08, 0.88%, 0.58%

LAB 58.9, 85.11, -47.05

 

CMYK 0 / 78 / 27 / 5

HEX #F235B0

RGB 242 53 176

HSL 320.95, 0.88%, 0.58%

LAB 56.64, 78.67, -21.95

 

CMYK 0 / 78 / 48 / 5

HEX #F2357D

RGB 242 53 125

HSL 337.14, 0.88%, 0.58%

LAB 54.97, 73.68, 5.67

 

CMYK 0 / 94 / 9 / 22

HEX #C80CB6

RGB 200 12 182

HSL 305.74, 0.89%, 0.42%

LAB 46.87, 78.27, -41.26

 

CMYK 0 / 94 / 9 / 6

HEX #EF0FD9

RGB 239 15 217

HSL 305.89, 0.88%, 0.5%

LAB 55.79, 89.55, -46.91

 

CMYK 0 / 78 / 8 / 5

HEX #F235DF

RGB 242 53 223

HSL 306.03, 0.88%, 0.58%

LAB 58.74, 84.69, -45.6

 

CMYK 0 / 62 / 6 / 4

HEX #F45CE5

RGB 244 92 229

HSL 305.92, 0.87%, 0.66%

LAB 63.79, 73.43, -41

 

CMYK 0 / 47 / 5 / 3

HEX #F783EB

RGB 247 131 235

HSL 306.21, 0.88%, 0.74%

LAB 70.87, 57.93, -33.26

 

CMYK 0 / 77 / 7 / 5

HEX #F238E0

RGB 242 56 224

HSL 305.81, 0.88%, 0.58%

LAB 59.06, 84.08, -45.67

 

CMYK 0 / 56 / 78 / 5

HEX #F26B35

RGB 242 107 53

HSL 17.14, 0.88%, 0.58%

LAB 61.35, 48.99, 53.82

 

CMYK 78 / 0 / 25 / 5

HEX #35F2B6

RGB 53 242 182

HSL 160.95, 0.88%, 0.58%

LAB 85.83, -59.08, 16.17

 

CMYK 0 / 77 / 7 / 5

HEX #F238E0

RGB 242 56 224

HSL 305.81, 0.88%, 0.58%

LAB 59.06, 84.08, -45.67

 

CMYK 7 / 0 / 78 / 5

HEX #E2F235

RGB 226 242 53

HSL 65.08, 0.88%, 0.58%

LAB 91.65, -26.33, 81.33

 

CMYK 78 / 7 / 0 / 5

HEX #35E2F2

RGB 53 226 242

HSL 185.08, 0.88%, 0.58%

LAB 82.68, -36.54, -19.98

 

CMYK 0 / 77 / 7 / 5

HEX #F238E0

RGB 242 56 224

HSL 305.81, 0.88%, 0.58%

LAB 59.06, 84.08, -45.67

 

CMYK 0 / 56 / 78 / 5

HEX #F26B35

RGB 242 107 53

HSL 17.14, 0.88%, 0.58%

LAB 61.35, 48.99, 53.82

 

CMYK 78 / 0 / 71 / 5

HEX #35F245

RGB 53 242 69

HSL 125.08, 0.88%, 0.58%

LAB 84.32, -76.47, 66.76

 

CMYK 78 / 22 / 0 / 5

HEX #35BCF2

RGB 53 188 242

HSL 197.14, 0.88%, 0.58%

LAB 71.65, -17.78, -36.9

 

CMYK 0 / 77 / 7 / 5

HEX #F238E0

RGB 242 56 224

HSL 305.81, 0.88%, 0.58%

LAB 59.06, 84.08, -45.67

 

CMYK 0 / 33 / 78 / 5

HEX #F2A335

RGB 242 163 53

HSL 34.92, 0.88%, 0.58%

LAB 73.11, 20.5, 65.04

 

CMYK 78 / 0 / 71 / 5

HEX #35F245

RGB 53 242 69

HSL 125.08, 0.88%, 0.58%

LAB 84.32, -76.47, 66.76

 

CMYK 78 / 45 / 0 / 5

HEX #3584F2

RGB 53 132 242

HSL 214.92, 0.88%, 0.58%

LAB 55.76, 14.22, -62.02

 

Description

Color code: HEX #F238E0 | qconv.com Color code: HEX #F238E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 56 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 56 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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