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Color name
HEX #F1E3DC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1E3DC it is the complementary color #0E1C23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1E3DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1E3DC shade: #F6E3D7, #FFF5EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1E3DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1E3DC shade: #F1E3DC, #E0D1C9, #CFBFB6, #BEADA3 and #AD9B90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1E3DC shade: #F0E1DA, #F0DBDA and #F0DADA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1E3DC shade: #F0E1DA, #F0E7DA, #F0EDDA, #EDF0DA and #E7F0DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1E3DC shade matches the following richer shades: #F0E1DA, #F4E0D6, #F8DFD2 and #FCDDCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1E3DC shade: #F0E1DA, #ECE3DE, #E8E4E2, #E4E5E6 and #DFE7EB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1E3DC shade: #F0DADE, #F0DBDA, #F0E1DA, #F0E7DA and #F0EDDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1E3DC shade: #D8B29F, #E4CABD, #F0E1DA and #FCF9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1E3DC shade: #F1E3DC, #E4F0DA and #DADBF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1E3DC shade: #F1E3DC, #DAF0E1 and #E1DAF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1E3DC shade: #F1E3DC, #E4F0DA, #DAE9F0 and #E6DAF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1E3DC shade: #F1E3DC, #DEF0DA, #DAE9F0 and #ECDAF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 9 / 5

HEX #F1E3DC

RGB 241 227 220

HSL 20, 0.43%, 0.9%

LAB 91.15, 3.59, 5.11

 

Complementary color

CMYK 60 / 20 / 0 / 86

HEX #0E1C23

RGB 14 28 35

HSL 200, 0.43%, 0.1%

LAB 9.36, -3.55, -6.69

 

CMYK 0 / 8 / 13 / 4

HEX #F6E3D7

RGB 246 227 215

HSL 23.23, 0.63%, 0.9%

LAB 91.43, 4.53, 8.19

 

CMYK 0 / 4 / 8 / 0

HEX #FFF5EA

RGB 255 245 234

HSL 31.43, 1%, 0.96%

LAB 97.03, 1.51, 6.47

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 6 / 9 / 5

HEX #F1E3DC

RGB 241 227 220

HSL 20, 0.43%, 0.9%

LAB 91.15, 3.59, 5.11

 

CMYK 0 / 7 / 10 / 12

HEX #E0D1C9

RGB 224 209 201

HSL 20.87, 0.27%, 0.83%

LAB 84.83, 3.84, 5.82

 

CMYK 0 / 8 / 12 / 19

HEX #CFBFB6

RGB 207 191 182

HSL 21.6, 0.21%, 0.76%

LAB 78.41, 4.12, 6.56

 

CMYK 0 / 9 / 14 / 25

HEX #BEADA3

RGB 190 173 163

HSL 22.22, 0.17%, 0.69%

LAB 71.88, 4.42, 7.34

 

CMYK 0 / 10 / 17 / 32

HEX #AD9B90

RGB 173 155 144

HSL 22.76, 0.15%, 0.62%

LAB 65.23, 4.76, 8.17

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 9 / 9 / 6

HEX #F0DBDA

RGB 240 219 218

HSL 2.73, 0.42%, 0.9%

LAB 89.04, 7.05, 3.1

 

CMYK 0 / 9 / 9 / 6

HEX #F0DADA

RGB 240 218 218

HSL 0, 0.42%, 0.9%

LAB 88.79, 7.57, 2.74

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 4 / 9 / 6

HEX #F0E7DA

RGB 240 231 218

HSL 35.45, 0.42%, 0.9%

LAB 92.02, 0.86, 7.4

 

CMYK 0 / 1 / 9 / 6

HEX #F0EDDA

RGB 240 237 218

HSL 51.82, 0.42%, 0.9%

LAB 93.52, -2.2, 9.55

 

CMYK 1 / 0 / 9 / 6

HEX #EDF0DA

RGB 237 240 218

HSL 68.18, 0.42%, 0.9%

LAB 94.05, -4.76, 10.28

 

CMYK 4 / 0 / 9 / 6

HEX #E7F0DA

RGB 231 240 218

HSL 84.55, 0.42%, 0.9%

LAB 93.61, -6.82, 9.6

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 8 / 12 / 4

HEX #F4E0D6

RGB 244 224 214

HSL 20, 0.58%, 0.9%

LAB 90.51, 5.21, 7.36

HEX #F4E0D6

CMYK 0 / 10 / 15 / 3

HEX #F8DFD2

RGB 248 223 210

HSL 20.53, 0.73%, 0.9%

LAB 90.5, 6.52, 9.48

HEX #F8DFD2

CMYK 0 / 12 / 18 / 1

HEX #FCDDCE

RGB 252 221 206

HSL 19.57, 0.88%, 0.9%

LAB 90.26, 8.38, 11.28

HEX #FCDDCE

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 4 / 6 / 7

HEX #ECE3DE

RGB 236 227 222

HSL 21.43, 0.27%, 0.9%

LAB 90.8, 2.2, 3.51

 

