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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1A550 it is the complementary color #0E5AAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1A550. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1A550 shade: #F6A54B, #FFB75E, #FFC971, #FFDB84 and #FFED97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1A550. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1A550 shade: #F1A550, #E0933D, #CF812A, #BE6F17 and #AD5D04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1A550 shade: #F0A550, #F07950 and #F05050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1A550 shade: #F0A550, #F0D050, #E6F050, #BAF050 and #8FF050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1A550 shade matches the following richer shades: #F0A550

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1A550 shade: #F0A550, #E1A45F, #D2A36E, #C3A27E and #B3A18D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1A550 shade: #F05053, #F07850, #F0A350, #F0CE50 and #E8F050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1A550 shade: #DC7D11, #ED912A, #F0A550, #F3B876 and #F7CC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1A550 shade: #F1A550, #7DF050 and #6350F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1A550 shade: #F1A550, #50F0A3 and #A350F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1A550 shade: #F1A550, #7DF050, #509DF0 and #C350F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1A550 shade: #F1A550, #50F053, #509DF0 and #F050EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 67 / 5

HEX #F1A550

RGB 241 165 80

HSL 31.68, 0.85%, 0.63%

LAB 73.67, 20.27, 54.12

 

Complementary color

CMYK 92 / 49 / 0 / 31

HEX #0E5AAF

RGB 14 90 175

HSL 211.68, 0.85%, 0.37%

LAB 38.73, 11.95, -51.2

 

CMYK 0 / 33 / 70 / 4

HEX #F6A54B

RGB 246 165 75

HSL 31.58, 0.9%, 0.63%

LAB 74.2, 22.07, 57.15

 

CMYK 0 / 28 / 63 / 0

HEX #FFB75E

RGB 255 183 94

HSL 33.17, 1%, 0.68%

LAB 79.58, 17.41, 54.59

 

CMYK 0 / 21 / 56 / 0

HEX #FFC971

RGB 255 201 113

HSL 37.18, 1%, 0.72%

LAB 84.08, 9.37, 50.77

 

CMYK 0 / 14 / 48 / 0

HEX #FFDB84

RGB 255 219 132

HSL 42.44, 1%, 0.76%

LAB 88.73, 1.7, 47.17

 

CMYK 0 / 7 / 41 / 0

HEX #FFED97

RGB 255 237 151

HSL 49.62, 1%, 0.8%

LAB 93.48, -5.56, 43.82

 

CMYK 0 / 32 / 67 / 5

HEX #F1A550

RGB 241 165 80

HSL 31.68, 0.85%, 0.63%

LAB 73.67, 20.27, 54.12

 

CMYK 0 / 34 / 73 / 12

HEX #E0933D

RGB 224 147 61

HSL 31.66, 0.72%, 0.56%

LAB 67.32, 21.77, 55.41

 

CMYK 0 / 38 / 80 / 19

HEX #CF812A

RGB 207 129 42

HSL 31.64, 0.66%, 0.49%

LAB 60.9, 23.48, 56.39

 

CMYK 0 / 42 / 88 / 25

HEX #BE6F17

RGB 190 111 23

HSL 31.62, 0.78%, 0.42%

LAB 54.43, 25.43, 56.63

 

CMYK 0 / 46 / 98 / 32

HEX #AD5D04

RGB 173 93 4

HSL 31.6, 0.95%, 0.35%

LAB 47.91, 27.62, 55.49

 

CMYK 0 / 31 / 67 / 6

HEX #F0A550

RGB 240 165 80

HSL 31.88, 0.84%, 0.63%

LAB 73.56, 19.86, 53.96

 

CMYK 0 / 50 / 67 / 6

HEX #F07950

RGB 240 121 80

HSL 15.38, 0.84%, 0.63%

LAB 63.98, 42.69, 43.13

 

CMYK 0 / 67 / 67 / 6

HEX #F05050

RGB 240 80 80

HSL 0, 0.84%, 0.63%

LAB 56.92, 61.16, 34.71

 

CMYK 0 / 31 / 67 / 6

HEX #F0A550

RGB 240 165 80

HSL 31.88, 0.84%, 0.63%

LAB 73.56, 19.86, 53.96

 

CMYK 0 / 13 / 67 / 6

HEX #F0D050

RGB 240 208 80

HSL 48, 0.84%, 0.63%

LAB 84.08, -2.6, 65.22

 

CMYK 4 / 0 / 67 / 6

HEX #E6F050

RGB 230 240 80

HSL 63.75, 0.84%, 0.63%

LAB 91.56, -22.56, 72.64

 

CMYK 23 / 0 / 67 / 6

HEX #BAF050

RGB 186 240 80

HSL 80.25, 0.84%, 0.63%

LAB 88.61, -39.73, 68.68

 

CMYK 40 / 0 / 67 / 6

HEX #8FF050

RGB 143 240 80

HSL 96.38, 0.84%, 0.63%

LAB 86.37, -54.67, 65.65

 

CMYK 0 / 31 / 67 / 6

HEX #F0A550

RGB 240 165 80

HSL 31.88, 0.84%, 0.63%

LAB 73.56, 19.86, 53.96

 

CMYK 0 / 31 / 67 / 6

HEX #F0A550

RGB 240 165 80

HSL 31.88, 0.84%, 0.63%

LAB 73.56, 19.86, 53.96

 

CMYK 0 / 27 / 58 / 12

HEX #E1A45F

RGB 225 164 95

HSL 31.85, 0.68%, 0.63%

LAB 71.82, 15.16, 44.23

 

