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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F18287 it is the complementary color #0E7D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F18287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F18287 shade: #F68282, #FF9495, #FFA6A8, #FFB8BB and #FFCACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F18287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F18287 shade: #F18287, #E07074, #CF5E61, #BE4C4E and #AD3A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F18287 shade: #F18388 and #F18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F18287 shade: #F18388, #F183A5, #F183C3, #F183E1 and #E383F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F18287 shade matches the following richer shades: #F18388 and #FC777D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F18287 shade: #F18388, #E68E92, #DA999C, #CFA4A6 and #C4AFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F18287 shade: #F183C3, #F183A5, #F18388, #F19A83 and #F1B883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F18287 shade: #E83840, #ED5D64, #F18388, #F5A8AB and #F9CDCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F18287 shade: #F18287, #E0F183 and #83B4F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F18287 shade: #F18287, #88F183 and #8388F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F18287 shade: #F18287, #E0F183, #83F1EB and #9383F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F18287 shade: #F18287, #BFF183, #83F1EB and #B483F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 44 / 5

HEX #F18287

RGB 241 130 135

HSL 357.3, 0.8%, 0.73%

LAB 66.84, 42.86, 16.57

 

Complementary color

CMYK 89 / 0 / 4 / 51

HEX #0E7D78

RGB 14 125 120

HSL 177.3, 0.8%, 0.27%

LAB 47.13, -29.14, -5.43

 

CMYK 0 / 47 / 47 / 4

HEX #F68282

RGB 246 130 130

HSL 0, 0.87%, 0.74%

LAB 67.4, 44.17, 20.27

 

CMYK 0 / 42 / 42 / 0

HEX #FF9495

RGB 255 148 149

HSL 359.44, 1%, 0.79%

LAB 72.63, 40.23, 17.1

 

CMYK 0 / 35 / 34 / 0

HEX #FFA6A8

RGB 255 166 168

HSL 358.65, 1%, 0.83%

LAB 76.9, 33.09, 12.65

HEX #FFA6A8

CMYK 0 / 28 / 27 / 0

HEX #FFB8BB

RGB 255 184 187

HSL 357.46, 1%, 0.86%

LAB 81.36, 26.1, 8.7

HEX #FFB8BB

CMYK 0 / 21 / 19 / 0

HEX #FFCACE

RGB 255 202 206

HSL 355.47, 1%, 0.9%

LAB 85.99, 19.35, 5.19

HEX #FFCACE

CMYK 0 / 46 / 44 / 5

HEX #F18287

RGB 241 130 135

HSL 357.3, 0.8%, 0.73%

LAB 66.84, 42.86, 16.57

 

CMYK 0 / 50 / 48 / 12

HEX #E07074

RGB 224 112 116

HSL 357.86, 0.64%, 0.66%

LAB 60.51, 43.92, 18.29

 

CMYK 0 / 55 / 53 / 19

HEX #CF5E61

RGB 207 94 97

HSL 358.41, 0.54%, 0.59%

LAB 54.17, 44.99, 20.27

 

CMYK 0 / 60 / 59 / 25

HEX #BE4C4E

RGB 190 76 78

HSL 358.95, 0.47%, 0.52%

LAB 47.84, 46.03, 22.63

 

CMYK 0 / 66 / 66 / 32

HEX #AD3A3B

RGB 173 58 59

HSL 359.48, 0.5%, 0.45%

LAB 41.57, 46.92, 25.48

 

CMYK 0 / 46 / 44 / 5

HEX #F18388

RGB 241 131 136

HSL 357.27, 0.8%, 0.73%

LAB 67.06, 42.45, 16.32

 

CMYK 0 / 46 / 46 / 5

HEX #F18383

RGB 241 131 131

HSL 0, 0.8%, 0.73%

LAB 66.95, 41.96, 18.98

 

CMYK 0 / 46 / 44 / 5

HEX #F18388

RGB 241 131 136

HSL 357.27, 0.8%, 0.73%

LAB 67.06, 42.45, 16.32

 

CMYK 0 / 46 / 32 / 5

HEX #F183A5

RGB 241 131 165

HSL 341.45, 0.8%, 0.73%

LAB 67.76, 45.74, 0.98

 

CMYK 0 / 46 / 19 / 5

HEX #F183C3

RGB 241 131 195

HSL 325.09, 0.8%, 0.73%

LAB 68.66, 49.82, -14.54

 

CMYK 0 / 46 / 7 / 5

HEX #F183E1

RGB 241 131 225

HSL 308.73, 0.8%, 0.73%

LAB 69.73, 54.52, -29.57

 

CMYK 6 / 46 / 0 / 5

HEX #E383F1

RGB 227 131 241

HSL 292.36, 0.8%, 0.73%

LAB 68.69, 53.31, -40.14

 

CMYK 0 / 46 / 44 / 5

HEX #F18388

RGB 241 131 136

HSL 357.27, 0.8%, 0.73%

LAB 67.06, 42.45, 16.32

 

CMYK 0 / 53 / 50 / 1

HEX #FC777D

RGB 252 119 125

HSL 357.29, 0.96%, 0.73%

LAB 66.04, 51.22, 21.35

 

CMYK 0 / 46 / 44 / 5

HEX #F18388

RGB 241 131 136

HSL 357.27, 0.8%, 0.73%

LAB 67.06, 42.45, 16.32

 

CMYK 0 / 38 / 37 / 10

HEX #E68E92

RGB 230 142 146

HSL 357.27, 0.64%, 0.73%

LAB 68.2, 33.84, 12.1

 

