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Color name
HEX #F1E494

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1E494 it is the complementary color #0E1B6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1E494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1E494 shade: #F6E48F, #FFF6A2, #FFFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1E494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1E494 shade: #F1E494, #E0D281, #CFC06E, #BEAE5B and #AD9C48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1E494 shade: #F0E392, #F0CA92, #F0B092, #F09792 and #F09292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1E494 shade: #F0E392, #E4F092, #CBF092, #B1F092 and #98F092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1E494 shade matches the following richer shades: #F0E392 and #FAEA88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1E494 shade: #F0E392, #E7DC9C, #DDD5A6, #D3CEB0 and #C9C7BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1E494 shade: #F0B092, #F0C992, #F0E292, #E5F092 and #CCF092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1E494 shade: #E7D149, #ECDA6E, #F0E392, #F5ECB7 and #FAF6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1E494 shade: #F1E494, #92F097 and #BD92F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1E494 shade: #F1E494, #92F0E2 and #E292F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1E494 shade: #F1E494, #92F097, #92A0F0 and #F092EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1E494 shade: #F1E494, #92F0B3, #92A0F0 and #F092CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 39 / 5

HEX #F1E494

RGB 241 228 148

HSL 51.61, 0.77%, 0.76%

LAB 90.01, -6.78, 40.63

 

Complementary color

CMYK 87 / 75 / 0 / 58

HEX #0E1B6B

RGB 14 27 107

HSL 231.61, 0.77%, 0.24%

LAB 15.16, 27.58, -47.49

 

CMYK 0 / 7 / 42 / 4

HEX #F6E48F

RGB 246 228 143

HSL 49.51, 0.85%, 0.76%

LAB 90.35, -5.36, 43.63

 

CMYK 0 / 4 / 36 / 0

HEX #FFF6A2

RGB 255 246 162

HSL 54.19, 1%, 0.82%

LAB 95.91, -8.86, 41.51

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 5 / 39 / 5

HEX #F1E494

RGB 241 228 148

HSL 51.61, 0.77%, 0.76%

LAB 90.01, -6.78, 40.63

 

CMYK 0 / 6 / 42 / 12

HEX #E0D281

RGB 224 210 129

HSL 51.16, 0.61%, 0.69%

LAB 83.72, -6.33, 41.8

 

CMYK 0 / 7 / 47 / 19

HEX #CFC06E

RGB 207 192 110

HSL 50.72, 0.5%, 0.62%

LAB 77.33, -5.81, 43.02

 

CMYK 0 / 8 / 52 / 25

HEX #BEAE5B

RGB 190 174 91

HSL 50.3, 0.43%, 0.55%

LAB 70.85, -5.19, 44.24

 

CMYK 0 / 10 / 58 / 32

HEX #AD9C48

RGB 173 156 72

HSL 49.9, 0.41%, 0.48%

LAB 64.27, -4.44, 45.44

 

CMYK 0 / 5 / 39 / 6

HEX #F0E392

RGB 240 227 146

HSL 51.7, 0.76%, 0.76%

LAB 89.64, -6.88, 41.14

 

CMYK 0 / 16 / 39 / 6

HEX #F0CA92

RGB 240 202 146

HSL 35.74, 0.76%, 0.76%

LAB 83.36, 5.93, 32.96

 

CMYK 0 / 27 / 39 / 6

HEX #F0B092

RGB 240 176 146

HSL 19.15, 0.76%, 0.76%

LAB 77.07, 19.61, 24.55

 

CMYK 0 / 37 / 39 / 6

HEX #F09792

RGB 240 151 146

HSL 3.19, 0.76%, 0.76%

LAB 71.37, 32.82, 16.72

 

CMYK 0 / 39 / 39 / 6

HEX #F09292

RGB 240 146 146

HSL 0, 0.76%, 0.76%

LAB 70.29, 35.44, 15.21

 

CMYK 0 / 5 / 39 / 6

HEX #F0E392

RGB 240 227 146

HSL 51.7, 0.76%, 0.76%

LAB 89.64, -6.88, 41.14

 

CMYK 5 / 0 / 39 / 6

HEX #E4F092

RGB 228 240 146

HSL 67.66, 0.76%, 0.76%

LAB 92.08, -17.93, 44.06

 

CMYK 15 / 0 / 39 / 6

HEX #CBF092

RGB 203 240 146

HSL 83.62, 0.76%, 0.76%

LAB 90.36, -27.23, 41.52

 

CMYK 26 / 0 / 39 / 6

HEX #B1F092

RGB 177 240 146

HSL 100.21, 0.76%, 0.76%

LAB 88.8, -36.39, 39.2

 

CMYK 37 / 0 / 39 / 6

HEX #98F092

RGB 152 240 146

HSL 116.17, 0.76%, 0.76%

LAB 87.52, -44.48, 37.28

 

CMYK 0 / 5 / 39 / 6

HEX #F0E392

RGB 240 227 146

HSL 51.7, 0.76%, 0.76%

LAB 89.64, -6.88, 41.14

 

CMYK 0 / 6 / 46 / 2

HEX #FAEA88

RGB 250 234 136

HSL 51.58, 0.92%, 0.76%

LAB 92.11, -7.48, 49.32

 

CMYK 0 / 5 / 39 / 6

HEX #F0E392

RGB 240 227 146

HSL 51.7, 0.76%, 0.76%

LAB 89.64, -6.88, 41.14

 

CMYK 0 / 5 / 32 / 9

HEX #E7DC9C

RGB 231 220 156

HSL 51.2, 0.61%, 0.76%

LAB 87.28, -5.67, 32.86

 