CMYK 0 / 2 / 3 / 9

HEX #E8E4E2

RGB 232 228 226

HSL 20, 0.12%, 0.9%

LAB 90.84, 1, 1.44

 

CMYK 1 / 0 / 0 / 10

HEX #E4E5E6

RGB 228 229 230

HSL 210, 0.04%, 0.9%

LAB 90.89, -0.15, -0.61

 

CMYK 5 / 2 / 0 / 8

HEX #DFE7EB

RGB 223 231 235

HSL 200, 0.23%, 0.9%

LAB 91.16, -1.92, -2.88

 

CMYK 0 / 9 / 8 / 6

HEX #F0DADE

RGB 240 218 222

HSL 349.09, 0.42%, 0.9%

LAB 88.9, 8.24, 0.78

 

CMYK 0 / 9 / 9 / 6

HEX #F0DBDA

RGB 240 219 218

HSL 2.73, 0.42%, 0.9%

LAB 89.04, 7.05, 3.1

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 4 / 9 / 6

HEX #F0E7DA

RGB 240 231 218

HSL 35.45, 0.42%, 0.9%

LAB 92.02, 0.86, 7.4

 

CMYK 0 / 1 / 9 / 6

HEX #F0EDDA

RGB 240 237 218

HSL 51.82, 0.42%, 0.9%

LAB 93.52, -2.2, 9.55

 

CMYK 0 / 18 / 26 / 15

HEX #D8B29F

RGB 216 178 159

HSL 20, 0.42%, 0.74%

LAB 75.42, 10.93, 14.87

 

CMYK 0 / 11 / 17 / 11

HEX #E4CABD

RGB 228 202 189

HSL 20, 0.42%, 0.82%

LAB 83.13, 7.05, 9.81

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 0 / 1 / 2 / 1

HEX #FCF9F8

RGB 252 249 248

HSL 15, 0.4%, 0.98%

LAB 98.12, 0.83, 0.82

 

CMYK 0 / 6 / 9 / 5

HEX #F1E3DC

RGB 241 227 220

HSL 20, 0.43%, 0.9%

LAB 91.15, 3.59, 5.11

 

CMYK 5 / 0 / 9 / 6

HEX #E4F0DA

RGB 228 240 218

HSL 92.73, 0.42%, 0.9%

LAB 93.4, -7.84, 9.26

 

CMYK 9 / 9 / 0 / 6

HEX #DADBF0

RGB 218 219 240

HSL 237.27, 0.42%, 0.9%

LAB 87.9, 3.63, -10.36

 

CMYK 0 / 6 / 9 / 5

HEX #F1E3DC

RGB 241 227 220

HSL 20, 0.43%, 0.9%

LAB 91.15, 3.59, 5.11

 

CMYK 9 / 0 / 6 / 6

HEX #DAF0E1

RGB 218 240 225

HSL 139.09, 0.42%, 0.9%

LAB 92.87, -9.97, 4.78

 

CMYK 6 / 9 / 0 / 6

HEX #E1DAF0

RGB 225 218 240

HSL 259.09, 0.42%, 0.9%

LAB 88.18, 6.42, -9.89

 

CMYK 0 / 6 / 9 / 5

HEX #F1E3DC

RGB 241 227 220

HSL 20, 0.43%, 0.9%

LAB 91.15, 3.59, 5.11

 

CMYK 5 / 0 / 9 / 6

HEX #E4F0DA

RGB 228 240 218

HSL 92.73, 0.42%, 0.9%

LAB 93.4, -7.84, 9.26

 

CMYK 9 / 3 / 0 / 6

HEX #DAE9F0

RGB 218 233 240

HSL 199.09, 0.42%, 0.9%

LAB 91.45, -3.62, -5.11

 

CMYK 4 / 9 / 0 / 6

HEX #E6DAF0

RGB 230 218 240

HSL 272.73, 0.42%, 0.9%

LAB 88.57, 8.06, -9.27

 

CMYK 0 / 6 / 9 / 5

HEX #F1E3DC

RGB 241 227 220

HSL 20, 0.43%, 0.9%

LAB 91.15, 3.59, 5.11

 

CMYK 8 / 0 / 9 / 6

HEX #DEF0DA

RGB 222 240 218

HSL 109.09, 0.42%, 0.9%

LAB 92.98, -9.87, 8.6

 

CMYK 9 / 3 / 0 / 6

HEX #DAE9F0

RGB 218 233 240

HSL 199.09, 0.42%, 0.9%

LAB 91.45, -3.62, -5.11

 

CMYK 2 / 9 / 0 / 6

HEX #ECDAF0

RGB 236 218 240

HSL 289.09, 0.42%, 0.9%

LAB 89.05, 10.05, -8.51

 

Description

Color code: HEX #F1E3DC | qconv.com Color code: HEX #F1E3DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 227 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 227 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 9% 5% C M Y K

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Provide designers and agencies with accurate color values.

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