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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1C630 it is the complementary color #0E39CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1C630. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1C630 shade: #F6C62B, #FFD83E, #FFEA51, #FFFC64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1C630. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1C630 shade: #F1C630, #E0B41D, #CFA20A, #BE9000 and #AD7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1C630 shade: #F0C631, #F09231, #F05F31 and #F03131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1C630 shade: #F0C631, #E7F031, #B4F031, #80F031 and #4DF031

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1C630 shade matches the following richer shades: #F0C631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1C630 shade: #F0C631, #DFBC43, #CDB255, #BBA867 and #A99E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1C630 shade: #F05E31, #F09131, #F0C431, #EAF031 and #B7F031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1C630 shade: #C29A0D, #E9B810, #F0C631, #F3D058 and #F6DB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1C630 shade: #F1C630, #38F031 and #7731F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1C630 shade: #F1C630, #31F0C4 and #C431F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1C630 shade: #F1C630, #38F031, #315EF0 and #EA31F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1C630 shade: #F1C630, #31F064, #315EF0 and #F031BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 80 / 5

HEX #F1C630

RGB 241 198 48

HSL 46.63, 0.87%, 0.57%

LAB 81.46, 1.58, 74.21

 

Complementary color

CMYK 93 / 72 / 0 / 19

HEX #0E39CF

RGB 14 57 207

HSL 226.63, 0.87%, 0.43%

LAB 32.97, 45.91, -79.35

 

CMYK 0 / 20 / 83 / 4

HEX #F6C62B

RGB 246 198 43

HSL 45.81, 0.92%, 0.57%

LAB 81.92, 3.56, 76.23

 

CMYK 0 / 15 / 76 / 0

HEX #FFD83E

RGB 255 216 62

HSL 47.88, 1%, 0.62%

LAB 87.35, -1.22, 75.6

 

CMYK 0 / 8 / 68 / 0

HEX #FFEA51

RGB 255 234 81

HSL 52.76, 1%, 0.66%

LAB 92, -9.4, 73.36

 

CMYK 0 / 1 / 61 / 0

HEX #FFFC64

RGB 255 252 100

HSL 58.84, 1%, 0.7%

LAB 96.74, -17.12, 70.86

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 18 / 80 / 5

HEX #F1C630

RGB 241 198 48

HSL 46.63, 0.87%, 0.57%

LAB 81.46, 1.58, 74.21

 

CMYK 0 / 20 / 87 / 12

HEX #E0B41D

RGB 224 180 29

HSL 46.46, 0.77%, 0.5%

LAB 75.19, 3.13, 73.29

 

CMYK 0 / 22 / 95 / 19

HEX #CFA20A

RGB 207 162 10

HSL 46.29, 0.91%, 0.43%

LAB 68.84, 4.91, 71.03

 

CMYK 0 / 24 / 100 / 25

HEX #BE9000

RGB 190 144 0

HSL 45.47, 1%, 0.37%

LAB 62.42, 6.94, 67

 

CMYK 0 / 27 / 100 / 32

HEX #AD7E00

RGB 173 126 0

HSL 43.7, 1%, 0.34%

LAB 55.89, 9.17, 61.64

 

CMYK 0 / 18 / 80 / 6

HEX #F0C631

RGB 240 198 49

HSL 46.81, 0.86%, 0.57%

LAB 81.37, 1.18, 73.8

 

CMYK 0 / 39 / 80 / 6

HEX #F09231

RGB 240 146 49

HSL 30.47, 0.86%, 0.57%

LAB 68.97, 28.48, 62.64

 

CMYK 0 / 60 / 80 / 6

HEX #F05F31

RGB 240 95 49

HSL 14.45, 0.86%, 0.57%

LAB 58.91, 53.61, 53.2

 

CMYK 0 / 80 / 80 / 6

HEX #F03131

RGB 240 49 49

HSL 0, 0.86%, 0.57%

LAB 52.89, 70.08, 47.31

 

CMYK 0 / 18 / 80 / 6

HEX #F0C631

RGB 240 198 49

HSL 46.81, 0.86%, 0.57%

LAB 81.37, 1.18, 73.8

 

CMYK 4 / 0 / 80 / 6

HEX #E7F031

RGB 231 240 49

HSL 62.83, 0.86%, 0.57%

LAB 91.47, -23.48, 82.36

 

CMYK 25 / 0 / 80 / 6

HEX #B4F031

RGB 180 240 49

HSL 78.85, 0.86%, 0.57%

LAB 88.09, -43.58, 78.07

 

CMYK 47 / 0 / 80 / 6

HEX #80F031

RGB 128 240 49

HSL 95.18, 0.86%, 0.57%

LAB 85.57, -61.19, 74.85

 

CMYK 68 / 0 / 80 / 6

HEX #4DF031

RGB 77 240 49

HSL 111.2, 0.86%, 0.57%

LAB 84.03, -73.54, 72.86

 

CMYK 0 / 18 / 80 / 6

HEX #F0C631

RGB 240 198 49

HSL 46.81, 0.86%, 0.57%

LAB 81.37, 1.18, 73.8

 

CMYK 0 / 18 / 80 / 6

HEX #F0C631

RGB 240 198 49

HSL 46.81, 0.86%, 0.57%

LAB 81.37, 1.18, 73.8

 

CMYK 0 / 16 / 70 / 13

HEX #DFBC43

RGB 223 188 67

HSL 46.54, 0.71%, 0.57%

LAB 77.32, -0.14, 63.03

 