CMYK 0 / 4 / 25 / 13

HEX #DDD5A6

RGB 221 213 166

HSL 51.27, 0.45%, 0.76%

LAB 84.85, -4.6, 24.28

 

CMYK 0 / 2 / 17 / 17

HEX #D3CEB0

RGB 211 206 176

HSL 51.43, 0.28%, 0.76%

LAB 82.45, -3.26, 15.56

 

CMYK 0 / 1 / 7 / 21

HEX #C9C7BA

RGB 201 199 186

HSL 52, 0.12%, 0.76%

LAB 80.07, -1.6, 6.74

 

CMYK 0 / 27 / 39 / 6

HEX #F0B092

RGB 240 176 146

HSL 19.15, 0.76%, 0.76%

LAB 77.07, 19.61, 24.55

 

CMYK 0 / 16 / 39 / 6

HEX #F0C992

RGB 240 201 146

HSL 35.11, 0.76%, 0.76%

LAB 83.11, 6.45, 32.63

 

CMYK 0 / 6 / 39 / 6

HEX #F0E292

RGB 240 226 146

HSL 51.06, 0.76%, 0.76%

LAB 89.39, -6.38, 40.81

 

CMYK 5 / 0 / 39 / 6

HEX #E5F092

RGB 229 240 146

HSL 67.02, 0.76%, 0.76%

LAB 92.16, -17.55, 44.17

 

CMYK 15 / 0 / 39 / 6

HEX #CCF092

RGB 204 240 146

HSL 82.98, 0.76%, 0.76%

LAB 90.43, -26.87, 41.62

 

CMYK 0 / 10 / 68 / 9

HEX #E7D149

RGB 231 209 73

HSL 51.65, 0.77%, 0.6%

LAB 83.48, -7.25, 67.14

 

CMYK 0 / 8 / 53 / 7

HEX #ECDA6E

RGB 236 218 110

HSL 51.43, 0.77%, 0.68%

LAB 86.55, -7.3, 54.68

 

CMYK 0 / 5 / 39 / 6

HEX #F0E392

RGB 240 227 146

HSL 51.7, 0.76%, 0.76%

LAB 89.64, -6.88, 41.14

 

CMYK 0 / 4 / 25 / 4

HEX #F5ECB7

RGB 245 236 183

HSL 51.29, 0.76%, 0.84%

LAB 92.94, -5.07, 26.85

 

CMYK 0 / 2 / 12 / 2

HEX #FAF6DB

RGB 250 246 219

HSL 52.26, 0.76%, 0.92%

LAB 96.55, -3.11, 13.47

 

CMYK 0 / 5 / 39 / 5

HEX #F1E494

RGB 241 228 148

HSL 51.61, 0.77%, 0.76%

LAB 90.01, -6.78, 40.63

 

CMYK 39 / 0 / 37 / 6

HEX #92F097

RGB 146 240 151

HSL 123.19, 0.76%, 0.76%

LAB 87.32, -45.53, 34.48

 

CMYK 21 / 39 / 0 / 6

HEX #BD92F0

RGB 189 146 240

HSL 267.45, 0.76%, 0.76%

LAB 67.78, 34.27, -41.31

 

CMYK 0 / 5 / 39 / 5

HEX #F1E494

RGB 241 228 148

HSL 51.61, 0.77%, 0.76%

LAB 90.01, -6.78, 40.63

 

CMYK 39 / 0 / 6 / 6

HEX #92F0E2

RGB 146 240 226

HSL 171.06, 0.76%, 0.76%

LAB 88.89, -31.08, -2.03

 

CMYK 6 / 39 / 0 / 6

HEX #E292F0

RGB 226 146 240

HSL 291.06, 0.76%, 0.76%

LAB 71.57, 45.12, -35.12

 

CMYK 0 / 5 / 39 / 5

HEX #F1E494

RGB 241 228 148

HSL 51.61, 0.77%, 0.76%

LAB 90.01, -6.78, 40.63

 

CMYK 39 / 0 / 37 / 6

HEX #92F097

RGB 146 240 151

HSL 123.19, 0.76%, 0.76%

LAB 87.32, -45.53, 34.48

 

CMYK 39 / 33 / 0 / 6

HEX #92A0F0

RGB 146 160 240

HSL 231.06, 0.76%, 0.76%

LAB 67.68, 14.47, -41.71

 

CMYK 0 / 39 / 2 / 6

HEX #F092EC

RGB 240 146 236

HSL 302.55, 0.76%, 0.76%

LAB 72.98, 48.57, -30.62

 

CMYK 0 / 5 / 39 / 5

HEX #F1E494

RGB 241 228 148

HSL 51.61, 0.77%, 0.76%

LAB 90.01, -6.78, 40.63

 

CMYK 39 / 0 / 25 / 6

HEX #92F0B3

RGB 146 240 179

HSL 141.06, 0.76%, 0.76%

LAB 87.82, -40.79, 20.89

 

CMYK 39 / 33 / 0 / 6

HEX #92A0F0

RGB 146 160 240

HSL 231.06, 0.76%, 0.76%

LAB 67.68, 14.47, -41.71

 

CMYK 0 / 39 / 14 / 6

HEX #F092CF

RGB 240 146 207

HSL 321.06, 0.76%, 0.76%

LAB 71.95, 43.71, -16.25

 

Description

Color code: HEX #F1E494 | qconv.com Color code: HEX #F1E494 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 228 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 228 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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