CMYK 0 / 30 / 28 / 15

HEX #DA999C

RGB 218 153 156

HSL 357.23, 0.47%, 0.73%

LAB 69.53, 24.76, 8.22

 

CMYK 0 / 21 / 20 / 19

HEX #CFA4A6

RGB 207 164 166

HSL 357.21, 0.31%, 0.73%

LAB 71.26, 16.12, 5.01

 

CMYK 0 / 11 / 10 / 23

HEX #C4AFB0

RGB 196 175 176

HSL 357.14, 0.15%, 0.73%

LAB 73.24, 7.71, 2.24

 

CMYK 0 / 46 / 19 / 5

HEX #F183C3

RGB 241 131 195

HSL 325.09, 0.8%, 0.73%

LAB 68.66, 49.82, -14.54

 

CMYK 0 / 46 / 32 / 5

HEX #F183A5

RGB 241 131 165

HSL 341.45, 0.8%, 0.73%

LAB 67.76, 45.74, 0.98

 

CMYK 0 / 46 / 44 / 5

HEX #F18388

RGB 241 131 136

HSL 357.27, 0.8%, 0.73%

LAB 67.06, 42.45, 16.32

 

CMYK 0 / 36 / 46 / 5

HEX #F19A83

RGB 241 154 131

HSL 12.55, 0.8%, 0.73%

LAB 71.86, 30.04, 25.64

 

CMYK 0 / 24 / 46 / 5

HEX #F1B883

RGB 241 184 131

HSL 28.91, 0.8%, 0.73%

LAB 78.82, 14.19, 34.83

 

CMYK 0 / 76 / 72 / 9

HEX #E83840

RGB 232 56 64

HSL 357.27, 0.79%, 0.56%

LAB 52.24, 66.36, 37.9

 

CMYK 0 / 61 / 58 / 7

HEX #ED5D64

RGB 237 93 100

HSL 357.08, 0.8%, 0.65%

LAB 58.75, 56.04, 25.46

 

CMYK 0 / 46 / 44 / 5

HEX #F18388

RGB 241 131 136

HSL 357.27, 0.8%, 0.73%

LAB 67.06, 42.45, 16.32

 

CMYK 0 / 31 / 30 / 4

HEX #F5A8AB

RGB 245 168 171

HSL 357.66, 0.79%, 0.81%

LAB 76.29, 28.75, 9.99

 

CMYK 0 / 18 / 17 / 2

HEX #F9CDCF

RGB 249 205 207

HSL 357.27, 0.79%, 0.89%

LAB 86.16, 15.79, 4.84

 

CMYK 0 / 46 / 44 / 5

HEX #F18287

RGB 241 130 135

HSL 357.3, 0.8%, 0.73%

LAB 66.84, 42.86, 16.57

 

CMYK 7 / 0 / 46 / 5

HEX #E0F183

RGB 224 241 131

HSL 69.27, 0.8%, 0.73%

LAB 91.86, -21.51, 50.96

 

CMYK 46 / 25 / 0 / 5

HEX #83B4F1

RGB 131 180 241

HSL 213.27, 0.8%, 0.73%

LAB 72.11, -0.27, -35.43

 

CMYK 0 / 46 / 44 / 5

HEX #F18287

RGB 241 130 135

HSL 357.3, 0.8%, 0.73%

LAB 66.84, 42.86, 16.57

 

CMYK 44 / 0 / 46 / 5

HEX #88F183

RGB 136 241 131

HSL 117.27, 0.8%, 0.73%

LAB 86.89, -51.77, 43.69

 

CMYK 46 / 44 / 0 / 5

HEX #8388F1

RGB 131 136 241

HSL 237.27, 0.8%, 0.73%

LAB 60.59, 24.95, -53.52

 

CMYK 0 / 46 / 44 / 5

HEX #F18287

RGB 241 130 135

HSL 357.3, 0.8%, 0.73%

LAB 66.84, 42.86, 16.57

 

CMYK 7 / 0 / 46 / 5

HEX #E0F183

RGB 224 241 131

HSL 69.27, 0.8%, 0.73%

LAB 91.86, -21.51, 50.96

 

CMYK 46 / 0 / 2 / 5

HEX #83F1EB

RGB 131 241 235

HSL 176.73, 0.8%, 0.73%

LAB 88.8, -33.02, -6.94

 

CMYK 39 / 46 / 0 / 5

HEX #9383F1

RGB 147 131 241

HSL 248.73, 0.8%, 0.73%

LAB 60.59, 31.71, -53.44

 

CMYK 0 / 46 / 44 / 5

HEX #F18287

RGB 241 130 135

HSL 357.3, 0.8%, 0.73%

LAB 66.84, 42.86, 16.57

 

CMYK 21 / 0 / 46 / 5

HEX #BFF183

RGB 191 241 131

HSL 87.27, 0.8%, 0.73%

LAB 89.69, -33.8, 47.79

 

CMYK 46 / 0 / 2 / 5

HEX #83F1EB

RGB 131 241 235

HSL 176.73, 0.8%, 0.73%

LAB 88.8, -33.02, -6.94

 

CMYK 25 / 46 / 0 / 5

HEX #B483F1

RGB 180 131 241

HSL 266.73, 0.8%, 0.73%

LAB 63.58, 40.27, -48.52

 

Description

Color code: HEX #F18287 | qconv.com Color code: HEX #F18287 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 130 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 130 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 44% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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