CMYK 0 / 13 / 59 / 20

HEX #CDB255

RGB 205 178 85

HSL 46.5, 0.55%, 0.57%

LAB 73.2, -1.45, 50.23

 

CMYK 0 / 10 / 45 / 27

HEX #BBA867

RGB 187 168 103

HSL 46.43, 0.38%, 0.57%

LAB 69.15, -2.11, 36

 

CMYK 0 / 7 / 29 / 34

HEX #A99E78

RGB 169 158 120

HSL 46.53, 0.22%, 0.57%

LAB 65.16, -2.05, 21.34

 

CMYK 0 / 61 / 80 / 6

HEX #F05E31

RGB 240 94 49

HSL 14.14, 0.86%, 0.57%

LAB 58.74, 54.05, 53.04

 

CMYK 0 / 40 / 80 / 6

HEX #F09131

RGB 240 145 49

HSL 30.16, 0.86%, 0.57%

LAB 68.75, 29, 62.44

 

CMYK 0 / 18 / 80 / 6

HEX #F0C431

RGB 240 196 49

HSL 46.18, 0.86%, 0.57%

LAB 80.86, 2.22, 73.35

 

CMYK 3 / 0 / 80 / 6

HEX #EAF031

RGB 234 240 49

HSL 61.88, 0.86%, 0.57%

LAB 91.7, -22.25, 82.64

 

CMYK 24 / 0 / 80 / 6

HEX #B7F031

RGB 183 240 49

HSL 77.91, 0.86%, 0.57%

LAB 88.26, -42.46, 78.29

 

CMYK 0 / 21 / 93 / 24

HEX #C29A0D

RGB 194 154 13

HSL 46.74, 0.87%, 0.41%

LAB 65.44, 3.46, 67.51

 

CMYK 0 / 21 / 93 / 9

HEX #E9B810

RGB 233 184 16

HSL 46.45, 0.87%, 0.49%

LAB 77.07, 4.72, 77.47

 

CMYK 0 / 18 / 80 / 6

HEX #F0C631

RGB 240 198 49

HSL 46.81, 0.86%, 0.57%

LAB 81.37, 1.18, 73.8

 

CMYK 0 / 14 / 64 / 5

HEX #F3D058

RGB 243 208 88

HSL 46.45, 0.87%, 0.65%

LAB 84.42, -0.89, 62.31

 

CMYK 0 / 11 / 48 / 4

HEX #F6DB7F

RGB 246 219 127

HSL 46.39, 0.87%, 0.73%

LAB 87.87, -2.34, 48.37

 

CMYK 0 / 18 / 80 / 5

HEX #F1C630

RGB 241 198 48

HSL 46.63, 0.87%, 0.57%

LAB 81.46, 1.58, 74.21

 

CMYK 77 / 0 / 80 / 6

HEX #38F031

RGB 56 240 49

HSL 117.8, 0.86%, 0.57%

LAB 83.64, -76.85, 72.36

 

CMYK 50 / 80 / 0 / 6

HEX #7731F0

RGB 119 49 240

HSL 261.99, 0.86%, 0.57%

LAB 41.86, 68.53, -83.34

 

CMYK 0 / 18 / 80 / 5

HEX #F1C630

RGB 241 198 48

HSL 46.63, 0.87%, 0.57%

LAB 81.46, 1.58, 74.21

 

CMYK 80 / 0 / 18 / 6

HEX #31F0C4

RGB 49 240 196

HSL 166.18, 0.86%, 0.57%

LAB 85.48, -55.41, 8.39

 

CMYK 18 / 80 / 0 / 6

HEX #C431F0

RGB 196 49 240

HSL 286.18, 0.86%, 0.57%

LAB 52.09, 79.93, -66.22

 

CMYK 0 / 18 / 80 / 5

HEX #F1C630

RGB 241 198 48

HSL 46.63, 0.87%, 0.57%

LAB 81.46, 1.58, 74.21

 

CMYK 77 / 0 / 80 / 6

HEX #38F031

RGB 56 240 49

HSL 117.8, 0.86%, 0.57%

LAB 83.64, -76.85, 72.36

 

CMYK 80 / 61 / 0 / 6

HEX #315EF0

RGB 49 94 240

HSL 225.86, 0.86%, 0.57%

LAB 45.57, 36.89, -77.44

 

CMYK 3 / 80 / 0 / 6

HEX #EA31F0

RGB 234 49 240

HSL 298.12, 0.86%, 0.57%

LAB 58.02, 86.61, -56.38

 

CMYK 0 / 18 / 80 / 5

HEX #F1C630

RGB 241 198 48

HSL 46.63, 0.87%, 0.57%

LAB 81.46, 1.58, 74.21

 

CMYK 80 / 0 / 58 / 6

HEX #31F064

RGB 49 240 100

HSL 136.02, 0.86%, 0.57%

LAB 83.91, -73.2, 53.91

 

CMYK 80 / 61 / 0 / 6

HEX #315EF0

RGB 49 94 240

HSL 225.86, 0.86%, 0.57%

LAB 45.57, 36.89, -77.44

 

CMYK 0 / 80 / 21 / 6

HEX #F031BD

RGB 240 49 189

HSL 316.02, 0.86%, 0.57%

LAB 56.48, 80.76, -29.76

 

Description

Color code: HEX #F1C630 | qconv.com Color code: HEX #F1C630 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 198 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 198 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 80 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 80% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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