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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F216EE it is the complementary color #0DE911. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F216EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F216EE shade: #F716E9, #FF28FC, #FF3AFF, #FF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F216EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F216EE shade: #F216EE, #E104DB, #D000C8, #BF00B5 and #AE00A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F216EE shade: #F117ED, #F117B2, #F11778, #F1173D and #F11717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F216EE shade: #F117ED, #BA17F1, #7F17F1, #4517F1 and #1717F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F216EE shade matches the following richer shades: #F117ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F216EE shade: #F117ED, #DD2BDA, #C93FC7, #B653B4 and #A266A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F216EE shade: #8017F1, #BB17F1, #F117ED, #F117B3 and #F11779

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F216EE shade: #AC0AA9, #D30CD0, #F117ED, #F33EF0 and #F665F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F216EE shade: #F216EE, #F14617 and #17F19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F216EE shade: #F216EE, #EDF117 and #17EDF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F216EE shade: #F216EE, #F14617, #17F11B and #17C2F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F216EE shade: #F216EE, #F18817, #17F11B and #1780F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 2 / 5

HEX #F216EE

RGB 242 22 238

HSL 301.09, 0.89%, 0.52%

LAB 57.68, 92.24, -55.72

 

Complementary color

CMYK 94 / 0 / 93 / 9

HEX #0DE911

RGB 13 233 17

HSL 121.09, 0.89%, 0.48%

LAB 80.96, -79.77, 76.19

 

CMYK 0 / 91 / 6 / 3

HEX #F716E9

RGB 247 22 233

HSL 303.73, 0.93%, 0.53%

LAB 58.26, 92.39, -51.95

 

CMYK 0 / 84 / 1 / 0

HEX #FF28FC

RGB 255 40 252

HSL 300.84, 1%, 0.58%

LAB 61.49, 93.9, -57.32

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 91 / 2 / 5

HEX #F216EE

RGB 242 22 238

HSL 301.09, 0.89%, 0.52%

LAB 57.68, 92.24, -55.72

 

CMYK 0 / 98 / 3 / 12

HEX #E104DB

RGB 225 4 219

HSL 301.63, 0.97%, 0.45%

LAB 53.18, 88.26, -52.35

 

CMYK 0 / 100 / 4 / 18

HEX #D000C8

RGB 208 0 200

HSL 302.31, 1%, 0.41%

LAB 48.98, 83.13, -48.31

 

CMYK 0 / 100 / 5 / 25

HEX #BF00B5

RGB 191 0 181

HSL 303.14, 1%, 0.37%

LAB 44.82, 77.62, -44.03

 

CMYK 0 / 100 / 7 / 32

HEX #AE00A2

RGB 174 0 162

HSL 304.14, 1%, 0.34%

LAB 40.59, 72.03, -39.65

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 0 / 90 / 26 / 5

HEX #F117B2

RGB 241 23 178

HSL 317.34, 0.89%, 0.52%

LAB 54.58, 84.36, -26.3

 

CMYK 0 / 90 / 50 / 5

HEX #F11778

RGB 241 23 120

HSL 333.3, 0.89%, 0.52%

LAB 52.59, 78.98, 5.23

 

CMYK 0 / 90 / 75 / 5

HEX #F1173D

RGB 241 23 61

HSL 349.54, 0.89%, 0.52%

LAB 51.44, 75.78, 39.19

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 23 / 90 / 0 / 5

HEX #BA17F1

RGB 186 23 241

HSL 284.86, 0.89%, 0.52%

LAB 48.76, 84.06, -72.25

 

CMYK 47 / 90 / 0 / 5

HEX #7F17F1

RGB 127 23 241

HSL 268.62, 0.89%, 0.52%

LAB 40.37, 77.11, -86.33

 

CMYK 71 / 90 / 0 / 5

HEX #4517F1

RGB 69 23 241

HSL 252.66, 0.89%, 0.52%

LAB 34.46, 73.01, -96.31

 

CMYK 90 / 90 / 0 / 5

HEX #1717F1

RGB 23 23 241

HSL 240, 0.89%, 0.52%

LAB 32.14, 71.65, -100.24

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 0 / 81 / 1 / 13

HEX #DD2BDA

RGB 221 43 218

HSL 301.01, 0.72%, 0.52%

LAB 54.2, 82.26, -50.19

 

CMYK 0 / 69 / 1 / 21

HEX #C93FC7

RGB 201 63 199

HSL 300.87, 0.56%, 0.52%

LAB 51.95, 69.48, -43.1

 