CMYK 0 / 22 / 48 / 18

HEX #D2A36E

RGB 210 163 110

HSL 31.8, 0.53%, 0.63%

LAB 70.19, 10.8, 34.11

 

CMYK 0 / 17 / 35 / 24

HEX #C3A27E

RGB 195 162 126

HSL 31.3, 0.37%, 0.63%

LAB 68.71, 7.01, 23.28

 

CMYK 0 / 10 / 21 / 30

HEX #B3A18D

RGB 179 161 141

HSL 31.58, 0.2%, 0.63%

LAB 67.27, 3.3, 12.81

 

CMYK 0 / 67 / 65 / 6

HEX #F05053

RGB 240 80 83

HSL 358.88, 0.84%, 0.63%

LAB 56.97, 61.33, 33.05

 

CMYK 0 / 50 / 67 / 6

HEX #F07850

RGB 240 120 80

HSL 15, 0.84%, 0.63%

LAB 63.78, 43.18, 42.9

 

CMYK 0 / 32 / 67 / 6

HEX #F0A350

RGB 240 163 80

HSL 31.13, 0.84%, 0.63%

LAB 73.09, 20.91, 53.45

 

CMYK 0 / 14 / 67 / 6

HEX #F0CE50

RGB 240 206 80

HSL 47.25, 0.84%, 0.63%

LAB 83.57, -1.58, 64.7

 

CMYK 3 / 0 / 67 / 6

HEX #E8F050

RGB 232 240 80

HSL 63, 0.84%, 0.63%

LAB 91.71, -21.76, 72.84

 

CMYK 0 / 43 / 92 / 14

HEX #DC7D11

RGB 220 125 17

HSL 31.92, 0.86%, 0.46%

LAB 61.59, 30.49, 65.36

 

CMYK 0 / 39 / 82 / 7

HEX #ED912A

RGB 237 145 42

HSL 31.69, 0.84%, 0.55%

LAB 68.33, 27.55, 64.48

 

CMYK 0 / 31 / 67 / 6

HEX #F0A550

RGB 240 165 80

HSL 31.88, 0.84%, 0.63%

LAB 73.56, 19.86, 53.96

 

CMYK 0 / 24 / 51 / 5

HEX #F3B876

RGB 243 184 118

HSL 31.68, 0.84%, 0.71%

LAB 78.84, 13.79, 41.59

 

CMYK 0 / 17 / 37 / 3

HEX #F7CC9C

RGB 247 204 156

HSL 31.65, 0.85%, 0.79%

LAB 84.67, 8.74, 29.62

 

CMYK 0 / 32 / 67 / 5

HEX #F1A550

RGB 241 165 80

HSL 31.68, 0.85%, 0.63%

LAB 73.67, 20.27, 54.12

 

CMYK 48 / 0 / 67 / 6

HEX #7DF050

RGB 125 240 80

HSL 103.13, 0.84%, 0.63%

LAB 85.63, -60.09, 64.64

 

CMYK 59 / 67 / 0 / 6

HEX #6350F0

RGB 99 80 240

HSL 247.13, 0.84%, 0.63%

LAB 45.19, 51.13, -77.94

 

CMYK 0 / 32 / 67 / 5

HEX #F1A550

RGB 241 165 80

HSL 31.68, 0.85%, 0.63%

LAB 73.67, 20.27, 54.12

 

CMYK 67 / 0 / 32 / 6

HEX #50F0A3

RGB 80 240 163

HSL 151.13, 0.84%, 0.63%

LAB 85.34, -58.76, 25.35

 

CMYK 32 / 67 / 0 / 6

HEX #A350F0

RGB 163 80 240

HSL 271.13, 0.84%, 0.63%

LAB 51.63, 62.39, -67.18

 

CMYK 0 / 32 / 67 / 5

HEX #F1A550

RGB 241 165 80

HSL 31.68, 0.85%, 0.63%

LAB 73.67, 20.27, 54.12

 

CMYK 48 / 0 / 67 / 6

HEX #7DF050

RGB 125 240 80

HSL 103.13, 0.84%, 0.63%

LAB 85.63, -60.09, 64.64

 

CMYK 67 / 35 / 0 / 6

HEX #509DF0

RGB 80 157 240

HSL 211.13, 0.84%, 0.63%

LAB 63.43, 2.13, -48.63

 

CMYK 19 / 67 / 0 / 6

HEX #C350F0

RGB 195 80 240

HSL 283.13, 0.84%, 0.63%

LAB 55.72, 68.98, -60.39

 

CMYK 0 / 32 / 67 / 5

HEX #F1A550

RGB 241 165 80

HSL 31.68, 0.85%, 0.63%

LAB 73.67, 20.27, 54.12

 

CMYK 67 / 0 / 65 / 6

HEX #50F053

RGB 80 240 83

HSL 121.13, 0.84%, 0.63%

LAB 84.3, -70.48, 61.64

 

CMYK 67 / 35 / 0 / 6

HEX #509DF0

RGB 80 157 240

HSL 211.13, 0.84%, 0.63%

LAB 63.43, 2.13, -48.63

 

CMYK 0 / 67 / 1 / 6

HEX #F050EE

RGB 240 80 238

HSL 300.75, 0.84%, 0.63%

LAB 62.03, 78.39, -48.83

 

Description

Color code: HEX #F1A550 | qconv.com Color code: HEX #F1A550 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 165 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 165 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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