CMYK 0 / 54 / 1 / 29

HEX #B653B4

RGB 182 83 180

HSL 301.21, 0.4%, 0.52%

LAB 51.18, 53.19, -33.49

 

CMYK 0 / 37 / 1 / 36

HEX #A266A1

RGB 162 102 161

HSL 301, 0.24%, 0.52%

LAB 51.56, 33.71, -22.01

 

CMYK 47 / 90 / 0 / 5

HEX #8017F1

RGB 128 23 241

HSL 268.9, 0.89%, 0.52%

LAB 40.5, 77.21, -86.11

 

CMYK 22 / 90 / 0 / 5

HEX #BB17F1

RGB 187 23 241

HSL 285.14, 0.89%, 0.52%

LAB 48.92, 84.19, -71.99

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 0 / 90 / 26 / 5

HEX #F117B3

RGB 241 23 179

HSL 317.06, 0.89%, 0.52%

LAB 54.62, 84.47, -26.82

 

CMYK 0 / 90 / 50 / 5

HEX #F11779

RGB 241 23 121

HSL 333.03, 0.89%, 0.52%

LAB 52.61, 79.05, 4.66

 

CMYK 0 / 94 / 2 / 33

HEX #AC0AA9

RGB 172 10 169

HSL 301.11, 0.89%, 0.36%

LAB 40.98, 71.66, -43.24

 

CMYK 0 / 94 / 1 / 17

HEX #D30CD0

RGB 211 12 208

HSL 300.9, 0.89%, 0.44%

LAB 50.29, 83.82, -50.8

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 0 / 74 / 1 / 5

HEX #F33EF0

RGB 243 62 240

HSL 300.99, 0.88%, 0.6%

LAB 60.6, 85.01, -52.18

 

CMYK 0 / 59 / 1 / 4

HEX #F665F3

RGB 246 101 243

HSL 301.24, 0.89%, 0.68%

LAB 66.04, 72.52, -45.22

 

CMYK 0 / 91 / 2 / 5

HEX #F216EE

RGB 242 22 238

HSL 301.09, 0.89%, 0.52%

LAB 57.68, 92.24, -55.72

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

CMYK 90 / 0 / 34 / 5

HEX #17F19E

RGB 23 241 158

HSL 157.16, 0.89%, 0.52%

LAB 84.77, -66.08, 27.01

 

CMYK 0 / 91 / 2 / 5

HEX #F216EE

RGB 242 22 238

HSL 301.09, 0.89%, 0.52%

LAB 57.68, 92.24, -55.72

 

CMYK 2 / 0 / 90 / 5

HEX #EDF117

RGB 237 241 23

HSL 61.1, 0.89%, 0.52%

LAB 92.12, -22.08, 88.1

 

CMYK 90 / 2 / 0 / 5

HEX #17EDF1

RGB 23 237 241

HSL 181.1, 0.89%, 0.52%

LAB 85.56, -43.72, -15.15

 

CMYK 0 / 91 / 2 / 5

HEX #F216EE

RGB 242 22 238

HSL 301.09, 0.89%, 0.52%

LAB 57.68, 92.24, -55.72

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

CMYK 90 / 0 / 89 / 5

HEX #17F11B

RGB 23 241 27

HSL 121.1, 0.89%, 0.52%

LAB 83.53, -81.16, 76.95

 

CMYK 90 / 20 / 0 / 5

HEX #17C2F1

RGB 23 194 241

HSL 192.94, 0.89%, 0.52%

LAB 72.97, -23.33, -34.34

 

CMYK 0 / 91 / 2 / 5

HEX #F216EE

RGB 242 22 238

HSL 301.09, 0.89%, 0.52%

LAB 57.68, 92.24, -55.72

 

CMYK 0 / 44 / 90 / 5

HEX #F18817

RGB 241 136 23

HSL 31.1, 0.89%, 0.52%

LAB 66.8, 33.47, 69.07

 

CMYK 90 / 0 / 89 / 5

HEX #17F11B

RGB 23 241 27

HSL 121.1, 0.89%, 0.52%

LAB 83.53, -81.16, 76.95

 

CMYK 90 / 47 / 0 / 5

HEX #1780F1

RGB 23 128 241

HSL 211.1, 0.89%, 0.52%

LAB 54, 14.1, -64.33

 

Description

Color code: HEX #F216EE | qconv.com Color code: HEX #F216EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 22 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 22 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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